The Boy and the Angel

Robert Browning (1812–1889) · 1842

iambic tetrameter · octosyllabic couplets · 78 lines · from Dramatic Lyrics

Morning, evening, noon and night,"Praise God!" sang Theocrite.

Then to his poor trade he turned,Whereby the daily meal was earned.

Hard he laboured, long and well;O'er his work the boy's curls fell.

But ever, at each period,He stopped and sang, "Praise God!"

Then back again his curls he threw,And cheerful turned to work anew.

Said Blaise, the listening monk, "Well done;I doubt not thou art heard, my son:

As well as if thy voice to-dayWere praising God, the Pope's great way.

This Easter Day, the Pope at RomePraises God from Peter's dome."

Said Theocrite, "Would God that IMight praise him, that great way, and die!"

Night passed, day shone,And Theocrite was gone.

With God a day endures alway,A thousand years are but a day.

God said in heaven, "Nor day nor nightNow brings the voice of my delight."

Then Gabriel, like a rainbow's birthSpread his wings and sank to earth;Entered, in flesh, the empty cell,Lived there, and played the craftsman well;

And morning, evening, noon and night,Praised God in place of Theocrite.

And from a boy, to youth he grew:The man put off the stripling's hue:

The man matured and fell awayInto the season of decay:

And ever o'er the trade he bent,And ever lived on earth content.

(He did God's will; to him, all oneIf on the earth or in the sun.)

God said, "A praise is in mine ear;There is no doubt in it, no fear:

So sing old worlds, and soNew worlds that from my footstool go.

Clearer loves sound other ways:I miss my little human praise."

Then forth sprang Gabriel's wings, off fellThe flesh disguise, remained the cell.

'Twas Easter Day: he flew to Rome,And paused above Saint Peter's dome.

In the tiring-room close byThe great outer gallery,

With his holy vestments dight,Stood the new Pope, Theocrite:

And all his past careerCame back upon him clear,

Since when, a boy, he plied his trade,Till on his life the sickness weighed;

And in his cell, when death drew near,An angel in a dream brought cheer:

And rising from the sickness drearHe grew a priest, and now stood here.

To the East with praise he turned,And on his sight the angel burned.

"I bore thee from thy craftsman's cellAnd set thee here; I did not well.

"Vainly I left my angel-sphere,Vain was thy dream of many a year.

"Thy voice's praise seemed weak; it dropped--Creation's chorus stopped!

"Go back and praise againThe early way, while I remain.

"With that weak voice of our disdain,Take up creation's pausing strain.

"Back to the cell and poor employ:Resume the craftsman and the boy!"

Theocrite grew old at home;A new Pope dwelt in Peter's dome.

One vanished as the other died:They sought God side by side.

Words in this poem

laboured a.
Bearing marks of labor and effort; elaborately wrought; not easy or natural; as, labored poetry; a labored style.
craftsman n.
One skilled in some trade or manual occupation; an artificer; a mechanic.
footstool n.
A low stool to support the feet of one when sitting.
clearer n.
One who, or that which, clears.
dight v. t.
To prepare; to put in order; hence, to dress, or put on; to array; to adorn. [OF. dihten, AS. dihtan to dictate, command, dispose, arrange, fr. L. dictare to say often, dictate, order; cf. G. dichten to write poetry, fr. L. dictare. See D]
career n.
A race course: the ground run over. [F. carrière race course, high road, street, fr. L. carrus wagon. See Car.]
drear n.
Sadness; dismalness.
resume n.
A summing up; a condensed statement; an abridgment or brief recapitulation. [F. See Resume.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Boy and the Angel is in the public domain. This text is taken from Dramatic Romances, Project Gutenberg ebook #4253; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Browning, The Boy and the Angel, in Dramatic Lyrics (1842), text of Project Gutenberg ebook #4253, Laurel, https://laurelpoetry.com/poem/browning-dramatic-lyrics/the-boy-and-the-angel.html, id L03538.

Form and metre

The Boy and the Angel is 78 lines in 38 verse paragraphs. It is in rhyming couplets, 85% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%). 97% of its stressed syllables fall where the metre puts the beat. The lines average 7.5 syllables. 6 lines end on an unstressed syllable, a feminine ending. 18% of the lines run on without a stop at the line end.

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 2 AA turnedA · earnedA
  2. 3 AA wellA · fellA
  3. 4 AA periodA · godA
  4. 5 AA threwA · anewA
  5. 6 AA doneA · sonA
  6. 7 AA dayA · wayA
  7. 8 AA romeA · domeA
  8. 9 AA iA · dieA
  9. 12 AA nightA · delightA
  10. 13 AABB birthA · earthA · cellB · wellB
  11. 15 AA grewA · hueA
  12. 16 AA awayA · decayA
  13. 17 AA bentA · contentA
  14. 18 AA oneA · sunA
  15. 19 AA earA · fearA
  16. 20 AA soA · goA
  17. 21 AA waysA · praiseA
  18. 22 AA fellA · cellA
  19. 23 AA romeA · domeA
  20. 26 AA careerA · clearA
  21. 27 AA tradeA · weighedA
  22. 28 AA nearA · cheerA
  23. 29 AA drearA · hereA
  24. 30 AA turnedA · burnedA
  25. 31 AA cellA · wellA
  26. 32 AA sphereA · yearA
  27. 33 AA droppedA · stoppedA
  28. 34 AA againA · remainA
  29. 35 AA disdainA · strainA
  30. 36 AA employA · boyA
  31. 37 AA homeA · domeA
  32. 38 AA diedA · sideA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Morning, evening, noon and night,7/˘/˘···
"Praise God!" sang Theocrite.5·····
Then to his poor trade he turned,8·······˘
Whereby the daily meal was earned.8···/˘···
Hard he laboured, long and well;8··/˘˘···
O'er his work the boy's curls fell.7·······
But ever, at each period,8·/˘··/˘˘
He stopped and sang, "Praise God!"7··˘····
Then back again his curls he threw,8··˘/····
And cheerful turned to work anew.8·/˘···˘/
Said Blaise, the listening monk, "Well done;8···/˘···
I doubt not thou art heard, my son:8········
As well as if thy voice to-day8········
Were praising God, the Pope's great way.8·/˘·····
This Easter Day, the Pope at Rome8·/˘·····
Praises God from Peter's dome."7/˘··/˘·
Said Theocrite, "Would God that I7·······
Might praise him, that great way, and die!"8········
Night passed, day shone,4····
And Theocrite was gone.5·····
With God a day endures alway,8····˘//˘
A thousand years are but a day.8·/˘·····
God said in heaven, "Nor day nor night8···/····
Now brings the voice of my delight."8······˘/
Then Gabriel, like a rainbow's birth8·/˘··/··
Spread his wings and sank to earth;7·······
Entered, in flesh, the empty cell,8/˘···/˘·
Lived there, and played the craftsman well;8·····/˘·
And morning, evening, noon and night,8·/˘/˘···
Praised God in place of Theocrite.8·˘······
And from a boy, to youth he grew:8········
The man put off the stripling's hue:8·····/˘·
The man matured and fell away8··˘/··˘/
Into the season of decay:8···/˘·˘/
And ever o'er the trade he bent,8·/˘·····
And ever lived on earth content.8·/˘···˘/
(He did God's will; to him, all one8········
If on the earth or in the sun.)8········
God said, "A praise is in mine ear;8········
There is no doubt in it, no fear:8········
So sing old worlds, and so6······
New worlds that from my footstool go.8·····/˘·
Clearer loves sound other ways:7/˘··/˘·
I miss my little human praise."8···/˘/˘·
Then forth sprang Gabriel's wings, off fell8···/˘···
The flesh disguise, remained the cell.8··˘/˘/··
'Twas Easter Day: he flew to Rome,8·/˘·····
And paused above Saint Peter's dome.8·····/˘·
In the tiring-room close by7··/˘···
The great outer gallery,7··/˘/˘˘
With his holy vestments dight,7··/˘···
Stood the new Pope, Theocrite:6······
And all his past career6····˘/
Came back upon him clear,6······
Since when, a boy, he plied his trade,8········
Till on his life the sickness weighed;8·····/˘·
And in his cell, when death drew near,8········
An angel in a dream brought cheer:8·/˘·····
And rising from the sickness drear8·/˘··/˘·
He grew a priest, and now stood here.8········
To the East with praise he turned,8·······˘
And on his sight the angel burned.8·····/˘·
"I bore thee from thy craftsman's cell8·····/˘·
And set thee here; I did not well.8········
"Vainly I left my angel-sphere,8/˘···/˘·
Vain was thy dream of many a year.8·····/··
"Thy voice's praise seemed weak; it dropped--8·/˘·····
Creation's chorus stopped!7˘/˘/˘·˘
"Go back and praise again6····˘/
The early way, while I remain.8·/˘···˘/
"With that weak voice of our disdain,8·····/˘/
Take up creation's pausing strain.8··˘/˘/˘·
"Back to the cell and poor employ:8······˘/
Resume the craftsman and the boy!"8˘/·/˘···
Theocrite grew old at home;6······
A new Pope dwelt in Peter's dome.8·····/˘·
One vanished as the other died:8·/˘··/˘·
They sought God side by side.6······

On this poem

"The Boy and the Angel." An imaginary legend illustrating the worth of humble, human love to God, who missed in the praise of the Pope, Theocrite, and of the Angel Gabriel, the precious human quality in the song of the poor boy, Theocrite.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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