Count Gismond

Robert Browning (1812–1889) · 1842

iambic tetrameter · ABABCC · 125 lines · from Dramatic Lyrics

Christ God who savest man, save mostOf men Count Gismond who saved me!Count Gauthier, when he chose his post,Chose time and place and companyTo suit it; when he struck at lengthMy honour, 'twas with all his strength.

And doubtlessly ere he could drawAll points to one, he must have schemed!That miserable morning sawFew half so happy as I seemed,While being dressed in queen's arrayTo give our tourney prize away.

I thought they loved me, did me graceTo please themselves; 'twas all their deed;God makes, or fair or foul, our face;If showing mine so caused to bleedMy cousins' hearts, they should have droppedA word, and straight the play had stopped.

They, too, so beauteous! Each a queenBy virtue of her brow and breast;Not needing to be crowned, I mean,As I do. E'en when I was dressed,Had either of them spoke, insteadOf glancing sideways with still head!

But no: they let me laugh, and singMy birthday song quite through, adjustThe last rose in my garland, flingA last look on the mirror, trustMy arms to each an arm of theirs,And so descend the castle-stairs--

And come out on the morning-troopOf merry friends who kissed my cheek,And called me queen, and made me stoopUnder the canopy--a streakThat pierced it, of the outside sun,Powdered with gold its gloom's soft dun--

And they could let me take my stateAnd foolish throne amid applauseOf all come there to celebrateMy queen's-day--Oh I think the causeOf much was, they forgot no crowdMakes up for parents in their shroud!

However that be, all eyes were bentUpon me, when my cousins castTheirs down; 'twas time I should presentThe victor's crown, but... there, 'twill lastNo long time... the old mist againBlinds me as then it did. How vain!

See! Gismond's at the gate, in talkWith his two boys: I can proceed.Well, at that moment, who should stalkForth boldly--to my face, indeed--But Gauthier, and he thundered "Stay!"And all stayed. "Bring no crowns, I say!"

"Bring torches! Wind the penance-sheetAbout her! Let her shun the chaste,Or lay herself before their feet!Shall she whose body I embracedA night long, queen it in the day?For honour's sake no crowns, I say!"

I? What I answered? As I live,I never fancied such a thingAs answer possible to give.What says the body when they springSome monstrous torture-engine's wholeStrength on it? No more says the soul.

Till out strode Gismond; then I knewThat I was saved. I never metHis face before, but, at first view,I felt quite sure that God had setHimself to Satan; who would spendA minute's mistrust on the end?

He strode to Gauthier, in his throatGave him the lie, then struck his mouthWith one back-handed blow that wroteIn blood men's verdict there. North, South,And damned, and truth stood up instead.

This glads me most, that I enjoyedThe heart of the joy, with my contentIn watching Gismond unalloyedBy any doubt of the event:God took that on him--I was bidWatch Gismond for my part: I did.

Did I not watch him while he letHis armourer just brace his greaves,Rivet his hauberk, on the fretThe while! His foot... my memory leavesNo least stamp out, nor how anonHe pulled his ringing gauntlets on.

And e'en before the trumpet's soundWas finished, prone lay the false knight,Prone as his lie, upon the ground:Gismond flew at him, used no sleightO' the sword, but open-breasted drove,Cleaving till out the truth he clove.

Which done, he dragged him to my feetAnd said "Here die, but end thy breathIn full confession, lest thou fleetFrom my first, to God's second death!Say, hast thou lied?" And, "I have liedTo God and her," he said, and died.

Then Gismond, kneeling to me, askedWhat safe my heart holds, though no wordCould I repeat now, if I taskedMy powers for ever, to a thirdDear even as you are. Pass the restUntil I sank upon his breast.

Over my head his arm he flungAgainst the world; and scarce I feltHis sword (that dripped by me and swung)A little shifted in its belt:For he began to say the whileHow South our home lay many a mile.

So 'mid the shouting multitudeWe two walked forth to never moreReturn. My cousins have pursuedTheir life, untroubled as beforeI vexed them. Gauthier's dwelling-placeGod lighten! May his soul find grace!

Our elder boy has got the clearGreat brow; tho' when his brother's blackFull eye shows scorn, it... Gismond here?And have you brought my tercel back?I just was telling AdelaHow many birds it struck since May.

Words in this poem 20
honour n.
Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
doubtlessly adv.
Unquestionably. Beau. & Fl.
tourney v. i.
To perform in tournaments; to tilt. [Cf.OF. torneier. See Tourney, n.]
beauteous a.
Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
glancing a.
Shooting, as light.
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
boldly adv.
In a bold manner. [AS. bealdlice.]
stayed a.
Staid; fixed; settled; sober; -- now written staid. See Staid.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
wrote v. i.
To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
damned a.
Sentenced to punishment in a future state; condemned; consigned to perdition.
unalloyed a.
Not alloyed; not reduced by foreign admixture; unmixed; unqualified; pure; as, unalloyed metals; unalloyed happiness.
greaves n.
The sediment of melted tallow. It is made into cakes for dogs' food. In Scotland it is called cracklings. [Cf. dial. Sw. grevar greaves, LG. greven, G. griebe, also AS. greofa pot. Cf. Gravy.]
anon adv.
Straightway; at once. [OE. anoon, anon, anan, lit., in one (moment), fr. AS. on in + an one. See On and One.]
sleight n.
Cunning; craft; artful practice. [OE. sleighte, sleihte, sleithe, Icel. sl (for sl) slyness, cunning, fr. sl (for sl) sly, cunning. See Sly.]
drove n.
A collection of cattle driven, or cattle collected for driving; a number of animals, as oxen, sheep, or swine, driven in a body. [AS. draf, fr. drifan to drive. See Drive.]
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
lied n.
A lay; a German song. It differs from the French chanson, and the Italian canzone, all three being national. [G.]
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Count Gismond is in the public domain. This text is taken from Dramatic Romances, Project Gutenberg ebook #4253; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Browning, Count Gismond, in Dramatic Lyrics (1842), text of Project Gutenberg ebook #4253, Laurel, https://laurelpoetry.com/poem/browning-dramatic-lyrics/count-gismond.html, id L03537.

Form and metre

Count Gismond is 125 lines in 21 stanzas. The rhyme scheme is ABABCC, complete in 16 of its 21 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 88%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 8.0 syllables. 4 lines end on an unstressed syllable, a feminine ending. 58% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 A-A-BB mostA · me · postA · company · lengthB · strengthB
  2. 2 ABABCC drawA · schemedB · sawA · seemedB · arrayC · awayC
  3. 3 ABABCC graceA · deedB · faceA · bleedB · droppedC · stoppedC
  4. 4 ABABCC queenA · breastB · meanA · dressedB · insteadC · headC
  5. 5 ABABCC singA · adjustB · flingA · trustB · theirsC · stairsC
  6. 6 ABABCC troopA · cheekB · stoopA · streakB · sunC · dunC
  7. 7 ABABCC stateA · applauseB · celebrateA · causeB · crowdC · shroudC
  8. 8 ABABCC bentA · castB · presentA · lastB · againC · vainC
  9. 9 ABABCC talkA · proceedB · stalkA · indeedB · stayC · sayC
  10. 10 ABABCC sheetA · chasteB · feetA · embracedB · dayC · sayC
  11. 11 ABABCC liveA · thingB · giveA · springB · wholeC · soulC
  12. 12 ABABCC knewA · metB · viewA · setB · spendC · endC
  13. 13 ABAB- throatA · mouthB · wroteA · southB · instead
  14. 14 ABABCC enjoyedA · contentB · unalloyedA · eventB · bidC · didC
  15. 15 ABAB-- letA · greavesB · fretA · leavesB · anon · on
  16. 16 ABAB-- soundA · knightB · groundA · sleightB · drove · clove
  17. 17 ABABCC feetA · breathB · fleetA · deathB · liedC · diedC
  18. 18 ABABCC askedA · wordB · taskedA · thirdB · restC · breastC
  19. 19 ABABCC flungA · feltB · swungA · beltB · whileC · mileC
  20. 20 ABABCC multitudeA · moreB · pursuedA · beforeB · placeC · graceC
  21. 21 ABAB-- clearA · blackB · hereA · backB · adela · may
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Christ God who savest man, save most8········
Of men Count Gismond who saved me!8········
Count Gauthier, when he chose his post,8·/˘·····
Chose time and place and company8·····/˘˘
To suit it; when he struck at length8········
My honour, 'twas with all his strength.8·/˘·····
And doubtlessly ere he could draw8·/˘˘····
All points to one, he must have schemed!8········
That miserable morning saw8·/˘˘˘/˘·
Few half so happy as I seemed,8···/˘···
While being dressed in queen's array8·/˘···˘/
To give our tourney prize away.8··//˘·˘/
I thought they loved me, did me grace8········
To please themselves; 'twas all their deed;8··˘/····
God makes, or fair or foul, our face;8······/·
If showing mine so caused to bleed8·/˘·····
My cousins' hearts, they should have dropped8·/˘·····
A word, and straight the play had stopped.8········
They, too, so beauteous! Each a queen9···/˘˘···
By virtue of her brow and breast;8·/˘·····
Not needing to be crowned, I mean,8·/˘·····
As I do. E'en when I was dressed,8········
Had either of them spoke, instead8·/˘···˘/
Of glancing sideways with still head!8·/˘/····
But no: they let me laugh, and sing8········
My birthday song quite through, adjust8·/····˘/
The last rose in my garland, fling8·····/˘·
A last look on the mirror, trust8·····/˘·
My arms to each an arm of theirs,8········
And so descend the castle-stairs--8··˘/·/˘·
And come out on the morning-troop8·····/˘·
Of merry friends who kissed my cheek,8·/˘·····
And called me queen, and made me stoop8········
Under the canopy--a streak8···/˘˘··
That pierced it, of the outside sun,8·····//·
Powdered with gold its gloom's soft dun--8/˘······
And they could let me take my state8········
And foolish throne amid applause8·/˘·˘/˘/
Of all come there to celebrate8·····/˘·
My queen's-day--Oh I think the cause8········
Of much was, they forgot no crowd8····˘/··
Makes up for parents in their shroud!8···/˘···
However that be, all eyes were bent9·/˘······
Upon me, when my cousins cast8·····/˘·
Theirs down; 'twas time I should present8······/˘
The victor's crown, but... there, 'twill last8·/˘·····
No long time... the old mist again8······˘/
Blinds me as then it did. How vain!8········
See! Gismond's at the gate, in talk8········
With his two boys: I can proceed.8······˘/
Well, at that moment, who should stalk8···/˘···
Forth boldly--to my face, indeed--8·/˘···˘/
But Gauthier, and he thundered "Stay!"8·/˘··/˘·
And all stayed. "Bring no crowns, I say!"8········
"Bring torches! Wind the penance-sheet8·/˘··/˘·
About her! Let her shun the chaste,8········
Or lay herself before their feet!8··˘/····
Shall she whose body I embraced8···/˘·˘/
A night long, queen it in the day?8········
For honour's sake no crowns, I say!"8·/˘·····
I? What I answered? As I live,8···/˘···
I never fancied such a thing8·/˘/˘···
As answer possible to give.8·/˘/˘˘··
What says the body when they spring8···/˘···
Some monstrous torture-engine's whole8·/˘/˘/˘·
Strength on it? No more says the soul.8········
Till out strode Gismond; then I knew8········
That I was saved. I never met8·····/˘·
His face before, but, at first view,8········
I felt quite sure that God had set8········
Himself to Satan; who would spend8˘/·/˘···
A minute's mistrust on the end?8·/˘˘/···
He strode to Gauthier, in his throat8···/˘···
Gave him the lie, then struck his mouth8········
With one back-handed blow that wrote8···/˘···
In blood men's verdict there. North, South,8···/˘···
And damned, and truth stood up instead.8······˘/
This glads me most, that I enjoyed8······˘/
The heart of the joy, with my content9·······/˘
In watching Gismond unalloyed8·/˘··˘/·
By any doubt of the event:8·/˘···˘/
God took that on him--I was bid8········
Watch Gismond for my part: I did.8········
Did I not watch him while he let8········
His armourer just brace his greaves,8········
Rivet his hauberk, on the fret8/˘·/˘···
The while! His foot... my memory leaves8·····/˘·
No least stamp out, nor how anon8······˘/
He pulled his ringing gauntlets on.8···/˘/˘·
And e'en before the trumpet's sound8·····/˘·
Was finished, prone lay the false knight,8·/˘·····
Prone as his lie, upon the ground:8········
Gismond flew at him, used no sleight8········
O' the sword, but open-breasted drove,9····/˘/˘·
Cleaving till out the truth he clove.8/˘······
Which done, he dragged him to my feet8········
And said "Here die, but end thy breath8········
In full confession, lest thou fleet8··˘/˘···
From my first, to God's second death!8·····/˘·
Say, hast thou lied?" And, "I have lied8········
To God and her," he said, and died.8········
Then Gismond, kneeling to me, asked8···/˘···
What safe my heart holds, though no word8········
Could I repeat now, if I tasked8··˘/····
My powers for ever, to a third8·/·/˘···
Dear even as you are. Pass the rest8·/······
Until I sank upon his breast.8········
Over my head his arm he flung8········
Against the world; and scarce I felt8········
His sword (that dripped by me and swung)8········
A little shifted in its belt:8·/˘/˘···
For he began to say the while8··˘/····
How South our home lay many a mile.8··/··/··
So 'mid the shouting multitude8···/˘/˘·
We two walked forth to never more8·····/˘·
Return. My cousins have pursued8˘/·/˘·˘/
Their life, untroubled as before8··˘/˘···
I vexed them. Gauthier's dwelling-place8···/˘/˘·
God lighten! May his soul find grace!8·/˘·····
Our elder boy has got the clear8//˘·····
Great brow; tho' when his brother's black8·····/˘·
Full eye shows scorn, it... Gismond here?8········
And have you brought my tercel back?8·····/˘·
I just was telling Adela8···/˘˘/˘
How many birds it struck since May.8·/˘·····

On this poem

"Count Gismond: Aix in Provence" illustrates, in the person of the woman who relates to a friend an episode of her own life, the power of innate purity to raise up for her a defender when caught in the toils woven by the unsuspected envy and hypocrisy of her cousins and Count Gauthier, who attempt to bring dishonor upon her, on her birthday, with the seeming intention of honoring her. Her faith that the trial by combat between Gauthier and Gismond must end in Gismond's victory and her vindication reflects most truly, as Arthur Symons has pointed out, the medieval atmosphere of chivalrous France.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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