Childe Harold's Pilgrimage

Lord Byron (1788–1824) · 1812–1818

Mostly iambic pentameter · 4,701 lines in 166 sections

Byron's travel poem in Spenserian stanzas that made him famous overnight.

What this poem is

Childe Harold's Pilgrimage: A Romaunt is a long narrative poem in four parts written by Lord Byron. The poem was published between 1812 and 1818. Dedicated to "Ianthe", it describes the travels and reflections of a young man disillusioned with a life of pleasure and revelry and looking for distraction in foreign lands. In a wider sense, it is an expression of the melancholy and disillusionment which was felt by a generation weary of the wars of the post-Revolutionary and Napoleonic eras. The title comes from the term childe, a medieval title for a young man who was a candidate for knighthood.

The poem was widely imitated. It contributed to the cult of the wandering Byronic hero who falls into melancholic reverie as he contemplates scenes of natural beauty. Its autobiographical subjectivity was widely influential, not only in literature but in the arts of music and painting as well, and was a powerful ingredient in European Romanticism.

The youthful Harold, cloyed with the pleasures of the world and reckless of life, wanders about Europe, making his feelings and ideas the subjects of the poem. In Canto I he is in Spain and Portugal, where he recounts the savagery of their invasion by the French. In Canto II he moves to Greece, uplifted by the beauty of its past in a country now enslaved by the Turks. Some stanzas of Canto II are dedicated to Harold's journey in Albania, describing its natural and manmade beauties, its history, and the traditions of the Albanians. Canto III finds him on the battlefield of Waterloo, from which he journeys up the Rhine and crosses into Switzerland, enchanted by the beauty of the scenery and its historic associations. In Canto IV Harold starts from Venice on a journey through Italy, lamenting the vanished heroic and artistic past, and the subject status of its various regions.

Adapted from the Wikipedia article “Childe Harold's Pilgrimage” (revision 1367341669), used under CC BY-SA 4.0. Laurel's own notes and measurements are not from Wikipedia.

Measured across the book

Across its 4,701 lines, 95% of stressed syllables fall on the beat (95% interval 95% to 96%). Alliteration runs at 1.20 times what shuffling the words would give (0.41 observed against 0.34 expected). 10% of the lines have a feminine ending.

Baselines and intervals are described in the methods.

Contents

To Iantheiambic pentameter · ABABBCBCC · 45 linesCanto I IIIiambic pentameter · ABABBCBCC · 27 linesCanto I VIiambic pentameter · ABABBCBCC · 27 linesCanto I IXiambic pentameter · ABABBCBCC · 27 linesCanto I XIIiambic pentameter · ABABBCBCC · 27 linesCanto I XIII89 linesCanto I XVIiambic pentameter · ABABBCBCC · 27 linesCanto I XIXiambic pentameter · ABABBCBCC · 27 linesCanto I XXIIiambic pentameter · ABABBCBCC · 27 linesCanto I XXViambic pentameter · ABABBCBCC · 27 linesCanto I XXVIIIiambic pentameter · ABABBCBCC · 27 linesCanto I XXXIiambic pentameter · ABABBCBCC · 27 linesCanto I XXXIViambic pentameter · ABABBCBCC · 27 linesCanto I XXXVIIiambic pentameter · ABABBCBCC · 27 linesCanto I XLiambic pentameter · ABABBCBCC · 27 linesCanto I XLIIIiambic pentameter · ABABBCBCC · 27 linesCanto I XLVIiambic pentameter · ABABBCBCC · 27 linesCanto I XLIXiambic pentameter · ABABBCBCC · 27 linesCanto I LIIiambic pentameter · ABABBCBCC · 27 linesCanto I LViambic pentameter · ABABBCBCC · 27 linesCanto I LVIIIiambic pentameter · ABABBCBCC · 27 linesCanto I LXIiambic pentameter · ABABBCBCC · 27 linesCanto I LXIViambic pentameter · ABABBCBCC · 27 linesCanto I LXVIIiambic pentameter · ABABBCBCC · 27 linesCanto I LXXiambic pentameter · ABABBCBCC · 27 linesCanto I LXXIIIiambic pentameter · ABABBCBCC · 27 linesCanto I LXXVIiambic pentameter · ABABBCBCC · 27 linesCanto I LXXIXiambic pentameter · ABABBCBCC · 27 linesCanto I LXXXIIiambic pentameter · ABABBCBCC · 27 linesCanto I LXXXIViambic pentameter · ABABBCBCC · 18 linesTo Ineziambic pentameter · ABABBCBCC · 117 linesCanto II IIIiambic pentameter · ABABBCBCC · 27 linesCanto II VIiambic pentameter · ABABBCBCC · 27 linesCanto II IXiambic pentameter · ABABBCBCC · 27 linesCanto II XIIiambic pentameter · ABABBCBCC · 27 linesCanto II XViambic pentameter · ABABBCBCC · 27 linesCanto II XVIIIiambic pentameter · ABABBCBCC · 27 linesCanto II XXIiambic pentameter · ABABBCBCC · 27 linesCanto II XXIViambic pentameter · ABABBCBCC · 27 linesCanto II XXVIIiambic pentameter · ABABBCBCC · 27 linesCanto II XXXiambic pentameter · ABABBCBCC · 27 linesCanto II XXXIIIiambic pentameter · ABABBCBCC · 27 linesCanto II XXXVIiambic pentameter · ABABBCBCC · 27 linesCanto II XXXIXiambic pentameter · ABABBCBCC · 27 linesCanto II XLIIiambic pentameter · ABABBCBCC · 27 linesCanto II XLViambic pentameter · ABABBCBCC · 27 linesCanto II XLVIIIiambic pentameter · ABABBCBCC · 27 linesCanto II LIiambic pentameter · ABABBCBCC · 27 linesCanto II LIViambic pentameter · ABABBCBCC · 27 linesCanto II LVIIiambic pentameter · ABABBCBCC · 27 linesCanto II LXiambic pentameter · ABABBCBCC · 27 linesCanto II LXIIIiambic pentameter · ABABBCBCC · 27 linesCanto II LXVIiambic pentameter · ABABBCBCC · 27 linesCanto II LXIXiambic pentameter · ABABBCBCC · 27 linesCanto II LXXIIanapaestic tetrameter · AABB · 71 linesCanto II LXXViambic pentameter · ABABBCBCC · 27 linesCanto II LXXVIIIiambic pentameter · ABABBCBCC · 27 linesCanto II LXXXIiambic pentameter · ABABBCBCC · 27 linesCanto II LXXXIViambic pentameter · ABABBCBCC · 27 linesCanto II LXXXVIIiambic pentameter · ABABBCBCC · 27 linesCanto II XCiambic pentameter · ABABBCBCC · 27 linesCanto II XCIIIiambic pentameter · ABABBCBCC · 27 linesCanto II XCVIiambic pentameter · ABABBCBCC · 27 linesCanto II XCVIIIiambic pentameter · ABABBCBCC · 18 linesCanto III IIIiambic pentameter · ABABBCBCC · 28 linesCanto III VIiambic pentameter · ABABBCBCC · 27 linesCanto III IXiambic pentameter · ABABBCBCC · 27 linesCanto III XIIiambic pentameter · ABABBCBCC · 27 linesCanto III XViambic pentameter · ABABBCBCC · 27 linesCanto III XVIIIiambic pentameter · ABABBCBCC · 27 linesCanto III XXIiambic pentameter · ABABBCBCC · 27 linesCanto III XXIViambic pentameter · ABABBCBCC · 27 linesCanto III XXVIIiambic pentameter · ABABBCBCC · 27 linesCanto III XXXiambic pentameter · ABABBCBCC · 27 linesCanto III XXXIIIiambic pentameter · ABABBCBCC · 27 linesCanto III XXXVIiambic pentameter · ABABBCBCC · 27 linesCanto III XXXIXiambic pentameter · ABABBCBCC · 27 linesCanto III XLIIiambic pentameter · ABABBCBCC · 27 linesCanto III XLViambic pentameter · ABABBCBCC · 27 linesCanto III XLVIIIiambic pentameter · ABABBCBCC · 27 linesCanto III LIiambic pentameter · ABABBCBCC · 27 linesCanto III LIViambic pentameter · ABABBCBCC · 27 linesCanto III LViambic tetrameter · 49 linesCanto III LVIIIiambic pentameter · ABABBCBCC · 27 linesCanto III LXIiambic pentameter · ABABBCBCC · 27 linesCanto III LXIViambic pentameter · ABABBCBCC · 27 linesCanto III LXVIIiambic pentameter · ABABBCBCC · 27 linesCanto III LXXiambic pentameter · ABABBCBCC · 27 linesCanto III LXXIIIiambic pentameter · ABABBCBCC · 27 linesCanto III LXXVIiambic pentameter · ABABBCBCC · 27 linesCanto III LXXIXiambic pentameter · ABABBCBCC · 27 linesCanto III LXXXIIiambic pentameter · ABABBCBCC · 27 linesCanto III LXXXViambic pentameter · ABABBCBCC · 27 linesCanto III LXXXVIIIiambic pentameter · ABABBCBCC · 27 linesCanto III XCIiambic pentameter · ABABBCBCC · 27 linesCanto III XCIViambic pentameter · ABABBCBCC · 27 linesCanto III XCVIIiambic pentameter · ABABBCBCC · 27 linesCanto III Ciambic pentameter · ABABBCBCC · 27 linesCanto III CIIIiambic pentameter · ABABBCBCC · 27 linesCanto III CVIiambic pentameter · ABABBCBCC · 27 linesCanto III CIXiambic pentameter · ABABBCBCC · 27 linesCanto III CXIIiambic pentameter · ABABBCBCC · 27 linesCanto III CXViambic pentameter · ABABBCBCC · 27 linesCanto III CXVIIIiambic pentameter · ABABBCBCC · 27 linesCanto IV IIIiambic pentameter · ABABBCBCC · 27 linesCanto IV VIiambic pentameter · ABABBCBCC · 27 linesCanto IV IXiambic pentameter · ABABBCBCC · 27 linesCanto IV XIIiambic pentameter · ABABBCBCC · 27 linesCanto IV XViambic pentameter · ABABBCBCC · 27 linesCanto IV XVIIIiambic pentameter · ABABBCBCC · 27 linesCanto IV XXIiambic pentameter · ABABBCBCC · 27 linesCanto IV XXIViambic pentameter · ABABBCBCC · 27 linesCanto IV XXVIIiambic pentameter · ABABBCBCC · 27 linesCanto IV XXXiambic pentameter · ABABBCBCC · 27 linesCanto IV XXXIIIiambic pentameter · ABABBCBCC · 27 linesCanto IV XXXVIiambic pentameter · ABABBCBCC · 27 linesCanto IV XXXIXiambic pentameter · ABABBCBCC · 27 linesCanto IV XLIIiambic pentameter · ABABBCBCC · 27 linesCanto IV XLViambic pentameter · ABABBCBCC · 27 linesCanto IV XLVIIIiambic pentameter · ABABBCBCC · 27 linesCanto IV LIiambic pentameter · ABABBCBCC · 27 linesCanto IV LIViambic pentameter · ABABBCBCC · 27 linesCanto IV LVIIiambic pentameter · ABABBCBCC · 27 linesCanto IV LXiambic pentameter · ABABBCBCC · 27 linesCanto IV LXIIIiambic pentameter · ABABBCBCC · 27 linesCanto IV LXVIiambic pentameter · ABABBCBCC · 27 linesCanto IV LXIXiambic pentameter · ABABBCBCC · 27 linesCanto IV LXXIIiambic pentameter · ABABBCBCC · 27 linesCanto IV LXXViambic pentameter · ABABBCBCC · 27 linesCanto IV LXXVIIIiambic pentameter · ABABBCBCC · 27 linesCanto IV LXXXIiambic pentameter · ABABBCBCC · 27 linesCanto IV LXXXIViambic pentameter · ABABBCBCC · 27 linesCanto IV LXXXVIIiambic pentameter · ABABBCBCC · 27 linesCanto IV XCiambic pentameter · ABABBCBCC · 27 linesCanto IV XCIIIiambic pentameter · ABABBCBCC · 27 linesCanto IV XCVIiambic pentameter · ABABBCBCC · 27 linesCanto IV XCIXiambic pentameter · ABABBCBCC · 27 linesCanto IV CIIiambic pentameter · ABABBCBCC · 27 linesCanto IV CViambic pentameter · ABABBCBCC · 27 linesCanto IV CVIIIiambic pentameter · ABABBCBCC · 27 linesCanto IV CXIiambic pentameter · ABABBCBCC · 27 linesCanto IV CXIViambic pentameter · ABABBCBCC · 27 linesCanto IV CXVIIiambic pentameter · ABABBCBCC · 27 linesCanto IV CXXiambic pentameter · ABABBCBCC · 27 linesCanto IV CXXIIIiambic pentameter · ABABBCBCC · 27 linesCanto IV CXXVIiambic pentameter · ABABBCBCC · 27 linesCanto IV CXXIXiambic pentameter · ABABBCBCC · 27 linesCanto IV CXXXIIiambic pentameter · ABABBCBCC · 27 linesCanto IV CXXXViambic pentameter · ABABBCBCC · 27 linesCanto IV CXXXVIIIiambic pentameter · ABABBCBCC · 27 linesCanto IV CXLIiambic pentameter · ABABBCBCC · 27 linesCanto IV CXLIViambic pentameter · ABABBCBCC · 27 linesCanto IV CXLVIIiambic pentameter · ABABBCBCC · 27 linesCanto IV CLiambic pentameter · ABABBCBCC · 27 linesCanto IV CLIIIiambic pentameter · ABABBCBCC · 27 linesCanto IV CLVIiambic pentameter · ABABBCBCC · 27 linesCanto IV CLIXiambic pentameter · ABABBCBCC · 27 linesCanto IV CLXIIiambic pentameter · ABABBCBCC · 27 linesCanto IV CLXViambic pentameter · ABABBCBCC · 27 linesCanto IV CLXVIIIiambic pentameter · ABABBCBCC · 27 linesCanto IV CLXXIiambic pentameter · ABABBCBCC · 27 linesCanto IV CLXXIViambic pentameter · ABABBCBCC · 27 linesCanto IV CLXXVIIiambic pentameter · ABABBCBCC · 27 linesCanto IV CLXXXiambic pentameter · ABABBCBCC · 27 linesCanto IV CLXXXIIIiambic pentameter · ABABBCBCC · 27 linesCanto IV CLXXXVIiambic pentameter · ABABBCBCC · 27 lines

About this text

Public domain. Text from Childe Harold's Pilgrimage, Project Gutenberg ebook #5131. Free to read, print, copy and reuse.

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