Retaliation

Oliver Goldsmith (c. 1730–1774) · 1764–1774

anapaestic tetrameter · rhyming couplets · 182 lines · from Poems

OF old, when Scarron his companions invited,Each guest brought his dish, and the feast was united;If our landlord supplies us with beef, and with fish,Let each guest bring himself, and he brings the best dish:Our Dean shall be venison, just fresh from the plains;Our Burke shall be tongue, with a garnish of brains;Our Will shall be wild-fowl, of excellent flavour,And Dick with his pepper shall heighten their savour:Our Cumberland’s sweet-bread its place shall obtain,And Douglas is pudding, substantial and plain:Our Garrick’s a salad; for in him we seeOil, vinegar, sugar, and saltness agree:To make out the dinner, full certain I am,That Ridge is anchovy, and Reynolds is lamb;That Hickey’s a capon, and by the same rule,Magnanimous Goldsmith a gooseberry fool.At a dinner so various, at such a repast,Who’d not be a glutton, and stick to the last?Here, waiter! more wine, let me sit while I’m able,Till all my companions sink under the table;Then, with chaos and blunders encircling my head,Let me ponder, and tell what I think of the dead.

Here lies the good Dean, re-united to earth,Who mix’d reason with pleasure, and wisdom with mirth:If he had any faults, he has left us in doubt,At least, in six weeks, I could not find ’em out;Yet some have declar’d, and it can’t be denied ’em,That sly-boots was cursedly cunning to hide ’em.

Here lies our good Edmund, whose genius was such,We scarcely can praise it, or blame it too much;Who, born for the Universe, narrow’d his mind,And to party gave up what was meant for mankind.Though fraught with all learning, yet straining his throatTo persuade Tommy Townshend to lend him a vote;Who, too deep for his hearers, still went on refining,And thought of convincing, while they thought of dining;Though equal to all things, for all things unfit,Too nice for a statesman, too proud for a wit:For a patriot, too cool; for a drudge, disobedient;And too fond of the right to pursue the expedient.In short, ’twas his fate, unemploy’d, or in place, Sir,To eat mutton cold, and cut blocks with a razor.

Here lies honest William, whose heart was a mint,While the owner ne’er knew half the good that was in’t;The pupil of impulse, it forc’d him along,His conduct still right, with his argument wrong;Still aiming at honour, yet fearing to roam,The coachman was tipsy, the chariot drove home;Would you ask for his merits? alas! he had none;What was good was spontaneous, his faults were his own.

Here lies honest Richard, whose fate I must sigh at;Alas, that such frolic should now be so quiet!What spirits were his! what wit and what whim!Now breaking a jest, and now breaking a limb;Now wrangling and grumbling to keep up the ball,Now teasing and vexing, yet laughing at all!In short, so provoking a devil was Dick,That we wish’d him full ten times a day at Old Nick;But, missing his mirth and agreeable vein,As often we wish’d to have Dick back again.

Here Cumberland lies, having acted his parts,The Terence of England, the mender of hearts;A flattering painter, who made it his careTo draw men as they ought to be, not as they are.His gallants are all faultless, his women divine,And comedy wonders at being so fine;Like a tragedy queen he has dizen’d her out,Or rather like tragedy giving a rout.His fools have their follies so lost in a crowdOf virtues and feelings, that folly grows proud;And coxcombs, alike in their failings alone,Adopting his portraits, are pleas’d with their own.Say, where has our poet this malady caught?Or, wherefore his characters thus without fault?Say, was it that vainly directing his viewTo find out men’s virtues, and finding them few,Quite sick of pursuing each troublesome elf,He grew lazy at last, and drew from himself?

Here Douglas retires, from his toils to relax,The scourge of impostors, the terror of quacks:Come, all ye quack bards, and ye quacking divines,Come, and dance on the spot where your tyrant reclines:When Satire and Censure encircl’d his throne,I fear’d for your safety, I fear’d for my own;But now he is gone, and we want a detector,Our Dodds shall be pious, our Kenricks shall lecture;Macpherson write bombast, and call it a style,Our Townshend make speeches, and I shall compile;New Lauders and Bowers the Tweed shall cross over,No countryman living their tricks to discover;Detection her taper shall quench to a spark,And Scotchman meet Scotchman, and cheat in the dark.

Here lies David Garrick, describe me, who can,An abridgment of all that was pleasant in man;As an actor, confess’d without rival to shine:As a wit, if not first, in the very first line:Yet, with talents like these, and an excellent heart,The man had his failings, a dupe to his art.Like an ill-judging beauty, his colours he spread,And beplaster’d with rouge his own natural red.On the stage he was natural, simple, affecting;’Twas only that when he was off he was acting.With no reason on earth to go out of his way,He turn’d and he varied full ten times a day.Though secure of our hearts, yet confoundedly sickIf they were not his own by finessing and trick,He cast off his friends, as a huntsman his pack,For he knew when he pleas’d he could whistle them back.Of praise a mere glutton, he swallow’d what came,And the puff of a dunce he mistook it for fame;Till his relish grown callous, almost to disease,Who pepper’d the highest was surest to please.But let us be candid, and speak out our mind,If dunces applauded, he paid them in kind.Ye Kenricks, ye Kellys, and Woodfalls so grave,What a commerce was yours, while you got and you gave!How did Grub-street re-echo the shouts you rais’d,While he was be-Roscius’d, and you were be-prais’d!But peace to his spirit, wherever it flies,To act as an angel, and mix with the skies:Those poets, who owe their best fame to his skill,Shall still be his flatterers, go where he will.Old Shakespeare, receive him, with praise and with love,And Beaumonts and Bens be his Kellys above.

Here Hickey reclines, a most blunt, pleasant creature,And slander itself must allow him good nature:He cherish’d his friend, and he relish’d a bumper;Yet one fault he had, and that one was a thumper.Perhaps you may ask if the man was a miser!I answer, no, no, for he always was wiser:Too courteous, perhaps, or obligingly flat?His very worst foe can’t accuse him of that:Perhaps he confided in men as they go,And so was too foolishly honest! Ah no!Then what was his failing? come, tell it, and burn ye!He was, could he help it?—a special attorney.

Here Reynolds is laid, and, to tell you my mind,He has not left a better or wiser behind:His pencil was striking, resistless, and grand;His manners were gentle, complying, and bland;Still born to improve us in every part,His pencil our faces, his manners our heart:To coxcombs averse, yet most civilly steering,When they judg’d without skill he was still hard of hearing:When they talk’d of their Raphaels, Correggios, and stuff,He shifted his trumpet, and only took snuff.

HERE Whitefoord reclines, and deny it who can,Though he merrily liv’d, he is now a ‘grave’ man;Rare compound of oddity, frolic, and fun!Who relish’d a joke, and rejoic’d in a pun;Whose temper was generous, open, sincere;A stranger to flatt’ry, a stranger to fear;Who scatter’d around wit and humour at will;Whose daily bons mots half a column might fill;A Scotchman, from pride and from prejudice free;A scholar, yet surely no pedant was he.

What pity, alas! that so lib’ral a mindShould so long be to news-paper essays confin’d;Who perhaps to the summit of science could soar,Yet content ‘if the table he set on a roar’;Whose talents to fill any station were fit,Yet happy if Woodfall confess’d him a wit.

Ye news-paper witlings! ye pert scribbling folksWho copied his squibs, and re-echoed his jokes;Ye tame imitators, ye servile herd, come,Still follow your master, and visit his tomb:To deck it, bring with you festoons of the vine,And copious libations bestow on his shrine:Then strew all around it (you can do no less)Cross-readings, Ship-news, and Mistakes of the Press.

Merry Whitefoord, farewell! for thy sake I admitThat a Scot may have humour, I had almost said wit:This debt to thy mem’ry I cannot refuse,‘Thou best humour’d man with the worst humour’d muse.’

AH me! when shall I marry me?Lovers are plenty; but fail to relieve me:He, fond youth, that could carry me,Offers to love, but means to deceive me.

But I will rally, and combat the ruiner:Not a look, not a smile shall my passion discover:She that gives all to the false one pursuing her,Makes but a penitent, loses a lover.

Words in this poem 46
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
venison n.
Beasts of the chase. Fabyan. [OE. veneison, veneson, venison, OF. veneison, F. venaison, L. venatio hunting, the chase, game, fr. venari, p. p. venatus, to hunt; perhaps akin to OHG. weidin,]
garnish v. t.
To decorate with ornamental appendages; to set off; to adorn; to embellish. [OE. garnischen, garnissen, OF. garnir to provide, strengthen, prepare, garnish, warn, F. garnir to provide, furnish, garnish, -- of German origin; cf. OHG. warn]
flavour n.
That quality of anything which affects the smell; odor; fragrances; as, the flavor of a rose. [OF. fleur, flaur (two syllables), odor, cf. F. fleurer to emit an odor, It. flatore a bad odor, prob. fr. L. flare to bow, whence the sense of exhalation. Cf. B]
heighten v. t.
To make high; to raise higher; to elevate.
savour v. t.
To perceive by the smell or the taste; hence, to perceive; to note. B. Jonson.
capon n.
A castrated cock, esp. when fattened; a male chicken gelded to improve his flesh for the table. [OE. capon, chapoun, AS. cap (cf. F. chapon), L. capo, fr. Gr. skopiti to casrate. CF. Comma.]
chaos n.
An empty, immeasurable space; a yawning chasm. [L. chaos chaos (in senses 1 & 2), Gr. Chasm.]
cursedly adv.
In a cursed manner; miserably; in a manner to be detested; enormously. [Low]
fraught n.
A freight; a cargo. [OE.fraight, fraght; akin to Dan. fragt, Sw. frakt, D. vracht, G. fracht, cf. OHG. fr merit, reward; perh. from corresponding to E. for + The root of E. own. Cf.]
tommy n.
Bread, -- generally a penny roll; the supply of food carried by workmen as their daily allowance.
went n.
Course; way; path; journey; direction.
mutton n.
A sheep. Chapman. [OE. motoun, OF. moton, molton, a sheep, wether, F. mouton, LL. multo, by transposition of l fr. L. mutilus mutilated. See Mutilate.]
honour n.
Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
coachman n.
A man whose business is to drive a coach or carriage.
drove n.
A collection of cattle driven, or cattle collected for driving; a number of animals, as oxen, sheep, or swine, driven in a body. [AS. draf, fr. drifan to drive. See Drive.]
jest n.
A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
nick n.
A notch cut into something; as: (a) A score for keeping an account; a reckoning. [Akin to Nock.]
mender n.
One who mends or repairs.
ought p. p.
Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]
faultless a.
Without fault; not defective or imperfect; free from blemish; free from incorrectness, vice, or offense; perfect; as, a faultless poem.
malady n.
Any disease of the human body; a distemper, disorder, or indisposition, proceeding from impaired, defective, or morbid organic functions; especially, a lingering or deep-seated disorder. [F. maladie, fr. malade ill, sick, OF. also, malabde, fr. L. male habitus, i. e., ill-kept, not in good condition. See Malice, and Habit.]
wherefore adv.
For which reason; so; -- used relatively. [Where + for.]
scourge n.
A lash; a strap or cord; especially, a lash used to inflict pain or punishment; an instrument of punishment or discipline; a whip. [F. escourgée, fr. L. excoriata (sc. scutica) a stripped off (lash or whip), fr. excoriate to strip, to skin. See Excoriate.]
detector n.
One who, or that which, detects; a detecter. [L., a revealer.]
compile v. t.
To put together; to construct; to build. [F. compiler, fr.L. compilare to plunder, pillage; com- + pilare to plunder. See Pill, v. t., Pillage.]
tweed n.
A soft and flexible fabric for men's wear, made wholly of wool except in some inferior kinds, the wool being dyed, usually in two colors, before weaving. [Probably a corruption of twills. See Twill.]
discover v. i.
To discover or show one's self.
scotchman n.
A native or inhabitant of Scotland; a Scot; a Scotsman.
confoundedly adv.
Extremely; odiously; detestably.
huntsman n.
One who hunts, or who practices hunting.
wherever adv.
At or in whatever place; wheresoever.
bumper n.
A cup or glass filled to the brim, or till the liquor runs over, particularly in drinking a health or toast. [A corruption of bumbard, bombard, a large drinking vessel.]
thumper n.
One who, or that which, thumps.
attorney n.
A substitute; a proxy; an agent. [OE. aturneye, OF. atorné, p. p. of atorner: cf. LL. atturnatus, attornatus, fr. attornare. See Attorn.]
resistless a.
Having no power to resist; making no opposition.
averse a.
Turned away or backward. [L. aversus, p. p. of avertere. See Avert.]
oddity n.
The quality or state of being odd; singularity; queerness; peculiarity; as, oddity of dress, manners, and the like.
generous a.
Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
humour n.
Moisture, especially, the moisture or fluid of animal bodies, as the chyle, lymph, etc.; as, the humors of the eye, etc. [OE. humour, OF. humor, umor, F. humeur, L. humor, umor, moisture, fluid, fr. humere, umere, to be moist. See Humid.]
pedant n.
A schoolmaster; a pedagogue. [F. pédant, It. pedante, fr. Gr. pai^s boy. See Pedagogue.]
scribbling n.
The act or process of carding coarsely. Scribbing machine, the machine used for the first carding of wool or other fiber; -- called also scribbler. [See 1st Scribble.]
folks n.
In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
relieve v. t.
To lift up; to raise again, as one who has fallen; to cause to rise. Piers Plowman. [OE. releven, F. relever to raise again, discharge, relieve, fr. L. relevare to lift up, raise, make light, relieve; pref. re- re- + levare to raise, fr. levis l]
rally v. t.
To collect, and reduce to order, as troops dispersed or thrown into confusion; to gather again; to reunite. [OF. ralier, F. rallier, fr. L. pref. re- + ad + ligare to bind. See Ra-, and 1st Ally.]
ruiner n.
One who, or that which, ruins.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Retaliation is in the public domain. This text is taken from The Complete Poetical Works of Oliver Goldsmith, Project Gutenberg ebook #3545; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Oliver Goldsmith, Retaliation, in Poems (1764–1774), text of Project Gutenberg ebook #3545, Laurel, https://laurelpoetry.com/poem/goldsmith-poems/retaliation.html, id L00444.

Form and metre

Retaliation is 182 lines in 16 verse paragraphs. It is in rhyming couplets, 87% of the lines. The metre is anapaestic tetrameter, measured from the stress the words themselves fix (confidence 88%). 80% of its stressed syllables fall where the metre puts the beat. The lines average 11.2 syllables. 26 lines end on an unstressed syllable, a feminine ending.

See other poems in rhyming couplets, other poems in anapaestic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFFGGHHIIJJKK invitedA · unitedA · fishB · dishB · plainsC · brainsC · flavourD · savourD · obtainE · plainE · seeF · agreeF · amG · lambG · ruleH · foolH · repastI · lastI · ableJ · tableJ · headK · deadK
  2. 2 AABBCC earthA · mirthA · doubtB · outB · emC · emC
  3. 3 AABBCCDDEEFF-- suchA · muchA · mindB · mankindB · throatC · voteC · refiningD · diningD · unfitE · witE · disobedientF · expedientF · sir · razor
  4. 4 AABBCC-- mintA · in'tA · alongB · wrongB · roamC · homeC · none · own
  5. 5 AABBCCDDEE atA · quietA · whimB · limbB · ballC · allC · dickD · nickD · veinE · againE
  6. 6 AA--BBCCDDEE--FFGG partsA · heartsA · care · are · divineB · fineB · outC · routC · crowdD · proudD · aloneE · ownE · caught · fault · viewF · fewF · elfG · himselfG
  7. 7 AABBCC--DD--EE relaxA · quacksA · divinesB · reclinesB · throneC · ownC · detector · lecture · styleD · compileD · over · discover · sparkE · darkE
  8. 8 AABBCCDD--EEFFGGHHIIJJKKLLMMNNOO canA · manA · shineB · lineB · heartC · artC · spreadD · redD · affecting · acting · wayE · dayE · sickF · trickF · packG · backG · cameH · fameH · diseaseI · pleaseI · mindJ · kindJ · graveK · gaveK · rais'dL · prais'dL · fliesM · skiesM · skillN · willN · loveO · aboveO
  9. 9 --AABBCCDD-- creature · nature · bumperA · thumperA · miserB · wiserB · flatC · thatC · goD · noD · ye · attorney
  10. 10 AABBCCDDEE mindA · behindA · grandB · blandB · partC · heartC · steeringD · hearingD · stuffE · snuffE
  11. 11 AABBCCDDEE canA · manA · funB · punB · sincereC · fearC · willD · fillD · freeE · heE
  12. 12 AABBCC mindA · confin'dA · soarB · roarB · fitC · witC
  13. 13 AA--BBCC folksA · jokesA · come · tomb · vineB · shrineB · lessC · pressC
  14. 14 AABB admitA · witA · refuseB · museB
  15. 15 AAAA meA · meA · meA · meA
  16. 16 -A-A ruiner · discoverA · her · loverA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic tetrameter. How this is done.

LineSyl.Stress
OF old, when Scarron his companions invited,12······˘/˘˘/˘
Each guest brought his dish, and the feast was united;12·········˘/˘
If our landlord supplies us with beef, and with fish,12·//·˘/······
Let each guest bring himself, and he brings the best dish:12····˘/······
Our Dean shall be venison, just fresh from the plains;11/···/˘·····
Our Burke shall be tongue, with a garnish of brains;11/······/˘··
Our Will shall be wild-fowl, of excellent flavour,11/······/˘/˘
And Dick with his pepper shall heighten their savour:12····/˘·/˘·/˘
Our Cumberland’s sweet-bread its place shall obtain,10//˘·····˘/
And Douglas is pudding, substantial and plain:11·/˘·/˘˘/˘··
Our Garrick’s a salad; for in him we see11//˘·/˘·····
Oil, vinegar, sugar, and saltness agree:10·/˘/˘·/˘˘/
To make out the dinner, full certain I am,11····/˘·/˘··
That Ridge is anchovy, and Reynolds is lamb;11···/·˘·/˘··
That Hickey’s a capon, and by the same rule,11·/˘·/······
Magnanimous Goldsmith a gooseberry fool.10˘/˘/··/·˘·
At a dinner so various, at such a repast,12··/˘·/˘···˘/
Who’d not be a glutton, and stick to the last?11····/˘·····
Here, waiter! more wine, let me sit while I’m able,12·/˘·······/˘
Till all my companions sink under the table;12···˘/˘····/˘
Then, with chaos and blunders encircling my head,12··/˘·/˘˘/˘··
Let me ponder, and tell what I think of the dead.12··/˘········
Here lies the good Dean, re-united to earth,11······˘/˘··
Who mix’d reason with pleasure, and wisdom with mirth:12··/˘·/˘·/˘··
If he had any faults, he has left us in doubt,12···/˘·······
At least, in six weeks, I could not find ’em out;11···········
Yet some have declar’d, and it can’t be denied ’em,12···˘/····˘/·
That sly-boots was cursedly cunning to hide ’em.12····/˘˘/˘···
Here lies our good Edmund, whose genius was such,11··/·/˘·/˘··
We scarcely can praise it, or blame it too much;11·/˘········
Who, born for the Universe, narrow’d his mind,11····/˘·/˘··
And to party gave up what was meant for mankind.12··/˘······//
Though fraught with all learning, yet straining his throat11····/˘·/˘··
To persuade Tommy Townshend to lend him a vote;12·˘//˘/······
Who, too deep for his hearers, still went on refining,13·····/˘···˘/˘
And thought of convincing, while they thought of dining;12···˘/˘····/˘
Though equal to all things, for all things unfit,11·/˘······˘/
Too nice for a statesman, too proud for a wit:11····/˘·····
For a patriot, too cool; for a drudge, disobedient;13··/˘······˘/˘
And too fond of the right to pursue the expedient.13·······˘/·˘/˘
In short, ’twas his fate, unemploy’d, or in place, Sir,12······˘/····
To eat mutton cold, and cut blocks with a razor.12··/˘······/˘
Here lies honest William, whose heart was a mint,11··/˘/˘·····
While the owner ne’er knew half the good that was in’t;12··/˘········
The pupil of impulse, it forc’d him along,11·/˘·/˘···˘/
His conduct still right, with his argument wrong;10·/˘····/˘·
Still aiming at honour, yet fearing to roam,11·/˘·/˘·/˘··
The coachman was tipsy, the chariot drove home;11·/˘·/˘·/˘··
Would you ask for his merits? alas! he had none;12·····/˘˘/···
What was good was spontaneous, his faults were his own.12····˘/˘·····
Here lies honest Richard, whose fate I must sigh at;12··/˘/˘······
Alas, that such frolic should now be so quiet!11˘/··/˘····/
What spirits were his! what wit and what whim!10·/˘·······
Now breaking a jest, and now breaking a limb;11·/˘····/˘··
Now wrangling and grumbling to keep up the ball,11·/˘·/˘·····
Now teasing and vexing, yet laughing at all!11·/˘·/˘·/˘··
In short, so provoking a devil was Dick,10···˘/˘·/··
That we wish’d him full ten times a day at Old Nick;12············
But, missing his mirth and agreeable vein,10·/˘···˘/˘·
As often we wish’d to have Dick back again.11·/˘······˘/
Here Cumberland lies, having acted his parts,10·/˘·/˘/˘··
The Terence of England, the mender of hearts;11·/˘·/˘·/˘··
A flattering painter, who made it his care10·/˘/˘·····
To draw men as they ought to be, not as they are.12············
His gallants are all faultless, his women divine,12·/˘··/˘·/˘˘/
And comedy wonders at being so fine;10·/˘˘/˘·/··
Like a tragedy queen he has dizen’d her out,11··/˘·······
Or rather like tragedy giving a rout.10·/˘·/˘/˘··
His fools have their follies so lost in a crowd11····/˘·····
Of virtues and feelings, that folly grows proud;11·/˘·/˘·/˘··
And coxcombs, alike in their failings alone,11···˘/··/˘˘/
Adopting his portraits, are pleas’d with their own.11˘/˘·/˘·····
Say, where has our poet this malady caught?10···//˘·/˘·
Or, wherefore his characters thus without fault?10·/˘·/˘····
Say, was it that vainly directing his view11····/˘˘/˘··
To find out men’s virtues, and finding them few,11····/˘·/˘··
Quite sick of pursuing each troublesome elf,10···˘/˘·/˘·
He grew lazy at last, and drew from himself?11··/˘·····˘/
Here Douglas retires, from his toils to relax,11·/˘˘/····˘/
The scourge of impostors, the terror of quacks:11···˘/˘·/˘··
Come, all ye quack bards, and ye quacking divines,11·······/˘˘/
Come, and dance on the spot where your tyrant reclines:12········/˘˘/
When Satire and Censure encircl’d his throne,11·/˘·/˘˘/˘··
I fear’d for your safety, I fear’d for my own;11····/˘·····
But now he is gone, and we want a detector,12·········˘/˘
Our Dodds shall be pious, our Kenricks shall lecture;11/···///˘·/˘
Macpherson write bombast, and call it a style,11˘/˘·/˘·····
Our Townshend make speeches, and I shall compile;11//··/˘···˘/
New Lauders and Bowers the Tweed shall cross over,10·/˘·/·····
No countryman living their tricks to discover;11·/˘/˘···˘/˘
Detection her taper shall quench to a spark,11˘/˘·/˘·····
And Scotchman meet Scotchman, and cheat in the dark.11·/˘·/˘·····
Here lies David Garrick, describe me, who can,11··/˘/˘˘/···
An abridgment of all that was pleasant in man;12·˘/˘····/˘··
As an actor, confess’d without rival to shine:12··/˘˘/··/˘··
As a wit, if not first, in the very first line:12········/˘··
Yet, with talents like these, and an excellent heart,11··/˘····/˘·
The man had his failings, a dupe to his art.11····/˘·····
Like an ill-judging beauty, his colours he spread,12···/˘/˘·/˘··
And beplaster’d with rouge his own natural red.11········/˘·
On the stage he was natural, simple, affecting;12·····/˘/˘˘/˘
’Twas only that when he was off he was acting.12·/˘·······/˘
With no reason on earth to go out of his way,12··/˘········
He turn’d and he varied full ten times a day.11····/˘·····
Though secure of our hearts, yet confoundedly sick12·˘/·/··˘/˘˘·
If they were not his own by finessing and trick,11·······/˘··
He cast off his friends, as a huntsman his pack,11·······/˘··
For he knew when he pleas’d he could whistle them back.12········/˘··
Of praise a mere glutton, he swallow’d what came,11····/˘·/˘··
And the puff of a dunce he mistook it for fame;12·······˘/···
Till his relish grown callous, almost to disease,12··/˘·/˘/··˘/
Who pepper’d the highest was surest to please.11·/˘·/˘·/˘··
But let us be candid, and speak out our mind,11····/˘···/·
If dunces applauded, he paid them in kind.10··˘/˘·····
Ye Kenricks, ye Kellys, and Woodfalls so grave,11·/˘·/˘·····
What a commerce was yours, while you got and you gave!12··/˘········
How did Grub-street re-echo the shouts you rais’d,11·····/˘····
While he was be-Roscius’d, and you were be-prais’d!11···········
But peace to his spirit, wherever it flies,10····/˘/˘··
To act as an angel, and mix with the skies:11····/˘·····
Those poets, who owe their best fame to his skill,11·/˘········
Shall still be his flatterers, go where he will.11···········
Old Shakespeare, receive him, with praise and with love,11·/·˘/······
And Beaumonts and Bens be his Kellys above.11·/˘····/˘··
Here Hickey reclines, a most blunt, pleasant creature,12·/˘˘/···/˘/˘
And slander itself must allow him good nature:12·/˘˘/·˘/··/˘
He cherish’d his friend, and he relish’d a bumper;12·/˘····/˘·/˘
Yet one fault he had, and that one was a thumper.12··········/˘
Perhaps you may ask if the man was a miser!11˘/········/
I answer, no, no, for he always was wiser:11·/˘····/˘·/
Too courteous, perhaps, or obligingly flat?10·/˘˘/·˘/˘·
His very worst foe can’t accuse him of that:11·/˘···˘/···
Perhaps he confided in men as they go,11˘/·˘/˘·····
And so was too foolishly honest! Ah no!10····/˘/˘··
Then what was his failing? come, tell it, and burn ye!12····/˘······
He was, could he help it?—a special attorney.12·······/˘˘/˘
Here Reynolds is laid, and, to tell you my mind,11·/˘········
He has not left a better or wiser behind:11·····/˘·/··
His pencil was striking, resistless, and grand;11·/˘·/˘˘/˘··
His manners were gentle, complying, and bland;11·/˘·/˘˘/˘··
Still born to improve us in every part,10···˘/··/˘·
His pencil our faces, his manners our heart:11·/˘//˘·/˘/·
To coxcombs averse, yet most civilly steering,11···˘/··/˘/˘
When they judg’d without skill he was still hard of hearing:13···········/˘
When they talk’d of their Raphaels, Correggios, and stuff,13······˘/·····
He shifted his trumpet, and only took snuff.11·/˘·/˘·/˘··
HERE Whitefoord reclines, and deny it who can,12····˘/·˘/···
Though he merrily liv’d, he is now a ‘grave’ man;11··/˘·······
Rare compound of oddity, frolic, and fun!10·˘/·/˘/˘··
Who relish’d a joke, and rejoic’d in a pun;11·/˘···˘/···
Whose temper was generous, open, sincere;10·/˘·/˘/˘˘/
A stranger to flatt’ry, a stranger to fear;11·/˘····/˘··
Who scatter’d around wit and humour at will;11·/˘····/˘··
Whose daily bons mots half a column might fill;11·/˘····/˘··
A Scotchman, from pride and from prejudice free;10·/˘····/˘·
A scholar, yet surely no pedant was he.11·/˘·/˘·/˘··
What pity, alas! that so lib’ral a mind11·/˘˘/··/˘··
Should so long be to news-paper essays confin’d;12······/˘˘/˘/
Who perhaps to the summit of science could soar,12·˘/··/˘·/˘··
Yet content ‘if the table he set on a roar’;12·/˘··/˘·····
Whose talents to fill any station were fit,11·/˘··/˘/˘··
Yet happy if Woodfall confess’d him a wit.11·/˘···˘/···
Ye news-paper witlings! ye pert scribbling folks11··/˘····/˘·
Who copied his squibs, and re-echoed his jokes;11·/˘····/˘··
Ye tame imitators, ye servile herd, come,11··/˘·˘·/˘··
Still follow your master, and visit his tomb:11·/˘·/˘·/˘··
To deck it, bring with you festoons of the vine,11·······/···
And copious libations bestow on his shrine:11·/˘···˘/···
Then strew all around it (you can do no less)11···········
Cross-readings, Ship-news, and Mistakes of the Press.11·/˘···˘/···
Merry Whitefoord, farewell! for thy sake I admit13/˘····/····˘/
That a Scot may have humour, I had almost said wit:13·····/˘··/···
This debt to thy mem’ry I cannot refuse,11·······˘/˘/
‘Thou best humour’d man with the worst humour’d muse.’11···········
AH me! when shall I marry me?8·····/˘·
Lovers are plenty; but fail to relieve me:11/˘·/˘···˘/·
He, fond youth, that could carry me,8·····/˘·
Offers to love, but means to deceive me.10/˘·····˘/·
But I will rally, and combat the ruiner:12···/˘·˘/·/˘˘
Not a look, not a smile shall my passion discover:13········/˘˘/˘
She that gives all to the false one pursuing her,12········˘/˘·
Makes but a penitent, loses a lover.11···/˘˘/˘·/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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