Canto I XXV

Lord Byron (1788–1824) · 1812–1818

iambic pentameter · spenserian stanza · 27 lines · from Childe Harold's Pilgrimage

Here didst thou dwell, here schemes of pleasure plan.Beneath yon mountain's ever beauteous brow;But now, as if a thing unblest by man,Thy fairy dwelling is as lone as thou!Here giant weeds a passage scarce allowTo halls deserted, portals gaping wide;Fresh lessons to the thinking bosom, howVain are the pleasaunces on earth supplied;Swept into wrecks anon by Time's ungentle tide.

Behold the hall where chiefs were late convened!Oh! dome displeasing unto British eye!With diadem hight foolscap, lo! a fiend,A little fiend that scoffs incessantly,There sits in parchment robe arrayed, and byHis side is hung a seal and sable scroll,Where blazoned glare names known to chivalry,And sundry signatures adorn the roll,Whereat the urchin points, and laughs with all his soul.

Convention is the dwarfish demon styledThat foiled the knights in Marialva's dome:Of brains (if brains they had) he them beguiled,And turned a nation's shallow joy to gloom.Here Folly dashed to earth the victor's plume,And Policy regained what Arms had lost:For chiefs like ours in vain may laurels bloom!Woe to the conquering, not the conquered host,Since baffled Triumph droops on Lusitania's coast.

Words in this poem 16
didst
, the 2d pers. sing. imp. of Do.
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
beauteous a.
Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
unblest a.
Not blest; excluded from benediction; hence, accursed; wretched. [Pref. un- not + blessed, blest.]
lone n.
A lane. See Loanin.
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
anon adv.
Straightway; at once. [OE. anoon, anon, anan, lit., in one (moment), fr. AS. on in + an one. See On and One.]
ungentle a.
Not gentle; lacking good breeding or delicacy; harsh.
hight v. t.
To be called or named. [OE. heiten, highten, haten, hoten; also hight, hatte, hette, is called, was called, AS. hatan to call, name, be called, to command, promise; also hatte is calle]
foolscap n.
A writing paper made in sheets, ordinarily 16 x 13 inches, and folded so as to make a page 13 x 8 inches. See Paper. [So called from the watermark of a fool's cap and bells used by old paper makers. See Fool's cap, under Fool.]
incessantly adv.
Unceasingly; continually.
sable n.
A carnivorous animal of the Weasel family (Mustela zibellina) native of the northern latitudes of Europe, Asia, and America, -- noted for its fine, soft, and valuable fur. [OF. sable, F. zibeline sable (in sense 4), LL. sabellum; cf. D. sabel, Dan. sabel, zobel, Sw. sabel, sobel, G. zobel; all fr. Russ. sóbole.]
glare v. i.
To shine with a bright, dazzling light. [OE. glaren, gloren; cf. AS. glær amber, LG. glaren to glow or burn like coals, D. gloren to glimmer; prob. akin to E. glass.]
sundry a.
Several; divers; more than one or two; various. [OE. sundry, sondry, AS. syndrig, fr. sundor asunder. See Sunder, v. t.]
whereat adv.
At which; upon which; whereupon; -- used relatively.
dwarfish a.
Like a dwarf; below the common stature or size; very small; petty; as, a dwarfish animal, shrub.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Canto I XXV is in the public domain. This text is taken from Childe Harold's Pilgrimage, Project Gutenberg ebook #5131; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Lord Byron, Canto I XXV, in Childe Harold's Pilgrimage (1812–1818), text of Project Gutenberg ebook #5131, Laurel, https://laurelpoetry.com/poem/byron-childe-harold/canto-i-xxv.html, id L06484.

Form and metre

Canto I XXV is 27 lines in 3 stanzas of 9 lines each. Every stanza rhymes ABABBCBCC, the Spenserian stanza. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 10.2 syllables. 2 lines end on an unstressed syllable, a feminine ending. 15% of the lines run on without a stop at the line end. Rhymes that have moved apart since the poem was written: been / scene.

See other poems in the Spenserian stanza, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABBCBCC planA · browB · manA · thouB · allowB · wideC · howB · suppliedC · tideC
  2. 2 ABABBCBCC convenedA · eyeB · fiendA · incessantlyB · byB · scrollC · chivalryB · rollC · soulC
  3. 3 ABABBCBCC styledA · domeB · beguiledA · gloomB · plumeB · lostC · bloomB · hostC · coastC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Here didst thou dwell, here schemes of pleasure plan.10·······/˘·
Beneath yon mountain's ever beauteous brow;10···/˘//˘˘·
But now, as if a thing unblest by man,10··········
Thy fairy dwelling is as lone as thou!10·/˘/˘·····
Here giant weeds a passage scarce allow10·/˘··/˘·˘/
To halls deserted, portals gaping wide;10··˘/˘/˘/˘·
Fresh lessons to the thinking bosom, how10·/˘··/˘/˘·
Vain are the pleasaunces on earth supplied;10········˘/
Swept into wrecks anon by Time's ungentle tide.12····˘/··˘/˘·
Behold the hall where chiefs were late convened!10˘/······˘/
Oh! dome displeasing unto British eye!10··˘/˘··/˘·
With diadem hight foolscap, lo! a fiend,10·/˘··/˘···
A little fiend that scoffs incessantly,10·/˘···˘/˘˘
There sits in parchment robe arrayed, and by10···/˘·˘/··
His side is hung a seal and sable scroll,10·······/˘·
Where blazoned glare names known to chivalry,10·······/˘˘
And sundry signatures adorn the roll,10·/˘/˘˘˘/··
Whereat the urchin points, and laughs with all his soul.12˘/·/˘·······
Convention is the dwarfish demon styled10˘/˘··/˘/˘·
That foiled the knights in Marialva's dome:10··˘·······
Of brains (if brains they had) he them beguiled,10········˘/
And turned a nation's shallow joy to gloom.10···/˘/˘···
Here Folly dashed to earth the victor's plume,10·/˘····/˘·
And Policy regained what Arms had lost:10·/˘˘˘/····
For chiefs like ours in vain may laurels bloom!10···/···/˘·
Woe to the conquering, not the conquered host,10···/˘··/˘·
Since baffled Triumph droops on Lusitania's coast.12·/˘/˘···˘/˘·
Notes from the edition 2

E. H. Coleridge's notes to Childe Harold's Pilgrimage, The Works of Lord Byron, Poetry vol. II (John Murray, 1899; Project Gutenberg #25340). Bracketed passages are the editor's; unbracketed are Byron's own (Cantos I-III) or John Cam Hobhouse's (Canto IV, his 'Historical Notes'). Digit footnotes ('[17]') are informational and numbered continuously through the whole book; end-notes keyed '[n.B.]' (Byron) or '[n.H.]' (Hobhouse) follow each canto and are numbered afresh from 1 there. Both kinds are placed here by matching each note's own quoted words against the site's text, not by the number or stanza the note states, because the site's text (Gutenberg #5131) and this edition (#25340) are different editions with different stanza counts in Canto I. Lettered footnotes ('[h]', '[dn]') are manuscript and edition variant readings and are not harvested, matching the treatment of Don Juan's and byron-works-3's lettered notes.

  1. Stanza 2, line 1 The Convention of Cintra was signed in the palace of the Marchese Marialva. The late exploits of Lord Wellington have effaced the follies of Cintra. He has, indeed, done wonders; he has perhaps changed the character of a nation, reconciled rival superstitions, and baffled an enemy who never retreated before his predecessor.

    ["The armistice, the negotiations, the convention, the execution of its provisions, were commenced, conducted, concluded, at the distance of thirty miles from Cintra, with which place they had not the slightest connection, political, military, or local. Yet Lord Byron has sung that the convention was signed in the Marquis of Marialva's house at Cintra" (Napier's History of the War in the Peninsula, i. 161). The "suspension of arms" is dated "Head Quarters of the British Army, August 22, 1808." The "Definitive Convention for the Evacuation of Portugal by the British Army" is dated "Head Quarters, Lisbon, August 30, 1808." (See Wordsworth's pamphlet Concerning the Relations of Great Britain, Spain, and Portugal, etc., 1809, App. pp. 199-201. For sentiments almost identical with those expressed in stanzas xxiv., xxv., see ibid., p. 49, et passim.)]
  2. Stanza 3, line 1 [On August 21, 1808, Sir Harry Burrard (1755-1813) superseded in command Sir Arthur Wellesley, who had, on the same day, repulsed Junot at Vimiera. No sooner had he assumed his position as commander-in-chief, than he countermanded Wellesley's order to give pursuit and make good the victory. The next day (August 22) Sir Hew Dalrymple in turn superseded Burrard, and on the 23rd, General Kellerman approached the English with certain proposals from Junot, which a week later were formulated by the so-called Convention of Cintra, to which Kellerman and Wellesley affixed their names. When the news reached England that Napoleon's forces had been repulsed with loss, and yet the French had been granted a safe exit from Portugal, the generals were assailed with loud and indiscriminate censure. Burrard's interference with Wellesley's plans was no doubt ill-judged and ill-timed; but the opportunity of pursuit having been let slip, the acceptance of Junot's terms was at once politic and inevitable. A court of inquiry, which was held in London in January, 1809, upheld both the armistice of August 22 and the Convention; but neither Dalrymple nor Burrard ever obtained a second command, and it was not until Talavera (July 28, 1809) had effaced the memories of Cintra that Wellesley was reinstated in popular favour.]

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