The Widow of Crescentius

Felicia Hemans (1793–1835) · 1808–1835

iambic tetrameter · octosyllabic couplets · 284 lines · from Poems

Midst Tivoli’s luxuriant glades,Bright-foaming falls, and olive shades,Where dwelt, in days departed long,The sons of battle and of song,No tree, no shrub its foliage rearsBut o’er the wrecks of other years,Temples and domes, which long have beenThe soil of that enchanted scene.

There the wild fig-tree and the vineO’er Hadrian’s mouldering villa twine;The cypress, in funereal grace,Usurps the vanish’d column’s place;O’er fallen shrine and ruin’d friezeThe wall-flower rustles in the breeze;Acanthus-leaves the marble hideThey once adorn’d in sculptured pride;And nature hath resumed her throneO’er the vast works of ages flown.

Was it for this that many a pile,Pride of Ilissus and of Nile,To Anio’s banks the image lentOf each imperial monument?Now Athens weeps her shatter’d fanes,Thy temples, Egypt, strew thy plains;And the proud fabrics Hadrian rear’dFrom Tibur’s vale have disappear’d.We need no prescient sibyl thereThe doom of grandeur to declare;Each stone, where weeds and ivy climb,Reveals some oracle of Time;Each relic utters Fate’s decree--The future as the past shall be.

Halls of the dead! in Tibur’s vale,Who now shall tell your lofty tale?Who trace the high patrician’s dome,The bard’s retreat, the hero’s home?When moss-clad wrecks alone recordThere dwelt the world’s departed lord,In scenes where verdure’s rich arrayStill sheds young beauty o’er decay,And sunshine on each glowing hillMidst ruins finds a dwelling still.

Sunk is thy palace--but thy tomb,Hadrian! hath shared a prouder doom.Though vanish’d with the days of oldIts pillars of Corinthian mould;Though the fair forms by sculpture wrought,Each bodying some immortal thought,Which o’er that temple of the deadSerene but solemn beauty shed,Have found, like glory’s self, a graveIn time’s abyss or Tiber’s wave;Yet dreams more lofty and more fairThan art’s bold hand hath imaged e’er.High thoughts of many a mighty mindExpanding when all else declined,In twilight years, when only theyRecall’d the radiance pass’d away,Have made that ancient pile their home,Fortress of freedom and of Rome.

There he, who strove in evil daysAgain to kindle glory’s rays,Whose spirit sought a path of lightFor those dim ages far too bright--Crescentius--long maintain’d the strifeWhich closed but with its martyr’s life,And left th’ imperial tomb a name,A heritage of holier fame.There closed De Brescia’s mission high,From thence the patriot came to die;And thou, whose Roman soul the lastSpoke with the voice of ages past,Whose thoughts so long from earth had fledTo mingle with the glorious dead,That midst the world’s degenerate raceThey vainly sought a dwelling-place,Within that house of death didst broodO’er visions to thy ruin woo’d.Yet, worthy of a brighter lot,Rienzi, be thy faults forgot!For thou, when all around thee layChain’d in the slumbers of decay--So sunk each heart, that mortal eyeHad scarce a tear for liberty--Alone, amidst the darkness there,Couldst gaze on Rome--yet not despair!

’Tis morn--and nature’s richest dyesAre floating o’er Italian skies;Tints of transparent lustre shineAlong the snow-clad Apennine;The clouds have left Soracte’s height,And yellow Tiber winds in light,Where tombs and fallen fanes have strew’dThe wide Campagna’s solitude.’Tis sad amidst that scene to traceThose relics of a vanish’d race;Yet, o’er the ravaged path of time--Such glory sheds that brilliant clime,Where nature still, though empires fall,Holds her triumphant festival--E’en desolation wears a smile,Where skies and sunbeams laugh the while;And heaven’s own light, earth’s richest bloom,Array the ruin and the tomb.

But she, who from yon convent towerBreathes the pure freshness of the hour;She, whose rich flow of raven hairStreams wildly on the morning air,Heeds not how fair the scene below,Robed in Italia’s brightest glow.Though throned midst Latium’s classic plainsTh’ Eternal City’s towers and fanes,And they, the Pleiades of earth,The seven proud hills of Empire’s birth,Lie spread beneath; not now her glanceRoves o’er that vast sublime expanse;Inspired, and bright with hope,’tis thrownOn Adrian’s massy tomb alone;There, from the storm, when Freedom fled,His faithful few Crescentius led;While she, his anxious bride, who nowBends o’er the scene her youthful brow,Sought refuge in the hallow’d fane,Which then could shelter, not in vain.

But now the lofty strife is o’er,And Liberty shall weep no more.At length imperial Otho’s voiceBids her devoted sons rejoice;And he, who battled to restoreThe glories and the rights of yore,Whose accents, like the clarion’s sound,Could burst the dead repose around,Again his native Rome shall seeThe sceptred city of the free!And young Stephania waits the hourWhen leaves her lord his fortress-tower--Her ardent heart with joy elate,That seems beyond the reach of fate;Her mien, like creature from above,All vivified with hope and love.

Fair is her form, and in her eyeLives all the soul of Italy;A meaning lofty and inspired,As by her native day-star fired;Such wild and high expression, fraughtWith glances of impassion’d thought,As fancy sheds, in visions bright,O’er priestess of the God of Light;And the dark locks that lend her faceA youthful and luxuriant grace,Wave o’er her cheek, whose kindling dyesSeem from the fire within to rise,But deepen’d by the burning heavenTo her own land of sunbeams given.Italian art that fervid glowWould o’er ideal beauty throw,And with such ardent life expressHer high-wrought dreams of loveliness,--Dreams which, surviving Empire’s fall,The shade of glory still recall.

But see!--the banner of the braveO’er Adrian’s tomb hath ceased to wave.’Tis lower’d--and now Stephania’s eyeCan well the martial train descry,Who, issuing from that ancient dome,Pour through the crowded streets of Rome.Now from her watch-tower on the height,With step as fabled wood-nymph’s light,She flies--and swift her way pursuesThrough the lone convent’s avenues.Dark cypress groves, and fields o’erspreadWith records of the conquering dead,And paths which track a glowing waste,She traverses in breathless haste;And by the tombs where dust is shrinedOnce tenanted by loftiest mind,Still passing on, hath reach’d the gateOf Rome, the proud, the desolate!Throng’d are the streets, and, still renew’d,Rush on the gathering multitude.--Is it their high-soul’d chief to greetThat thus the Roman thousands meet?With names that bid their thoughts ascend,Crescentius! thine in song to blend;And of triumphal days gone byRecall th’ inspiring pageantry?--There is an air of breathless dread,An eager glance, a hurrying tread;And now a fearful silence round,And now a fitful murmuring sound,Midst the pale crowds, that almost seemPhantoms of some tumultuous dream.Quick is each step and wild each mien,Portentous of some awful scene.Bride of Crescentius! as the throngBore thee with whelming force along,How did thine anxious heart beat high,Till rose suspense to agony!--Too brief suspense, that soon shall close,And leave thy heart to deeper woes.

Who midst yon guarded precinct stands,With fearless mien but fetter’d hands?The ministers of death are nigh,Yet a calm grandeur lights his eye;And in his glance there fives a mindWhich was not form’d for chains to bind,But cast in such heroic mouldAs theirs, th’ ascendant ones of old.Crescentius! freedom’s daring son,Is this the guerdon thou hast won?Oh, worthy to have lived and diedIn the bright days of Latium’s pride!Thus must the beam of glory closeO’er the seven hills again that rose,When at thy voice, to burst the yoke,The soul of Rome indignant woke?Vain dream! the sacred shields are gone,Sunk is the crowning city’s throne:Th’ illusions, that around her castTheir guardian spells, have long been past.Thy life hath been a shot-star’s ray,Shed o’er her midnight of decay;Thy death at freedom’s ruin’d shrineMust rivet every chain--but thine.

Calm is his aspect, and his eyeNow fix’d upon the deep blue sky,Now on those wrecks of ages fledAround in desolation spread--Arch, temple, column, worn and gray,Recording triumphs pass’d away;Works of the mighty and the free,Whose steps on earth no more shall be,Though their bright course hath left a traceNor years nor sorrows can efface.Why changes now the patriot’s mien,Erewhile so loftily serene?Thus can approaching death controlThe might of that commanding soul?No!--Heard ye not that thrilling cryWhich told of bitterest agony?He heard it, and at once, subdued,Hath sunk the hero’s fortitude.He heard it, and his heart too wellWhence rose that voice of woe can tell;And midst the gazing throngs aroundOne well-known form his glance hath found--One fondly loving and beloved,In grief, in peril, faithful proved.Yes! in the wildness of despair,She, his devoted bride, is there.Pale, breathless, through the crowd she flies,The light of frenzy in her eyes:But ere her arms can clasp the formWhich life ere long must cease to warm--Ere on his agonising breastHer heart can heave, her head can rest--Check’d in her course by ruthless hands,Mute, motionless, at once she stands;With bloodless cheek and vacant glance,Frozen and fix’d in horror’s trance;Spell-bound, as every sense were fled,And thought o’erwhelm’d, and feeling dead;And the light waving of her hair,And veil, far floating on the air,Alone, in that dread moment, showShe is no sculptured form of woe.

The scene of grief and death is o’er,The patriot’s heart shall throb no more:But hers--so vainly form’d to proveThe pure devotedness of love,And draw from fond affection’s eyeAll thought sublime, all feeling high--When consciousness again shall wake,Hath now no refuge but to break.The spirit long inured to painMay smile at fate in calm disdain,Survive its darkest hour, and riseIn more majestic energies.But in the glow of vernal pride,If each warm hope at once hath died,Then sinks the mind, a blighted flower,Dead to the sunbeam and the shower;A broken gem, whose inborn lightIs scatter’d--ne’er to re-unite.

Words in this poem 57
enchanted a.
Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
villa n.
A country seat; a country or suburban residence of some pretensions to elegance. Dryden. [L. villa, LL. also village, dim. of L. vicus a village: cf. It. & F. villa. See Vicinity, and cf. Vill, Village, Villain.]
flown a.
Flushed, inflated.
vale n.
A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
prescient a.
Having knowledge of coming events; foreseeing; conscious beforehand. [L. praesciens, -entis, p. pr. of praescire to foreknow; prae before + scire to know: cf. F. prescient. See Science.]
sibyl n.
A woman supposed to be endowed with a spirit of prophecy.
oracle v. i.
To utter oracles.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
clad v.
To clothe. Holland.
sunshine n.
The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
mould n.
Crumbling, soft, friable earth; esp., earth containing the remains or constituents of organic matter, and suited to the growth of plants; soil. [OE. molde, AS. molde; akin to D. mul, G. mull, mulm, OHG. molt, molta, Icel. mold, Dan. muld, Sw. mull, Goth. mulda, and E. meal flour. See Meal, and cf. Mole a]
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
heritage a.
That which is inherited, or passes from heir to heir; inheritance. [OE. heritage, eritage, OF. heritage, eritage, F. héritage, fr. hériter to inherit, LL. heriditare. See Hereditable.]
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
glorious a.
Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
didst
, the 2d pers. sing. imp. of Do.
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
amidst prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
lustre n.
A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
apennine a.
Of, pertaining to, or designating, the Apennines, a chain of mountains extending through Italy. [L. Apenninus, fr. Celtic pen, or ben, peak, mountain.]
clime n.
A climate; a tract or region of the earth. See Climate. [L. clima. See Climate.]
desolation n.
The act of desolating or laying waste; destruction of inhabitants; depopulation. [F. désolation, L. desolatio.]
classic a.
Of or relating to the first class or rank, especially in literature or art. [L. classicus relating to the classes of the Roman people, and especially to the frist class; hence, of the first rank, superior, from classis class: cf. F. clas]
pleiades n.
The seven daughters of Atlas and the nymph Pleione, fabled to have been made by Jupiter a constellation in the sky.
adrian a.
Pertaining to the Adriatic Sea; as, Adrian billows. [L. Hadrianus.]
massy a.
Compacted into, or consisting of, a mass; having bulk and weight ot substance; ponderous; bulky and heavy; weight; heavy; as, a massy shield; a massy rock.
hallow v. t.
To make holy; to set apart for holy or religious use; to consecrate; to treat or keep as sacred; to reverence. [OE. halowen, halwien, halgien, AS. halgian, fr. halig holy. See Holy.]
fane n.
A temple; a place consecrated to religion; a church. [L. fanum a place dedicated to some deity, a sanctuary, fr. fari to speak. See Fame.]
yore adv.
In time long past; in old time; long since. [OE. , yare, , AS. geára;akin to geár a year, E. year. Year.]
clarion n.
A kind of trumpet, whose note is clear and shrill. [OE. clarioun, OF. clarion, F. clairon, LL. clario, claro; so called from its clear tone, fr. L. clarus clear. See Clear.]
elate a.
Lifted up; raised; elevated. [L. elatus elevated, fig., elated, proud (the figure, perh., being borrowed from a prancing horse); e out + latus (used as p. p. of ferre to bear), for tlatus, a]
fraught n.
A freight; a cargo. [OE.fraight, fraght; akin to Dan. fragt, Sw. frakt, D. vracht, G. fracht, cf. OHG. fr merit, reward; perh. from corresponding to E. for + The root of E. own. Cf.]
priestess n.
A woman who officiated in sacred rites among pagans. Abp.
fervid a.
Very hot; burning; boiling. [L. fervidus, fr. fervere. See Fervent.]
loveliness n.
The state or quality of being lovely. [From Lovely.]
surviving a.
Remaining alive; yet living or existing; as, surviving friends; surviving customs.
descry
, Discovery or view, as of an army seen at a distance.
lone n.
A lane. See Loanin.
breathless a.
Spent with labor or violent action; out of breath.
triumphal n.
A token of victory.
pageantry n.
Scenic shows or spectacles, taken collectivelly; spectacular guality; splendor.
fitful a.
Full of fits; irregularly variable; impulsive and unstable. [From 7th Fit.]
portentous a.
Of the nature of a portent; containing portents; foreschadowing, esp. foreschadowing ill; ominous. [L. portentosus.]
precinct n.
The limit or exterior line encompassing a place; a boundary; a confine; limit of jurisdiction or authority; -- often in the plural; as, the precincts of a state. [LL. praecinctum, fr. L. praecingere, praecinctum, to gird about, to encompass; prae before + cingere to gird, surround. See Pre-, and Cincture.]
ascendant n.
Ascent; height; elevation. [F. ascendant, L. ascendens; p. pr. of ascendere.]
guerdon n.
A reward; requital; recompense; -- used in both a good and a bad sense. [OF. guerdon, guerredon, LL. widerdonum (influenced by L. donum gift, cf. Donation ), fr. OHG. widarl; widar again, against (G. wider wieder) + lon reward, G. lo]
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
indignant a.
Affected with indignation; wrathful; passionate; irate; feeling wrath, as when a person is exasperated by unworthy or unjust treatment, by a mean action, or by a degrading accusation. [L. indignans, -antis, p. pr. of indignari to be indignant, disdain. See Indign.]
erewhile adv.
Some time ago; a little while before; heretofore.
loftily adv.
In a lofty manner or position; haughtily. [From Lofty.]
thrilling a.
Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
fortitude n.
Power to resist attack; strength; firmness. [L. fortitudo, fr. fortis strong. See Fort.]
fondly adv.
Foolishly. Verstegan (1673).
ruthless a.
Having no ruth; cruel; pitiless.
throb v. i.
To beat, or pulsate, with more than usual force or rapidity; to beat in consequence of agitation; to palpitate; -- said of the heart, pulse, etc. [OE. ; of uncertain origin; cf. Russ. trepete a trembling, and E. trepidation.]
sunbeam n.
A beam or ray of the sun. [AS. sunnebeam.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Widow of Crescentius is in the public domain. This text is taken from The Poems of Felicia Hemans, Project Gutenberg ebook #66785; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Felicia Hemans, The Widow of Crescentius, in Poems (1808–1835), text of Project Gutenberg ebook #66785, Laurel, https://laurelpoetry.com/poem/hemans-poems/the-widow-of-crescentius.html, id L13486.

Form and metre

The Widow of Crescentius is 284 lines in 14 verse paragraphs. It is in rhyming couplets, 90% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 88%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 8.3 syllables. 24 lines end on an unstressed syllable, a feminine ending. 28% of the lines run on without a stop at the line end.

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCC-- gladesA · shadesA · longB · songB · rearsC · yearsC · been · scene
  2. 2 AABBCCDDEE vineA · twineA · graceB · placeB · friezeC · breezeC · hideD · prideD · throneE · flownE
  3. 3 AABBCCDDEEFFGG pileA · nileA · lentB · monumentB · fanesC · plainsC · rear'dD · disappear'dD · thereE · declareE · climbF · timeF · decreeG · beG
  4. 4 AABBCCDDEE valeA · taleA · domeB · homeB · recordC · lordC · arrayD · decayD · hillE · stillE
  5. 5 AABBCCDDEE--FFGGHH tombA · doomA · oldB · mouldB · wroughtC · thoughtC · deadD · shedD · graveE · waveE · fair · e'er · mindF · declinedF · theyG · awayG · homeH · romeH
  6. 6 AABBCCDDEEFFGGHHIIJJKKE-LL daysA · raysA · lightB · brightB · strifeC · lifeC · nameD · fameD · highE · dieE · lastF · pastF · fledG · deadG · raceH · placeH · broodI · woo'dI · lotJ · forgotJ · layK · decayK · eyeE · liberty · thereL · despairL
  7. 7 AA--BBCCDDEEFFGGHH dyesA · skiesA · shine · apennine · heightB · lightB · strew'dC · solitudeC · traceD · raceD · timeE · climeE · fallF · festivalF · smileG · whileG · bloomH · tombH
  8. 8 AABBCCDDEEFFGGHHIIJJ towerA · hourA · hairB · airB · belowC · glowC · plainsD · fanesD · earthE · birthE · glanceF · expanseF · thrownG · aloneG · fledH · ledH · nowI · browI · faneJ · vainJ
  9. 9 -ABBAACCDDEEFFGG o'er · moreA · voiceB · rejoiceB · restoreA · yoreA · soundC · aroundC · seeD · freeD · hourE · towerE · elateF · fateF · aboveG · loveG
  10. 10 --AABBCCDDEE--FFGGHH eye · italy · inspiredA · firedA · fraughtB · thoughtB · brightC · lightC · faceD · graceD · dyesE · riseE · heaven · given · glowF · throwF · expressG · lovelinessG · fallH · recallH
  11. 11 AABBCCDDEEFFGGHHIIJJIIKK--LLMMNNOOPP---- braveA · waveA · eyeB · descryB · domeC · romeC · heightD · lightD · pursuesE · avenuesE · o'erspreadF · deadF · wasteG · hasteG · shrinedH · mindH · gateI · desolateI · renew'dJ · multitudeJ · greetI · meetI · ascendK · blendK · by · pageantry · dreadL · treadL · roundM · soundM · seemN · dreamN · mienO · sceneO · throngP · alongP · high · agony · close · woes
  12. 12 AABBCCDDEEFFGGHH--IIJJKK standsA · handsA · nighB · eyeB · mindC · bindC · mouldD · oldD · sonE · wonE · diedF · prideF · closeG · roseG · yokeH · wokeH · gone · throne · castI · pastI · rayJ · decayJ · shrineK · thineK
  13. 13 AABBCCDDEEFFGG--HHIIJJ--KKLLMMNNOOPPQQRRSS eyeA · skyA · fledB · spreadB · grayC · awayC · freeD · beD · traceE · effaceE · mienF · sereneF · controlG · soulG · cry · agony · subduedH · fortitudeH · wellI · tellI · aroundJ · foundJ · beloved · proved · despairK · thereK · fliesL · eyesL · formM · warmM · breastN · restN · handsO · standsO · glanceP · tranceP · fledQ · deadQ · hairR · airR · showS · woeS
  14. 14 --AABBCCDDEEFFGGHH o'er · more · proveA · loveA · eyeB · highB · wakeC · breakC · painD · disdainD · riseE · energiesE · prideF · diedF · flowerG · showerG · lightH · uniteH
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Midst Tivoli’s luxuriant glades,9·/˘˘˘/˘˘·
Bright-foaming falls, and olive shades,8·/˘··/˘·
Where dwelt, in days departed long,8····˘/˘·
The sons of battle and of song,8···/˘···
No tree, no shrub its foliage rears8·····/˘·
But o’er the wrecks of other years,8·····/˘·
Temples and domes, which long have been8/˘······
The soil of that enchanted scene.8····˘/˘·
There the wild fig-tree and the vine8········
O’er Hadrian’s mouldering villa twine;10·/˘˘/˘˘/˘·
The cypress, in funereal grace,9·/˘·˘/˘˘·
Usurps the vanish’d column’s place;8·/·/˘/˘·
O’er fallen shrine and ruin’d frieze8·/˘··/˘·
The wall-flower rustles in the breeze;9··/˘/˘···
Acanthus-leaves the marble hide8˘/˘··/˘·
They once adorn’d in sculptured pride;9··˘/·/˘˘·
And nature hath resumed her throne9·/˘·˘/˘··
O’er the vast works of ages flown.8·····/˘·
Was it for this that many a pile,9·····/˘··
Pride of Ilissus and of Nile,8········
To Anio’s banks the image lent8·····/˘·
Of each imperial monument?9··˘/˘˘/˘˘
Now Athens weeps her shatter’d fanes,8·/˘··/˘·
Thy temples, Egypt, strew thy plains;8·/˘/˘···
And the proud fabrics Hadrian rear’d9···/˘/˘˘·
From Tibur’s vale have disappear’d.8······˘/
We need no prescient sibyl there9···/˘˘/˘·
The doom of grandeur to declare;8···˘/·˘/
Each stone, where weeds and ivy climb,8·····/˘·
Reveals some oracle of Time;8˘/·/˘˘··
Each relic utters Fate’s decree--8·/˘/˘·˘/
The future as the past shall be.8·/˘·····
Halls of the dead! in Tibur’s vale,8········
Who now shall tell your lofty tale?8·····/˘·
Who trace the high patrician’s dome,8····˘/˘·
The bard’s retreat, the hero’s home?8··˘/·/˘·
When moss-clad wrecks alone record8····˘/˘/
There dwelt the world’s departed lord,8····˘/˘·
In scenes where verdure’s rich array8······˘/
Still sheds young beauty o’er decay,8···/˘·˘/
And sunshine on each glowing hill8·/···/˘·
Midst ruins finds a dwelling still.8·/˘··/˘·
Sunk is thy palace--but thy tomb,8···/˘···
Hadrian! hath shared a prouder doom.10/˘˘··˘·/˘·
Though vanish’d with the days of old8·/˘·····
Its pillars of Corinthian mould;9·/˘·˘/˘˘·
Though the fair forms by sculpture wrought,8·····/˘·
Each bodying some immortal thought,9·/˘˘·˘/˘·
Which o’er that temple of the dead8···/˘···
Serene but solemn beauty shed,8˘/·/˘/˘·
Have found, like glory’s self, a grave8···/˘···
In time’s abyss or Tiber’s wave;8··˘/·/˘·
Yet dreams more lofty and more fair8···/˘···
Than art’s bold hand hath imaged e’er.9·····/˘˘·
High thoughts of many a mighty mind9···/˘·/˘·
Expanding when all else declined,9˘/˘···˘/˘
In twilight years, when only they8·/···/˘·
Recall’d the radiance pass’d away,9˘/·/˘˘·˘/
Have made that ancient pile their home,8···/˘···
Fortress of freedom and of Rome.8/˘·/˘···
There he, who strove in evil days8·····/˘·
Again to kindle glory’s rays,8˘/·/˘/˘·
Whose spirit sought a path of light8·/˘·····
For those dim ages far too bright--8···/˘···
Crescentius--long maintain’d the strife10······˘/··
Which closed but with its martyr’s life,9··˘···/˘·
And left th’ imperial tomb a name,9··˘/˘˘···
A heritage of holier fame.9·/˘˘·/˘˘·
There closed De Brescia’s mission high,9··˘·/˘/˘·
From thence the patriot came to die;9···/˘˘···
And thou, whose Roman soul the last8···/˘···
Spoke with the voice of ages past,8·····/˘·
Whose thoughts so long from earth had fled8········
To mingle with the glorious dead,9·/˘··/˘˘·
That midst the world’s degenerate race9····˘/˘··
They vainly sought a dwelling-place,8·/˘··/˘·
Within that house of death didst brood8········
O’er visions to thy ruin woo’d.8·/˘··/˘·
Yet, worthy of a brighter lot,8·/˘··/˘·
Rienzi, be thy faults forgot!7·····˘/
For thou, when all around thee lay8········
Chain’d in the slumbers of decay--8···/˘·˘/
So sunk each heart, that mortal eye8·····/˘·
Had scarce a tear for liberty--8·····/˘˘
Alone, amidst the darkness there,8˘/˘/·/˘·
Couldst gaze on Rome--yet not despair!8······˘/
’Tis morn--and nature’s richest dyes8···/˘/˘·
Are floating o’er Italian skies;8·/˘·˘/˘·
Tints of transparent lustre shine8··˘/˘/˘·
Along the snow-clad Apennine;8˘/···/˘·
The clouds have left Soracte’s height,7·······
And yellow Tiber winds in light,8·/˘/˘···
Where tombs and fallen fanes have strew’d8···/˘···
The wide Campagna’s solitude.8·····/˘·
’Tis sad amidst that scene to trace8··˘/····
Those relics of a vanish’d race;8·/˘··/˘·
Yet, o’er the ravaged path of time--9···/˘˘···
Such glory sheds that brilliant clime,8·/˘··/˘·
Where nature still, though empires fall,9·/˘··/˘˘·
Holds her triumphant festival--8··˘/˘/˘˘
E’en desolation wears a smile,8··˘/˘···
Where skies and sunbeams laugh the while;8···/····
And heaven’s own light, earth’s richest bloom,9·/˘···/˘·
Array the ruin and the tomb.8˘/·/˘···
But she, who from yon convent tower9·····/˘/˘
Breathes the pure freshness of the hour;9···/˘··/˘
She, whose rich flow of raven hair8·····/˘·
Streams wildly on the morning air,8·/˘··/˘·
Heeds not how fair the scene below,8········
Robed in Italia’s brightest glow.10·˘·˘/˘˘/˘·
Though throned midst Latium’s classic plains9··˘···/˘·
Th’ Eternal City’s towers and fanes,9˘/˘/˘/˘··
And they, the Pleiades of earth,8···/˘···
The seven proud hills of Empire’s birth,10·/˘···/˘˘·
Lie spread beneath; not now her glance8········
Roves o’er that vast sublime expanse;8····˘/˘/
Inspired, and bright with hope,’tis thrown10˘/˘˘······
On Adrian’s massy tomb alone;9·/˘˘/˘·˘/
There, from the storm, when Freedom fled,8·····/˘·
His faithful few Crescentius led;10·/˘·······
While she, his anxious bride, who now8···/˘···
Bends o’er the scene her youthful brow,8·····/˘·
Sought refuge in the hallow’d fane,8·/˘··/˘·
Which then could shelter, not in vain.8···/˘···
But now the lofty strife is o’er,8···/˘···
And Liberty shall weep no more.8·/˘˘····
At length imperial Otho’s voice9··˘/˘˘···
Bids her devoted sons rejoice;8··˘/˘·˘/
And he, who battled to restore9···/˘˘·˘/
The glories and the rights of yore,8·/˘·····
Whose accents, like the clarion’s sound,9·/˘··/˘˘·
Could burst the dead repose around,8····˘/··
Again his native Rome shall see8˘/·/˘···
The sceptred city of the free!9·/˘˘/˘···
And young Stephania waits the hour10··˘/˘˘··/˘
When leaves her lord his fortress-tower--9·····/˘/˘
Her ardent heart with joy elate,8·/˘···˘/
That seems beyond the reach of fate;8········
Her mien, like creature from above,8···/˘···
All vivified with hope and love.7·······
Fair is her form, and in her eye8········
Lives all the soul of Italy;8·····/˘˘
A meaning lofty and inspired,10·/˘/˘·˘/˘˘
As by her native day-star fired;10···/˘··/˘˘
Such wild and high expression, fraught8····˘/˘·
With glances of impassion’d thought,8·/˘·˘/˘·
As fancy sheds, in visions bright,8·/˘··/˘·
O’er priestess of the God of Light;8·/˘·····
And the dark locks that lend her face8········
A youthful and luxuriant grace,9·/˘·˘/˘˘·
Wave o’er her cheek, whose kindling dyes8·····/˘·
Seem from the fire within to rise,9···/˘····
But deepen’d by the burning heaven9·/˘··/˘/˘
To her own land of sunbeams given.9·····/·/˘
Italian art that fervid glow8˘/˘··/˘·
Would o’er ideal beauty throw,7··˘//˘·
And with such ardent life express8···/˘·˘/
Her high-wrought dreams of loveliness,--8·····/˘˘
Dreams which, surviving Empire’s fall,9··˘/˘/˘˘·
The shade of glory still recall.8···/˘·˘/
But see!--the banner of the brave8···/˘···
O’er Adrian’s tomb hath ceased to wave.10·/˘˘···˘··
’Tis lower’d--and now Stephania’s eye10·/˘··˘/˘˘·
Can well the martial train descry,8···/˘·˘/
Who, issuing from that ancient dome,9·/˘˘··/˘·
Pour through the crowded streets of Rome.8···/˘···
Now from her watch-tower on the height,9····/˘···
With step as fabled wood-nymph’s light,9···/˘˘···
She flies--and swift her way pursues8······˘/
Through the lone convent’s avenues.8···/˘/˘·
Dark cypress groves, and fields o’erspread8·/˘·····
With records of the conquering dead,9·/˘··/˘˘·
And paths which track a glowing waste,8·····/˘·
She traverses in breathless haste;8·/˘˘·/˘·
And by the tombs where dust is shrined9········˘
Once tenanted by loftiest mind,8·/˘˘····
Still passing on, hath reach’d the gate8·/˘·····
Of Rome, the proud, the desolate!8·····/˘·
Throng’d are the streets, and, still renew’d,8······˘/
Rush on the gathering multitude.9···/˘˘/˘·
--Is it their high-soul’d chief to greet8········
That thus the Roman thousands meet?8···/˘/˘·
With names that bid their thoughts ascend,8······˘/
Crescentius! thine in song to blend;10··········
And of triumphal days gone by8··˘/˘···
Recall th’ inspiring pageantry?8˘/˘/˘/˘˘
--There is an air of breathless dread,8·····/˘·
An eager glance, a hurrying tread;9·/˘··/˘˘·
And now a fearful silence round,8···/˘/˘·
And now a fitful murmuring sound,9···/˘/˘˘·
Midst the pale crowds, that almost seem8·····/··
Phantoms of some tumultuous dream.9/˘···/˘˘·
Quick is each step and wild each mien,8········
Portentous of some awful scene.8˘/˘··/˘·
Bride of Crescentius! as the throng10··········
Bore thee with whelming force along,8······˘/
How did thine anxious heart beat high,8···/˘···
Till rose suspense to agony!--8··˘/·/˘˘
Too brief suspense, that soon shall close,8··˘/····
And leave thy heart to deeper woes.8·····/˘·
Who midst yon guarded precinct stands,8···/˘/··
With fearless mien but fetter’d hands?8·/˘··/˘·
The ministers of death are nigh,8·/˘˘····
Yet a calm grandeur lights his eye;8···˘/···
And in his glance there fives a mind8········
Which was not form’d for chains to bind,8········
But cast in such heroic mould8····˘/˘·
As theirs, th’ ascendant ones of old.8··˘/˘···
Crescentius! freedom’s daring son,10·····/˘/˘·
Is this the guerdon thou hast won?8···/˘···
Oh, worthy to have lived and died9·/˘···˘··
In the bright days of Latium’s pride!8········
Thus must the beam of glory close8·····/˘·
O’er the seven hills again that rose,9··/˘·˘/··
When at thy voice, to burst the yoke,8········
The soul of Rome indignant woke?8····˘/˘·
Vain dream! the sacred shields are gone,9···/˘˘···
Sunk is the crowning city’s throne:8···/˘/˘·
Th’ illusions, that around her cast8˘/˘·····
Their guardian spells, have long been past.9·/˘˘·····
Thy life hath been a shot-star’s ray,8········
Shed o’er her midnight of decay;8···/··˘/
Thy death at freedom’s ruin’d shrine8···/˘/˘·
Must rivet every chain--but thine.9·/˘/˘˘···
Calm is his aspect, and his eye8···/····
Now fix’d upon the deep blue sky,8········
Now on those wrecks of ages fled8·····/˘·
Around in desolation spread--8····˘/˘·
Arch, temple, column, worn and gray,8·/˘/˘···
Recording triumphs pass’d away;8˘/˘/˘·˘/
Works of the mighty and the free,8···/˘···
Whose steps on earth no more shall be,8········
Though their bright course hath left a trace8········
Nor years nor sorrows can efface.8···/˘·˘/
Why changes now the patriot’s mien,9·/˘··/˘˘·
Erewhile so loftily serene?10·····/˘˘˘/
Thus can approaching death control8··˘/˘·˘/
The might of that commanding soul?8····˘/˘·
No!--Heard ye not that thrilling cry8·····/˘·
Which told of bitterest agony?9···/˘˘/˘˘
He heard it, and at once, subdued,9······˘/˘
Hath sunk the hero’s fortitude.8···/˘/˘·
He heard it, and his heart too well8········
Whence rose that voice of woe can tell;8········
And midst the gazing throngs around8···/˘···
One well-known form his glance hath found--8········
One fondly loving and beloved,9·/˘/˘·˘/˘
In grief, in peril, faithful proved.9···/˘/˘·˘
Yes! in the wildness of despair,8···/˘·˘/
She, his devoted bride, is there.8··˘/˘···
Pale, breathless, through the crowd she flies,8·/˘·····
The light of frenzy in her eyes:8···/˘···
But ere her arms can clasp the form8········
Which life ere long must cease to warm--8········
Ere on his agonising breast8···/˘·˘·
Her heart can heave, her head can rest--8········
Check’d in her course by ruthless hands,8·····/˘·
Mute, motionless, at once she stands;8·/˘˘····
With bloodless cheek and vacant glance,8·/˘··/˘·
Frozen and fix’d in horror’s trance;8/˘···/˘·
Spell-bound, as every sense were fled,9···/˘˘···
And thought o’erwhelm’d, and feeling dead;8·····/˘·
And the light waving of her hair,8···/˘···
And veil, far floating on the air,8···/˘···
Alone, in that dread moment, show8˘/···/˘·
She is no sculptured form of woe.9···/˘˘···
The scene of grief and death is o’er,8········
The patriot’s heart shall throb no more:9·/˘˘·····
But hers--so vainly form’d to prove8···/˘···
The pure devotedness of love,8········
And draw from fond affection’s eye8····˘/˘·
All thought sublime, all feeling high--8··˘/·/˘·
When consciousness again shall wake,8·/˘˘˘/··
Hath now no refuge but to break.8···/˘···
The spirit long inured to pain9·/˘·˘/˘··
May smile at fate in calm disdain,8······˘/
Survive its darkest hour, and rise9˘/·/˘/˘··
In more majestic energies.8··˘/˘/˘˘
But in the glow of vernal pride,8·····/˘·
If each warm hope at once hath died,8········
Then sinks the mind, a blighted flower,9·····/˘/˘
Dead to the sunbeam and the shower;9···/···/˘
A broken gem, whose inborn light8·/˘··/··
Is scatter’d--ne’er to re-unite.8·/˘···/·
Notes from the edition 10

Notes from The Poems of Felicia Hemans (Project Gutenberg #66785), largely Mrs Hemans's own.

  1. Stanza 2, line 2 “J’étais allé passer quelques jours seuls à Tivoli. Je parcourus les environs, et surtout celles de la Villa Adriana. Surpris par la pluie au milieu de ma course, je me réfugiai dans les Salles des Thermes voisins du Pécile, (monumens de la villa,) sous un figuier qui avait renversé le pan d’un mur en s’élevant. Dans un petit salon octogone, ouvert devant moi, une vigne vierge avait percé la voûte de l’édifice, et son gros cep lisse, rouge, et tortueux, montait le long du mur comme un serpent. Autour de moi, à travers les arcades des ruines, s’ouvraient des points de vue sur la Campagne Romaine. Des buissons de sureau remplissaient les salles désertes où venaient se réfugier quelques merles solitaires. Les fragmens de maçonnerie étaient tapissées de feuilles de scolopendre, dont la verdure satinée se dessinait comme un travail en mosaïque sur la blancheur des marbres: çà et là de hauts cyprès remplaçaient les colonnes tombées dans ces palais de la Mort; l’acanthe sauvage rampait à leurs pieds, sur des débris, comme si la nature s’était plu à reproduire sur ces chefs-d’œuvre mutilés d’architecture, l’ornement de leur beauté passée.”--Chateaubriand’s Souvenirs d’ Italie.
  2. Stanza 3, line 4 The gardens and buildings of Hadrian’s villa were copies of the most celebrated scenes and edifices in his dominions--the Lycæum, the Academia, the Prytaneum of Athens, the Temple of Serapis at Alexandria, the Vale of Tempe, &c.
  3. Stanza 5, line 2 The mausoleum of Hadrian, now the castle of St Angelo, was first converted into a citadel by Belisarius, in his successful defence of Rome against the Goths. “The lover of the arts,” says Gibbon, “must read with a sigh that the works of Praxiteles and Lysippus were torn from their lofty pedestals, and hurled into the ditch on the heads of the besiegers.” He adds, in a note, that the celebrated Sleeping Faun of the Barberini palace was found, in a mutilated state, when the ditch of St Angelo was cleansed under Urban VIII. In the middle ages, the Moles Hadriani was made a permanent fortress by the Roman government, and bastions, outworks, &c. were added to the original edifice, which had been stripped of its marble covering, its Corinthian pillars, and the brazen cone which crowned its summit.
  4. Stanza 5, line 10 “Les plus beaux monumens des arts, les plus admirables statues, out étés jetées dans le Tibre, et sont cachées sous ses flots. Qui sait si, pour les chercher, on ne le détournera pas un jour de son lit? Mais quand on songe que les chefs-d’œuvres du génie humain sont peut-être là devant nous, et qu’un œil plus perçant les verrait à travers les ondes, l’on éprouve je ne sais quelle émotion, qui renaît à Rome sans cesse sous diverses formes, et fait trouver une société pour la pensée dans les objets physiques, muets partout ailleurs.”--Mad. de Stael.
  5. Stanza 6, line 10 Arnold de Brescia, the undaunted and eloquent champion of Roman liberty, after unremitting efforts to restore the ancient constitution of the republic, was put to death in the year 1155 by Adrian IV. This event is thus described by Sismondi, Histoire des Républiques Italiennes, vol. ii. pages 68 and 69. “Le préfet demeura dans le château Saint Ange avec son prisonnier: il le fit transporter un matin sur la place destinée aux exécutions, devant la porte du peuple. Arnaud de Brescia, élevé sur un bûcher, fut attaché à un poteau, en face du Corso. Il pouvoit mésurer des yeux les trois longues rues qui aboutissoient devant son échafaud; elles font presqu’ une moitié de Rome. C’est là qu’habitoient les hommes qu’il avoit si souvent appelés à la liberté. Ils reposoient encore en paix, ignorant le danger de leur législateur. Le tumulte de l’exécution et la flamme du bûcher réveillèrent les Romains; ils s’armèrent, ils accoururent, mais trop tard; et les cohortes du pape repoussèrent, avec leurs lances, ceux qui, n’ayant pu sauver Arnaud, vouloient du moins recueillir ses cendres comme de précieuses reliques.”
  6. Stanza 6, line 12 “Posterity will compare the virtues and fadings of this extraordinary man; but in a long period of anarchy and servitude, the name of Rienzi has often been celebrated as the deliverer of his country, and the last of the Roman patriots.”--Gibbon’s Decline and Fall, &c. vol. xii. p. 362.
  7. Stanza 6, line 26 “Le consul Terentius Varron avoit fui honteusement jusqu’à Venouse. Cet homme, de la plus basse naissance, n’avoit été élevé au consulat que pour mortifier la noblesse: mais le sénat ne voulut pas jouir de ce malheureux triomphe; il vit combien il étoit nécessaire qu’il s’attirât dans cette occasion la confiance du peuple--il alla au-devant Varron, et le remercia de ce qu’il n’avoit pas désespéré de la republique.”--Montesquieu’s Grandeur et Décadence des Romains.
  8. Stanza 12, line 17 Of the sacred bucklers, or ancilia of Rome, which were kept in the temple of Mars, Plutarch gives the following account:--“In the eighth year of Numa’s reign, a pestilence prevailed in Italy; Rome also felt its ravages. While the people were greatly dejected, we are told that a brazen buckler fell from heaven into the hands of Numa. Of this he gave a very wonderful account, received from Egeria and the Muses: that the buckler was sent down for the preservation of the city, and should be kept with great care; that eleven others should be made as like it as possible in size and fashion, in order that, if any person were disposed to steal it, he might not be able to distinguish that which fell from heaven from the rest. He further declared, that the place, and the meadows about it, where he frequently conversed with the Muses, should be consecrated to those divinities; and that the spring which watered the ground should be sacred to the use of the Vestal Virgins, daily to sprinkle and purify their temple. The immediate cessation of the pestilence is said to have confirmed the truth of this account.”--Life of Numa.
  9. Stanza 12, line 18 “Who hath taken this counsel against Tyre, the crowning city, whose merchants are princes, whose traffickers are the honourable of the earth?”--Isaiah, chap. 23.
  10. Stanza 12, line 20 “Un mélange bizarre de grandeur d’àme et de foiblesse entroit dès cette époque (l’onzième siècle) dans le caractère des Romains. Un mouvement généreux vers les grandes choses faisoit place tout-à-coup à l’abattement; ils passoient de la liberté la plus orageuse, à la servitude la plus avilissante. On auroit dit que les ruines et les portiques déserts de la capitale du monde, entretenoient ses habitans dans le sentiment de leur impuissance; au milieu de ces monumens de leur domination passée, les citoyens éprouvoient d’une manière trop décourageante leur propre nullité. Le nom des Romains qu’ils portoient ranimoit fréquemment leur enthousiasme, comme il le ranime encore aujourd’hui; mas bientôt la vue de Rome, du forum désert, des sept collines de nouveau rendues au pâturage des troupeaux, des temples désolés, des monumens tombant en ruine, les ramenoit à sentir qu’ils n’étoient plus les Romains d’autrefois.”--Sismondi, Histoire des Républiques Italiennes, vol. i. p. 172.

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