Part II

Felicia Hemans (1793–1835) · 1808–1835

iambic tetrameter · octosyllabic couplets · 341 lines · from Poems

Hast thou a scene that is not spreadWith records of thy glory fled?A monument that doth not tellThe tale of liberty’s farewell?Italia! thou art but a graveWhere flowers luxuriate o’er the brave,And nature gives her treasures birthO’er all that hath been great on earth.Yet smile thy heavens as once they smiledWhen thou wert freedom’s favour’d child:Though fane and tomb alike are low,Time hath not dimm’d thy sunbeam’s glow;And, robed in that exulting ray,Thou seem’st to triumph o’er decay--Oh, yet, though by thy sorrows bent,In nature’s pomp magnificent!What marvel if, when all was lost,Still on thy bright enchanted coast,Though many an omen warn’d him thence,Linger’d the lord of eloquence.Still gazing on the lovely sky,Whose radiance woo’d him--but to die?Like him, who would not linger there,Where heaven, earth, ocean, all are fair?Who midst thy glowing scenes could dwell,Nor bid awhile his griefs farewell?Hath not thy pure and genial airBalm for all sadness but despair?No! there are pangs whose deep-worn traceNot all thy magic can efface!Hearts by unkindness wrung may learnThe world and all its gifts to spurn;Time may steal on with silent tread,And dry the tear that mourns the dead,May change fond love, subdue regret,And teach e’en vengeance to forget:But thou, Remorse! there is no charmThy sting, avenger, to disarm!Vain are bright suns and laughing skiesTo soothe thy victim’s agonies:The heart once made thy burning throne,Still, while it beats, is thine alone.

In vain for Otho’s joyless eyeSmile the fair scenes of Italy,As through her landscapes’ rich arrayTh’ imperial pilgrim bends his way.Thy form, Crescentius! on his sightRises when nature laughs in light,Glides round him at the midnight hour,Is present in his festal bower,With awful voice and frowning mien,By all but him unheard, unseen.Oh! thus to shadows of the graveBe every tyrant still a slave!

Where, through Gargano’s woody dells,O’er bending oaks the north wind swells,A sainted hermit’s lowly tombIs bosom’d in umbrageous gloom,In shades that saw him live and dieBeneath their waving canopy.’Twas his, as legends tell, to shareThe converse of immortals there;Around that dweller of the wildThere “bright appearances” have smiled,And angel-wings at eve have beenGleaming the shadowy boughs between.And oft from that secluded bowerHath breathed, at midnight’s calmer hour,A swell of viewless harps, a soundOf warbled anthems pealing round.Oh, none but voices of the skyMight wake that thrilling harmony,Whose tones, whose very echoes madeAn Eden of the lonely shade!Years have gone by; the hermit sleepsAmidst Gargano’s woods and steeps;Ivy and flowers have half o’ergrownAnd veil’d his low sepulchral stone:Yet still the spot is holy, stillCelestial footsteps haunt the hill;And oft the awe-struck mountaineerAërial vesper-hymns may hearAround those forest-precincts float,Soft, solemn, clear, but still remote.Oft will Affliction breathe her plaintTo that rude shrine’s departed saint,And deem that spirits of the blestThere shed sweet influence o’er her breast.

And thither Otho now repairs,To soothe his soul with vows and prayers;And if for him, on holy ground,The lost one, Peace, may yet be found,Midst rocks and forests, by the bedWhere calmly sleep the sainted dead,She dwells, remote from heedless eye,With nature’s lonely majesty.

Vain, vain the search!--his troubled breastNor vow nor penance lulls to rest:The weary pilgrimage is o’er,The hopes that cheer’d it are no more.Then sinks his soul, and day by dayYouth’s buoyant energies decay.The light of health his eye hath flown,The glow that tinged his cheek is gone.Joyless as one on whom is laidSome baleful spell that bids him fade,Extending its mysterious powerO’er every scene, o’er every hour:E’en thus he withers; and to himItalia’s brilliant skies are dim.He withers--in that glorious climeWhere Nature laughs in scorn of Time;And suns, that shed on all belowTheir full and vivifying glow,From him alone their power withhold,And leave his heart in darkness cold.Earth blooms around him, heaven is fair--He only seems to perish there.

Yet sometimes will a transient smilePlay o’er his faded cheek awhile,When breathes his minstrel boy a strainOf power to lull all earthly pain--So wildly sweet, its notes might seemTh’ ethereal music of a dream,A spirit’s voice from worlds unknown,Deep thrilling power in every tone!Sweet is that lay! and yet its flowHath language only given to woe;And if at times its wakening swellSome tale of glory seems to tell,Soon the proud notes of triumph die,Lost in a dirge’s harmony.Oh! many a pang the heart hath proved,Hath deeply suffer’d, fondly loved,Ere the sad strain could catch from thenceSuch deep impassion’d eloquence!Yes! gaze on him, that minstrel boy--He is no child of hope and joy!Though few his years, yet have they beenSuch as leave traces on the mien,And o’er the roses of our primeBreathe other blights than those of time.

Yet seems his spirit wild and proud,By grief unsoften’d and unbow’d.Oh! there are sorrows which impartA sternness foreign to the heart,And, rushing with an earthquake’s power,That makes a desert in an hour,Rouse the dread passions in their course,As tempests wake the billows’ force!--’Tis sad, on youthful Guido’s face,The stamp of woes like these to trace.Oh! where can ruins awe mankindDark as the ruins of the mind?

His mien is lofty, but his gazeToo well a wandering soul betrays:His full dark eye at times is brightWith strange and momentary light,Whose quick uncertain flashes throwO’er his pale cheek a hectic glow:And oft his features and his airA shade of troubled mystery wear,A glance of hurried wildness, fraughtWith some unfathomable thought.Whate’er that thought, still unexpress’dDwells the sad secret in his breast;The pride his haughty brow revealsAll other passion well conceals--He breathes each wounded feeling’s toneIn music’s eloquence alone;His soul’s deep voice is only pour’dThrough his full song and swelling chord.

He seeks no friend, but shuns the trainOf courtiers with a proud disdain;And, save when Otho bids his layIts half unearthly power essayIn hall or bower the heart to thrill,His haunts are wild and lonely still.Far distant from the heedless throng,He roves old Tiber’s banks along,Where Empire’s desolate remainsLie scatter’d o’er the silent plains;Or, lingering midst each ruin’d shrineThat strews the desert Palatine,With mournful yet commanding mien,Like the sad genius of the scene,Entranced in awful thought appearsTo commune with departed years.Or at the dead of night, when RomeSeems of heroic shades the home;When Tiber’s murmuring voice recallsThe mighty to their ancient halls;When hush’d is every meaner sound,And the deep moonlight-calm aroundLeaves to the solemn scene aloneThe majesty of ages flown--A pilgrim to each hero’s tomb,He wanders through the sacred gloom;And midst those dwellings of decayAt times will breathe so sad a lay,So wild a grandeur in each tone,’Tis like a dirge for empires gone!

Awake thy pealing harp again,But breathe a more exulting strain,Young Guido! for awhile forgotBe the dark secrets of thy lot,And rouse th’ inspiring soul of songTo speed the banquet’s hour along!--The feast is spread, and music’s callIs echoing through the royal hall,And banners wave and trophies shineO’er stately guests in glittering line;And Otho seeks awhile to chaseThe thoughts he never can erase,And bid the voice, whose murmurs deepRise like a spirit on his sleep--The still small voice of conscience--die,Lost in the din of revelry.On his pale brow dejection lowers,But that shall yield to festal hours;A gloom is in his faded eye,But that from music’s power shall fly;His wasted cheek is wan with care,But mirth shall spread fresh crimson there.Wake, Guido! wake thy numbers high,Strike the bold chord exultingly!And pour upon the enraptured earSuch strains as warriors love to hear!Let the rich mantling goblet flow,And banish aught resembling woe;And if a thought intrude, of powerTo mar the bright convivial hour,Still must its influence lurk unseen,And cloud the heart--but not the mien!

Away, vain dream!--on Otho’s brow,Still darker lower the shadows now;Changed are his features, now o’erspreadWith the cold paleness of the dead;Now crimson’d with a hectic dye,The burning flush of agony!His lip is quivering, and his breastHeaves with convulsive pangs oppress’d;Now his dim eye seems fix’d and glazed,And now to heaven in anguish raised;And as, with unavailing aid,Around him throng his guests dismay’d,He sinks--while scarce his struggling breathHath power to falter--“This is death!”

Then rush’d that haughty child of song,Dark Guido, through the awe-struck throng.Fill’d with a strange delirious light,His kindling eye shone wildly bright;And on the sufferer’s mien awhileGazing with stem vindictive smile,A feverish glow of triumph dyedHis burning cheek, while thus he cried:--“Yes! these are death-pangs--on thy browIs set the seal of vengeance now!Oh! well was mix’d the deadly draught,And long and deeply hast thou quaff’d;And bitter as thy pangs may be,They are but guerdons meet from me!Yet these are but a moment’s throes--Howe’er intense, they soon shall close.Soon shalt thou yield thy fleeting breath--My life hath been a lingering death,Since one dark hour of woe and crime,A blood-spot on the page of time!

“Deem’st thou my mind of reason void?It is not frenzied--but destroy’d!Ay! view the wreck with shuddering thought--That work of ruin thou hast wrought!The secret of thy doom to tell,My name alone suffices well!Stephania!--once a hero’s bride!Otho! thou know’st the rest--he died.Yes! trusting to a monarch’s word,The Roman fell, untried, unheard!And thou, whose every pledge was vain,How couldst thou trust in aught again?

“He died, and I was changed--my soul,A lonely wanderer, spurn’d control.From peace, and light, and glory hurl’d,The outcast of a purer world,I saw each brighter hope o’erthrown,And lived for one dread task alone.The task is closed, fulfill’d the vow--The hand of death is on thee now.Betrayer! in thy turn betray’d,The debt of blood shall soon be paid!Thine hour is come--the time hath beenMy heart had shrunk from such a scene;That feeling long is past--my fateHath made me stern as desolate.

“Ye that around me shuddering stand,Ye chiefs and princes of the land!Mourn ye a guilty monarch’s doom?Ye wept not o’er the patriot’s tomb!He sleeps unhonour’d--yet be mineTo share his low, neglected shrine.His soul with freedom finds a home,His grave is that of glory--Rome!Are not the great of old with her,That city of the sepulchre?Lead me to death! and let me share,The slumbers of the mighty there!”

The day departs--that fearful dayFades in calm loveliness away:From purple heavens its lingering beamSeems melting into Tiber’s stream,And softly tints each Roman hillWith glowing light, as clear and stillAs if, unstain’d by crime or woe,Its hours had pass’d in silent flow.The day sets calmly--it hath beenMark’d with a strange and awful scene:One guilty bosom throbs no more,And Otho’s pangs and life are o’er.And thou, ere yet another sunHis burning race hath brightly run,Released from anguish by thy foes,Daughter of Rome! shalt find repose.Yes! on thy country’s lovely skyFix yet once more thy parting eye!A few short hours--and all shall beThe silent and the past for thee.Oh! thus with tempests of a dayWe struggle, and we pass away,Like the wild billows as they sweep,Leaving no vestige on the deep!And o’er thy dark and lowly bedThe sons of future days shall tread,The pangs, the conflicts, of thy lot,By them unknown, by thee forgot.

“Now purer airMeets his approach, and to the heart inspiresVernal delight and joy, able to driveAll sadness but despair.”--Milton.

‘AquilonibusQuerceta Gargani laborant,Et foliis viduantur orni.’--Horace.

Words in this poem 60
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
luxuriate v. i.
To grow exuberantly; to grow to superfluous abundance. [L. luxuriatus, p. p. of luxuriari, -are, to luxuriate. See Luxury.]
fane n.
A temple; a place consecrated to religion; a church. [L. fanum a place dedicated to some deity, a sanctuary, fr. fari to speak. See Fame.]
sunbeam n.
A beam or ray of the sun. [AS. sunnebeam.]
exulting a.
Rejoicing triumphantly or exceedingly; exultant.
enchanted a.
Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
awhile adv.
For a while; for some time; for a short time. [Adj. a + while time, interval.]
genial a.
Contributing to, or concerned in, propagation or production; generative; procreative; productive. [L. genialis: cf. OF. genial. See Genius.]
sadness n.
Heaviness; firmness.
spurn v. t.
To drive back or away, as with the foot; to kick. [OE. spurnen to kick against, to stumble over, AS. spurnan to kick, offend; akin to spura spur, OS. & OHG. spurnan to kick, Icel. spyrna, L. spernere to despise,]
disarm v. t.
To deprive of arms; to take away the weapons of; to deprive of the means of attack or defense; to render defenseless. [OE. desarmen, F. désarmer; pref. dés- (L. dis-) + armer to arm. See Arm.]
soothe v. t.
To assent to as true. Testament of Love. [Originally, to assent to as true; OE. so to verify, AS. ges to prove the truth of, to bear witness. See Sooth, a.]
joyless a.
Not having joy; not causing joy; unenjoyable.
festal a.
Of or pertaining to a holiday or a feast; joyous; festive. [L. festum holiday, feast. See feast.]
unheard a.
Not heard; not perceived by the ear; as, words unheard by those present.
unseen a.
Not seen or discovered.
sainted a.
Consecrated; sacred; holy; pious.
umbrageous a.
Forming or affording a shade; shady; shaded; as, umbrageous trees or foliage. [Cf. F. ombraqeux shy, skittish, suspicious, in OF. also, shady. See Umbrage.]
calmer n.
One who, or that which, makes calm.
viewless a.
Not perceivable by the eye; invisible; unseen.
thrilling a.
Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
eden n.
The garden where Adam and Eve first dwelt; hence, a delightful region or residence. [Heb. eden delight, pleasure; also, a place of pleasure, Eden.]
amidst prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
mountaineer n.
An inhabitant of a mountain; one who lives among mountains. [OF. montanier, LL. montanarius. See Mountain.]
vesper n.
The evening star; Hesper; Venus, when seen after sunset; hence, the evening. [L., the evening, the evening star, the west; akin to Gr. west. Cf. Hesperian, Vespers.]
plaint n.
Audible expression of sorrow; lamentation; complaint; hence, a mournful song; a lament. Chaucer."The Psalmist's mournful plaint." [OE. plainte, pleynte, F. plainte, fr. L. plangere, planctum (plancta, fem. p.p.), to beat, beat the breast, lament. Cf. Complain, Plague, Plangent.]
deem v. t.
To decide; to judge; to sentence; to condemn. [OE. demen to judge, condemn, AS. d, fr. d doom; akin to OFries. d, OS. ad, D. doemen, OHG. tuommen, Icel. dæma, Sw. dömma, Dan. dömme, Goth. d. See Doom, n., an]
pilgrimage n.
The journey of a pilgrim; a long journey; especially, a journey to a shrine or other sacred place. Fig., the journey of human life. [OE. pilgrimage, pelgrinage; cf. F. pèlerinage.]
flown a.
Flushed, inflated.
withers n.
The ridge between the shoulder bones of a horse, at the base of the neck. See Illust. of Horse. [Properly, the parts which resist the pull or strain in drawing a load; fr. OE. wither resistance, AS. withre, fr. wither against; akin to G. widerrist withers. ]
glorious a.
Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
clime n.
A climate; a tract or region of the earth. See Climate. [L. clima. See Climate.]
lull v. t.
To cause to rest by soothing influences; to compose; to calm; to soothe; to quiet. [Akin to OD. lullen to sing to sleep, G. lullen, Dan. lulle, Sw. lulla; all of imitative origin. Cf. Loll, Lollard.]
wakening n.
The act of one who wakens; esp., the act of ceasing to sleep; an awakening.
dirge n.
A piece of music of a mournful character, to accompany funeral rites; a funeral hymn. [Contraction of Lat. dirige, direct thou (imperative of dirigere), the first word of a funeral hymn (Lat. transl. of Psalm v. 8) beginning, "Dirige, Domine, in c]
fondly adv.
Foolishly. Verstegan (1673).
sternness n.
The quality or state of being stern.
hectic a.
Habitual; constitutional; pertaining especially to slow waste of animal tissue, as in consumption; as, a hectic type in disease; a hectic flush. [F. hectique, Gr. sah to overpower, endure; cf. AS. sige, sigor, victory, G. sieg, Goth. sigis. Cf. Scheme.]
fraught n.
A freight; a cargo. [OE.fraight, fraght; akin to Dan. fragt, Sw. frakt, D. vracht, G. fracht, cf. OHG. fr merit, reward; perh. from corresponding to E. for + The root of E. own. Cf.]
haughty a.
High; lofty; bold. [OE. hautein, F. hautain, fr. haut high, OF. also halt, fr. L. altus. See Altitude.]
unearthly a.
Not terrestrial; supernatural; preternatural; hence, weird; appalling; terrific; as, an unearthly sight or sound.
commune n.
The commonalty; the common people. [F., fr. commun. See Common.]
conscience n.
Knowledge of one's own thoughts or actions; consciousness. [F. conscience, fr. L. conscientia, fr. consciens, p.pr. of conscire to know, to be conscious; con- + scire to know. See Science.]
dejection n.
A casting down; depression. Hallywell. [L. dejectio a casting down: cf. F. déjection.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
mantling n.
The representation of a mantle, or the drapery behind and around a coat of arms: -- called also lambrequin.
aught n.
Property; possession. [AS. , fr. agan to own, p. p. ahte.]
heaves n.
A disease of horses, characterized by difficult breathing, with heaving of the flank, wheezing, flatulency, and a peculiar cough; broken wind.
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
falter v. t.
To thrash in the chaff; also, to cleanse or sift, as barley.
sufferer n.
One who suffers; one who endures or undergoes suffering; one who sustains inconvenience or loss; as, sufferers by poverty or sickness; men are sufferers by fire or by losses at sea.
vindictive a.
Disposed to revenge; prompted or characterized by revenge; revengeful. [For vindicative, confused with L. vindicta revenge, punishment, fr. vindicare to vindicate. Cf. Vindicative.]
quaff v. t.
To drink with relish; to drink copiously of; to swallow in large draughts. [For quach, fr. Gael. & Ir. cuach a drinking cup; cf. L. caucus a drinking vessel. Cf. Quaigh.]
shalt
2d per. sing. of Shall.
outcast a.
Cast out; degraded. [Cf. Sw. utkasta to cast out.]
betrayer n.
One who, or that which, betrays.
sepulchre n.
The place in which the dead body of a human being is interred, or a place set apart for that purpose; a grave; a tomb. [OE. sepulcre, OF. sepulcre, F. sépulcre, fr. L. sepulcrum, sepulchrum, fr. sepelire to bury.]
loveliness n.
The state or quality of being lovely. [From Lovely.]
laborant n.
A chemist. Boyle. [L.laborans, p. pr. of laborare to labor.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Part II is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Felicia Hemans, Part II, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/part-ii.html, id L13487.

Form and metre

Part II is 341 lines in 18 verse paragraphs. It is in rhyming couplets, 84% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%). 91% of its stressed syllables fall where the metre puts the beat. The lines average 8.3 syllables. 32 lines end on an unstressed syllable, a feminine ending. 29% of the lines run on without a stop at the line end.

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFFGGHH--IIJJKKLLKKMMNNOOPPQQRRSS spreadA · fledA · tellB · farewellB · graveC · braveC · birthD · earthD · smiledE · childE · lowF · glowF · rayG · decayG · bentH · magnificentH · lost · coast · thenceI · eloquenceI · skyJ · dieJ · thereK · fairK · dwellL · farewellL · airK · despairK · traceM · effaceM · learnN · spurnN · treadO · deadO · regretP · forgetP · charmQ · disarmQ · skiesR · agoniesR · throneS · aloneS
  2. 2 --AABBCCDDEE eye · italy · arrayA · wayA · sightB · lightB · hourC · bowerC · mienD · unseenD · graveE · slaveE
  3. 3 AABB--CCDD--EEFF--GG--HHIIJJKKLLMM dellsA · swellsA · tombB · gloomB · die · canopy · shareC · thereC · wildD · smiledD · been · between · bowerE · hourE · soundF · roundF · sky · harmony · madeG · shadeG · sleeps · steeps · o'ergrownH · stoneH · stillI · hillI · mountaineerJ · hearJ · floatK · remoteK · plaintL · saintL · blestM · breastM
  4. 4 AABBCC-- repairsA · prayersA · groundB · foundB · bedC · deadC · eye · majesty
  5. 5 AA--BB--CCDDEEFFGGHHII breastA · restA · o'er · more · dayB · decayB · flown · gone · laidC · fadeC · powerD · hourD · himE · dimE · climeF · timeF · belowG · glowG · withholdH · coldH · fairI · thereI
  6. 6 AABBCCDDEEFF----GGHH--II smileA · awhileA · strainB · painB · seemC · dreamC · unknownD · toneD · flowE · woeE · swellF · tellF · die · harmony · proved · loved · thenceG · eloquenceG · boyH · joyH · been · mien · primeI · timeI
  7. 7 AABBCCDDEEFF proudA · unbow'dA · impartB · heartB · powerC · hourC · courseD · forceD · faceE · traceE · mankindF · mindF
  8. 8 AABBCCDDEE--FFGGHH gazeA · betraysA · brightB · lightB · throwC · glowC · airD · wearD · fraughtE · thoughtE · unexpress'd · breast · revealsF · concealsF · toneG · aloneG · pour'dH · chordH
  9. 9 AABBCCDDEEFFGGHHIIJJKKLLMMBBL- trainA · disdainA · layB · essayB · thrillC · stillC · throngD · alongD · remainsE · plainsE · shrineF · palatineF · mienG · sceneG · appearsH · yearsH · romeI · homeI · recallsJ · hallsJ · soundK · aroundK · aloneL · flownL · tombM · gloomM · decayB · layB · toneL · gone
  10. 10 --AABBCCDDEEFFG---GGHHG-HHIIJJKK again · strain · forgotA · lotA · songB · alongB · callC · hallC · shineD · lineD · chaseE · eraseE · deepF · sleepF · dieG · revelry · lowers · hours · eyeG · flyG · careH · thereH · highG · exultingly · earH · hearH · flowI · woeI · powerJ · hourJ · unseenK · mienK
  11. 11 AABB--CCDDEEFF browA · nowA · o'erspreadB · deadB · dye · agony · breastC · oppress'dC · glazedD · raisedD · aidE · dismay'dE · breathF · deathF
  12. 12 AABBCCDDEE--FFGGHHII songA · throngA · lightB · brightB · awhileC · smileC · dyedD · criedD · browE · nowE · draught · quaff'd · beF · meF · throesG · closeG · breathH · deathH · crimeI · timeI
  13. 13 AABBCCDDEEFF voidA · destroy'dA · thoughtB · wroughtB · tellC · wellC · brideD · diedD · wordE · unheardE · vainF · againF
  14. 14 AABBCCDDEE--FF soulA · controlA · hurl'dB · worldB · o'erthrownC · aloneC · vowD · nowD · betray'dE · paidE · been · scene · fateF · desolateF
  15. 15 AABBCCDD--EE standA · landA · doomB · tombB · mineC · shrineC · homeD · romeD · her · sepulchre · shareE · thereE
  16. 16 AABBCCDDE---EEFFGGHHAAIIJJKK dayA · awayA · beamB · streamB · hillC · stillC · woeD · flowD · beenE · scene · more · o'er · sunE · runE · foesF · reposeF · skyG · eyeG · beH · theeH · dayA · awayA · sweepI · deepI · bedJ · treadJ · lotK · forgotK
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Hast thou a scene that is not spread8········
With records of thy glory fled?8·/˘··/˘·
A monument that doth not tell8·/˘˘····
The tale of liberty’s farewell?8···/˘˘·/
Italia! thou art but a grave9˘/˘˘·····
Where flowers luxuriate o’er the brave,10·/˘˘/˘˘···
And nature gives her treasures birth8·/˘··/˘·
O’er all that hath been great on earth.8········
Yet smile thy heavens as once they smiled10···/˘····˘
When thou wert freedom’s favour’d child:8···/˘···
Though fane and tomb alike are low,8····˘/··
Time hath not dimm’d thy sunbeam’s glow;8·····/··
And, robed in that exulting ray,9··˘··˘/˘·
Thou seem’st to triumph o’er decay--8···/˘·˘/
Oh, yet, though by thy sorrows bent,8·····/˘·
In nature’s pomp magnificent!8·/˘·˘/˘˘
What marvel if, when all was lost,8·/˘·····
Still on thy bright enchanted coast,8····˘/˘·
Though many an omen warn’d him thence,9·/˘·/˘···
Linger’d the lord of eloquence.8/˘···/˘˘
Still gazing on the lovely sky,8·/˘··/˘·
Whose radiance woo’d him--but to die?9·/˘˘·····
Like him, who would not linger there,8·····/˘·
Where heaven, earth, ocean, all are fair?9·/˘·/˘···
Who midst thy glowing scenes could dwell,8···/˘···
Nor bid awhile his griefs farewell?8··˘/···/
Hath not thy pure and genial air8·····/˘·
Balm for all sadness but despair?8···/˘·˘/
No! there are pangs whose deep-worn trace8········
Not all thy magic can efface!8···/˘·˘/
Hearts by unkindness wrung may learn8········
The world and all its gifts to spurn;8········
Time may steal on with silent tread,8·····/˘·
And dry the tear that mourns the dead,8········
May change fond love, subdue regret,8····˘/˘/
And teach e’en vengeance to forget:8···/˘·˘/
But thou, Remorse! there is no charm8··˘/····
Thy sting, avenger, to disarm!8··˘/˘·˘/
Vain are bright suns and laughing skies8·····/˘·
To soothe thy victim’s agonies:8···/˘/˘˘
The heart once made thy burning throne,8·····/˘·
Still, while it beats, is thine alone.8······˘/
In vain for Otho’s joyless eye8·····/˘·
Smile the fair scenes of Italy,8·····/˘˘
As through her landscapes’ rich array8···/··˘/
Th’ imperial pilgrim bends his way.9˘/˘˘/˘···
Thy form, Crescentius! on his sight10··········
Rises when nature laughs in light,8/˘·/˘···
Glides round him at the midnight hour,9·····/·/˘
Is present in his festal bower,9·/˘··/˘/˘
With awful voice and frowning mien,8·/˘··/˘·
By all but him unheard, unseen.8····˘/˘/
Oh! thus to shadows of the grave8···/····
Be every tyrant still a slave!9·/˘˘/˘···
Where, through Gargano’s woody dells,8··˘/˘/˘·
O’er bending oaks the north wind swells,8·/˘·····
A sainted hermit’s lowly tomb8·/˘/˘/˘·
Is bosom’d in umbrageous gloom,8····˘/˘·
In shades that saw him live and die8········
Beneath their waving canopy.8···/˘/˘˘
’Twas his, as legends tell, to share8···/˘···
The converse of immortals there;8·/˘·˘/˘·
Around that dweller of the wild8···/˘···
There “bright appearances” have smiled,9··˘/˘˘··˘
And angel-wings at eve have been8·/˘·····
Gleaming the shadowy boughs between.9/˘·/˘˘···
And oft from that secluded bower9····˘/˘/˘
Hath breathed, at midnight’s calmer hour,10··˘·/·/˘/˘
A swell of viewless harps, a sound8···/˘···
Of warbled anthems pealing round.9·/˘˘/˘/˘·
Oh, none but voices of the sky8···/˘···
Might wake that thrilling harmony,8···/˘/˘˘
Whose tones, whose very echoes made8···/˘/˘·
An Eden of the lonely shade!8·/˘··/˘·
Years have gone by; the hermit sleeps8·····/˘·
Amidst Gargano’s woods and steeps;8˘/˘/˘···
Ivy and flowers have half o’ergrown9/˘·/˘····
And veil’d his low sepulchral stone:8····˘/˘·
Yet still the spot is holy, still8·····/˘·
Celestial footsteps haunt the hill;8˘/˘/····
And oft the awe-struck mountaineer8·····/˘·
Aërial vesper-hymns may hear7··/˘···
Around those forest-precincts float,8···/˘/··
Soft, solemn, clear, but still remote.8·/˘···˘/
Oft will Affliction breathe her plaint8··˘/˘···
To that rude shrine’s departed saint,8····˘/˘·
And deem that spirits of the blest8···/˘···
There shed sweet influence o’er her breast.9···/˘˘···
And thither Otho now repairs,8·/˘···˘/
To soothe his soul with vows and prayers;8········
And if for him, on holy ground,8·····/˘·
The lost one, Peace, may yet be found,8········
Midst rocks and forests, by the bed8···/˘···
Where calmly sleep the sainted dead,8·/˘··/˘·
She dwells, remote from heedless eye,8··˘/·/˘·
With nature’s lonely majesty.8·/˘/˘/˘˘
Vain, vain the search!--his troubled breast9·····/˘˘·
Nor vow nor penance lulls to rest:8···/˘···
The weary pilgrimage is o’er,8·/˘/˘˘··
The hopes that cheer’d it are no more.8········
Then sinks his soul, and day by day8········
Youth’s buoyant energies decay.8·/˘/˘˘˘/
The light of health his eye hath flown,8········
The glow that tinged his cheek is gone.9····˘····
Joyless as one on whom is laid8/˘······
Some baleful spell that bids him fade,8·/˘·····
Extending its mysterious power10˘/˘·˘/˘˘/˘
O’er every scene, o’er every hour:11·/˘˘··/˘˘/˘
E’en thus he withers; and to him8···/˘···
Italia’s brilliant skies are dim.9˘/˘˘/˘···
He withers--in that glorious clime9·/˘··/˘˘·
Where Nature laughs in scorn of Time;8·/˘·····
And suns, that shed on all below8········
Their full and vivifying glow,7·······
From him alone their power withhold,9··˘/·/˘˘/
And leave his heart in darkness cold.8·····/˘·
Earth blooms around him, heaven is fair--9·····/˘··
He only seems to perish there.8·/˘··/˘·
Yet sometimes will a transient smile8·/···/˘·
Play o’er his faded cheek awhile,8···/˘·˘/
When breathes his minstrel boy a strain8···/˘···
Of power to lull all earthly pain--9·/˘···/˘·
So wildly sweet, its notes might seem8·/˘·····
Th’ ethereal music of a dream,9˘/˘˘/˘···
A spirit’s voice from worlds unknown,8·/˘···˘/
Deep thrilling power in every tone!10·/˘/˘·/˘˘·
Sweet is that lay! and yet its flow8········
Hath language only given to woe;9·/˘/˘/˘··
And if at times its wakening swell9·····/˘˘·
Some tale of glory seems to tell,8···/˘···
Soon the proud notes of triumph die,8·····/˘·
Lost in a dirge’s harmony.8···/˘/˘˘
Oh! many a pang the heart hath proved,10·/˘······˘
Hath deeply suffer’d, fondly loved,9·/˘/˘/˘·˘
Ere the sad strain could catch from thence8········
Such deep impassion’d eloquence!8··˘/˘/˘˘
Yes! gaze on him, that minstrel boy--8·····/˘·
He is no child of hope and joy!8········
Though few his years, yet have they been8········
Such as leave traces on the mien,8···/˘···
And o’er the roses of our prime9···/˘·/˘·
Breathe other blights than those of time.8·/˘·····
Yet seems his spirit wild and proud,8···/˘···
By grief unsoften’d and unbow’d.8······˘/
Oh! there are sorrows which impart8···/˘·˘/
A sternness foreign to the heart,8·/˘/˘···
And, rushing with an earthquake’s power,9·/˘··/·/˘
That makes a desert in an hour,9···/˘··/˘
Rouse the dread passions in their course,8···/˘···
As tempests wake the billows’ force!--8·/˘··/˘·
’Tis sad, on youthful Guido’s face,8···/˘/˘·
The stamp of woes like these to trace.8········
Oh! where can ruins awe mankind8···/˘·//
Dark as the ruins of the mind?8···/˘···
His mien is lofty, but his gaze8···/˘···
Too well a wandering soul betrays:9···/˘˘·˘/
His full dark eye at times is bright8········
With strange and momentary light,8···/˘·˘·
Whose quick uncertain flashes throw8··˘/˘/˘·
O’er his pale cheek a hectic glow:8·····/˘·
And oft his features and his air8···/˘···
A shade of troubled mystery wear,10···/˘˘/˘˘·
A glance of hurried wildness, fraught8···/˘/˘·
With some unfathomable thought.8··˘/˘˘˘·
Whate’er that thought, still unexpress’d9˘˘/······
Dwells the sad secret in his breast;8···/˘···
The pride his haughty brow reveals8···/˘·˘/
All other passion well conceals--8·/˘/˘·˘/
He breathes each wounded feeling’s tone8···/˘/˘·
In music’s eloquence alone;8·/˘/˘˘˘/
His soul’s deep voice is only pour’d8·····/˘·
Through his full song and swelling chord.8·····/˘·
He seeks no friend, but shuns the train8········
Of courtiers with a proud disdain;9·/˘˘···˘/
And, save when Otho bids his lay8········
Its half unearthly power essay9··˘/˘/˘/·
In hall or bower the heart to thrill,9···/˘····
His haunts are wild and lonely still.8·····/˘·
Far distant from the heedless throng,8·/˘··/˘·
He roves old Tiber’s banks along,8···/˘·˘/
Where Empire’s desolate remains9·/˘˘/˘·˘/
Lie scatter’d o’er the silent plains;8·/˘··/˘·
Or, lingering midst each ruin’d shrine9·/˘˘··/˘·
That strews the desert Palatine,8···/˘/˘·
With mournful yet commanding mien,8·/˘·˘/˘·
Like the sad genius of the scene,8···/˘···
Entranced in awful thought appears9˘/˘·/˘·˘/
To commune with departed years.8·/˘·˘/˘·
Or at the dead of night, when Rome8········
Seems of heroic shades the home;8··˘/˘···
When Tiber’s murmuring voice recalls9·/˘/˘˘·/·
The mighty to their ancient halls;8·/˘··/˘·
When hush’d is every meaner sound,9···/˘˘/˘·
And the deep moonlight-calm around8···/····
Leaves to the solemn scene alone8···/˘·˘/
The majesty of ages flown--8·/˘˘·/˘·
A pilgrim to each hero’s tomb,8·/˘··/˘·
He wanders through the sacred gloom;9·/˘··/˘˘·
And midst those dwellings of decay8···/˘·˘/
At times will breathe so sad a lay,8········
So wild a grandeur in each tone,8···˘/···
’Tis like a dirge for empires gone!9·····/˘˘·
Awake thy pealing harp again,8˘/·/˘·˘/
But breathe a more exulting strain,8····˘/˘·
Young Guido! for awhile forgot8·/˘·˘/˘/
Be the dark secrets of thy lot,8···/˘···
And rouse th’ inspiring soul of song8··˘/˘···
To speed the banquet’s hour along!--9···/˘/˘˘/
The feast is spread, and music’s call8·····/˘·
Is echoing through the royal hall,9·/˘˘··/˘·
And banners wave and trophies shine8·/˘··/˘·
O’er stately guests in glittering line;9·/˘··/˘˘·
And Otho seeks awhile to chase8····˘/··
The thoughts he never can erase,8···/˘·˘/
And bid the voice, whose murmurs deep8·····/˘·
Rise like a spirit on his sleep--8···/˘···
The still small voice of conscience--die,8·····/˘·
Lost in the din of revelry.8·····/˘˘
On his pale brow dejection lowers,9····˘/˘/˘
But that shall yield to festal hours;9·····/˘/˘
A gloom is in his faded eye,8·····/˘·
But that from music’s power shall fly;9···/˘/˘··
His wasted cheek is wan with care,8·/˘·····
But mirth shall spread fresh crimson there.8·····/˘·
Wake, Guido! wake thy numbers high,8·/˘··/˘·
Strike the bold chord exultingly!8········
And pour upon the enraptured ear10·····˘/˘˘·
Such strains as warriors love to hear!9···/˘˘···
Let the rich mantling goblet flow,9···/˘˘/˘·
And banish aught resembling woe;9·/˘·˘/˘˘·
And if a thought intrude, of power9····˘/·/˘
To mar the bright convivial hour,10····˘/˘˘/˘
Still must its influence lurk unseen,9···/˘˘·˘/
And cloud the heart--but not the mien!8········
Away, vain dream!--on Otho’s brow,8˘/······
Still darker lower the shadows now;9·/˘/˘·/··
Changed are his features, now o’erspread9·˘··/˘···
With the cold paleness of the dead;8···/˘···
Now crimson’d with a hectic dye,8·····/˘·
The burning flush of agony!8·/˘··/˘˘
His lip is quivering, and his breast9···/˘˘···
Heaves with convulsive pangs oppress’d;8··˘/˘·˘/
Now his dim eye seems fix’d and glazed,9········˘
And now to heaven in anguish raised;10···/˘·/˘·˘
And as, with unavailing aid,8····˘/˘·
Around him throng his guests dismay’d,8······˘/
He sinks--while scarce his struggling breath9·····/˘˘·
Hath power to falter--“This is death!”9·/˘·/˘···
Then rush’d that haughty child of song,8···/˘···
Dark Guido, through the awe-struck throng.8·/˘·····
Fill’d with a strange delirious light,9····˘/˘˘·
His kindling eye shone wildly bright;8·/˘··/˘·
And on the sufferer’s mien awhile9···/˘˘·˘/
Gazing with stem vindictive smile,8/˘··˘/˘·
A feverish glow of triumph dyed9·/˘˘··/˘·
His burning cheek, while thus he cried:--8·/˘·····
“Yes! these are death-pangs--on thy brow8········
Is set the seal of vengeance now!8·····/˘·
Oh! well was mix’d the deadly draught,8·····/˘·
And long and deeply hast thou quaff’d;8···/˘···
And bitter as thy pangs may be,8·/˘·····
They are but guerdons meet from me!8········
Yet these are but a moment’s throes--8·····/˘·
Howe’er intense, they soon shall close.8··˘/····
Soon shalt thou yield thy fleeting breath--8·····/˘·
My life hath been a lingering death,9·····/˘˘·
Since one dark hour of woe and crime,9···/˘····
A blood-spot on the page of time!8········
“Deem’st thou my mind of reason void?10·······/˘·
It is not frenzied--but destroy’d!8···/˘·˘/
Ay! view the wreck with shuddering thought--9·····/˘˘·
That work of ruin thou hast wrought!8···/˘···
The secret of thy doom to tell,8·/˘·····
My name alone suffices well!8··˘/˘/˘·
Stephania!--once a hero’s bride!9˘/˘˘··/˘·
Otho! thou know’st the rest--he died.8········
Yes! trusting to a monarch’s word,8·/˘··/··
The Roman fell, untried, unheard!8·/˘·˘/˘/
And thou, whose every pledge was vain,9···/˘˘···
How couldst thou trust in aught again?8······˘/
“He died, and I was changed--my soul,9······˘··
A lonely wanderer, spurn’d control.9·/˘/˘˘·˘/
From peace, and light, and glory hurl’d,8·····/˘·
The outcast of a purer world,8·/···/˘·
I saw each brighter hope o’erthrown,8···/˘···
And lived for one dread task alone.9··˘····˘/
The task is closed, fulfill’d the vow--9····˘˘/··
The hand of death is on thee now.8········
Betrayer! in thy turn betray’d,8˘/˘···˘/
The debt of blood shall soon be paid!8········
Thine hour is come--the time hath been9·/˘······
My heart had shrunk from such a scene;8········
That feeling long is past--my fate8·/˘·····
Hath made me stern as desolate.8·····/˘·
“Ye that around me shuddering stand,9·····/˘˘·
Ye chiefs and princes of the land!8···/˘···
Mourn ye a guilty monarch’s doom?8···/˘/··
Ye wept not o’er the patriot’s tomb!9·····/˘˘·
He sleeps unhonour’d--yet be mine8········
To share his low, neglected shrine.8····˘/˘·
His soul with freedom finds a home,8···/˘···
His grave is that of glory--Rome!8·····/˘·
Are not the great of old with her,8········
That city of the sepulchre?8·/˘·····
Lead me to death! and let me share,8········
The slumbers of the mighty there!”8·/˘··/˘·
The day departs--that fearful day8··˘/·/˘·
Fades in calm loveliness away:8···/˘˘˘/
From purple heavens its lingering beam10·/˘/˘·/˘˘·
Seems melting into Tiber’s stream,8·/˘··/˘·
And softly tints each Roman hill8·/˘··/˘·
With glowing light, as clear and still8·/˘·····
As if, unstain’d by crime or woe,8··˘/····
Its hours had pass’d in silent flow.9·/˘···/˘·
The day sets calmly--it hath been8···/˘···
Mark’d with a strange and awful scene:8·····/˘·
One guilty bosom throbs no more,8·/˘/˘···
And Otho’s pangs and life are o’er.8········
And thou, ere yet another sun8····˘/˘·
His burning race hath brightly run,8·/˘··/˘·
Released from anguish by thy foes,9˘/˘·/˘···
Daughter of Rome! shalt find repose.8/˘····˘/
Yes! on thy country’s lovely sky8···/˘/˘·
Fix yet once more thy parting eye!8·····/˘·
A few short hours--and all shall be9···/˘····
The silent and the past for thee.8·/˘·····
Oh! thus with tempests of a day8···/˘···
We struggle, and we pass away,8·/˘···˘/
Like the wild billows as they sweep,8···/˘···
Leaving no vestige on the deep!8/˘·/˘···
And o’er thy dark and lowly bed8·····/˘·
The sons of future days shall tread,8···/˘···
The pangs, the conflicts, of thy lot,8···˘/···
By them unknown, by thee forgot.8··˘/··˘/
“Now purer air4·/˘·
Meets his approach, and to the heart inspires10··˘/····˘/
Vernal delight and joy, able to drive10/˘˘/··/˘··
All sadness but despair.”--Milton.8·/˘·˘//˘
‘Aquilonibus5·····
Querceta Gargani laborant,9······/˘˘
Et foliis viduantur orni.’--Horace.10········/˘
Notes from the edition 3

Notes from The Poems of Felicia Hemans (Project Gutenberg #66785), largely Mrs Hemans's own.

  1. Stanza 1, line 20 “As for Cicero, he was carried to Astyra, where, finding a vessel, he immediately went on board, and coasted along to Circæum with a favourable wind. The pilots were preparing immediately to sail from thence, but whether it was that he feared the sea, or had not yet given up all his hopes in Cæsar, he disembarked, and travelled a hundred furlongs on foot, as if Rome had been the place of his destination. Repenting, however, afterwards, he left that road, and made again for the sea. He passed the night in the most perplexing and horrid thoughts; insomuch, that he was sometimes inclined to go privately into Cæsar’s house, and stab himself upon the altar of his domestic gods, to bring the divine vengeance upon his betrayer. But he was deterred from this by the fear of torture. Other alternatives, equally distressful, presented themselves. At last he put himself in the hands of his servants, and ordered them to carry him by sea to Cajeta, where he had a delightful retreat in the summer, when the Etesian winds set in. There was a temple of Apollo on that coast, from which a flight of crows came with great noise towards Cicero’s vessel as it was making land. They perched on both sides the sail-yard, where some sat croaking, and others pecking the ends of the ropes. All looked upon this as an ill omen; yet Cicero went on shore, and, entering his house, lay down to repose himself. In the meantime a number of the crows settled in the chamber-window, and croaked in the most doleful manner. One of them even entered it, and, alighting on the bed, attempted with its beak to draw off the clothes with which he had covered his face. On sight of this, the servants began to reproach themselves. ‘Shall we,’ said they, ‘remain to be spectators of our master’s murder? Shall we not protect him, so innocent and so great a sufferer as he is, when the brute creatures give him marks of their care and attention?’ Then, partly by entreaty, partly by force, they got him into his litter, and carried him towards the sea.”--Plutarch, Life of Cicero.
  2. Stanza 1, line 28 “Now purer air Meets his approach, and to the heart inspires Vernal delight and joy, able to drive All sadness but despair.”--Milton.
  3. Stanza 3, line 2 Mount Gargano. “This ridge of mountains forms a very large promontory advancing into the Adriatic, and separated from the Apennines on the west by the plains of Lucera and San Severo. We took a ride into the heart of the mountains through shady dells and noble woods, which brought to our minds the venerable groves that in ancient times bent with the loud winds sweeping along the rugged sides of Garganus: ‘Aquilonibus Querceta Gargani laborant, Et foliis viduantur orni.’--Horace. “There is still a respectable forest of evergreen and common oak, pine, hornbeam, chestnut, and manna-ash. The sheltered valleys are industriously cultivated, and seem to be blest with luxuriant vegetation.”--Swinburne’s Travels.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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