Mr. Rochfort's Reply
You say your face is better hungThan ours--by what? by nose or tongue?In not explaining you are wrongto us, sir.
Because we thus must state the case,That you have got a hanging face,Th' untimely end's a damn'd disgraceof noose, sir.
But yet be not cast down: I seeA weaver will your hangman be:You'll only hang in tapestrywith many;
And then the ladies, I suppose,Will praise your longitude of nose,For latent charms within your clothes,dear Danny.
Thus will the fair of every ageFrom all parts make their pilgrimage,Worship thy nose with pious rageof love, sir:
All their religion will be spentAbout thy woven monument,And not one orison be sentto Jove, sir.
You the famed idol will become,As gardens graced in ancient Rome,By matrons worshipp'd in the gloomof night.
O happy Dan! thrice happy sure!Thy fame for ever shall endure,Who after death can love secureat sight.
So far I thought it was my dutyTo dwell upon thy boasted beauty;Now I'll proceed: a word or two t' yein answer
To that part where you carry onThis paradox, that rock and stoneIn your opinion, are all one:How can, sir,
A man of reasoning so profoundSo stupidly be run a-ground,As things so different to confoundt'our senses?
Except you judged them by the knockOf near an equal hardy block;Such an experimental strokeconvinces.
Then might you be, by dint of reason,A proper judge on this occasion;'Gainst feeling there's no disputation,is granted:
Therefore to thy superior wit,Who made the trial, we submit;Thy head to prove the truth of itwe wanted.
In one assertion you're to blame,Where Dan and Sherry's made the same,Endeavouring to have your namerefined, sir:
You'll see most grossly you mistook,If you consult your spelling-book,(The better half you say you took,)you'll find, sir,S, H, E, she--and R, I, ri,
Both put together make Sherry;D, A, N, Dan--makes up the threesyllables;
Dan is but one, and Sherry two,Then, sir, your choice will never do;Therefore I've turn'd, my friend, on youthe tables.
Words in this poem
- pilgrimage n.
- The journey of a pilgrim; a long journey; especially, a journey to a shrine or other sacred place. Fig., the journey of human life. [OE. pilgrimage, pelgrinage; cf. F. pèlerinage.]
- orison n.
- A prayer; a supplication. Chaucer. [OF. orison, oreson, oreison, F. oraison, fr. L. oratio speech, prayer. See Oration.]
- jove n.
- The chief divinity of the ancient Romans; Jupiter. [L. Jupiter, gen. Jovis, OL. Jovis, nom. & gen. for Djovis; akin to E. Tuesday. See Tuesday, and cf. Jupiter.]
- idol n.
- An image or representation of anything. [OE. idole, F. idole, L. idolum, fr. Gr. Wit, and cf. Eidolon.]
- graced a.
- Endowed with grace; beautiful; full of graces; honorable.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- dint n.
- A blow; a stroke. [OE. dint, dent, dunt, a blow, AS. dynt; akin to Icel. dyntr a dint, dynta to dint, and perh. to L. fendere (in composition). Cf. 1st Dent, Defend.]
- consult n.
- The act of consulting or deliberating; consultation; also, the result of consulation; determination; decision.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Mr. Rochfort's Reply is in the public domain. This text is taken from The Poems of Jonathan Swift, D.D., Volume 2, Project Gutenberg ebook #13621; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Jonathan Swift, Mr. Rochfort's Reply, in Cadenus and Vanessa, and Other Poems (1710–1745), text of Project Gutenberg ebook #13621, Laurel, https://laurelpoetry.com/poem/swift-poems/mr-rochfort-s-reply.html, id L18559.
Form and metre
Mr. Rochfort's Reply is 72 lines in 18 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 8.3 syllables. 25 lines end on an unstressed syllable, a feminine ending. 25% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AA-- hungA · tongueA · wrong · sir
- 2 AAA- caseA · faceA · disgraceA · sir
- 3 AA-- seeA · beA · tapestry · many
- 4 AAA- supposeA · noseA · clothesA · danny
- 5 AAA- ageA · pilgrimageA · rageA · sir
- 6 AAA- spentA · monumentA · sentA · sir
- 7 AA-- becomeA · romeA · gloom · night
- 8 AAA- sureA · endureA · secureA · sight
- 9 AA-- dutyA · beautyA · ye · answer
- 11 AAA- profoundA · groundA · confoundA · senses
- 12 AA-- knockA · blockA · stroke · convinces
- 14 AAA- witA · submitA · itA · wanted
- 15 AAA- blameA · sameA · nameA · sir
- 16 AAA-- mistookA · bookA · tookA · sir · ri
- 18 AAA- twoA · doA · youA · tables
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| You say your face is better hung | 8 | ·····/˘· |
| Than ours--by what? by nose or tongue? | 8 | ·/······ |
| In not explaining you are wrong | 8 | ··˘/˘··· |
| to us, sir. | 3 | ··· |
| Because we thus must state the case, | 8 | ········ |
| That you have got a hanging face, | 8 | ·····/˘· |
| Th' untimely end's a damn'd disgrace | 8 | ˘/˘···˘/ |
| of noose, sir. | 3 | ··· |
| But yet be not cast down: I see | 8 | ········ |
| A weaver will your hangman be: | 8 | ·/˘··/˘· |
| You'll only hang in tapestry | 8 | ·/˘··/˘˘ |
| with many; | 3 | ·/˘ |
| And then the ladies, I suppose, | 8 | ···/˘·˘/ |
| Will praise your longitude of nose, | 8 | ···/˘··· |
| For latent charms within your clothes, | 8 | ·/˘····· |
| dear Danny. | 3 | ·/˘ |
| Thus will the fair of every age | 8 | ·····/˘· |
| From all parts make their pilgrimage, | 8 | ·····/˘˘ |
| Worship thy nose with pious rage | 8 | /˘···/˘· |
| of love, sir: | 3 | ··· |
| All their religion will be spent | 8 | ··˘/˘··· |
| About thy woven monument, | 8 | ···/˘/˘˘ |
| And not one orison be sent | 8 | ···/˘˘·· |
| to Jove, sir. | 3 | ··· |
| You the famed idol will become, | 8 | ···/˘·˘/ |
| As gardens graced in ancient Rome, | 8 | ·/˘··/˘· |
| By matrons worshipp'd in the gloom | 8 | ·/˘/˘··· |
| of night. | 2 | ·· |
| O happy Dan! thrice happy sure! | 8 | ·/˘··/˘· |
| Thy fame for ever shall endure, | 8 | ···/˘·˘/ |
| Who after death can love secure | 8 | ······˘/ |
| at sight. | 2 | ·· |
| So far I thought it was my duty | 9 | ·······/˘ |
| To dwell upon thy boasted beauty; | 9 | ·····/˘/˘ |
| Now I'll proceed: a word or two t' ye | 10 | ··˘/······ |
| in answer | 3 | ·/˘ |
| To that part where you carry on | 8 | ·····/˘· |
| This paradox, that rock and stone | 8 | ·/˘····· |
| In your opinion, are all one: | 8 | ··˘/˘··· |
| How can, sir, | 3 | ··· |
| A man of reasoning so profound | 8 | ···/˘·˘/ |
| So stupidly be run a-ground, | 8 | ·/˘˘···· |
| As things so different to confound | 8 | ···/˘·˘/ |
| t'our senses? | 3 | ·/˘ |
| Except you judged them by the knock | 8 | ········ |
| Of near an equal hardy block; | 8 | ···/˘/˘· |
| Such an experimental stroke | 8 | ··˘·˘/˘· |
| convinces. | 3 | ˘/˘ |
| Then might you be, by dint of reason, | 9 | ·······/˘ |
| A proper judge on this occasion; | 9 | ·/˘···˘/˘ |
| 'Gainst feeling there's no disputation, | 9 | ·/˘··˘//˘ |
| is granted: | 3 | ·/˘ |
| Therefore to thy superior wit, | 8 | ····˘/˘· |
| Who made the trial, we submit; | 8 | ···/˘·˘/ |
| Thy head to prove the truth of it | 8 | ········ |
| we wanted. | 3 | ·/˘ |
| In one assertion you're to blame, | 8 | ··˘/˘··· |
| Where Dan and Sherry's made the same, | 8 | ···/˘··· |
| Endeavouring to have your name | 8 | ˘/˘˘···· |
| refined, sir: | 3 | ˘/· |
| You'll see most grossly you mistook, | 8 | ···/˘·˘/ |
| If you consult your spelling-book, | 8 | ··˘/·/˘· |
| (The better half you say you took,) | 8 | ·/˘····· |
| you'll find, sir, | 3 | ··· |
| S, H, E, she--and R, I, ri, | 8 | ········ |
| Both put together make Sherry; | 8 | ··˘/˘·/˘ |
| D, A, N, Dan--makes up the three | 8 | ········ |
| syllables; | 3 | /˘˘ |
| Dan is but one, and Sherry two, | 8 | ·····/˘· |
| Then, sir, your choice will never do; | 8 | ·····/˘· |
| Therefore I've turn'd, my friend, on you | 8 | ········ |
| the tables. | 3 | ·/˘ |
Notes from the edition 1
The notes to the Poems of Jonathan Swift, Volume II (Project Gutenberg #13621).
- Stanza 7, line 4 Priapus, the god of procreation and fertility, both human and agricultural, whose statues, painted red, were placed in gardens. Confer Horat., Sat. I, viii, 1-8; Virg., "Georg.", iv, 110-11. In India, the same deity is to be seen in retired parts of the gardens, as he is described by Horace--"ruber porrectus ab inguine palus"--and where he is worshipped by the matrons for the same reason.--W. E. B.
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.