The Last Banquet of Antony and Cleopatra

Felicia Hemans (1793–1835) · 1808–1835

iambic pentameter · ABABCDCDEE · 133 lines · from Poems

Thy foes had girt thee with their dread array,O stately Alexandria!--yet the soundOf mirth and music, at the close of day,Swell’d from thy splendid fabrics far aroundO’er camp and wave. Within the royal hall,In gay magnificence the feast was spread;And, brightly streaming from the pictured wall,A thousand lamps their trembling lustre shedO’er many a column, rich with precious dyes,That tinge the marble’s vein, ’neath Afric’s burning skies.

And soft and clear that wavering radiance play’dO’er sculptured forms, that round the pillar’d sceneCalm and majestic rose, by art array’dIn godlike beauty, awfully serene.Oh! how unlike the troubled guests, reclinedRound that luxurious board!--in every faceSome shadow from the tempest of the mind,Rising by fits, the searching eye might trace,Though vainly mask’d in smiles which are not mirth,But the proud spirit’s veil thrown o’er the woes of earth.

Their brows are bound with wreaths, whose transient bloomMay still survive the wearers--and the rosePerchance may scarce be wither’d, when the tombReceives the mighty to its dark repose!The day must dawn on battle, and may setIn death--but fill the mantling wine-cup high!Despair is fearless, and the Fates e’en yetLend her one hour for parting revelry.They who the empire of the world possess’dWould taste its joys again, ere all exchanged for rest.

Its joys! oh, mark yon proud Triumvir’s mien,And read their annals on that brow of care!Midst pleasure’s lotus-bowers his steps have been:Earth’s brightest pathway led him to despair.Trust not the glance that fain would yet inspireThe buoyant energies of days gone by;There is delusion in its meteor fire,And all within is shame, is agony!Away! the tear in bitterness may flow,But there are smiles which bear a stamp of deeper woe.

Thy cheek is sunk, and faded as thy fame,O lost, devoted Roman! yet thy brow,To that ascendant and undying name,Pleads with stem loftiness thy right e’en now.Thy glory is departed, but hath leftA lingering light around thee: in decayNot less than kingly--though of all bereft,Thou seem’st as empire had not pass’d away.Supreme in ruin! teaching hearts elateA deep prophetic dread of still mysterious fate!

But thou, enchantress queen! whose love hath madeHis desolation--thou art by his side,In all thy sovereignty of charms array’d,To meet the storm with still unconquer’d pride.Imperial being! e’en though many a stainOf error be upon thee, there is powerIn thy commanding nature, which shall reignO’er the stern genius of misfortune’s hour;And the dark beauty of thy troubled eyeE’en now is all illumed with wild sublimity.

Thine aspect, all impassion’d, wears a lightInspiring and inspired--thy cheek a dye,Which rises not from joy, but yet is brightWith the deep glow of feverish energy.Proud siren of the Nile! thy glance is fraughtWith an immortal fire--in every beamIt darts, there kindles some heroic thought,But wild and awful as a sibyl’s dream;For thou with death hast communed to attainDread knowledge of the pangs that ransom from the chain.

And the stern courage by such musings lent,Daughter of Afric! o’er thy beauty throwsThe grandeur of a regal spirit, blentWith all the majesty of mighty woes:While he, so fondly, fatally adored,Thy fallen Roman, gazes on thee yet,Till scarce the soul that once exulting soar’dCan deem the day-star of its glory set;Scarce his charm’d heart believes that power can beIn sovereign fate, o’er him thus fondly loved by thee.

But there is sadness in the eyes around,Which mark that ruin’d leader, and surveyHis changeful mien, whence oft the gloom profoundStrange triumph chases haughtily away.“Fill the bright goblet, warrior guests!” he cries;“Quaff, ere we part, the generous nectar deep!Ere sunset gild once more the western skiesYour chief in cold forgetfulness may sleep;While sounds of revel float o’er shore and sea,And the red bowl again is crown’d--but not for me.

“Yet weep not thus. The struggle is not o’er,O victors of Philippi! many a fieldHath yielded palms to us: one effort more!By one stern conflict must our doom be seal’d.Forget not, Romans! o’er a subject worldHow royally your eagle’s wing hath spread,Though, from his eyrie of dominion hurl’d,Now bursts the tempest on his crested head!Yet sovereign still, if banish’d from the sky,The sun’s indignant bird, he must not droop--but die.”

The feast is o’er. ’Tis night, the dead of night--Unbroken stillness broods o’er earth and deep;From Egypt’s heaven of soft and starry lightThe moon looks cloudless o’er a world of sleep.For those who wait the morn’s awakening beams,The battle-signal to decide their doom,Have sunk to feverish rest and troubled dreams;--Rest that shall soon be calmer in the tomb;Dreams dark and ominous, but there to cease,When sleep the lords of war in solitude and peace.

Wake, slumberers! wake! Hark! heard ye not a soundOf gathering tumult?--Near and nearer stillIts murmur swells. Above, below, around.Bursts a strange chorus forth, confused and shrill.Wake, Alexandria! through thy streets the treadOf steps unseen is hurrying, and the noteOf pipe, and lyre, and trumpet, wild and dread,Is heard upon the midnight air to float;And voices, clamorous as in frenzied mirth,Mingle their thousand tones, which are not of the earth.

These are no mortal sounds--their thrilling strainHath more mysterious power, and birth more high;And the deep horror chilling every veinOwns them of stern terrific augury.Beings of worlds unknown! ye pass away,O ye invisible and awful throng!Your echoing footsteps and resounding layTo Cæsar’s camp exulting move along.Thy gods forsake thee, Antony! the skyBy that dread sign reveals thy doom--“Despair and die!”

“To-morrow in the battle think on me,And fall thy edgeless sword; despair and die!”Richard III.

Words in this poem 44
girt v. t.
To gird; to encircle; to invest by means of a girdle; to measure the girth of; as, to girt a tree. [From Girt, n., cf. Girth, v.]
magnificence n.
The act of doing what magnificent; the state or quality of being magnificent. Acts xix. 27. [F. magnificence, L. magnificentia. See Magnific.]
streaming a.
Sending forth streams.
pictured a.
Furnished with pictures; represented by a picture or pictures; as, a pictured scene.
lustre n.
A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
awfully adv.
In an awful manner; in a manner to fill with terror or awe; fearfully; reverently.
reclined a.
Falling or turned downward; reclinate.
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
mantling n.
The representation of a mantle, or the drapery behind and around a coat of arms: -- called also lambrequin.
annals n.
A relation of events in chronological order, each event being recorded under the year in which it happened. [L. annalis (sc. liber), and more frequently in the pl. annales (sc. libri), chronicles, fr. annus year. Cf. Annual.]
pathway n.
A footpath; a beaten track; any path or course. Also used figuratively.
fain v. t.
To be glad ; to wish or desire.
ascendant n.
Ascent; height; elevation. [F. ascendant, L. ascendens; p. pr. of ascendere.]
undying a.
Not dying; imperishable; unending; immortal; as, the undying souls of men.
loftiness n.
The state or quality of being lofty.
elate a.
Lifted up; raised; elevated. [L. elatus elevated, fig., elated, proud (the figure, perh., being borrowed from a prancing horse); e out + latus (used as p. p. of ferre to bear), for tlatus, a]
enchantress n.
A woman versed in magical arts; a sorceress; also, a woman who fascinates. [Cf. F. enchanteresse.]
desolation n.
The act of desolating or laying waste; destruction of inhabitants; depopulation. [F. désolation, L. desolatio.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
sublimity n.
The quality or state of being sublime (in any sense of the adjective). [L. sublimitas: cf. F. sublimité.]
fraught n.
A freight; a cargo. [OE.fraight, fraght; akin to Dan. fragt, Sw. frakt, D. vracht, G. fracht, cf. OHG. fr merit, reward; perh. from corresponding to E. for + The root of E. own. Cf.]
sibyl n.
A woman supposed to be endowed with a spirit of prophecy.
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
blent p. p.
Blinded. Also (Chaucer), 3d sing. pres. Blindeth.
fondly adv.
Foolishly. Verstegan (1673).
fatally adv.
In a manner proceeding from, or determined by, fate. Bentley.
exulting a.
Rejoicing triumphantly or exceedingly; exultant.
deem v. t.
To decide; to judge; to sentence; to condemn. [OE. demen to judge, condemn, AS. d, fr. d doom; akin to OFries. d, OS. ad, D. doemen, OHG. tuommen, Icel. dæma, Sw. dömma, Dan. dömme, Goth. d. See Doom, n., an]
sadness n.
Heaviness; firmness.
changeful a.
Full of change; mutable; inconstant; fickle; uncertain.
haughtily adv.
In a haughty manner; arrogantly. [From Haughty.]
quaff v. t.
To drink with relish; to drink copiously of; to swallow in large draughts. [For quach, fr. Gael. & Ir. cuach a drinking cup; cf. L. caucus a drinking vessel. Cf. Quaigh.]
generous a.
Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
royally adv.
In a royal or kingly manner; like a king; as becomes a king.
eyrie n.
The nest of a bird of prey or other large bird that builds in a lofty place; aerie. [See Aerie]
indignant a.
Affected with indignation; wrathful; passionate; irate; feeling wrath, as when a person is exasperated by unworthy or unjust treatment, by a mean action, or by a degrading accusation. [L. indignans, -antis, p. pr. of indignari to be indignant, disdain. See Indign.]
stillness n.
The quality or state of being still; quietness; silence; calmness; inactivity.
starry a.
Abounding with stars; adorned with stars.
cloudless a.
Without a cloud; clear; bright.
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
calmer n.
One who, or that which, makes calm.
unseen a.
Not seen or discovered.
thrilling a.
Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
edgeless a.
Without an edge; not sharp; blunt; obtuse; as, an edgeless sword or weapon.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Last Banquet of Antony and Cleopatra is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Felicia Hemans, The Last Banquet of Antony and Cleopatra, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/the-last-banquet-of-antony-and-cleopatra.html, id L13488.

Form and metre

The Last Banquet of Antony and Cleopatra is 133 lines in 14 stanzas. The rhyme scheme is ABABCDCDEE, complete in 7 of its 14 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 10.2 syllables. 7 lines end on an unstressed syllable, a feminine ending. 35% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCDCDEE arrayA · soundB · dayA · aroundB · hallC · spreadD · wallC · shedD · dyesE · skiesE
  2. 2 ABABCDCDEE play'dA · sceneB · array'dA · sereneB · reclinedC · faceD · mindC · traceD · mirthE · earthE
  3. 3 ABABC-C-DD bloomA · roseB · tombA · reposeB · setC · high · yetC · revelry · possess'dD · restD
  4. 4 -A-AB-B-CC mien · careA · been · despairA · inspireB · by · fireB · agony · flowC · woeC
  5. 5 ABABCDCDEE fameA · browB · nameA · nowB · leftC · decayD · bereftC · awayD · elateE · fateE
  6. 6 ABABCDCD-- madeA · sideB · array'dA · prideB · stainC · powerD · reignC · hourD · eye · sublimity
  7. 7 A-A-BCBCDD lightA · dye · brightA · energy · fraughtB · beamC · thoughtB · dreamC · attainD · chainD
  8. 8 ABABCDCDEE lentA · throwsB · blentA · woesB · adoredC · yetD · soar'dC · setD · beE · theeE
  9. 9 ABABCDCDEE aroundA · surveyB · profoundA · awayB · criesC · deepD · skiesC · sleepD · seaE · meE
  10. 10 -A-ABCBCDD o'er · fieldA · more · seal'dA · worldB · spreadC · hurl'dB · headC · skyD · dieD
  11. 11 ABABCDCDEE nightA · deepB · lightA · sleepB · beamsC · doomD · dreamsC · tombD · ceaseE · peaceE
  12. 12 ABABCDCDEE soundA · stillB · aroundA · shrillB · treadC · noteD · dreadC · floatD · mirthE · earthE
  13. 13 ABA-CDCDBB strainA · highB · veinA · augury · awayC · throngD · layC · alongD · skyB · dieB
  14. 14 AA- meA · dieA · iii
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Thy foes had girt thee with their dread array,10········˘/
O stately Alexandria!--yet the sound10·/˘·˘/˘···
Of mirth and music, at the close of day,10···/˘·····
Swell’d from thy splendid fabrics far around10···/˘/˘···
O’er camp and wave. Within the royal hall,10·······/˘·
In gay magnificence the feast was spread;10··˘/˘˘····
And, brightly streaming from the pictured wall,10·/˘/˘··/˘·
A thousand lamps their trembling lustre shed10·/˘··/˘/˘·
O’er many a column, rich with precious dyes,10·/·/˘··/˘·
That tinge the marble’s vein, ’neath Afric’s burning skies.12···/˘····/˘·
And soft and clear that wavering radiance play’d10·····/˘/˘·
O’er sculptured forms, that round the pillar’d scene10·/˘····/˘·
Calm and majestic rose, by art array’d10··˘/˘···˘/
In godlike beauty, awfully serene.9·/˘/˘/˘˘/
Oh! how unlike the troubled guests, reclined10··˘/·/˘·˘/
Round that luxurious board!--in every face10··˘/˘··/˘·
Some shadow from the tempest of the mind,10·/···/˘···
Rising by fits, the searching eye might trace,10/˘···/˘···
Though vainly mask’d in smiles which are not mirth,10·/˘·······
But the proud spirit’s veil thrown o’er the woes of earth.12···/˘·······
Their brows are bound with wreaths, whose transient bloom10·······/˘·
May still survive the wearers--and the rose10··˘/·/˘···
Perchance may scarce be wither’d, when the tomb10˘/···/˘···
Receives the mighty to its dark repose!10˘/·/˘···˘/
The day must dawn on battle, and may set10·····/˘···
In death--but fill the mantling wine-cup high!10·····/˘···
Despair is fearless, and the Fates e’en yet10˘/·/˘·····
Lend her one hour for parting revelry.11···/˘·/˘/˘˘
They who the empire of the world possess’d10···/˘···˘/
Would taste its joys again, ere all exchanged for rest.12····˘/··˘/··
Its joys! oh, mark yon proud Triumvir’s mien,9·········
And read their annals on that brow of care!10···/˘·····
Midst pleasure’s lotus-bowers his steps have been:10·/˘/˘/····
Earth’s brightest pathway led him to despair.10·/˘/····˘/
Trust not the glance that fain would yet inspire10········˘/
The buoyant energies of days gone by;10·/˘/˘˘····
There is delusion in its meteor fire,10··˘/˘··/˘/
And all within is shame, is agony!10·······/˘˘
Away! the tear in bitterness may flow,10˘/···/˘˘··
But there are smiles which bear a stamp of deeper woe.12·········/˘·
Thy cheek is sunk, and faded as thy fame,10·····/˘···
O lost, devoted Roman! yet thy brow,10··˘/˘/˘···
To that ascendant and undying name,10··˘/˘·˘/˘·
Pleads with stem loftiness thy right e’en now.10···/˘˘····
Thy glory is departed, but hath left10·/˘·˘/˘···
A lingering light around thee: in decay10·/˘·····˘/
Not less than kingly--though of all bereft,10···/˘···˘/
Thou seem’st as empire had not pass’d away.10···/˘···˘/
Supreme in ruin! teaching hearts elate10˘/·/˘/˘·˘/
A deep prophetic dread of still mysterious fate!12··˘/˘···˘/˘·
But thou, enchantress queen! whose love hath made10··˘/˘·····
His desolation--thou art by his side,10··˘/˘·····
In all thy sovereignty of charms array’d,10···/˘˘··˘/
To meet the storm with still unconquer’d pride.10··········
Imperial being! e’en though many a stain10˘/˘˘/··/··
Of error be upon thee, there is power11·/˘······/˘
In thy commanding nature, which shall reign10··˘/˘/˘···
O’er the stern genius of misfortune’s hour;11···/˘·˘/˘/˘
And the dark beauty of thy troubled eye10···/˘··/˘·
E’en now is all illumed with wild sublimity.14··········˘/˘˘
Thine aspect, all impassion’d, wears a light10·/··˘/˘···
Inspiring and inspired--thy cheek a dye,10˘/˘·˘/····
Which rises not from joy, but yet is bright10·/˘·······
With the deep glow of feverish energy.11·····/˘˘/˘˘
Proud siren of the Nile! thy glance is fraught10·/˘·······
With an immortal fire--in every beam10··˘/˘/·/˘·
It darts, there kindles some heroic thought,10···/˘·˘/˘·
But wild and awful as a sibyl’s dream;10···/˘··/˘·
For thou with death hast communed to attain10·····/˘·˘/
Dread knowledge of the pangs that ransom from the chain.12·/˘····/˘···
And the stern courage by such musings lent,10···/˘··/˘·
Daughter of Afric! o’er thy beauty throws10/˘·/˘··/˘·
The grandeur of a regal spirit, blent10·˘/··/˘/˘·
With all the majesty of mighty woes:10···/˘˘·/˘·
While he, so fondly, fatally adored,10···/˘/˘˘˘/
Thy fallen Roman, gazes on thee yet,10·/˘/˘/˘···
Till scarce the soul that once exulting soar’d10······˘/˘·
Can deem the day-star of its glory set;10·······/˘·
Scarce his charm’d heart believes that power can be10····˘/·/··
In sovereign fate, o’er him thus fondly loved by thee.12·/˘····/˘···
But there is sadness in the eyes around,10···/˘·····
Which mark that ruin’d leader, and survey10···/˘/˘·˘/
His changeful mien, whence oft the gloom profound10·/˘·····˘/
Strange triumph chases haughtily away.10·/˘/˘/˘˘˘/
“Fill the bright goblet, warrior guests!” he cries;10···/˘/˘···
“Quaff, ere we part, the generous nectar deep!10·····/˘/˘·
Ere sunset gild once more the western skies10·/·····/˘·
Your chief in cold forgetfulness may sleep;10····˘/˘˘··
While sounds of revel float o’er shore and sea,10···/˘·····
And the red bowl again is crown’d--but not for me.12····˘/······
“Yet weep not thus. The struggle is not o’er,10·····/˘···
O victors of Philippi! many a field10·/˘·˘/˘/··
Hath yielded palms to us: one effort more!10·/˘····/˘·
By one stern conflict must our doom be seal’d.10···˘/·/···
Forget not, Romans! o’er a subject world10˘/·/˘··/˘·
How royally your eagle’s wing hath spread,10·/˘˘·/˘···
Though, from his eyrie of dominion hurl’d,10···/˘·˘/˘·
Now bursts the tempest on his crested head!10···/˘··/˘·
Yet sovereign still, if banish’d from the sky,10·/˘··/˘···
The sun’s indignant bird, he must not droop--but die.”12··˘/˘·······
The feast is o’er. ’Tis night, the dead of night--10··········
Unbroken stillness broods o’er earth and deep;10˘/˘/˘·····
From Egypt’s heaven of soft and starry light10·/˘/···/˘·
The moon looks cloudless o’er a world of sleep.10···/˘·····
For those who wait the morn’s awakening beams,10······˘/˘·
The battle-signal to decide their doom,10·/˘/˘·˘/··
Have sunk to feverish rest and troubled dreams;--10···/˘··/˘·
Rest that shall soon be calmer in the tomb;10·····/˘···
Dreams dark and ominous, but there to cease,10···/˘˘····
When sleep the lords of war in solitude and peace.12·······/˘···
Wake, slumberers! wake! Hark! heard ye not a sound11···········
Of gathering tumult?--Near and nearer still10·/˘/˘··/˘·
Its murmur swells. Above, below, around.10·/˘·······
Bursts a strange chorus forth, confused and shrill.10···/˘·˘/··
Wake, Alexandria! through thy streets the tread10··˘/˘·····
Of steps unseen is hurrying, and the note10··˘/·/˘···
Of pipe, and lyre, and trumpet, wild and dread,10·····/˘···
Is heard upon the midnight air to float;10·····/····
And voices, clamorous as in frenzied mirth,11·/˘/˘˘··/˘·
Mingle their thousand tones, which are not of the earth.12/˘·/˘·······
These are no mortal sounds--their thrilling strain10···/˘··/˘·
Hath more mysterious power, and birth more high;10··˘/˘/····
And the deep horror chilling every vein10···/˘/˘/˘·
Owns them of stern terrific augury.10····˘/˘/˘˘
Beings of worlds unknown! ye pass away,10/˘··˘/··˘/
O ye invisible and awful throng!10··˘/˘˘·/˘·
Your echoing footsteps and resounding lay10·/˘/··˘/˘·
To Cæsar’s camp exulting move along.9···˘/˘·˘/
Thy gods forsake thee, Antony! the sky10··˘/·/˘˘··
By that dread sign reveals thy doom--“Despair and die!”12····˘/··˘/··
“To-morrow in the battle think on me,10·/˘··/˘···
And fall thy edgeless sword; despair and die!”10···/˘·˘/··
Richard III.3/˘·
Notes from the edition 2

Notes from The Poems of Felicia Hemans (Project Gutenberg #66785), largely Mrs Hemans's own.

  1. Stanza 7, line 10 Cleopatra made a collection of poisonous drugs, and being desirous to know which was least painful in the operation, she tried them on the capital convicts. Such poisons as were quick in their operation, she found to be attended with violent pain and convulsions; such as were milder were slow in their effect: she therefore applied herself to the examination of venomous creatures; and at length she found that the bite of the asp was the most eligible kind of death, for it brought on a gradual kind of lethargy.--See Plutarch.
  2. Stanza 13, line 10 “To-morrow in the battle think on me, And fall thy edgeless sword; despair and die!” Richard III.

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