Harmonium

Wallace Stevens (1879–1955) · 1923

Mixed forms · 2,156 lines in 86 sections

Wallace Stevens's first book: "Sunday Morning", "The Emperor of Ice-Cream", "Thirteen Ways of Looking at a Blackbird".

What this poem is

Harmonium is a book of poetry by American poet Wallace Stevens. His first book at the age of forty-four, it was published in 1923 by Knopf in an edition of 1,500 copies. This collection comprises 85 poems, ranging in length from just a few lines ("Life Is Motion") to several hundred ("The Comedian as the Letter C") (see the footnotes for the table of contents). Harmonium was reissued in 1931 with three poems omitted and fourteen new poems added.

Most of Harmonium's poems were published between 1914 and 1923 in various magazines. The poems are now in the public domain in America and similar jurisdictions.

The book's first edition sold only a hundred copies before being remaindered, suggesting that the poet and critic Mark Van Doren had it right when he wrote in The Nation in 1923 that Stevens' wit "is tentative, perverse, and superfine; and it will never be popular." Yet by 1960 the cottage industry of Stevens studies was becoming a "multinational conglomerate", more than fulfilling Van Doren's prophecy that some day a monograph would be written that would pay tribute to Stevens' "delicately enunciated melody, his economy, his clipped cleanliness of line, his gentle excellence."

A library search in the twenty-first century at a typical university could be expected to bring up about 200 books under the topic "Wallace Stevens". The Wallace Stevens Journal has been published by the Wallace Stevens Society since 1979 and its editor, John N. Serio, has collected some of the journal's essays in The Cambridge Companion to Wallace Stevens. An audiobook of his complete public domain poems was completed by Librivox in 2007.

Adapted from the Wikipedia article “Harmonium (poetry collection)” (revision 1372321937), used under CC BY-SA 4.0. Laurel's own notes and measurements are not from Wikipedia.

Measured across the book

Across its 2,156 lines, 90% of stressed syllables fall on the beat (95% interval 90% to 91%). Alliteration runs at 1.15 times what shuffling the words would give (0.26 observed against 0.23 expected). 27% of the lines have a feminine ending.

Baselines and intervals are described in the methods.

Contents

To My Wife6 linesEarthy Anecdoteiambic trimeter · unrhymed · 32 linesIn the Carolinasunrhymed · 9 linesThe Paltry Nude Starts on a Spring Voyageiambic trimeter · unrhymed · 25 linesFirst Girliambic trimeter · 6 linesSecond Girliambic trimeter · 5 linesThird Girltrochaic trimeter · 7 linesInfanta Marinaiambic trimeter · unrhymed · 15 linesDomination of Blackiambic trimeter · 36 linesThe Snow Maniambic tetrameter · unrhymed · 15 linesThe Ordinary Womeniambic trimeter · unrhymed · 40 linesThe Load of Sugar-Caneiambic trimeter · 13 linesLe Monocle de Mon Oncleiambic pentameter · 132 linesNuances of a Theme by Williams IIunrhymed · 6 linesMetaphors of a Magnificoiambic trimeter · 23 linesPloughing on Sundayiambic dimeter · 51 linesHibiscus on the Sleeping Shoresiambic pentameter · unrhymed · 15 linesFabliau of Floridatrochaic dimeter · 12 linesThe Doctor of Genevaiambic pentameter · unrhymed · 15 linesAnother Weeping Womaniambic tetrameter · unrhymed · 48 linesPoem Iiambic pentameter · 89 linesConcerning the Thunderstorms of Yucataniambic pentameter · unrhymed · 96 linesApproaching Carolinaiambic pentameter · 94 linesThe Idea of a Colonyiambic pentameter · unrhymed · 102 linesA Nice Shady Homeiambic pentameter · 95 linesAnd Daughters with Curlsiambic pentameter · unrhymed · 97 linesFrom the Misery of Don Joostiambic tetrameter · unrhymed · 12 linesO, Florida, Venereal Soiliambic tetrameter · unrhymed · 35 linesLast Looks at the Lilacsiambic pentameter · 20 linesThe Worms at Heaven’s Gateiambic pentameter · unrhymed · 9 linesThe Jack-Rabbitiambic trimeter · 14 linesValley Candleiambic trimeter · 6 linesAnecdote of Men by the Thousandiambic trimeter · 21 linesThe Silver Plough-Boyunrhymed · 10 linesThe Apostrophe to Vincentineiambic trimeter · 28 linesFloral Decorations for Bananasiambic tetrameter · 26 linesAnecdote of Cannaiambic pentameter · unrhymed · 9 linesOf the Manner of Addressing Cloudsiambic pentameter · 30 linesAnecdote of the Prince of Peacocksiambic dimeter · 30 linesA High-Toned Old Christian Womaniambic pentameter · unrhymed · 22 linesThe Place of the Solitaires13 linesThe Weeping Burgheriambic trimeter · 17 linesThe Curtains in the House of the Metaphysicianiambic tetrameter · 10 linesBanal Sojournunrhymed · 20 linesHo! Ho!5 linesThe Emperor of Ice-Creamiambic pentameter · AABB · 16 linesThe Cuban Doctoriambic tetrameter · unrhymed · 9 linesTea at the Palaz of Hooniambic pentameter · unrhymed · 12 linesExposition of the Contents of a Cabiambic trimeter · unrhymed · 18 linesDisillusionment of Ten O’Clocktrochaic trimeter · 15 linesSunday Morningiambic pentameter · 120 linesThe Virgin Carrying a Lanterniambic pentameter · 9 linesStars at Tallapoosaiambic pentameter · unrhymed · 20 linesExplanationiambic trimeter · unrhymed · 14 linesSix Significant Landscapesiambic trimeter · 56 linesBantams in Pine-Woodsiambic pentameter · unrhymed · 10 linesAnecdote of the Jariambic tetrameter · 12 linesPalace of the Babiesiambic pentameter · unrhymed · 33 linesJasmine’s Beautiful Thoughts Underneath the Willowiambic pentameter · unrhymed · 12 linesCortège for Rosenbloomanapaestic dimeter · 40 linesTattooiambic tetrameter · unrhymed · 13 linesThe Bird with the Coppery, Keen Clawsiambic pentameter · AABB · 18 linesLife Is Motiontrochaic trimeter · 9 linesArchitectureiambic trimeter · unrhymed · 56 linesThe Wind Shiftsiambic trimeter · 13 linesShe5 linesGubbinaliambic trimeter · 13 linesTwo Figures in Dense Violet Nightunrhymed · 18 linesTheoryiambic trimeter · 7 linesTo the One of Fictive Musiciambic pentameter · 36 linesHymn from a Watermelon Pavilioniambic tetrameter · 18 linesPeter Quince at the Clavier Iiambic tetrameter · unrhymed · 15 linesPeter Quince at the Clavier II25 linesPeter Quince at the Clavier IIIiambic tetrameter · AABB · 10 linesPeter Quince at the Clavier IViambic pentameter · AABB · 16 linesThirteen Ways of Looking at a Blackbird IViambic trimeter · AABB · 4 linesThirteen Ways of Looking at a Blackbird Viambic trimeter · 5 linesThirteen Ways of Looking at a Blackbird VIiambic trimeter · 7 linesThirteen Ways of Looking at a Blackbird VIIiambic trimeter · 5 linesThirteen Ways of Looking at a Blackbird VIIIiambic trimeter · 5 linesThirteen Ways of Looking at a Blackbird Xiambic trimeter · 4 linesThirteen Ways of Looking at a Blackbird XIiambic trimeter · unrhymed · 6 linesThirteen Ways of Looking at a Blackbird XIIIiambic trimeter · 5 linesNomad Exquisiteiambic trimeter · unrhymed · 14 linesTeaanapaestic dimeter · unrhymed · 8 linesTo the Roaring Windiambic trimeter · 4 lines

About this text

Public domain. Text from Harmonium, Project Gutenberg ebook #78743. Free to read, print, copy and reuse.

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