Canto III LXIV
But these recede. Above me are the Alps,The palaces of Nature, whose vast wallsHave pinnacled in clouds their snowy scalps,And throned Eternity in icy hallsOf cold sublimity, where forms and fallsThe avalanche--the thunderbolt of snow!All that expands the spirit, yet appals,Gathers around these summits, as to showHow Earth may pierce to Heaven, yet leave vain man below.
But ere these matchless heights I dare to scan,There is a spot should not be passed in vain,--Morat! the proud, the patriot field! where manMay gaze on ghastly trophies of the slain,Nor blush for those who conquered on that plain;Here Burgundy bequeathed his tombless host,A bony heap, through ages to remain,Themselves their monument;--the Stygian coastUnsepulchred they roamed, and shrieked each wandering ghost.
While Waterloo with Cannae's carnage vies,Morat and Marathon twin names shall stand;They were true Glory's stainless victories,Won by the unambitious heart and handOf a proud, brotherly, and civic band,All unbought champions in no princely causeOf vice-entailed Corruption; they no landDoomed to bewail the blasphemy of lawsMaking king's rights divine, by some Draconic clause.
Words in this poem
- snowy a.
- White like snow.
- sublimity n.
- The quality or state of being sublime (in any sense of the adjective). [L. sublimitas: cf. F. sublimité.]
- thunderbolt n.
- A shaft of lightning; a brilliant stream of electricity passing from one part of the heavens to another, or from the clouds to the earth.
- scan v. t.
- To mount by steps; to go through with step by step. [L. scandere, scansum, to climb, to scan, akin to Skr. skand to spring, leap: cf. F. scander. Cf. Ascend, Descend, Scale a ladder.]
- burgundy n.
- An old province of France (in the eastern central part).
- tombless a.
- Destitute of a tomb.
- stygian a.
- Of or pertaining to the river Styx; hence, hellish; infernal.
- ghost n.
- The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
- carnage n.
- Flesh of slain animals or men. [F. carnage, LL. carnaticum tribute of animals, flesh of animals, fr. L. caro, carnis, flesh. See Carnal.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- stainless a.
- Free from stain; immaculate.
- civic a.
- Relating to, or derived from, a city or citizen; relating to man as a member of society, or to civil affairs. Civic crown (Rom. [L.civicus, fr. civis citizen. See City.]
- draconic a.
- Relating to Draco, the Athenian lawgiver; or to the constellation Draco; or to dragon's blood.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Canto III LXIV is in the public domain. This text is taken from Childe Harold's Pilgrimage, Project Gutenberg ebook #5131; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Lord Byron, Canto III LXIV, in Childe Harold's Pilgrimage (1812–1818), text of Project Gutenberg ebook #5131, Laurel, https://laurelpoetry.com/poem/byron-childe-harold/canto-iii-lxiv.html, id L06560.
Form and metre
Canto III LXIV is 27 lines in 3 stanzas of 9 lines each. Every stanza rhymes ABABBCBCC, the Spenserian stanza. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%). 89% of its stressed syllables fall where the metre puts the beat. The lines average 10.2 syllables. 1 line ends on an unstressed syllable, a feminine ending. 37% of the lines run on without a stop at the line end.
See other poems in the Spenserian stanza, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABBCBCC alpsA · wallsB · scalpsA · hallsB · fallsB · snowC · appalsB · showC · belowC
- 2 ABABBCBCC scanA · vainB · manA · slainB · plainB · hostC · remainB · coastC · ghostC
- 3 ABABBCBCC viesA · standB · victoriesA · handB · bandB · causeC · landB · lawsC · clauseC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| But these recede. Above me are the Alps, | 10 | ··˘/······ |
| The palaces of Nature, whose vast walls | 10 | ·/˘˘·/˘··· |
| Have pinnacled in clouds their snowy scalps, | 10 | ·/˘˘···/˘· |
| And throned Eternity in icy halls | 10 | ··˘/˘˘·/˘· |
| Of cold sublimity, where forms and falls | 10 | ··˘/˘˘···· |
| The avalanche--the thunderbolt of snow! | 10 | ·/˘··/˘··· |
| All that expands the spirit, yet appals, | 10 | ··˘/·/˘··· |
| Gathers around these summits, as to show | 10 | /˘···/˘··· |
| How Earth may pierce to Heaven, yet leave vain man below. | 12 | ·····/······ |
| But ere these matchless heights I dare to scan, | 10 | ···/˘····· |
| There is a spot should not be passed in vain,-- | 10 | ·········· |
| Morat! the proud, the patriot field! where man | 10 | ·····/˘··· |
| May gaze on ghastly trophies of the slain, | 10 | ···/˘/˘··· |
| Nor blush for those who conquered on that plain; | 10 | ·····/˘··· |
| Here Burgundy bequeathed his tombless host, | 10 | ·/˘˘˘/·/˘· |
| A bony heap, through ages to remain, | 10 | ·/˘··/˘·˘/ |
| Themselves their monument;--the Stygian coast | 10 | ˘/·/˘·/˘˘· |
| Unsepulchred they roamed, and shrieked each wandering ghost. | 11 | ········/˘· |
| While Waterloo with Cannae's carnage vies, | 9 | ·/˘···/˘· |
| Morat and Marathon twin names shall stand; | 10 | ···/˘····· |
| They were true Glory's stainless victories, | 10 | ···/˘/˘/˘˘ |
| Won by the unambitious heart and hand | 10 | ·········· |
| Of a proud, brotherly, and civic band, | 10 | ···/˘˘·/˘· |
| All unbought champions in no princely cause | 10 | ···/˘··/˘· |
| Of vice-entailed Corruption; they no land | 10 | ··˘/˘/˘··· |
| Doomed to bewail the blasphemy of laws | 10 | ··˘/·/˘˘·· |
| Making king's rights divine, by some Draconic clause. | 12 | /˘··˘/··˘/˘· |
Notes from the edition 4
E. H. Coleridge's notes to Childe Harold's Pilgrimage, The Works of Lord Byron, Poetry vol. II (John Murray, 1899; Project Gutenberg #25340). Bracketed passages are the editor's; unbracketed are Byron's own (Cantos I-III) or John Cam Hobhouse's (Canto IV, his 'Historical Notes'). Digit footnotes ('[17]') are informational and numbered continuously through the whole book; end-notes keyed '[n.B.]' (Byron) or '[n.H.]' (Hobhouse) follow each canto and are numbered afresh from 1 there. Both kinds are placed here by matching each note's own quoted words against the site's text, not by the number or stanza the note states, because the site's text (Gutenberg #5131) and this edition (#25340) are different editions with different stanza counts in Canto I. Lettered footnotes ('[h]', '[dn]') are manuscript and edition variant readings and are not harvested, matching the treatment of Don Juan's and byron-works-3's lettered notes.
- Stanza 1, line 5 [Compare the opening lines of Coleridge's Hymn before Sunrise in the Valley of Chamouni--
"Hast thou a charm to stay the morning star In his steep course? So long he seems to pause On thy bald awful head, O sovran Blanc!"
The "thunderbolt" (line 6) recurs in Manfred, act i. sc. 1--
"Around his waist are forests braced, The Avalanche in his hand; But ere its fall, that thundering ball Must pause for my command."] - Stanza 2, line 8 [The inscription on the ossuary of the Burgundian troops which fell in the battle of Morat, June 14, 1476, suggested this variant of Si monumentum quaeris--
"Deo Optimo Maximo.
Inclytissimi et fortissimi Burgundiae ducis exercitus, Moratum obsidens, ab Helvetiis caesus, hoc sui monumentum reliquit."] - Stanza 2, line 9 The chapel is destroyed, and the pyramid of bones diminished to a small number by the Burgundian Legion in the service of France; who anxiously effaced this record of their ancestors' less successful invasions. A few still remain, notwithstanding the pains taken by the Burgundians for ages (all who passed that way removing a bone to their own country), and the less justifiable larcenies of the Swiss postilions, who carried them off to sell for knife-handles; a purpose for which the whiteness imbibed by the bleaching of years had rendered them in great request. Of these relics I ventured to bring away as much as may have made a quarter of a hero, for which the sole excuse is, that if I had not, the next passer-by might have perverted them to worse uses than the careful preservation which I intend for them.
[Charles the Bold was defeated by the Swiss at the Battle of Morat, June 22, 1476. It has been computed that more than twenty thousand Burgundians fell in the battle. At first, to avoid the outbreak of a pestilence, the bodies were thrown into pits. "Nine years later ... the mouldering remains were unearthed, and deposited in a building ... on the shore of the lake, near the village of Meyriez.... During three succeeding centuries this depository was several times rebuilt.... But the ill-starred relics were not destined even yet to remain undisturbed. At the close of the last century, when the armies of the French Republic were occupying Switzerland, a regiment consisting mainly of Burgundians, under the notion of effacing an insult to their ancestors, tore down the 'bone-house' at Morat, covered the contents with earth, and planted on the mound 'a tree of liberty.' But the tree had no roots; the rains washed away the earth; again the remains were exposed to view, and lay bleaching in the sun for a quarter of a century. Travellers stopped to gaze, to moralize, and to pilfer; postilions and poets scraped off skulls and thigh-bones.... At last, in 1822, the vestiges were swept together and resepulchred, and a simple obelisk of marble was erected, to commemorate a victory well deserving of its fame as a military exploit, but all unworthy to be ranked with earlier triumphs, won by hands pure as well as strong, defending freedom and the right."--History of Charles the Bold, by J. F. Kirk, 1868, iii. 404, 405.
Mr. Murray still has in his possession the parcel of bones--the "quarter of a hero"--which Byron sent home from the field of Morat.] - Stanza 3, line 1 [Byron's point is that at Morat 15,000 men were slain in a righteous cause--the defence of a republic against an invading tyrant; whereas the lives of those that fell at Cannae and at Waterloo were sacrificed to the ambition of rival powers fighting for the mastery.]
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