Canto IV CXI

Lord Byron (1788–1824) · 1812–1818

iambic pentameter · spenserian stanza · 27 lines · from Childe Harold's Pilgrimage

Admire, exult--despise--laugh, weep--for hereThere is such matter for all feeling:--Man!Thou pendulum betwixt a smile and tear,Ages and realms are crowded in this span,This mountain, whose obliterated planThe pyramid of empires pinnacled,Of Glory's gewgaws shining in the vanTill the sun's rays with added flame were filled!Where are its golden roofs? where those who dared to build?

Tully was not so eloquent as thou,Thou nameless column with the buried base!What are the laurels of the Caesar's brow?Crown me with ivy from his dwelling-place.Whose arch or pillar meets me in the face,Titus or Trajan's? No; 'tis that of Time:Triumph, arch, pillar, all he doth displace,Scoffing; and apostolic statues climbTo crush the imperial urn, whose ashes slept sublime,

Buried in air, the deep blue sky of Rome,And looking to the stars; they had containedA spirit which with these would find a home,The last of those who o'er the whole earth reigned,The Roman globe, for after none sustainedBut yielded back his conquests:--he was moreThan a mere Alexander, and unstainedWith household blood and wine, serenely woreHis sovereign virtues--still we Trajan's name adore.

Words in this poem

admire v. t.
To regard with wonder or astonishment; to view with surprise; to marvel at. [F. admirer, fr. L. admirari; ad + mirari to wonder, for smirari, akin to Gr. smi, and E. smile.]
despise v. t.
To look down upon with disfavor or contempt; to contemn; to scorn; to disdain; to have a low opinion or contemptuous dislike of. [OF. despis-, in some forms of despire to despise, fr. L. despicere, despectum, to look down upon, despise; de- + spicere, specere, to look. See Spy, and cf. Des]
betwixt prep.
In the space which separates; between. [OE. betwix, bitwix, rarely bitwixt, AS. betweox, betweohs, betweoh, betwih; pref. be- by + a form fr. AS. twa two. See Between.]
nameless a.
Without a name; not having been given a name; as, a nameless star.
serenely adv.
In a serene manner; clearly.
adore v. t.
To worship with profound reverence; to pay divine honors to; to honor as deity or as divine. [OE. aouren, anouren, adoren, OF. aorer, adorer, F. adorer, fr. L. adorare; ad + orare to speak, pray, os, oris, mouth. In OE. confused with honor, the French pr]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Canto IV CXI is in the public domain. This text is taken from Childe Harold's Pilgrimage, Project Gutenberg ebook #5131; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Lord Byron, Canto IV CXI, in Childe Harold's Pilgrimage (1812–1818), text of Project Gutenberg ebook #5131, Laurel, https://laurelpoetry.com/poem/byron-childe-harold/canto-iv-cxi.html, id L06615.

Form and metre

Canto IV CXI is 27 lines in 3 stanzas of 9 lines each. Every stanza rhymes ABABBCBCC, the Spenserian stanza. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 90% of its stressed syllables fall where the metre puts the beat. The lines average 10.3 syllables. 1 line ends on an unstressed syllable, a feminine ending. 33% of the lines run on without a stop at the line end.

See other poems in the Spenserian stanza, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABBCBCC hereA · manB · tearA · spanB · planB · pinnacledC · vanB · filledC · buildC
  2. 2 ABABBCBCC thouA · baseB · browA · placeB · faceB · timeC · displaceB · climbC · sublimeC
  3. 3 ABABBCBCC romeA · containedB · homeA · reignedB · sustainedB · moreC · unstainedB · woreC · adoreC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Admire, exult--despise--laugh, weep--for here10˘/˘/˘/····
There is such matter for all feeling:--Man!10···/˘··/˘·
Thou pendulum betwixt a smile and tear,10·/˘˘˘/····
Ages and realms are crowded in this span,10/˘···/˘···
This mountain, whose obliterated plan10·/˘·˘/˘·˘·
The pyramid of empires pinnacled,11·/˘˘·/˘˘/˘˘
Of Glory's gewgaws shining in the van10·/˘/˘/˘···
Till the sun's rays with added flame were filled!10·····/˘···
Where are its golden roofs? where those who dared to build?12···/˘·······
Tully was not so eloquent as thou,10/˘···/˘˘··
Thou nameless column with the buried base!10·/˘/˘··/˘·
What are the laurels of the Caesar's brow?10···/˘··/˘·
Crown me with ivy from his dwelling-place.10···/˘··/˘·
Whose arch or pillar meets me in the face,10···/˘·····
Titus or Trajan's? No; 'tis that of Time:10/˘·/˘·····
Triumph, arch, pillar, all he doth displace,10/˘·/˘···˘/
Scoffing; and apostolic statues climb10/˘·····/··
To crush the imperial urn, whose ashes slept sublime,13···˘/˘··/˘·˘/
Buried in air, the deep blue sky of Rome,10/˘········
And looking to the stars; they had contained10·/˘·····˘/
A spirit which with these would find a home,10·/˘·······
The last of those who o'er the whole earth reigned,10··········
The Roman globe, for after none sustained10·/˘·····˘/
But yielded back his conquests:--he was more10·/˘··/····
Than a mere Alexander, and unstained10····˘/˘·˘/
With household blood and wine, serenely wore10·/····˘/˘·
His sovereign virtues--still we Trajan's name adore.12·/˘/˘··/˘·˘/
Notes from the edition 4

E. H. Coleridge's notes to Childe Harold's Pilgrimage, The Works of Lord Byron, Poetry vol. II (John Murray, 1899; Project Gutenberg #25340). Bracketed passages are the editor's; unbracketed are Byron's own (Cantos I-III) or John Cam Hobhouse's (Canto IV, his 'Historical Notes'). Digit footnotes ('[17]') are informational and numbered continuously through the whole book; end-notes keyed '[n.B.]' (Byron) or '[n.H.]' (Hobhouse) follow each canto and are numbered afresh from 1 there. Both kinds are placed here by matching each note's own quoted words against the site's text, not by the number or stanza the note states, because the site's text (Gutenberg #5131) and this edition (#25340) are different editions with different stanza counts in Canto I. Lettered footnotes ('[h]', '[dn]') are manuscript and edition variant readings and are not harvested, matching the treatment of Don Juan's and byron-works-3's lettered notes.

  1. Stanza 1, line 9 [The "golden roofs" were those of Nero's Domus Aurea, which extended from the north-west corner of the Palatine to the Gardens of Maecenas, on the Esquiline, spreading over the sites of the Temple of Vesta and Rome on the platform of the Velia, the Colosseum, and the Thermae of Titus, as far as the Sette Sale. "In the fore court was the colossal statue of Nero. The pillars of the colonnade, which measured a thousand feet in length, stood three deep. All that was not lake, or wood, or vineyard, or pasture, was overlaid with plates of gold, picked out with gems and mother-of-pearl" (Suetonius, vi. 31; Tacitus, Ann., xv. 42). Substructions of the Domus Aurea have been discovered on the site of the Baths of Titus and elsewhere, but not on the Palatine itself. Martial, Epig. 695 (Lib. Spect., ii.), celebrates Vespasian's restitution of the Domus Aurea and its "policies" to the people of Rome.

    "Hic ubi sidereus propius videt astra colossus Et crescunt media pegmata celsa via, Invidiosa feri radiabant atria regis Unaque jam tola stabat in urbe domus."

    "Here where the Sun-god greets the Morning Star, And tow'ring scaffolds block the public way, Fell Nero's loathed pavilion flashed afar, Erect and splendid 'mid the town's decay."]
  2. Stanza 2, line 2 [By the "nameless" column Byron means the column of Phocas, in the Forum. But, as he may have known, it had ceased to be nameless when he visited Rome in 1817. During some excavations which were carried out under the auspices of the Duchess of Devonshire, in 1813, the soil which concealed the base was removed, and an inscription, which attributes the erection of the column to the Exarch Smaragdus, in honour of the Emperor Phocas, A.D. 608, was brought to light. The column was originally surmounted by a gilded statue, but it is probable that both column and statue were stolen from earlier structures and rededicated to Phocas. Hobhouse (Hist. Illust., pp. 240-242) records the discovery, and prints the inscription in extenso.]
  3. Stanza 2, line 8 The column of Trajan is surmounted by St. Peter; that of Aurelius by St. Paul. (See Hist. Illust., p. 214.)

    [The column was excavated by Paul III. in the sixteenth century. In 1588 Sixtus V. replaced the bronze statue of Trajan holding a gilded globe, which had originally surmounted the column, by a statue of St. Peter, in gilt bronze. The legend was that Trajan's ashes were contained in the globe. They are said to have been deposited by Hadrian in a golden urn in a vault under the column. It is certain that when Sixtus V. opened the chamber he found it empty. A medal was cast in honour of the erection of the new statue, inscribed with the words of the Magnificat, "Exaltavit humiles."]
  4. Stanza 3, line 9 Trajan was proverbially the best of the Roman princes; and it would be easier to find a sovereign uniting exactly the opposite characteristics, than one possessed of all the happy qualities ascribed to this emperor. "When he mounted the throne," says the historian Dion, "he was strong in body, he was vigorous in mind; age had impaired none of his faculties; he was altogether free from envy and from detraction; he honoured all the good, and he advanced them: and on this account they could not be the objects of his fear, or of his hate; he never listened to informers; he gave not way to his anger; he abstained equally from unfair exactions and unjust punishments; he had rather be loved as a man than honoured as a sovereign; he was affable with his people, respectful to the senate, and universally beloved by both; he inspired none with dread but the enemies of his country." (See Eutrop., Hist. Rom. Brev. lib. viii. cap. v.; Dion, Hist. Rom., lib. lxiii. caps, vi., vii.)

    [M. Ulpius Trajanus (A.D. 52-117) celebrated a triumph over the Dacians in 103 and 106. It is supposed that the column which stands at the north end of the Forum Trajanum commemorated the Dacian victories. In 115-16 he conquered the Parthians, and added the province of Armenia Minor to the empire. It was not, however, an absolute or a final victory. The little desert stronghold of Atrae, or Hatra, in Mesopotamia, remained uncaptured; and, instead of incorporating the Parthians in the empire, he thought it wiser to leave them to be governed by a native prince under the suzerainty of Rome. His conquests were surrendered by Hadrian, and henceforth the tide of victory began to ebb. He died on his way back to Rome, at Selinus, in Cilicia, in August, 117.

    Trajan's "moderation was known unto all men." Pliny, in his Panegyricus (xxii.), describes his first entry into Rome. He might have assumed the state of a monarch or popular hero, but he walked afoot, conspicuous, pre-eminent, a head and shoulders above the crowd--a triumphal entry; but it was imperial arrogance, not civil liberty, over which he triumphed. "You were our king," he says, "and we your subjects; but we obeyed you as the embodiment of our laws." Martial (Epig., x. 72) hails him not as a tyrant, but an emperor--yea, more than an emperor--as the most righteous of lawgivers and senators, who had brought back plain Truth to the light of day; and Claudian (viii. 318) maintains that his glory w …

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