Poems
The Traveller, The Deserted Village, Retaliation and the lighter pieces: Goldsmith's elegy for a depopulated countryside and the rest of his verse, in heroic couplets and ballad measures.
What this poem is
The Deserted Village is a poem by Oliver Goldsmith published in 1770. It is a work of social commentary, and condemns rural depopulation and the pursuit of excessive wealth.
The poem is written in heroic couplets, and describes the decline of a village and the emigration of many of its residents to America. In the poem, Goldsmith criticises rural depopulation, the moral corruption found in towns, consumerism, enclosure, landscape gardening, avarice, and the pursuit of wealth from international trade. The poem employs, in the words of one critic, "deliberately precise obscurity", and does not reveal the reason why the village has been deserted. The poem was very popular in the eighteenth and nineteenth centuries, but also provoked critical responses, including from other poets such as George Crabbe. References to the poem, and particularly its ominous "Ill fares the land" warning, have appeared in a number of other contexts.
Goldsmith grew up in the hamlet of Lissoy in Ireland. In the 1760s, he travelled extensively around England, visiting many small settlements at a time when the enclosure movement was at its height.
The poem is dedicated to the artist Sir Joshua Reynolds, with whom Goldsmith was a close friend and founding member, along with Samuel Johnson, of a dining society called The Club. Reynolds had helped to promote Goldsmith's play The Good-Natur'd Man to the actor and theatre manager David Garrick, and had facilitated Goldsmith's appointment as the historian of the Royal Academy.
Adapted from the Wikipedia article “The Deserted Village” (revision 1368380483), used under CC BY-SA 4.0. Laurel's own notes and measurements are not from Wikipedia.
Measured across the book
Across its 3,464 lines, 94% of stressed syllables fall on the beat (95% interval 93% to 94%). Alliteration runs at 1.06 times what shuffling the words would give (0.34 observed against 0.32 expected). 12% of the lines have a feminine ending.
Baselines and intervals are described in the methods.
Contents
About this text
Public domain. Text from The Complete Poetical Works of Oliver Goldsmith, Project Gutenberg ebook #3545. Free to read, print, copy and reuse.