Epilogue for Mr. Lee Lewes

Oliver Goldsmith (c. 1730–1774) · 1764–1774

iambic pentameter · heroic couplets · 108 lines · from Poems

HOLD! Prompter, hold! a word before your nonsense;I’d speak a word or two, to ease my conscience.My pride forbids it ever should be said,My heels eclips’d the honours of my head;That I found humour in a piebald vest,Or ever thought that jumping was a jest.(Takes off his mask.)Whence, and what art thou, visionary birth?Nature disowns, and reason scorns thy mirth,In thy black aspect every passion sleeps,The joy that dimples, and the woe that weeps.How has thou fill’d the scene with all thy brood,Of fools pursuing, and of fools pursu’d!Whose ins and outs no ray of sense discloses,Whose only plot it is to break our noses;Whilst from below the trap-door Demons rise,And from above the dangling deities;And shall I mix in this unhallow’d crew?May rosined lightning blast me, if I do!No—I will act, I’ll vindicate the stage:Shakespeare himself shall feel my tragic rage.Off! off! vile trappings! a new passion reigns!The madd’ning monarch revels in my veins.Oh! for a Richard’s voice to catch the theme:‘Give me another horse! bind up my wounds!—soft—’twas but a dream.’Aye, ’twas but a dream, for now there’s no retreating:If I cease Harlequin, I cease from eating.’Twas thus that Aesop’s stag, a creature blameless,Yet something vain, like one that shall be nameless,Once on the margin of a fountain stood,And cavill’d at his image in the flood.‘The deuce confound,’ he cries, ‘these drumstick shanks,They never have my gratitude nor thanks;They’re perfectly disgraceful! strike me dead!But for a head, yes, yes, I have a head.How piercing is that eye! how sleek that brow!My horns! I’m told horns are the fashion now.’Whilst thus he spoke, astonish’d, to his view,Near, and more near, the hounds and huntsmen drew.‘Hoicks! hark forward!’ came thund’ring from behind,He bounds aloft, outstrips the fleeting wind:He quits the woods, and tries the beaten ways;He starts, he pants, he takes the circling maze.At length his silly head, so priz’d before,Is taught his former folly to deplore;Whilst his strong limbs conspire to set him free,And at one bound he saves himself,—like me.(Taking a jump through the stage door.)

Why, sure the girl’s beside herself: an Epilogue of singing,A hopeful end indeed to such a blest beginning.Besides, a singer in a comic set!—Excuse me, Ma’am, I know the etiquette.

And she, whose party’s largest, shall proceed.And first I hope, you’ll readily agreeI’ve all the critics and the wits for me.They, I am sure, will answer my commands:Ye candid-judging few, hold up your hands.What! no return? I find too late, I fear,That modern judges seldom enter here.

Turn, my fairest, turn, if everStrephon caught thy ravish’d eye;Pity take on your swain so clever,Who without your aid must die.Yes, I shall die, hu, hu, hu, hu!Yes, I must die, ho, ho, ho, ho!(Da capo.)

Let all the old pay homage to your merit;Give me the young, the gay, the men of spirit.Ye travell’d tribe, ye macaroni train,Of French friseurs, and nosegays, justly vain,Who take a trip to Paris once a yearTo dress, and look like awkward Frenchmen here,Lend me your hands.—Oh! fatal news to tell:Their hands are only lent to the Heinel.

Ay, take your travellers, travellers indeed!Give me my bonny Scot, that travels from the Tweed.Where are the chiels? Ah! Ah, I well discernThe smiling looks of each bewitching bairn.

I’ll sing to amuse you by night and by day,And be unco merry when you are but gay;When you with your bagpipes are ready to play,My voice shall be ready to carol awayWith Sandy, and Sawney, and JockeyWith Sawney, and Jarvie, and Jockey.

Ye gamesters, who, so eager in pursuit,Make but of all your fortune one va toute;Ye jockey tribe, whose stock of words are few,‘I hold the odds.—Done, done, with you, with you;’Ye barristers, so fluent with grimace,‘My Lord,—your Lordship misconceives the case;’Doctors, who cough and answer every misfortuner,‘I wish I’d been called in a little sooner:’Assist my cause with hands and voices hearty;Come, end the contest here, and aid my party.

Ye brave Irish lads, hark away to the crack,Assist me, I pray, in this woful attack;For sure I don’t wrong you, you seldom are slack,When the ladies are calling, to blush and hang back;For you’re always polite and attentive,Still to amuse us inventive,And death is your only preventive:Your hands and your voices for me.

And now with late repentance,Un-epilogued the Poet waits his sentence.Condemn the stubborn fool who can’t submitTo thrive by flattery, though he starves by wit.(Exeunt.)

Words in this poem 22
prompter n.
One who, or that which, prompts; one who admonishes or incites to action.
conscience n.
Knowledge of one's own thoughts or actions; consciousness. [F. conscience, fr. L. conscientia, fr. consciens, p.pr. of conscire to know, to be conscious; con- + scire to know. See Science.]
humour n.
Moisture, especially, the moisture or fluid of animal bodies, as the chyle, lymph, etc.; as, the humors of the eye, etc. [OE. humour, OF. humor, umor, F. humeur, L. humor, umor, moisture, fluid, fr. humere, umere, to be moist. See Humid.]
vest n.
An article of clothing covering the person; an outer garment; a vestment; a dress; a vesture; a robe. [L. vestis a garment, vesture; akin to Goth. wasti, and E. wear: cf. F. veste. See Wear to carry on the person, and cf. Divest, Invest, Travesty.]
jest n.
A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
nameless a.
Without a name; not having been given a name; as, a nameless star.
drumstick n.
A stick with which a drum is beaten.
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
maze n.
A wild fancy; a confused notion. [OE. mase; cf. OE. masen to confuse, puzzle, Norweg. masast to fall into a slumber, masa to be continually busy, prate, chatter, Icel. masa to chatter, dial. Sw.]
deplore v. t.
To feel or to express deep and poignant grief for; to bewail; to lament; to mourn; to sorrow over. [L. deplorare; de- + plorare to cry out, wail, lament; prob. akin to pluere to rain, and to E. flow: cf. F. déplorer. Cf. Flow.]
hopeful a.
Full of hope, or agreeable expectation; inclined to hope; expectant.
macaroni n.
Long slender tubes made of a paste chiefly of wheat flour, and used as an article of food; Italian or Genoese paste.
bonny a.
Handsome; beautiful; pretty; attractively lively and graceful. [OE. boni, prob. fr. F. bon, fem. bonne, good, fr. L. bonus good. See Bounty, and cf. Bonus, Boon.]
tweed n.
A soft and flexible fabric for men's wear, made wholly of wool except in some inferior kinds, the wool being dyed, usually in two colors, before weaving. [Probably a corruption of twills. See Twill.]
amuse v. t.
To occupy or engage the attention of; to lose in deep thought; to absorb; also, to distract; to bewilder. [F. amuser to make stay, to detain, to amuse, ad) + OF. muser. See Muse, v.]
unco a.
Unknown; strange, or foreign; unusual, or surprising; distant in manner; reserved. [Scot. The same word as E. uncouth.]
carol v. t.
To praise or celebrate in song.
odds n.
Difference in favor of one and against another; excess of one of two things or numbers over the other; inequality; advantage; superiority; hence, excess of chances; probability. [See Odd, a.]
woful a.
Full of woe; sorrowful; distressed with grief or calamity; afflicted; wretched; unhappy; sad.
polite a.
Smooth; polished. [L. politus, p. p. of polire to polish: cf. F. poli. See Polish, v.]
exeunt
They go out, or retire from the scene; as, exeunt all except Hamlet. See 1st Exit. [L., 3d pers. pl. pres. of exire to go out.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Epilogue for Mr. Lee Lewes is in the public domain. This text is taken from The Complete Poetical Works of Oliver Goldsmith, Project Gutenberg ebook #3545; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Oliver Goldsmith, Epilogue for Mr. Lee Lewes, in Poems (1764–1774), text of Project Gutenberg ebook #3545, Laurel, https://laurelpoetry.com/poem/goldsmith-poems/epilogue-for-mr-lee-lewes.html, id L00450.

Form and metre

Epilogue for Mr. Lee Lewes is 108 lines in 10 verse paragraphs. It is in rhyming couplets, 61% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 9.9 syllables. 29 lines end on an unstressed syllable, a feminine ending. 6% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --AABB-CCDDEEFFFFGGHHIIJ-JKKLLMMNNOOPPQQRRSSTTUUT nonsense · conscience · saidA · headA · vestB · jestB · mask · birthC · mirthC · sleepsD · weepsD · broodE · pursu'dE · disclosesF · nosesF · riseF · deitiesF · crewG · doG · stageH · rageH · reignsI · veinsI · themeJ · soft · dreamJ · retreatingK · eatingK · blamelessL · namelessL · stoodM · floodM · shanksN · thanksN · deadO · headO · browP · nowP · viewQ · drewQ · behindR · windR · waysS · mazeS · beforeT · deploreT · freeU · meU · doorT
  2. 2 --AA singing · beginning · setA · etiquetteA
  3. 3 -AABBCC proceed · agreeA · meA · commandsB · handsB · fearC · hereC
  4. 4 ABAB--- everA · eyeB · cleverA · dieB · hu · ho · capo
  5. 5 --AABB-- merit · spirit · trainA · vainA · yearB · hereB · tell · heinel
  6. 6 AA-- indeedA · tweedA · discern · bairn
  7. 7 AAAABB dayA · gayA · playA · awayA · jockeyB · jockeyB
  8. 8 --AABBCCDD pursuit · toute · fewA · youA · grimaceB · caseB · misfortunerC · soonerC · heartyD · partyD
  9. 9 AAAABBB- crackA · attackA · slackA · backA · attentiveB · inventiveB · preventiveB · me
  10. 10 AABB- repentanceA · sentenceA · submitB · witB · exeunt
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
HOLD! Prompter, hold! a word before your nonsense;11·/˘······/˘
I’d speak a word or two, to ease my conscience.11·········/˘
My pride forbids it ever should be said,10··˘/·/˘···
My heels eclips’d the honours of my head;10··˘/·/˘···
That I found humour in a piebald vest,10···/˘··/··
Or ever thought that jumping was a jest.10·/˘··/˘···
(Takes off his mask.)4····
Whence, and what art thou, visionary birth?10·····/˘·˘·
Nature disowns, and reason scorns thy mirth,10/˘˘/·/˘···
In thy black aspect every passion sleeps,10···/·/˘/˘·
The joy that dimples, and the woe that weeps.10···/˘·····
How has thou fill’d the scene with all thy brood,10··········
Of fools pursuing, and of fools pursu’d!10··˘/˘···˘/
Whose ins and outs no ray of sense discloses,11········˘/˘
Whose only plot it is to break our noses;11·/˘·····//˘
Whilst from below the trap-door Demons rise,10·······/˘·
And from above the dangling deities;11·····/˘˘/˘˘
And shall I mix in this unhallow’d crew?10··········
May rosined lightning blast me, if I do!10·/˘/˘·····
No—I will act, I’ll vindicate the stage:10·····/˘˘··
Shakespeare himself shall feel my tragic rage.10/·˘/···/˘·
Off! off! vile trappings! a new passion reigns!10···/˘··/˘·
The madd’ning monarch revels in my veins.10···/·/˘···
Oh! for a Richard’s voice to catch the theme:10···/˘·····
‘Give me another horse! bind up my wounds!—soft—11··˘/˘······
’twas but a dream.’4····
Aye, ’twas but a dream, for now there’s no retreating:12·········˘/˘
If I cease Harlequin, I cease from eating.11···/˘˘···/˘
’Twas thus that Aesop’s stag, a creature blameless,11···/···/˘/˘
Yet something vain, like one that shall be nameless,11·/˘······/˘
Once on the margin of a fountain stood,10···/˘··/˘·
And cavill’d at his image in the flood.10·····/˘···
‘The deuce confound,’ he cries, ‘these drumstick shanks,10··˘/···/˘·
They never have my gratitude nor thanks;10·/˘··/˘···
They’re perfectly disgraceful! strike me dead!10·/˘˘˘/˘···
But for a head, yes, yes, I have a head.10··········
How piercing is that eye! how sleek that brow!10·/˘·······
My horns! I’m told horns are the fashion now.’10·······/˘·
Whilst thus he spoke, astonish’d, to his view,10····˘/˘···
Near, and more near, the hounds and huntsmen drew.10··········
‘Hoicks! hark forward!’ came thund’ring from behind,10··/˘······
He bounds aloft, outstrips the fleeting wind:10··˘/˘/·/˘·
He quits the woods, and tries the beaten ways;10·······/˘·
He starts, he pants, he takes the circling maze.10·······/˘·
At length his silly head, so priz’d before,10···/˘·····
Is taught his former folly to deplore;10···/˘/˘·˘/
Whilst his strong limbs conspire to set him free,10····˘/····
And at one bound he saves himself,—like me.10······˘/··
(Taking a jump through the stage door.)8/˘······
Why, sure the girl’s beside herself: an Epilogue of singing,15····˘/˘/·/˘··/˘
A hopeful end indeed to such a blest beginning.13·/˘·˘/····˘/˘
Besides, a singer in a comic set!—10˘/·/˘··/˘·
Excuse me, Ma’am, I know the etiquette.10˘/·····/˘˘
And she, whose party’s largest, shall proceed.10···/˘/˘·˘/
And first I hope, you’ll readily agree10·····/˘˘˘/
I’ve all the critics and the wits for me.10···/˘·····
They, I am sure, will answer my commands:10·····/˘·˘/
Ye candid-judging few, hold up your hands.10·/˘/˘·····
What! no return? I find too late, I fear,10··˘/······
That modern judges seldom enter here.10·/˘/˘/˘/˘·
Turn, my fairest, turn, if ever8··/˘··/˘
Strephon caught thy ravish’d eye;7·······
Pity take on your swain so clever,9/˘·····/˘
Who without your aid must die.7·······
Yes, I shall die, hu, hu, hu, hu!8········
Yes, I must die, ho, ho, ho, ho!8········
(Da capo.)3·/˘
Let all the old pay homage to your merit;11·····/˘··/˘
Give me the young, the gay, the men of spirit.11·········/˘
Ye travell’d tribe, ye macaroni train,10·/˘···˘/˘·
Of French friseurs, and nosegays, justly vain,11········/˘·
Who take a trip to Paris once a year10·····/˘···
To dress, and look like awkward Frenchmen here,10·····/˘/˘·
Lend me your hands.—Oh! fatal news to tell:10·····/˘···
Their hands are only lent to the Heinel.10···/˘·····
Ay, take your travellers, travellers indeed!10···/˘/˘˘˘/
Give me my bonny Scot, that travels from the Tweed.12···/˘··/˘···
Where are the chiels? Ah! Ah, I well discern10········˘/
The smiling looks of each bewitching bairn.10·/˘···˘/˘·
I’ll sing to amuse you by night and by day,11···˘/······
And be unco merry when you are but gay;11··/˘/˘·····
When you with your bagpipes are ready to play,11····/··/˘··
My voice shall be ready to carol away11····/˘·/˘˘/
With Sandy, and Sawney, and Jockey9·/˘····/˘
With Sawney, and Jarvie, and Jockey.9····/˘·/˘
Ye gamesters, who, so eager in pursuit,11······/˘·˘/
Make but of all your fortune one va toute;10·····/˘···
Ye jockey tribe, whose stock of words are few,10·/˘·······
‘I hold the odds.—Done, done, with you, with you;’10··········
Ye barristers, so fluent with grimace,10·/˘˘·/˘·/˘
‘My Lord,—your Lordship misconceives the case;’10···/˘˘˘/··
Doctors, who cough and answer every misfortuner,13/˘···/˘/˘····
‘I wish I’d been called in a little sooner:’11·······/˘/˘
Assist my cause with hands and voices hearty;11˘/·····/˘/˘
Come, end the contest here, and aid my party.11···/˘····/˘
Ye brave Irish lads, hark away to the crack,11··/˘··˘/···
Assist me, I pray, in this woful attack;11˘/·······˘/
For sure I don’t wrong you, you seldom are slack,11·······/˘··
When the ladies are calling, to blush and hang back;12··/˘·/˘·····
For you’re always polite and attentive,10··/˘˘/·˘/˘
Still to amuse us inventive,8··˘/·˘/˘
And death is your only preventive:9····/˘˘/˘
Your hands and your voices for me.8····/˘··
And now with late repentance,7····˘/˘
Un-epilogued the Poet waits his sentence.11·/˘··/˘··/˘
Condemn the stubborn fool who can’t submit10˘/·/˘···˘/
To thrive by flattery, though he starves by wit.10···/˘·····
(Exeunt.)3/˘˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Oliver Goldsmith