The Christian Tourists

John Greenleaf Whittier (1807–1892) · 1865

iambic tetrameter · ABABCDCD · 65 lines · from Anti-Slavery Poems and Songs of Labor and Reform

No aimless wanderers, by the fiend UnrestGoaded from shore to shore;No schoolmen, turning, in their classic quest,The leaves of empire o'er.Simple of faith, and bearing in their heartsThe love of man and God,Isles of old song, the Moslem's ancient marts,And Scythia's steppes, they trod.

Where the long shadows of the fir and pineIn the night sun are cast,And the deep heart of many a Norland mineQuakes at each riving blast;Where, in barbaric grandeur, Moskwa stands,A baptized Scythian queen,With Europe's arts and Asia's jewelled hands,The North and East between!

Where still, through vales of Grecian fable, strayThe classic forms of yore,And beauty smiles, new risen from the spray,And Dian weeps once more;Where every tongue in Smyrna's mart resounds;And Stamboul from the seaLifts her tall minarets over burial-groundsBlack with the cypress-tree.

From Malta's temples to the gates of Rome,Following the track of Paul,And where the Alps gird round the Switzer's homeTheir vast, eternal wall;They paused not by the ruins of old time,They scanned no pictures rare,Nor lingered where the snow-locked mountainsclimbThe cold abyss of air!

But unto prisons, where men lay in chains,To haunts where Hunger pined,To kings and courts forgetful of the painsAnd wants of human-kind,Scattering sweet words, and quiet deeds of good,Along their way, like flowers,Or pleading, as Christ's freemen only could,With princes and with powers;

Their single aim the purpose to fulfilOf Truth, from day to day,Simply obedient to its guiding will,They held their pilgrim way.Yet dream not, hence, the beautiful and oldWere wasted on their sight,Who in the school of Christ had learned to holdAll outward things aright.

Not less to them the breath of vineyards blownFrom off the Cyprian shore,Not less for them the Alps in sunset shone,That man they valued more.A life of beauty lends to all it seesThe beauty of its thought;And fairest forms and sweetest harmoniesMake glad its way, unsought.

In sweet accordancy of praise and love,The singing waters run;And sunset mountains wear in light aboveThe smile of duty done;Sure stands the promise,--ever to the meekA heritage is given;Nor lose they Earth who, single-hearted, seekThe righteousness of Heaven!

Words in this poem

aimless a.
Without aim or purpose; as, an aimless life.
unrest n.
Want of rest or repose; unquietness; sleeplessness; uneasiness; disquietude.
classic a.
Of or relating to the first class or rank, especially in literature or art. [L. classicus relating to the classes of the Roman people, and especially to the frist class; hence, of the first rank, superior, from classis class: cf. F. clas]
norland n.
The land in the north; north country. [Chiefly Poetic]
barbaric a.
Of, or from, barbarian nations; foreign; -- often with reference to barbarous nations of east. [L. barbaricus foreign, barbaric, Gr. .]
yore adv.
In time long past; in old time; long since. [OE. , yare, , AS. geára;akin to geár a year, E. year. Year.]
mart v. t.
To buy or sell in, or as in, a mart.
burial n.
A grave; a tomb; a place of sepulture. [OE. buriel, buriels, grave, tomb, AS. byrgels, fr. byrgan to bury, and akin to OS. burgisli sepulcher.]
forgetful a.
Apt to forget; easily losing remembrance; as, a forgetful man should use helps to strengthen his memory.
aright adv.
Rightly; correctly; in a right way or form; without mistake or crime; as, to worship God aright. [Pref. a- + right.]
cyprian a.
Belonging to Cyprus.
accordancy n.
Accordance. Paley.
heritage a.
That which is inherited, or passes from heir to heir; inheritance. [OE. heritage, eritage, OF. heritage, eritage, F. héritage, fr. hériter to inherit, LL. heriditare. See Hereditable.]
righteousness n.
The quality or state of being righteous; holiness; purity; uprightness; rectitude. [AS. rihtwisnes.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Christian Tourists is in the public domain. This text is taken from Anti-Slavery Poems and Songs of Labor and Reform, Complete Volume III of The Works of John Greenleaf Whittier, Project Gutenberg ebook #9580; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Greenleaf Whittier, The Christian Tourists, in Anti-Slavery Poems and Songs of Labor and Reform (1865), text of Project Gutenberg ebook #9580, Laurel, https://laurelpoetry.com/poem/whittier-anti-slavery/the-christian-tourists.html, id L24950.

Form and metre

The Christian Tourists is 65 lines in 8 stanzas. The rhyme scheme is ABABCDCD, complete in 4 of its 8 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 A-A-BCBC unrestA · shore · questA · o'er · heartsB · godC · martsB · trodC
  2. 2 ABABCDCD pineA · castB · mineA · blastB · standsC · queenD · handsC · betweenD
  3. 3 ABABCDCD strayA · yoreB · sprayA · moreB · resoundsC · seaD · groundsC · treeD
  4. 4 ABABCD-CD romeA · paulB · homeA · wallB · timeC · rareD · mountains · climbC · airD
  5. 5 ABABCDCD chainsA · pinedB · painsA · kindB · goodC · flowersD · couldC · powersD
  6. 6 -A-ABCBC fulfil · dayA · will · wayA · oldB · sightC · holdB · arightC
  7. 7 ABABCDCD blownA · shoreB · shoneA · moreB · seesC · thoughtD · harmoniesC · unsoughtD
  8. 8 ABABCBCB loveA · runB · aboveA · doneB · meekC · givenB · seekC · heavenB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
No aimless wanderers, by the fiend Unrest10·/˘/˘···˘/
Goaded from shore to shore;6/˘····
No schoolmen, turning, in their classic quest,10···/˘··/˘·
The leaves of empire o'er.7···/˘˘·
Simple of faith, and bearing in their hearts10/˘···/˘···
The love of man and God,6······
Isles of old song, the Moslem's ancient marts,10·····/˘/˘·
And Scythia's steppes, they trod.6······
Where the long shadows of the fir and pine10···/······
In the night sun are cast,6······
And the deep heart of many a Norland mine10·····/·/˘·
Quakes at each riving blast;6······
Where, in barbaric grandeur, Moskwa stands,10··˘/˘˘//˘·
A baptized Scythian queen,7·/·/˘˘·
With Europe's arts and Asia's jewelled hands,10·/˘··/˘/˘·
The North and East between!6······
Where still, through vales of Grecian fable, stray10·····/˘/˘·
The classic forms of yore,6·/˘···
And beauty smiles, new risen from the spray,10·/˘··/˘···
And Dian weeps once more;6·/˘···
Where every tongue in Smyrna's mart resounds;10·/˘··/˘··/
And Stamboul from the sea6······
Lifts her tall minarets over burial-grounds10····˘/·/˘·
Black with the cypress-tree.6···/˘·
From Malta's temples to the gates of Rome,10·/˘/˘·····
Following the track of Paul,7/˘˘····
And where the Alps gird round the Switzer's home10·······/˘·
Their vast, eternal wall;6··˘/˘·
They paused not by the ruins of old time,10·····/˘···
They scanned no pictures rare,6···/˘·
Nor lingered where the snow-locked mountains9·/˘····/˘
climb1·
The cold abyss of air!6··˘/··
But unto prisons, where men lay in chains,10···/˘·····
To haunts where Hunger pined,6···/˘·
To kings and courts forgetful of the pains10····˘/˘···
And wants of human-kind,6···/˘·
Scattering sweet words, and quiet deeds of good,9/˘···/···
Along their way, like flowers,7˘/···/˘
Or pleading, as Christ's freemen only could,10·/˘··/˘/˘·
With princes and with powers;7·/˘··/˘
Their single aim the purpose to fulfil10·/˘··/˘···
Of Truth, from day to day,6······
Simply obedient to its guiding will,10/˘˘/˘··/˘·
They held their pilgrim way.6···/˘·
Yet dream not, hence, the beautiful and old9·····/˘··
Were wasted on their sight,6·/˘···
Who in the school of Christ had learned to hold10··········
All outward things aright.6·/˘·˘/
Not less to them the breath of vineyards blown10·······/˘·
From off the Cyprian shore,7···/˘˘·
Not less for them the Alps in sunset shone,10·······/··
That man they valued more.6···/˘·
A life of beauty lends to all it sees10···/˘·····
The beauty of its thought;6·/˘···
And fairest forms and sweetest harmonies9·/˘··/˘/˘
Make glad its way, unsought.6······
In sweet accordancy of praise and love,10··˘/˘˘····
The singing waters run;6·/˘/˘·
And sunset mountains wear in light above10·/·/˘·····
The smile of duty done;6···/˘·
Sure stands the promise,--ever to the meek9···/˘/···
A heritage is given;7·/˘˘·/˘
Nor lose they Earth who, single-hearted, seek10·····/˘/˘·
The righteousness of Heaven!7·/˘˘·/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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