Epilogue to ‘She Stoops to Conquer’
WELL, having stoop’d to conquer with success,And gain’d a husband without aid from dress,Still, as a Bar-maid, I could wish it too,As I have conquer’d him, to conquer you:And let me say, for all your resolution,That pretty Bar-maids have done execution.Our life is all a play, compos’d to please,‘We have our exits and our entrances.’The First Act shows the simple country maid,Harmless and young, of ev’ry thing afraid;Blushes when hir’d, and, with unmeaning action,‘I hopes as how to give you satisfaction.’Her Second Act displays a livelier scene—Th’ unblushing Bar-maid of a country inn,Who whisks about the house, at market caters,Talks loud, coquets the guests, and scolds the waiters.Next the scene shifts to town, and there she soars,The chop-house toast of ogling connoisseurs.On ’Squires and Cits she there displays her arts,And on the gridiron broils her lovers’ hearts:And as she smiles, her triumphs to complete,Even Common-Councilmen forget to eat.The Fourth Act shows her wedded to the ’Squire,And Madam now begins to hold it higher;Pretends to taste, at Operas cries caro,And quits her Nancy Dawson, for Che faro,Doats upon dancing, and in all her pride,Swims round the room, the Heinel of Cheapside;Ogles and leers with artificial skill,’Till having lost in age the power to kill,She sits all night at cards, and ogles at spadille.Such, through our lives, the eventful history—The Fifth and Last Act still remains for me.The Bar-maid now for your protection prays.Turns Female Barrister, and pleads for Bayes.
Words in this poem
- unblushing a.
- Not blushing; shameless.
- wedded a.
- Joined in wedlock; married.
- spadille n.
- The ace of spades in omber and quadrille. [F., fr. Sp. espadilla, dim. of espada. See Spade a card.]
- eventful a.
- Full of, or rich in, events or incidents; as, an eventful journey; an eventful period of history; an eventful period of life.
- barrister n.
- Counselor at law; a counsel admitted to plead at the bar, and undertake the public trial of causes, as distinguished from an attorney or solicitor. See Attorney. [Eng.] [From Bar, n.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Epilogue to ‘She Stoops to Conquer’ is in the public domain. This text is taken from The Complete Poetical Works of Oliver Goldsmith, Project Gutenberg ebook #3545; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Oliver Goldsmith, Epilogue to ‘She Stoops to Conquer’, in Poems (1764–1774), text of Project Gutenberg ebook #3545, Laurel, https://laurelpoetry.com/poem/goldsmith-poems/epilogue-to-she-stoops-to-conquer.html, id L00443.
Form and metre
Epilogue to ‘She Stoops to Conquer’ is 35 lines in a single stanza. It is in rhyming couplets, 69% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 10.3 syllables. 11 lines end on an unstressed syllable, a feminine ending.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFFFGG-GHHII----JJKKK--LL successA · dressA · tooB · youB · resolutionC · executionC · pleaseD · entrancesD · maidE · afraidE · actionF · satisfactionF · sceneF · innF · catersG · waitersG · soars · connoisseursG · artsH · heartsH · completeI · eatI · squire · higher · caro · faro · prideJ · cheapsideJ · skillK · killK · spadilleK · history · me · praysL · bayesL
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| WELL, having stoop’d to conquer with success, | 10 | ·/˘··/˘·˘/ |
| And gain’d a husband without aid from dress, | 10 | ···/˘····· |
| Still, as a Bar-maid, I could wish it too, | 10 | ·········· |
| As I have conquer’d him, to conquer you: | 10 | ···/˘··/˘· |
| And let me say, for all your resolution, | 11 | ········˘/˘ |
| That pretty Bar-maids have done execution. | 11 | ·/˘·····˘/˘ |
| Our life is all a play, compos’d to please, | 10 | /·····˘/·· |
| ‘We have our exits and our entrances.’ | 11 | ··//˘·/˘/˘˘ |
| The First Act shows the simple country maid, | 10 | ·····/˘/˘· |
| Harmless and young, of ev’ry thing afraid; | 10 | /˘······˘/ |
| Blushes when hir’d, and, with unmeaning action, | 11 | /˘·/··˘/˘/˘ |
| ‘I hopes as how to give you satisfaction.’ | 11 | ········˘/˘ |
| Her Second Act displays a livelier scene— | 10 | ·/˘·˘/·/˘· |
| Th’ unblushing Bar-maid of a country inn, | 10 | ˘/˘····/˘· |
| Who whisks about the house, at market caters, | 11 | ·······/˘/˘ |
| Talks loud, coquets the guests, and scolds the waiters. | 11 | ·········/˘ |
| Next the scene shifts to town, and there she soars, | 10 | ·········· |
| The chop-house toast of ogling connoisseurs. | 10 | ········˘/ |
| On ’Squires and Cits she there displays her arts, | 10 | ·/····˘/·· |
| And on the gridiron broils her lovers’ hearts: | 10 | ···/˘··/˘· |
| And as she smiles, her triumphs to complete, | 10 | ·····/˘·˘/ |
| Even Common-Councilmen forget to eat. | 10 | //˘/˘/˘/·· |
| The Fourth Act shows her wedded to the ’Squire, | 10 | ·····/˘··· |
| And Madam now begins to hold it higher; | 11 | ·/˘·˘/···/˘ |
| Pretends to taste, at Operas cries caro, | 10 | ˘/···/˘·/˘ |
| And quits her Nancy Dawson, for Che faro, | 11 | ···/˘/˘··/˘ |
| Doats upon dancing, and in all her pride, | 10 | ···/˘····· |
| Swims round the room, the Heinel of Cheapside; | 10 | ·········· |
| Ogles and leers with artificial skill, | 10 | /˘····˘/˘· |
| ’Till having lost in age the power to kill, | 10 | ·/˘····/·· |
| She sits all night at cards, and ogles at spadille. | 12 | ·······/˘·˘/ |
| Such, through our lives, the eventful history— | 11 | ··/··˘/˘/˘˘ |
| The Fifth and Last Act still remains for me. | 10 | ······˘/·· |
| The Bar-maid now for your protection prays. | 10 | ······˘/˘· |
| Turns Female Barrister, and pleads for Bayes. | 10 | ·/·/˘˘···· |
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