To Stella, Who Collected and Transcribed His Poems 1720

Jonathan Swift (1667–1745) · 1710–1745

iambic tetrameter · octosyllabic couplets · 144 lines · from Poems, Volume II

As, when a lofty pile is raised,We never hear the workmen praised,Who bring the lime, or place the stones.But all admire Inigo Jones:So, if this pile of scatter'd rhymesShould be approved in aftertimes;If it both pleases and endures,The merit and the praise are yours.Thou, Stella, wert no longer young,When first for thee my harp was strung,Without one word of Cupid's darts,Of killing eyes, or bleeding hearts;With friendship and esteem possest,I ne'er admitted Love a guest.In all the habitudes of life,The friend, the mistress, and the wife,Variety we still pursue,In pleasure seek for something new;Or else, comparing with the rest,Take comfort that our own is best;The best we value by the worst,As tradesmen show their trash at first;But his pursuits are at an end,Whom Stella chooses for a friend.A poet starving in a garret,Conning all topics like a parrot,Invokes his mistress and his Muse,And stays at home for want of shoes:Should but his Muse descending dropA slice of bread and mutton-chop;Or kindly, when his credit's out,Surprise him with a pint of stout;Or patch his broken stocking soles;Or send him in a peck of coals;Exalted in his mighty mind,He flies and leaves the stars behind;Counts all his labours amply paid,Adores her for the timely aid.Or, should a porter make inquiriesFor Chloe, Sylvia, Phillis, Iris;Be told the lodging, lane, and sign,The bowers that hold those nymphs divine;Fair Chloe would perhaps be foundWith footmen tippling under ground;The charming Sylvia beating flax,Her shoulders mark'd with bloody tracks;Bright Phillis mending ragged smocks:And radiant Iris in the pox.These are the goddesses enroll'dIn Curll's collection, new and old,Whose scoundrel fathers would not know 'em,If they should meet them in a poem.True poets can depress and raise,Are lords of infamy and praise;They are not scurrilous in satire,Nor will in panegyric flatter.Unjustly poets we asperse;Truth shines the brighter clad in verse,And all the fictions they pursueDo but insinuate what is true.Now, should my praises owe their truthTo beauty, dress, or paint, or youth,What stoics call without our power,They could not be ensured an hour;'Twere grafting on an annual stock,That must our expectation mock,And, making one luxuriant shoot,Die the next year for want of root:Before I could my verses bring,Perhaps you're quite another thing.So Mævius, when he drain'd his skullTo celebrate some suburb trull,His similes in order set,And every crambo he could get;Had gone through all the common-placesWorn out by wits, who rhyme on faces;Before he could his poem close,The lovely nymph had lost her nose.Your virtues safely I commend;They on no accidents depend:Let malice look with all her eyes,She dares not say the poet lies.Stella, when you these lines transcribe,Lest you should take them for a bribe,Resolved to mortify your pride,I'll here expose your weaker side.Your spirits kindle to a flame,Moved by the lightest touch of blame;And when a friend in kindness triesTo show you where your error lies,Conviction does but more incense;Perverseness is your whole defence;Truth, judgment, wit, give place to spite,Regardless both of wrong and right;Your virtues all suspended wait,Till time has open'd reason's gate;And, what is worse, your passion bendsIts force against your nearest friends,Which manners, decency, and pride,Have taught from you the world to hide;In vain; for see, your friend has broughtTo public light your only fault;And yet a fault we often findMix'd in a noble, generous mind:And may compare to Ætna's fire,Which, though with trembling, all admire;The heat that makes the summit glow,Enriching all the vales below.Those who, in warmer climes, complainFrom Phoebus' rays they suffer pain,Must own that pain is largely paidBy generous wines beneath a shade.Yet, when I find your passions rise,And anger sparkling in your eyes,I grieve those spirits should be spent,For nobler ends by nature meant.One passion, with a different turn,Makes wit inflame, or anger burn:So the sun's heat, with different powers,Ripens the grape, the liquor sours:Thus Ajax, when with rage possest,By Pallas breathed into his breast,His valour would no more employ,Which might alone have conquer'd Troy;But, blinded by resentment, seeksFor vengeance on his friends the Greeks.You think this turbulence of bloodFrom stagnating preserves the flood,Which, thus fermenting by degrees,Exalts the spirits, sinks the lees.Stella, for once you reason wrong;For, should this ferment last too long,By time subsiding, you may findNothing but acid left behind;From passion you may then be freed,When peevishness and spleen succeed.Say, Stella, when you copy next,Will you keep strictly to the text?Dare you let these reproaches stand,And to your failing set your hand?Or, if these lines your anger fire,Shall they in baser flames expire?Whene'er they burn, if burn they must,They'll prove my accusation just.

Words in this poem 15
admire v. t.
To regard with wonder or astonishment; to view with surprise; to marvel at. [F. admirer, fr. L. admirari; ad + mirari to wonder, for smirari, akin to Gr. smi, and E. smile.]
garret n.
A turret; a watchtower. [OE. garite, garette, watchtower, place of lookout, OF. garite, also meaning, a place of refuge, F. guérite a place of refuge, donjon, sentinel box, fr. OF. gari]
mutton n.
A sheep. Chapman. [OE. motoun, OF. moton, molton, a sheep, wether, F. mouton, LL. multo, by transposition of l fr. L. mutilus mutilated. See Mutilate.]
amply adv.
In an ample manner.
clad v.
To clothe. Holland.
insinuate v. t.
To introduce gently or slowly, as by a winding or narrow passage, or a gentle, persistent movement. [L. insinuatus, p. p. of insinuareto insinuate; pref. in- in + sinus the bosom. See Sinuous.]
trull n.
A drab; a strumpet; a harlot; a trollop. [G. trolle, trulle; cf. OD. drol a jester, Dan. trold an elf, imp, Sw. troll a goblin, Icel. troll, tröll, a giant, fiend, demon. Cf. Droll, Troll.]
crambo n.
A game in which one person gives a word, to which another finds a rhyme. [Cf. Cramp, a., difficult.]
transcribe v. t.
To write over again, or in the same words; to copy; as, to transcribe Livy or Tacitus; to transcribe a letter. [L. transcribere, transcriptum; trans across, over + scribere to write. See Scribe.]
bribe n.
A gift begged; a present. [F. bribe a lump of bread, scraps, leavings of meals (that are generally given to a beggar), LL. briba scrap of bread; cf. OF. briber, brifer, to eat gluttonousl]
defence n.
The act of defending, or the state of being defended; protection, as from violence or danger. [F. défense, OF. defense, fem., defens, masc., fr. L. defensa (cf. Fence.]
generous a.
Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
sours n.
Source. See Source.
pallas n.
Pallas Athene, the Grecian goddess of wisdom, called also Athene, and identified, at a later period, with the Roman Minerva.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

To Stella, Who Collected and Transcribed His Poems 1720 is in the public domain. This text is taken from The Poems of Jonathan Swift, D.D., Volume 2, Project Gutenberg ebook #13621; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Jonathan Swift, To Stella, Who Collected and Transcribed His Poems 1720, in Poems, Volume II (1710–1745), text of Project Gutenberg ebook #13621, Laurel, https://laurelpoetry.com/poem/swift-poems/to-stella-who-collected-and-transcribed-his-poems-1720.html, id L09234.

Form and metre

To Stella, Who Collected and Transcribed His Poems 1720 is 144 lines in a single stanza. It is in rhyming couplets, 89% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 91%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 8.1 syllables. 16 lines end on an unstressed syllable, a feminine ending. 12% of the lines run on without a stop at the line end.

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFFGGHHIIJJKKLL--MMNNOOPPQQRR--SSTTUU--VVWWXX--YYZZaabbccddeeffgghh-hiijjkkllmmnnooppqqrrss--tt--uuvvwwxxyyzzAABBCCDDEEFFGGHHIIJJKK--LL raisedA · praisedA · stonesB · jonesB · rhymesC · aftertimesC · enduresD · yoursD · youngE · strungE · dartsF · heartsF · possestG · guestG · lifeH · wifeH · pursueI · newI · restJ · bestJ · worstK · firstK · endL · friendL · garret · parrot · museM · shoesM · dropN · chopN · outO · stoutO · solesP · coalsP · mindQ · behindQ · paidR · aidR · inquiries · iris · signS · divineS · foundT · groundT · flaxU · tracksU · smocks · pox · enroll'dV · oldV · emW · poemW · raiseX · praiseX · satire · flatter · asperseY · verseY · pursueZ · trueZ · trutha · youtha · powerb · hourb · stockc · mockc · shootd · rootd · bringe · thinge · skullf · trullf · setg · getg · placesh · facesh · close · noseh · commendi · dependi · eyesj · liesj · transcribek · bribek · pridel · sidel · flamem · blamem · triesn · liesn · incenseo · defenceo · spitep · rightp · waitq · gateq · bendsr · friendsr · prides · hides · brought · fault · findt · mindt · fire · admire · glowu · belowu · complainv · painv · paidw · shadew · risex · eyesx · spenty · meanty · turnz · burnz · powersA · soursA · possestB · breastB · employC · troyC · seeksD · greeksD · bloodE · floodE · degreesF · leesF · wrongG · longG · findH · behindH · freedI · succeedI · nextJ · textJ · standK · handK · fire · expire · mustL · justL
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
As, when a lofty pile is raised,8···/˘···
We never hear the workmen praised,8·/˘··/˘·
Who bring the lime, or place the stones.8········
But all admire Inigo Jones:8··˘/····
So, if this pile of scatter'd rhymes8·····/˘·
Should be approved in aftertimes;8··˘/····
If it both pleases and endures,8···/˘·˘/
The merit and the praise are yours.8·/˘·····
Thou, Stella, wert no longer young,8·/˘··/˘·
When first for thee my harp was strung,8········
Without one word of Cupid's darts,8·····/˘·
Of killing eyes, or bleeding hearts;8·/˘··/˘·
With friendship and esteem possest,8·/˘·˘//˘
I ne'er admitted Love a guest.8··˘/˘···
In all the habitudes of life,8········
The friend, the mistress, and the wife,8···/˘···
Variety we still pursue,8˘/˘˘··˘/
In pleasure seek for something new;8·/˘··/˘·
Or else, comparing with the rest,8··˘/˘···
Take comfort that our own is best;8·/˘·/···
The best we value by the worst,8···/˘···
As tradesmen show their trash at first;8·/˘·····
But his pursuits are at an end,8··˘/····
Whom Stella chooses for a friend.8·/˘/˘···
A poet starving in a garret,9·/˘/˘··/˘
Conning all topics like a parrot,9/˘·/˘··/˘
Invokes his mistress and his Muse,8˘/·/˘···
And stays at home for want of shoes:8········
Should but his Muse descending drop8····˘/˘·
A slice of bread and mutton-chop;8·····/˘·
Or kindly, when his credit's out,8·/˘··/˘·
Surprise him with a pint of stout;8˘/······
Or patch his broken stocking soles;8···/˘/˘·
Or send him in a peck of coals;8········
Exalted in his mighty mind,8˘/˘··/˘·
He flies and leaves the stars behind;8········
Counts all his labours amply paid,8···/˘/˘·
Adores her for the timely aid.8˘/···/˘·
Or, should a porter make inquiries9···/˘·˘/˘
For Chloe, Sylvia, Phillis, Iris;9·/˘/˘/˘/˘
Be told the lodging, lane, and sign,8···/˘···
The bowers that hold those nymphs divine;8·/····˘/
Fair Chloe would perhaps be found8·/˘·˘/··
With footmen tippling under ground;8···/˘···
The charming Sylvia beating flax,8·/˘/˘/˘·
Her shoulders mark'd with bloody tracks;8·/˘··/˘·
Bright Phillis mending ragged smocks:8·/˘/˘/˘·
And radiant Iris in the pox.8·/˘/˘···
These are the goddesses enroll'd8···/˘˘˘/
In Curll's collection, new and old,8··˘/˘···
Whose scoundrel fathers would not know 'em,9·/˘/˘····
If they should meet them in a poem.9·······/˘
True poets can depress and raise,8·/˘·˘/··
Are lords of infamy and praise;8···/˘˘··
They are not scurrilous in satire,9···/˘˘·/˘
Nor will in panegyric flatter.9·······/˘
Unjustly poets we asperse;8˘/˘/˘·˘/
Truth shines the brighter clad in verse,8···/˘···
And all the fictions they pursue8···/˘·˘/
Do but insinuate what is true.8··˘/˘···
Now, should my praises owe their truth8···/˘···
To beauty, dress, or paint, or youth,8·/˘·····
What stoics call without our power,9·/˘···//˘
They could not be ensured an hour;9····˘/·/˘
'Twere grafting on an annual stock,8·/˘··/˘·
That must our expectation mock,8··/·˘/˘·
And, making one luxuriant shoot,8·/˘·˘/˘·
Die the next year for want of root:8········
Before I could my verses bring,8·····/˘·
Perhaps you're quite another thing.8˘/··˘/˘·
So Mævius, when he drain'd his skull8········
To celebrate some suburb trull,8·/˘··/˘·
His similes in order set,7····/˘·
And every crambo he could get;8·/˘/˘···
Had gone through all the common-places9·····/˘/˘
Worn out by wits, who rhyme on faces;9·······/˘
Before he could his poem close,8·····/˘·
The lovely nymph had lost her nose.8·/˘·····
Your virtues safely I commend;8·/˘/˘·˘/
They on no accidents depend:8···/˘˘˘/
Let malice look with all her eyes,8·/˘·····
She dares not say the poet lies.8·····/˘·
Stella, when you these lines transcribe,8/˘····˘/
Lest you should take them for a bribe,8········
Resolved to mortify your pride,8˘/·/˘···
I'll here expose your weaker side.8··˘/·/˘·
Your spirits kindle to a flame,8·/˘/˘···
Moved by the lightest touch of blame;8···/˘···
And when a friend in kindness tries8·····/˘·
To show you where your error lies,8·····/˘·
Conviction does but more incense;8˘/˘···˘/
Perverseness is your whole defence;8˘/˘···˘/
Truth, judgment, wit, give place to spite,8·/˘·····
Regardless both of wrong and right;8˘/˘·····
Your virtues all suspended wait,8·/˘·˘/˘·
Till time has open'd reason's gate;8···/˘/˘·
And, what is worse, your passion bends8·····/˘·
Its force against your nearest friends,8·····/˘·
Which manners, decency, and pride,8·/˘/˘˘··
Have taught from you the world to hide;8········
In vain; for see, your friend has brought8········
To public light your only fault;8·/˘··/˘·
And yet a fault we often find8·····/˘·
Mix'd in a noble, generous mind:8···/˘/˘·
And may compare to Ætna's fire,8··˘/··/˘
Which, though with trembling, all admire;8···/˘·˘/
The heat that makes the summit glow,8·····/˘·
Enriching all the vales below.8˘/˘·····
Those who, in warmer climes, complain8···/˘·˘/
From Phoebus' rays they suffer pain,8·/˘··/˘·
Must own that pain is largely paid8·····/˘·
By generous wines beneath a shade.8·/˘·····
Yet, when I find your passions rise,8·····/˘·
And anger sparkling in your eyes,8·/˘/˘···
I grieve those spirits should be spent,8···/˘···
For nobler ends by nature meant.8·/˘··/˘·
One passion, with a different turn,8·/˘··/˘·
Makes wit inflame, or anger burn:8··˘/·/˘·
So the sun's heat, with different powers,8·····/˘/
Ripens the grape, the liquor sours:9/˘···/˘/˘
Thus Ajax, when with rage possest,8·/····/˘
By Pallas breathed into his breast,8········
His valour would no more employ,8·/˘···˘/
Which might alone have conquer'd Troy;8··˘/·/˘·
But, blinded by resentment, seeks8·/˘·˘/˘·
For vengeance on his friends the Greeks.8·/˘·····
You think this turbulence of blood8···/˘˘··
From stagnating preserves the flood,8·/·˘˘/··
Which, thus fermenting by degrees,8··˘/˘·˘/
Exalts the spirits, sinks the lees.8˘/·/˘···
Stella, for once you reason wrong;8/˘···/˘·
For, should this ferment last too long,8···˘/···
By time subsiding, you may find8··˘/˘···
Nothing but acid left behind;8/˘·/˘···
From passion you may then be freed,8·/˘·····
When peevishness and spleen succeed.8·/˘˘··˘/
Say, Stella, when you copy next,8·/˘··/˘·
Will you keep strictly to the text?8···/˘···
Dare you let these reproaches stand,8····˘/˘·
And to your failing set your hand?8···/˘···
Or, if these lines your anger fire,9·····/˘/˘
Shall they in baser flames expire?8···/˘·˘/
Whene'er they burn, if burn they must,9·········
They'll prove my accusation just.8····˘/˘·
Notes from the edition 1

The notes to the Poems of Jonathan Swift, Volume II (Project Gutenberg #13621).

  1. Line 46 At Bridewell; see vol. i, "A Beautiful Young Nymph," at p. 201.--W. E. B.

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