The Haunch of Venison

Oliver Goldsmith (1730–1774) · 1764–1774

anapaestic tetrameter · rhyming couplets · 125 lines · from Poems

THANKS, my Lord, for your venison, for finer or fatterNever rang’d in a forest, or smok’d in a platter;The haunch was a picture for painters to study,The fat was so white, and the lean was so ruddy.Though my stomach was sharp, I could scarce help regrettingTo spoil such a delicate picture by eating;I had thoughts, in my chambers, to place it in view,To be shown to my friends as a piece of virtù;As in some Irish houses, where things are so so,One gammon of bacon hangs up for a show:But for eating a rasher of what they take pride in,They’d as soon think of eating the pan it is fried in.But hold—let me pause—Don’t I hear you pronounceThis tale of the bacon a damnable bounce?Well, suppose it a bounce—sure a poet may try,By a bounce now and then, to get courage to fly.

But, my Lord, it’s no bounce: I protest in my turn,It’s a truth—and your Lordship may ask Mr. Byrne.To go on with my tale—as I gaz’d on the haunch,I thought of a friend that was trusty and staunch;So I cut it, and sent it to Reynolds undress’d,To paint it, or eat it, just as he lik’d best.Of the neck and the breast I had next to dispose;’Twas a neck and a breast—that might rival M—r—’s:But in parting with these I was puzzled again,With the how, and the who, and the where, and the when.There’s H—d, and C—y, and H—rth, and H—ff,I think they love venison—I know they love beef;There’s my countryman H—gg—ns—Oh! let himalone,For making a blunder, or picking a bone.But hang it—to poets who seldom can eat,Your very good mutton’s a very good treat;Such dainties to them, their health it might hurt,It’s like sending them ruffles, when wanting a shirt.While thus I debated, in reverie centred,An acquaintance, a friend as he call’d himself, enter’d;An under-bred, fine-spoken fellow was he,And he smil’d as he look’d at the venison and me.‘What have we got here?—Why, this is good eating!Your own, I suppose—or is it in waiting?’‘Why, whose should it be?’ cried I with a flounce,‘I get these things often;’—but that was a bounce:‘Some lords, my acquaintance, that settle the nation,Are pleas’d to be kind—but I hate ostentation.’

‘If that be the case, then,’ cried he, very gay,‘I’m glad I have taken this house in my way.To-morrow you take a poor dinner with me;No words—I insist on’t—precisely at three:We’ll have Johnson, and Burke; all the wits will be there;My acquaintance is slight, or I’d ask my Lord Clare.And now that I think on’t, as I am a sinner!We wanted this venison to make out the dinner.What say you—a pasty? it shall, and it must,And my wife, little Kitty, is famous for crust.Here, porter!—this venison with me to Mile-end;No stirring—I beg—my dear friend—my dear friend!Thus snatching his hat, he brush’d off like the wind,And the porter and eatables follow’d behind.

Left alone to reflect, having emptied my shelf,‘And nobody with me at sea but myself’;Though I could not help thinking my gentleman hasty,Yet Johnson, and Burke, and a good venison pasty,Were things that I never dislik’d in my life,Though clogg’d with a coxcomb, and Kitty his wife.So next day, in due splendour to make my approach,I drove to his door in my own hackney coach.

When come to the place where we all were to dine,(A chair-lumber’d closet just twelve feet by nine:)My friend bade me welcome, but struck me quite dumb,With tidings that Johnson and Burke would not come;‘For I knew it,’ he cried, ‘both eternally fail,The one with his speeches, and t’other with Thrale;But no matter, I’ll warrant we’ll make up the partyWith two full as clever, and ten times as hearty.The one is a Scotchman, the other a Jew,They[’re] both of them merry and authors like you;The one writes the Snarler, the other the Scourge;Some think he writes Cinna—he owns to Panurge.’While thus he describ’d them by trade, and by name,They enter’d and dinner was serv’d as they came.

At the top a fried liver and bacon were seen,At the bottom was tripe in a swinging tureen;At the sides there was spinach and pudding made hot;In the middle a place where the pasty—was not.Now, my Lord as for tripe, it’s my utter aversion,And your bacon I hate like a Turk or a Persian;So there I sat stuck, like a horse in a pound,While the bacon and liver went merrily round.But what vex’d me most was that d—’d Scottish rogue,With his long-winded speeches, his smiles and his brogue;And, ‘Madam,’ quoth he, ‘may this bit be my poison,A prettier dinner I never set eyes on;Pray a slice of your liver, though may I be curs’d,But I’ve eat of your tripe till I’m ready to burst.’‘The tripe,’ quoth the Jew, with his chocolate cheek,‘I could dine on this tripe seven days in the week:I like these here dinners so pretty and small;But your friend there, the Doctor, eats nothing at all.’‘O—Oh!’ quoth my friend, ‘he’ll come on in a trice,He’s keeping a corner for something that’s nice:There’s a pasty’—‘A pasty!’ repeated the Jew,‘I don’t care if I keep a corner for’t too.’‘What the de’il, mon, a pasty!’ re-echoed the Scot,‘Though splitting, I’ll still keep a corner for thot.’‘We’ll all keep a corner,’ the lady cried out;‘We’ll all keep a corner,’ was echoed about.While thus we resolv’d, and the pasty delay’d,With look that quite petrified, enter’d the maid;A visage so sad, and so pale with affright,Wak’d Priam in drawing his curtains by night.But we quickly found out, for who could mistake her?That she came with some terrible news from the baker:And so it fell out, for that negligent slovenHad shut out the pasty on shutting his ovenSad Philomel thus—but let similes drop—And now that I think on’t, the story may stop.To be plain, my good Lord, it’s but labour misplac’dTo send such good verses to one of your taste;You’ve got an odd something—a kind of discerning—A relish—a taste—sicken’d over by learning;At least, it’s your temper, as very well known,That you think very slightly of all that’s your own:So, perhaps, in your habits of thinking amiss,You may make a mistake, and think slightly of this.

Words in this poem 33
venison n.
Beasts of the chase. Fabyan. [OE. veneison, veneson, venison, OF. veneison, F. venaison, L. venatio hunting, the chase, game, fr. venari, p. p. venatus, to hunt; perhaps akin to OHG. weidin,]
platter n.
One who plats or braids. [From Plat to braid.]
haunch n.
The hip; the projecting region of the lateral parts of the pelvis and the hip joint; the hind part. [F. hanche, of German origin; cf. OD. hancke, hencke, and also OHG. ancha; prob. not akin to E. ankle.]
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
gammon n.
The buttock or tight of a hog, salted and smoked or dried; the lower end of a flitch. Goldsmith. [OF. gambon, F. jambon, fr. OF. gambe leg, F. jambe. See Gambol, n., and cf. Ham.]
rasher n.
A thin slice of bacon. [In sense 1, probably fr. rash, a., as being hastily cooked.]
damnable a.
Liable to damnation; deserving, or for which one deserves, to be damned; of a damning nature. [L. damnabilis, fr. damnare: cf. F. damnable. See Damn.]
bounce v. i.
To strike or thump, so as to rebound, or to make a sudden noise; a knock loudly. [OE. bunsen; cf. D. bonzen to strike, bounce, bons blow, LG. bunsen to knock; all prob. of imitative origin.]
mutton n.
A sheep. Chapman. [OE. motoun, OF. moton, molton, a sheep, wether, F. mouton, LL. multo, by transposition of l fr. L. mutilus mutilated. See Mutilate.]
reverie n.
A loose or irregular train of thought occurring in musing or mediation; deep musing; daydream. [F. réverie, fr. rêver to dream, rave, be light-headed. Cf. Rave.]
insist v. i.
To stand or rest; to find support; -- with in, on, or upon. [F. insister, L. insistere to set foot upon, follow, persist; pref. in- in + sistere to stand, cause to stand. See Stand.]
clare n.
A nun of the order of St.Clare.
sinner n.
One who has sinned; especially, one who has sinned without repenting; hence, a persistent and incorrigible transgressor; one condemned by the law of God.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
kitty n.
A kitten; also, a pet name or calling name for the cat.
nobody n.
No person; no one; not anybody. [No, a. + body.]
splendour n.
Great brightness; brilliant luster; brilliancy; as, the splendor ot the sun. B. Jonson. [L. fr. splendere to shine: cf. F. splendeur.]
drove n.
A collection of cattle driven, or cattle collected for driving; a number of animals, as oxen, sheep, or swine, driven in a body. [AS. draf, fr. drifan to drive. See Drive.]
dine v. i.
To eat the principal regular meal of the day; to take dinner. [F. dîner, OF. disner, LL. disnare, contr. fr. an assumed disjunare; dis- + an assumed junare (OF. juner) to fast, for L. jejunare, fr. jejunus fasting. See Jeju]
bade
A form of the pat tense of Bid.
eternally adv.
In an eternal manner.
scotchman n.
A native or inhabitant of Scotland; a Scot; a Scotsman.
snarler n.
One who snarls; a surly, growling animal; a grumbling, quarrelsome fellow.
scourge n.
A lash; a strap or cord; especially, a lash used to inflict pain or punishment; an instrument of punishment or discipline; a whip. [F. escourgée, fr. L. excoriata (sc. scutica) a stripped off (lash or whip), fr. excoriate to strip, to skin. See Excoriate.]
tureen n.
A large, deep vessel for holding soup, or other liquid food, at the table. [F. terrine, L. terra earth. See Terrace.]
aversion n.
A turning away. [L. aversio: cf. F. aversion. See Avert.]
turk n.
A member of any of numerous Tartar tribes of Central Asia, etc.; esp., one of the dominant race in Turkey. [Per. Turk; probably of Tartar origin: cf. F. Turc.]
went n.
Course; way; path; journey; direction.
brogue n.
A stout, coarse shoe; a brogan. [Ir. & Gael. brog shoe, hoof.]
quoth v. t.
Said; spoke; uttered; -- used only in the first and third persons in the past tenses, and always followed by its nominative, the word or words said being the object; as, quoth I. quoth he. [AS.cweedhan, imp cwæedh, pl. cwædon; akin to OS. queedhan, OHG. quethan, quedan, Icel. kveedha, Goth. qiþan. sq. root22. Cf. Bequeath.]
trice v. t.
To pull; to haul; to drag; to pull away. [OE. trisen; of Scand. or Low German origin; cf. Sw. trissa a sheave, pulley, triss a spritsail brace, Dan. tridse a pulley, tridse to haul by means of a pulley,]
visage n.
The face, countenance, or look of a person or an animal; -- chiefly applied to the human face. [F. visage, from L. visus a seeing, a look, fr. videre, visum, to see. See Vision.]
sloven n.
A man or boy habitually negligent of neathess and order; -- the correlative term to slattern, or slut. [D. slaf careless, negligent, a sloven; akin to LG. sluf slovenly.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Haunch of Venison is in the public domain. This text is taken from The Complete Poetical Works of Oliver Goldsmith, Project Gutenberg ebook #3545; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Oliver Goldsmith, The Haunch of Venison, in Poems (1764–1774), text of Project Gutenberg ebook #3545, Laurel, https://laurelpoetry.com/poem/goldsmith-poems/the-haunch-of-venison.html, id L00446.

Form and metre

The Haunch of Venison is 125 lines in 6 verse paragraphs. It is in rhyming couplets, 77% of the lines. The metre is anapaestic tetrameter, measured from the stress the words themselves fix (confidence 88%). 80% of its stressed syllables fall where the metre puts the beat. The lines average 11.4 syllables. 26 lines end on an unstressed syllable, a feminine ending. 6% of the lines run on without a stop at the line end.

See other poems in rhyming couplets, other poems in anapaestic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABB----CCDDEEFF fatterA · platterA · studyB · ruddyB · regretting · eating · view · virtù · soC · showC · inD · inD · pronounceE · bounceE · tryF · flyF
  2. 2 AABBCC--DD---EEFFGGHHII--JJKK turnA · byrneA · haunchB · staunchB · undress'dC · bestC · dispose · s · againD · whenD · — · beef · him · aloneE · boneE · eatF · treatF · hurtG · shirtG · centredH · enter'dH · heI · meI · eating · waiting · flounceJ · bounceJ · nationK · ostentationK
  3. 3 AABBCCDDEEFFGG gayA · wayA · meB · threeB · thereC · clareC · sinnerD · dinnerD · mustE · crustE · endF · friendF · windG · behindG
  4. 4 AA--BBCC shelfA · myselfA · hasty · pasty · lifeB · wifeB · approachC · coachC
  5. 5 AABB--CCDDEEFF dineA · nineA · dumbB · comeB · fail · thrale · partyC · heartyC · jewD · youD · scourgeE · panurgeE · nameF · cameF
  6. 6 AABBAACCDDEEFFGGHHIIJJ--KKLLMM----NNOOPPQQRR seenA · tureenA · hotB · notB · aversionA · persianA · poundC · roundC · rogueD · brogueD · poisonE · onE · curs'dF · burstF · cheekG · weekG · smallH · allH · triceI · niceI · jewJ · tooJ · scot · thot · outK · aboutK · delay'dL · maidL · affrightM · nightM · her · baker · sloven · oven · dropN · stopN · misplac'dO · tasteO · discerningP · learningP · knownQ · ownQ · amissR · thisR
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic tetrameter. How this is done.

LineSyl.Stress
THANKS, my Lord, for your venison, for finer or fatter12·····/˘·/·/˘
Never rang’d in a forest, or smok’d in a platter;12/···/˘····/˘
The haunch was a picture for painters to study,12····/˘·/˘·/˘
The fat was so white, and the lean was so ruddy.12··········/˘
Though my stomach was sharp, I could scarce help regretting13··/˘······˘/˘
To spoil such a delicate picture by eating;11····/˘/˘·/˘
I had thoughts, in my chambers, to place it in view,12·····/˘·····
To be shown to my friends as a piece of virtù;11···········
As in some Irish houses, where things are so so,12···/˘/˘·····
One gammon of bacon hangs up for a show:11·/˘·/˘·····
But for eating a rasher of what they take pride in,13··/˘·/˘······
They’d as soon think of eating the pan it is fried in.13·····/˘······
But hold—let me pause—Don’t I hear you pronounce11·········˘/
This tale of the bacon a damnable bounce?11····/˘·/˘˘·
Well, suppose it a bounce—sure a poet may try,12·˘/·····/˘··
By a bounce now and then, to get courage to fly.12········/˘··
But, my Lord, it’s no bounce: I protest in my turn,12·······/····
It’s a truth—and your Lordship may ask Mr. Byrne.12·····/˘··/˘·
To go on with my tale—as I gaz’d on the haunch,12············
I thought of a friend that was trusty and staunch;11·······/˘··
So I cut it, and sent it to Reynolds undress’d,12········/˘˘/
To paint it, or eat it, just as he lik’d best.11···········
Of the neck and the breast I had next to dispose;12··········˘/
’Twas a neck and a breast—that might rival M—r—’s:13········/˘···
But in parting with these I was puzzled again,12··/˘····/˘˘/
With the how, and the who, and the where, and the when.12············
There’s H—d, and C—y, and H—rth, and H—ff,12············
I think they love venison—I know they love beef;11····/˘·····
There’s my countryman H—gg—ns—Oh! let him10··/˘······
alone,2˘/
For making a blunder, or picking a bone.11·/˘·/˘·/˘··
But hang it—to poets who seldom can eat,11····/˘·/˘··
Your very good mutton’s a very good treat;11·/˘·/˘·/˘··
Such dainties to them, their health it might hurt,10·/˘·······
It’s like sending them ruffles, when wanting a shirt.12··/˘·/˘·/˘··
While thus I debated, in reverie centred,11···˘/˘·/˘/˘
An acquaintance, a friend as he call’d himself, enter’d;13·˘/˘·····˘//˘
An under-bred, fine-spoken fellow was he,11·····/˘/˘··
And he smil’d as he look’d at the venison and me.12········/˘··
‘What have we got here?—Why, this is good eating!11·········/˘
Your own, I suppose—or is it in waiting?’11···˘/····/˘
‘Why, whose should it be?’ cried I with a flounce,10··········
‘I get these things often;’—but that was a bounce:11····/˘·····
‘Some lords, my acquaintance, that settle the nation,12···˘/˘·/˘·/˘
Are pleas’d to be kind—but I hate ostentation.’12·········˘/˘
‘If that be the case, then,’ cried he, very gay,11········/˘·
‘I’m glad I have taken this house in my way.11····/˘·····
To-morrow you take a poor dinner with me;11·/˘····/˘··
No words—I insist on’t—precisely at three:11···˘/·˘/˘··
We’ll have Johnson, and Burke; all the wits will be there;12··/˘········
My acquaintance is slight, or I’d ask my Lord Clare.12·˘/˘········
And now that I think on’t, as I am a sinner!12··········/˘
We wanted this venison to make out the dinner.12·/˘·/˘····/˘
What say you—a pasty? it shall, and it must,11····/˘·····
And my wife, little Kitty, is famous for crust.12···/˘/˘·/˘··
Here, porter!—this venison with me to Mile-end;11·/˘·/˘·····
No stirring—I beg—my dear friend—my dear friend!11·/˘········
Thus snatching his hat, he brush’d off like the wind,11·/˘········
And the porter and eatables follow’d behind.11··/˘·/˘/˘··
Left alone to reflect, having emptied my shelf,12·˘/·˘//˘/˘··
‘And nobody with me at sea but myself’;11·/········/
Though I could not help thinking my gentleman hasty,12·····/˘·/˘/˘
Yet Johnson, and Burke, and a good venison pasty,12·/˘·····/˘/˘
Were things that I never dislik’d in my life,10····/˘/···
Though clogg’d with a coxcomb, and Kitty his wife.11····/˘·/˘··
So next day, in due splendour to make my approach,12·····/˘···˘/
I drove to his door in my own hackney coach.11········/˘·
When come to the place where we all were to dine,11···········
(A chair-lumber’d closet just twelve feet by nine:)11····/˘·····
My friend bade me welcome, but struck me quite dumb,11····/˘·····
With tidings that Johnson and Burke would not come;11·/˘·/˘·····
‘For I knew it,’ he cried, ‘both eternally fail,11·······˘/˘·
The one with his speeches, and t’other with Thrale;13····/˘·˘/˘···
But no matter, I’ll warrant we’ll make up the party13··/˘·/˘····/˘
With two full as clever, and ten times as hearty.12····/˘····/˘
The one is a Scotchman, the other a Jew,11····/˘·/˘··
They[’re] both of them merry and authors like you;12·····/˘·/˘··
The one writes the Snarler, the other the Scourge;11····/˘·/˘··
Some think he writes Cinna—he owns to Panurge.’11···········
While thus he describ’d them by trade, and by name,11···˘/······
They enter’d and dinner was serv’d as they came.11·/˘·/˘·····
At the top a fried liver and bacon were seen,12·····/˘·/˘··
At the bottom was tripe in a swinging tureen;12··/˘····/˘˘/
At the sides there was spinach and pudding made hot;12·····/˘·/˘··
In the middle a place where the pasty—was not.12··/˘····/˘··
Now, my Lord as for tripe, it’s my utter aversion,13········/˘˘/˘
And your bacon I hate like a Turk or a Persian;13··/˘·······/˘
So there I sat stuck, like a horse in a pound,11···········
While the bacon and liver went merrily round.11··/˘·/˘·/˘·
But what vex’d me most was that d—’d Scottish rogue,12·········/˘·
With his long-winded speeches, his smiles and his brogue;12···/˘/˘·····
And, ‘Madam,’ quoth he, ‘may this bit be my poison,12·/˘·······/˘
A prettier dinner I never set eyes on;10·/˘/˘·/···
Pray a slice of your liver, though may I be curs’d,12·····/˘·····
But I’ve eat of your tripe till I’m ready to burst.’12········/˘··
‘The tripe,’ quoth the Jew, with his chocolate cheek,10·······/˘·
‘I could dine on this tripe seven days in the week:11······/····
I like these here dinners so pretty and small;11····/˘·/˘··
But your friend there, the Doctor, eats nothing at all.’12·····/˘·/˘··
‘O—Oh!’ quoth my friend, ‘he’ll come on in a trice,11···········
He’s keeping a corner for something that’s nice:11·/˘·/˘·/˘··
There’s a pasty’—‘A pasty!’ repeated the Jew,12··/˘·/˘˘/˘··
‘I don’t care if I keep a corner for’t too.’11·······/˘··
‘What the de’il, mon, a pasty!’ re-echoed the Scot,12·····/˘·/˘··
‘Though splitting, I’ll still keep a corner for thot.’11·/˘····/˘··
‘We’ll all keep a corner,’ the lady cried out;11····/˘·/˘··
‘We’ll all keep a corner,’ was echoed about.11····/˘·/˘··
While thus we resolv’d, and the pasty delay’d,11···˘/··/˘˘/
With look that quite petrified, enter’d the maid;11····/˘·/˘··
A visage so sad, and so pale with affright,11·/˘······˘/
Wak’d Priam in drawing his curtains by night.11·/˘·/˘·/˘··
But we quickly found out, for who could mistake her?12··/˘·····˘/·
That she came with some terrible news from the baker:12·····/˘···/˘
And so it fell out, for that negligent sloven11·······/˘/˘
Had shut out the pasty on shutting his oven12····/˘·/˘·/˘
Sad Philomel thus—but let similes drop—10·/˘˘······
And now that I think on’t, the story may stop.11·······/˘··
To be plain, my good Lord, it’s but labour misplac’d12········/·˘/
To send such good verses to one of your taste;11····/˘·····
You’ve got an odd something—a kind of discerning—12····/˘···˘/˘
A relish—a taste—sicken’d over by learning;11·/˘··/˘··/˘
At least, it’s your temper, as very well known,11····/˘·/˘··
That you think very slightly of all that’s your own:12···/˘/˘·····
So, perhaps, in your habits of thinking amiss,12·˘/··/˘·/˘˘/
You may make a mistake, and think slightly of this.12····˘/··/˘··

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