Epilogue to ‘The Sister’
WHAT! five long acts—and all to make us wiser!Our authoress sure has wanted an adviser.Had she consulted me, she should have madeHer moral play a speaking masquerade;Warm’d up each bustling scene, and in her rageHave emptied all the green-room on the stage.My life on’t, this had kept her play from sinking;Have pleas’d our eyes, and sav’d the pain of thinking.Well! since she thus has shown her want of skill,What if I give a masquerade?—I will.But how? ay, there’s the rub! (pausing)—I’ve got my cue:The world’s a masquerade! the maskers, you, you, you.(To Boxes, Pit, and Gallery.)——, what a group the motley scene discloses!False wits, false wives, false virgins, and false spouses!Statesmen with bridles on; and, close beside ’em,Patriots, in party-coloured suits, that ride ’em.There Hebes, turn’d of fifty, try once moreTo raise a flame in Cupids of threescore.These in their turn, with appetites as keen,Deserting fifty, fasten on fifteen,Miss, not yet full fifteen, with fire uncommon,Flings down her sampler, and takes up the woman:The little urchin smiles, and spreads her lure,And tries to kill, ere she’s got power to cure.Thus ’tis with all—their chief and constant careIs to seem everything but what they are.Yon broad, bold, angry spark, I fix my eye on,Who seems to have robb’d his vizor from the lion;Who frowns, and talks, and swears, with round parade,Looking as who should say, D——! who’s afraid?(Mimicking)
Strip but his vizor off, and sure I amYou’ll find his lionship a very lamb.Yon politician, famous in debate,Perhaps, to vulgar eyes, bestrides the state;Yet, when he deigns his real shape t’ assume,He turns old woman, and bestrides a broom.Yon patriot, too, who presses on your sight,And seems to every gazer all in white,If with a bribe his candour you attack,He bows, turns round, and whip—the man’s a black!Yon critic, too—but whither do I run?If I proceed, our bard will be undone!Well then a truce, since she requests it too:Do you spare her, and I’ll for once spare you.
Words in this poem
- authoress n.
- A female author. Glover.
- bustling a.
- Agitated; noisy; tumultuous; characterized by confused activity; as, a bustling crowd.
- sampler n.
- One who makes up samples for inspection; one who examines samples, or by samples; as, a wool sampler. [See Exampler, Exemplar.]
- angry a.
- Troublesome; vexatious; rigorous. [See Anger.]
- lionship n.
- The state of being a lion.
- bribe n.
- A gift begged; a present. [F. bribe a lump of bread, scraps, leavings of meals (that are generally given to a beggar), LL. briba scrap of bread; cf. OF. briber, brifer, to eat gluttonousl]
- candour n.
- Whiteness; brightness; (as applied to moral conditions) usullied purity; innocence. [L. candor, fr. candëre; cf. F. candeur. See candid.]
- whither adv.
- To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
- undone a.
- Not done or performed; neglected. [Pref. un- not + done.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Epilogue to ‘The Sister’ is in the public domain. This text is taken from The Complete Poetical Works of Oliver Goldsmith, Project Gutenberg ebook #3545; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Oliver Goldsmith, Epilogue to ‘The Sister’, in Poems (1764–1774), text of Project Gutenberg ebook #3545, Laurel, https://laurelpoetry.com/poem/goldsmith-poems/epilogue-to-the-sister.html, id L00439.
Form and metre
Epilogue to ‘The Sister’ is 46 lines in 2 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 10 lines end on an unstressed syllable, a feminine ending. 11% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFF-----GGHHHHII--JJKK- wiserA · adviserA · madeB · masqueradeB · rageC · stageC · sinkingD · thinkingD · skillE · willE · cueF · youF · gallery · discloses · spouses · em · em · moreG · threescoreG · keenH · fifteenH · uncommonH · womanH · lureI · cureI · care · are · onJ · lionJ · paradeK · afraidK · mimicking
- 2 AABBCCDDEEFFGG amA · lambA · debateB · stateB · assumeC · broomC · sightD · whiteD · attackE · blackE · runF · undoneF · tooG · youG
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| WHAT! five long acts—and all to make us wiser! | 11 | ·········/˘ |
| Our authoress sure has wanted an adviser. | 11 | //˘˘··/˘·˘/ |
| Had she consulted me, she should have made | 10 | ··˘/˘····· |
| Her moral play a speaking masquerade; | 10 | ·/˘··/˘·˘/ |
| Warm’d up each bustling scene, and in her rage | 10 | ···/˘····· |
| Have emptied all the green-room on the stage. | 10 | ·/˘······· |
| My life on’t, this had kept her play from sinking; | 11 | ·········/˘ |
| Have pleas’d our eyes, and sav’d the pain of thinking. | 11 | ··/······/˘ |
| Well! since she thus has shown her want of skill, | 10 | ·········· |
| What if I give a masquerade?—I will. | 10 | ······˘/·· |
| But how? ay, there’s the rub! (pausing)—I’ve got my cue: | 12 | ······/˘···· |
| The world’s a masquerade! the maskers, you, you, you. | 12 | ····˘/·/˘··· |
| (To Boxes, Pit, and Gallery.) | 8 | ·/˘··/˘˘ |
| ——, what a group the motley scene discloses! | 10 | ····/˘·˘/˘ |
| False wits, false wives, false virgins, and false spouses! | 11 | ·····/˘··/˘ |
| Statesmen with bridles on; and, close beside ’em, | 11 | /˘·/˘···˘/· |
| Patriots, in party-coloured suits, that ride ’em. | 11 | /˘·/˘/˘···· |
| There Hebes, turn’d of fifty, try once more | 9 | ····/˘··· |
| To raise a flame in Cupids of threescore. | 10 | ·····/˘·/˘ |
| These in their turn, with appetites as keen, | 10 | ·····/˘··· |
| Deserting fifty, fasten on fifteen, | 10 | /˘˘/˘/˘·˘/ |
| Miss, not yet full fifteen, with fire uncommon, | 11 | ····˘/·/˘/˘ |
| Flings down her sampler, and takes up the woman: | 11 | ···/˘····/˘ |
| The little urchin smiles, and spreads her lure, | 10 | ·/˘/˘····· |
| And tries to kill, ere she’s got power to cure. | 10 | ·······/·· |
| Thus ’tis with all—their chief and constant care | 10 | ·······/˘· |
| Is to seem everything but what they are. | 10 | ···/˘····· |
| Yon broad, bold, angry spark, I fix my eye on, | 11 | ···/˘······ |
| Who seems to have robb’d his vizor from the lion; | 11 | ······/˘··/ |
| Who frowns, and talks, and swears, with round parade, | 10 | ········˘/ |
| Looking as who should say, D——! who’s afraid? | 10 | /˘······˘/ |
| (Mimicking) | 3 | /˘˘ |
| Strip but his vizor off, and sure I am | 10 | ···/˘····· |
| You’ll find his lionship a very lamb. | 10 | ···/˘˘·/˘· |
| Yon politician, famous in debate, | 10 | ··˘/˘/˘·˘/ |
| Perhaps, to vulgar eyes, bestrides the state; | 10 | ˘/·/˘····· |
| Yet, when he deigns his real shape t’ assume, | 10 | ········˘/ |
| He turns old woman, and bestrides a broom. | 10 | ···/˘····· |
| Yon patriot, too, who presses on your sight, | 10 | ·/˘··/˘··· |
| And seems to every gazer all in white, | 10 | ···/˘/˘··· |
| If with a bribe his candour you attack, | 10 | ·····/˘·˘/ |
| He bows, turns round, and whip—the man’s a black! | 10 | ·········· |
| Yon critic, too—but whither do I run? | 10 | ·/˘··/˘··· |
| If I proceed, our bard will be undone! | 10 | ··˘//···˘/ |
| Well then a truce, since she requests it too: | 10 | ······˘/·· |
| Do you spare her, and I’ll for once spare you. | 10 | ·········· |
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