The Men of Old

John Greenleaf Whittier (1807–1892) · 1865

iambic pentameter · 67 lines · from Anti-Slavery Poems and Songs of Labor and Reform

"WELL speed thy mission, bold Iconoclast!Yet all unworthy of its trust thou art,If, with dry eye, and cold, unloving heart,Thou tread'st the solemn Pantheon of the Past,By the great Future's dazzling hope made blindTo all the beauty, power, and truth behind.Not without reverent awe shouldst thou put byThe cypress branches and the amaranth blooms,Where, with clasped hands of prayer, upon their tombsThe effigies of old confessors lie,God's witnesses; the voices of His will,Heard in the slow march of the centuries stillSuch were the men at whose rebuking frown,Dark with God's wrath, the tyrant's knee went down;Such from the terrors of the guilty drewThe vassal's freedom and the poor man's due."

St. Anselm (may he rest forevermoreIn Heaven's sweet peace!) forbade, of old, the saleOf men as slaves, and from the sacred paleHurled the Northumbrian buyers of the poor.To ransom souls from bonds and evil fateSt. Ambrose melted down the sacred plate,--Image of saint, the chalice, and the pix,Crosses of gold, and silver candlesticks."Man is worth more than temples!" he repliedTo such as came his holy work to chide.And brave Cesarius, stripping altars bare,And coining from the Abbey's golden hoardThe captive's freedom, answered to the prayerOr threat of those whose fierce zeal for the LordStifled their love of man,--"An earthen dishThe last sad supper of the Master boreMost miserable sinners! do ye wishMore than your Lord, and grudge His dying poorWhat your own pride and not His need requires?Souls, than these shining gauds, He values moreMercy, not sacrifice, His heart desires!"O faithful worthies! resting far behindIn your dark ages, since ye fell asleep,Much has been done for truth and human-kind;Shadows are scattered wherein ye groped blind;Man claims his birthright, freer pulses leapThrough peoples driven in your day like sheep;Yet, like your own, our age's sphere of light,Though widening still, is walled around by night;With slow, reluctant eye, the Church has read,Skeptic at heart, the lessons of its Head;Counting, too oft, its living members lessThan the wall's garnish and the pulpit's dress;World-moving zeal, with power to bless and feedLife's fainting pilgrims, to their utter need,Instead of bread, holds out the stone of creed;Sect builds and worships where its wealth andprideAnd vanity stand shrined and deified,Careless that in the shadow of its wallsGod's living temple into ruin falls.We need, methinks, the prophet-hero still,Saints true of life, and martyrs strong of will,To tread the land, even now, as Xavier trodThe streets of Goa, barefoot, with his bell,Proclaiming freedom in the name of God,And startling tyrants with the fear of hellSoft words, smooth prophecies, are doubtless well;But to rebuke the age's popular crime,We need the souls of fire, the hearts of that oldtime!

Words in this poem

iconoclast n.
A breaker or destroyer of images or idols; a determined enemy of idol worship. [Gr. iconoclaste.]
pantheon n.
A temple dedicated to all the gods; especially, the building so called at Rome. [L. pantheon, pantheum, Gr. panthéon. See Pan-, and Theism.]
amaranth n.
An imaginary flower supposed never to fade.
went n.
Course; way; path; journey; direction.
northumbrian a.
Of or pertaining to Northumberland in England.
ambrose n.
A sweet-scented herb; ambrosia. See Ambrosia, 3. Turner.
chalice n.
A cup or bowl; especially, the cup used in the sacrament of the Lord's Supper. [OR. chalis, calice, OF. chalice, calice, F. calice, fr. L. calix, akin to Gr. helmet. Cf. Calice, Calyx.]
freer n.
One who frees, or sets free.
garnish v. t.
To decorate with ornamental appendages; to set off; to adorn; to embellish. [OE. garnischen, garnissen, OF. garnir to provide, strengthen, prepare, garnish, warn, F. garnir to provide, furnish, garnish, -- of German origin; cf. OHG. warn]
wealth n.
Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
methinks v.
It seems to me; I think. See Me. [AS. þyncan to seem, me þynceedh, me þuhte, OE. me thinketh, me thoughte; akin to G. dünken to seem, denken to think, and E. think. See Me, and Think.]
barefoot a.
With the feet bare; without shoes or stockings.
doubtless a.
Free from fear or suspicion.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Men of Old is in the public domain. This text is taken from Anti-Slavery Poems and Songs of Labor and Reform, Complete Volume III of The Works of John Greenleaf Whittier, Project Gutenberg ebook #9580; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Greenleaf Whittier, The Men of Old, in Anti-Slavery Poems and Songs of Labor and Reform (1865), text of Project Gutenberg ebook #9580, Laurel, https://laurelpoetry.com/poem/whittier-anti-slavery/the-men-of-old.html, id L24951.

Form and metre

The Men of Old is 67 lines in 2 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABBACCDEEDFFGGHH iconoclastA · artB · heartB · pastA · blindC · behindC · byD · bloomsE · tombsE · lieD · willF · stillF · frownG · downG · drewH · dueH
  2. 2 -AA-BBCCDDEFEFGHG-IHIJKJJKKLLMMNNOOO-PPQQRRSTSTTU-U forevermore · saleA · paleA · poor · fateB · plateB · pixC · candlesticksC · repliedD · chideD · bareE · hoardF · prayerE · lordF · dishG · boreH · wishG · poor · requiresI · moreH · desiresI · behindJ · asleepK · kindJ · blindJ · leapK · sheepK · lightL · nightL · readM · headM · lessN · dressN · feedO · needO · creedO · and · prideP · deifiedP · wallsQ · fallsQ · stillR · willR · trodS · bellT · godS · hellT · wellT · crimeU · old · timeU
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
"WELL speed thy mission, bold Iconoclast!10···/˘··/˘·
Yet all unworthy of its trust thou art,10··˘/˘·····
If, with dry eye, and cold, unloving heart,10··········
Thou tread'st the solemn Pantheon of the Past,11···/˘/˘····
By the great Future's dazzling hope made blind10···/˘/˘···
To all the beauty, power, and truth behind.10···/˘/····
Not without reverent awe shouldst thou put by10···/˘·····
The cypress branches and the amaranth blooms,11·/˘/˘··/˘··
Where, with clasped hands of prayer, upon their tombs10··········
The effigies of old confessors lie,10·/˘˘······
God's witnesses; the voices of His will,10·/˘˘·/˘···
Heard in the slow march of the centuries still10·······/˘·
Such were the men at whose rebuking frown,10······˘/˘·
Dark with God's wrath, the tyrant's knee went down;10·····/˘···
Such from the terrors of the guilty drew10···/˘··/˘·
The vassal's freedom and the poor man's due."10·/˘/˘·····
St. Anselm (may he rest forevermore10·/˘·······
In Heaven's sweet peace!) forbade, of old, the sale11·/˘··˘/····
Of men as slaves, and from the sacred pale10·······/˘·
Hurled the Northumbrian buyers of the poor.10··˘/˘˘/···
To ransom souls from bonds and evil fate10·/˘····/˘·
St. Ambrose melted down the sacred plate,--10·/·/˘··/˘·
Image of saint, the chalice, and the pix,10/˘···/˘···
Crosses of gold, and silver candlesticks.10/˘···/˘/˘·
"Man is worth more than temples!" he replied10·····/˘·˘/
To such as came his holy work to chide.10·····/˘···
And brave Cesarius, stripping altars bare,10·····/˘/˘·
And coining from the Abbey's golden hoard10·/˘··/˘/˘·
The captive's freedom, answered to the prayer10·/˘/˘/˘···
Or threat of those whose fierce zeal for the Lord10··········
Stifled their love of man,--"An earthen dish10/˘·····/˘·
The last sad supper of the Master bore10···/˘··/˘·
Most miserable sinners! do ye wish10·/˘˘˘/˘···
More than your Lord, and grudge His dying poor10·······/˘·
What your own pride and not His need requires?11········˘/˘
Souls, than these shining gauds, He values more10···/˘··/˘·
Mercy, not sacrifice, His heart desires!"11/˘·/˘···˘/˘
O faithful worthies! resting far behind10·/˘/˘/˘···
In your dark ages, since ye fell asleep,10···/˘···˘/
Much has been done for truth and human-kind;10·······/˘·
Shadows are scattered wherein ye groped blind;10/··/˘·····
Man claims his birthright, freer pulses leap10···/·/˘/˘·
Through peoples driven in your day like sheep;10·/˘/˘·····
Yet, like your own, our age's sphere of light,10····//˘···
Though widening still, is walled around by night;10·/˘·······
With slow, reluctant eye, the Church has read,10··˘/˘·····
Skeptic at heart, the lessons of its Head;10/˘···/˘···
Counting, too oft, its living members less10/˘···/˘/˘·
Than the wall's garnish and the pulpit's dress;10···/˘··/˘·
World-moving zeal, with power to bless and feed10·/˘··/····
Life's fainting pilgrims, to their utter need,10·/˘/˘··/˘·
Instead of bread, holds out the stone of creed;10˘/········
Sect builds and worships where its wealth and9···/˘····
pride1·
And vanity stand shrined and deified,10·/˘˘···/˘·
Careless that in the shadow of its walls10/˘···/····
God's living temple into ruin falls.10·/˘/˘··/˘·
We need, methinks, the prophet-hero still,10··˘/·/˘/˘·
Saints true of life, and martyrs strong of will,10·····/˘···
To tread the land, even now, as Xavier trod10····/··/˘·
The streets of Goa, barefoot, with his bell,10···/˘/····
Proclaiming freedom in the name of God,10˘/˘/˘·····
And startling tyrants with the fear of hell10·/˘/˘·····
Soft words, smooth prophecies, are doubtless well;10···/˘˘·/˘·
But to rebuke the age's popular crime,10··˘/·/˘/˘·
We need the souls of fire, the hearts of that old11·····/·····
time!1·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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