Dr. Delany's Reply

Jonathan Swift (1667–1745) · 1710–1745

anapaestic tetrameter · 34 lines · from Cadenus and Vanessa, and Other Poems

Assist me, my Muse, while I labour to limn him.Credite, Pisones, isti tabulae persimilem.You look and you write with so different a grace,That I envy your verse, though I did not your face.And to him that thinks rightly, there's reason enough,'Cause one is as smooth as the other is rough.But much I'm amazed you should think my designWas to rhyme down your nose, or your harlequin grin,Which you yourself wonder the de'el should malign.And if 'tis so strange, that your monstership's cranyShould be envied by him, much less by Delany;Though I own to you, when I consider it stricter,I envy the painter, although not the picture.And justly she's envied, since a fiend of HellWas never drawn right but by her and Raphael.Next, as to the charge, which you tell us is true,That we were inspired by the subject we drew.Inspired we were, and well, sir, you knew it;Yet not by your nose, but the fair one that drew it;Had your nose been the Muse, we had ne'er been inspired,Though perhaps it might justly 've been said we were fired,As to the division of words in your staves,Like my countryman's horn-comb, into three halves,I meddle not with 't, but presume to make merry,You call'd Dan one half, and t'other half Sherry:Now if Dan's a half, as you call't o'er and o'er,Then it can't be denied that Sherry's two more.For pray give me leave to say, sir, for all you,That Sherry's at least of double the value.But perhaps, sir, you did it to fill up the verse;So crowds in a concert (like actors in farce)Play two parts in one, when scrapers are scarce.But be that as 'twill, you'll know more anon, sir,When Sheridan sends to merry Dan answer.

Words in this poem

limn v. t.
To draw or paint; especially, to represent in an artistic way with pencil or brush. [OE. limnen, fr. luminen, for enluminen, F. enluminer to illuminate, to limn, LL. illuminare to paint. Illuminate, Luminous.]
rightly adv.
Straightly; directly; in front. [AS. richtlice.]
grin n.
A snare; a gin. [AS. grin.]
meddle v. i.
To mix; to mingle. [OE. medlen to mix, OF. medler, mesler, F. mêler, LL. misculare, a dim. fr. L. miscere to mix. Mix, and cf. Medley, Mellay.]
presume v. t.
To assume or take beforehand; esp., to do or undertake without leave or authority previously obtained. [F. présumer, L. praesumere, praesumptum; prae before + sumere to take. See Assume, Redeem.]
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
anon adv.
Straightway; at once. [OE. anoon, anon, anan, lit., in one (moment), fr. AS. on in + an one. See On and One.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Dr. Delany's Reply is in the public domain. This text is taken from The Poems of Jonathan Swift, D.D., Volume 2, Project Gutenberg ebook #13621; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Jonathan Swift, Dr. Delany's Reply, in Cadenus and Vanessa, and Other Poems (1710–1745), text of Project Gutenberg ebook #13621, Laurel, https://laurelpoetry.com/poem/swift-poems/dr-delany-s-reply.html, id L26346.

Form and metre

Dr. Delany's Reply is 34 lines in a single stanza. The metre is anapaestic tetrameter, measured from the stress the words themselves fix (confidence 78%).

See other poems in anapaestic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --AABBC-C----DDEE--FF--GG--------- him · persimilem · graceA · faceA · enoughB · roughB · designC · grin · malignC · crany · delany · stricter · picture · hellD · raphaelD · trueE · drewE · it · it · inspiredF · firedF · staves · halves · merryG · sherryG · o'er · more · you · value · verse · farce · scarce · sir · answer
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic tetrameter. How this is done.

LineSyl.Stress
Assist me, my Muse, while I labour to limn him.12˘/·····/····
Credite, Pisones, isti tabulae persimilem.12············
You look and you write with so different a grace,11·······/˘··
That I envy your verse, though I did not your face.12··/˘········
And to him that thinks rightly, there's reason enough,12·····/˘·/˘˘/
'Cause one is as smooth as the other is rough.11·······/˘··
But much I'm amazed you should think my design11···˘/····˘/
Was to rhyme down your nose, or your harlequin grin,11········/˘·
Which you yourself wonder the de'el should malign.11··/˘/˘···˘/
And if 'tis so strange, that your monstership's crany12············
Should be envied by him, much less by Delany;12··/˘·····/˘˘
Though I own to you, when I consider it stricter,13·······˘/˘·/˘
I envy the painter, although not the picture.12·/˘·/˘····/˘
And justly she's envied, since a fiend of Hell11·/˘·/˘·····
Was never drawn right but by her and Raphael.11·/·······˘/
Next, as to the charge, which you tell us is true,11···········
That we were inspired by the subject we drew.11···˘/··˘/··
Inspired we were, and well, sir, you knew it;11˘/˘········
Yet not by your nose, but the fair one that drew it;12············
Had your nose been the Muse, we had ne'er been inspired,12··········˘/
Though perhaps it might justly 've been said we were fired,13·˘/··/˘·····/
As to the division of words in your staves,11···˘/˘·····
Like my countryman's horn-comb, into three halves,11··/˘˘······
I meddle not with 't, but presume to make merry,13·/˘····˘/··/˘
You call'd Dan one half, and t'other half Sherry:12······˘/˘·/˘
Now if Dan's a half, as you call't o'er and o'er,11···········
Then it can't be denied that Sherry's two more.11····˘/·/˘··
For pray give me leave to say, sir, for all you,11···········
That Sherry's at least of double the value.11·/˘···/˘·/˘
But perhaps, sir, you did it to fill up the verse;12·˘/·········
So crowds in a concert (like actors in farce)11····˘/·/˘··
Play two parts in one, when scrapers are scarce.10······/˘··
But be that as 'twill, you'll know more anon, sir,11········˘/·
When Sheridan sends to merry Dan answer.11·/˘˘··/˘·/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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