Stella's Birth-Day. 1719-20
All travellers at first inclineWhere'er they see the fairest signAnd if they find the chambers neat,And like the liquor and the meat,Will call again, and recommendThe Angel Inn to every friend.And though the painting grows decay'd,The house will never lose its trade:Nay, though the treach'rous tapster, Thomas,Hangs a new Angel two doors from us,As fine as daubers' hands can make it,In hopes that strangers may mistake it,We think it both a shame and sinTo quit the true old Angel Inn.Now this is Stella's case in fact,An angel's face a little crack'd.(Could poets or could painters fixHow angels look at thirty-six:)This drew us in at first to findIn such a form an angel's mind;And every virtue now suppliesThe fainting rays of Stella's eyes.See, at her levee crowding swains,Whom Stella freely entertainsWith breeding, humour, wit, and sense,And puts them to so small expense;Their minds so plentifully fills,And makes such reasonable bills,So little gets for what she gives,We really wonder how she lives!And had her stock been less, no doubtShe must have long ago run out.Then, who can think we'll quit the place,When Doll hangs out a newer face?Nail'd to her window full in sightAll Christian people to invite.Or stop and light at Chloe's head,With scraps and leavings to be fed?Then, Chloe, still go on to prateOf thirty-six and thirty-eight;Pursue your trade of scandal-picking,Your hints that Stella is no chicken;Your innuendoes, when you tell us,That Stella loves to talk with fellows:But let me warn you to believeA truth, for which your soul should grieve;That should you live to see the day,When Stella's locks must all be gray,When age must print a furrow'd traceOn every feature of her face;Though you, and all your senseless tribe,Could Art, or Time, or Nature bribe,To make you look like Beauty's Queen,And hold for ever at fifteen;No bloom of youth can ever blindThe cracks and wrinkles of your mind:All men of sense will pass your door,And crowd to Stella's at four-score.
Words in this poem
- tapster n.
- One whose business is to tap or draw ale or other liquor. [AS. tæppestre a female tapster. See Tap a plug, pipe, and -ster.]
- levee n.
- The act of rising. [F. lever, fr. lever to raise, se lever to rise. See Lever, n.]
- humour n.
- Moisture, especially, the moisture or fluid of animal bodies, as the chyle, lymph, etc.; as, the humors of the eye, etc. [OE. humour, OF. humor, umor, F. humeur, L. humor, umor, moisture, fluid, fr. humere, umere, to be moist. See Humid.]
- leavings n.
- Things left; remnants; relics.
- scandal n.
- Offense caused or experienced; reproach or reprobation called forth by what is regarded as wrong, criminal, heinous, or flagrant: opprobrium or disgrace. [F. scandale, fr. L. scandalum, Gr. scandle, OF. escandle. See Slander.]
- bribe n.
- A gift begged; a present. [F. bribe a lump of bread, scraps, leavings of meals (that are generally given to a beggar), LL. briba scrap of bread; cf. OF. briber, brifer, to eat gluttonousl]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Stella's Birth-Day. 1719-20 is in the public domain. This text is taken from The Poems of Jonathan Swift, D.D., Volume 2, Project Gutenberg ebook #13621; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Jonathan Swift, Stella's Birth-Day. 1719-20, in Cadenus and Vanessa, and Other Poems (1710–1745), text of Project Gutenberg ebook #13621, Laurel, https://laurelpoetry.com/poem/swift-poems/stella-s-birth-day-1719-20.html, id L09233.
Form and metre
Stella's Birth-Day. 1719-20 is 58 lines in a single stanza. It is in rhyming couplets, 90% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 94%). 99% of its stressed syllables fall where the metre puts the beat. The lines average 8.1 syllables. 4 lines end on an unstressed syllable, a feminine ending. 24% of the lines run on without a stop at the line end.
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEE--FFGGHHIIJJKKLLMMNNOOPPQQRRSS----TTUUVVWWXXYYZZ inclineA · signA · neatB · meatB · recommendC · friendC · decay'dD · tradeD · thomasE · usE · it · it · sinF · innF · factG · crack'dG · fixH · sixH · findI · mindI · suppliesJ · eyesJ · swainsK · entertainsK · senseL · expenseL · fillsM · billsM · givesN · livesN · doubtO · outO · placeP · faceP · sightQ · inviteQ · headR · fedR · prateS · eightS · picking · chicken · us · fellows · believeT · grieveT · dayU · grayU · traceV · faceV · tribeW · bribeW · queenX · fifteenX · blindY · mindY · doorZ · scoreZ
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| All travellers at first incline | 8 | ·/˘˘··˘/ |
| Where'er they see the fairest sign | 9 | ˘˘/···/˘· |
| And if they find the chambers neat, | 8 | ·····/˘· |
| And like the liquor and the meat, | 8 | ···/˘··· |
| Will call again, and recommend | 8 | ··˘/··˘/ |
| The Angel Inn to every friend. | 8 | ·/˘··/˘· |
| And though the painting grows decay'd, | 8 | ···/˘·˘/ |
| The house will never lose its trade: | 8 | ···/˘··· |
| Nay, though the treach'rous tapster, Thomas, | 9 | ·····/˘/˘ |
| Hangs a new Angel two doors from us, | 9 | ···/˘···· |
| As fine as daubers' hands can make it, | 9 | ········· |
| In hopes that strangers may mistake it, | 9 | ···/˘·˘/· |
| We think it both a shame and sin | 8 | ········ |
| To quit the true old Angel Inn. | 8 | ·····/˘· |
| Now this is Stella's case in fact, | 8 | ···/˘··· |
| An angel's face a little crack'd. | 8 | ·/˘··/˘· |
| (Could poets or could painters fix | 8 | ·/˘··/˘· |
| How angels look at thirty-six:) | 8 | ·/˘··/˘· |
| This drew us in at first to find | 8 | ········ |
| In such a form an angel's mind; | 8 | ·····/˘· |
| And every virtue now supplies | 8 | ·/˘/˘·˘/ |
| The fainting rays of Stella's eyes. | 8 | ·/˘··/˘· |
| See, at her levee crowding swains, | 8 | ···/˘/˘· |
| Whom Stella freely entertains | 8 | ·/˘/˘·˘/ |
| With breeding, humour, wit, and sense, | 8 | ·/˘/˘··· |
| And puts them to so small expense; | 8 | ······˘/ |
| Their minds so plentifully fills, | 8 | ········ |
| And makes such reasonable bills, | 8 | ···/˘˘˘· |
| So little gets for what she gives, | 8 | ·/˘····· |
| We really wonder how she lives! | 8 | ·/˘/˘··· |
| And had her stock been less, no doubt | 8 | ········ |
| She must have long ago run out. | 8 | ····˘/·· |
| Then, who can think we'll quit the place, | 8 | ········ |
| When Doll hangs out a newer face? | 8 | ·····/˘· |
| Nail'd to her window full in sight | 8 | ···/˘··· |
| All Christian people to invite. | 8 | ·/˘/˘·˘/ |
| Or stop and light at Chloe's head, | 8 | ·····/˘· |
| With scraps and leavings to be fed? | 8 | ···/˘··· |
| Then, Chloe, still go on to prate | 8 | ·/˘····· |
| Of thirty-six and thirty-eight; | 8 | ·/˘··/˘· |
| Pursue your trade of scandal-picking, | 9 | ˘/···/˘/˘ |
| Your hints that Stella is no chicken; | 9 | ···/˘··/˘ |
| Your innuendoes, when you tell us, | 8 | ·˘/˘···· |
| That Stella loves to talk with fellows: | 9 | ·/˘····/˘ |
| But let me warn you to believe | 8 | ······˘/ |
| A truth, for which your soul should grieve; | 8 | ········ |
| That should you live to see the day, | 8 | ········ |
| When Stella's locks must all be gray, | 8 | ·/˘····· |
| When age must print a furrow'd trace | 8 | ·····/˘· |
| On every feature of her face; | 8 | ·/˘/˘··· |
| Though you, and all your senseless tribe, | 8 | ·····/˘· |
| Could Art, or Time, or Nature bribe, | 8 | ·····/˘· |
| To make you look like Beauty's Queen, | 8 | ·····/˘· |
| And hold for ever at fifteen; | 8 | ···/˘·˘/ |
| No bloom of youth can ever blind | 8 | ·····/˘· |
| The cracks and wrinkles of your mind: | 8 | ···/˘··· |
| All men of sense will pass your door, | 8 | ········ |
| And crowd to Stella's at four-score. | 8 | ···/˘··· |
Notes from the edition 2
The notes to the Poems of Jonathan Swift, Volume II (Project Gutenberg #13621).
- Line 9 Rascal.--Stella.
- Line 13 They.--Stella.
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.