Part II: The Devil

Percy Bysshe Shelley (1792–1822) · 1813–1820

iambic tetrameter · ABAAB · 71 lines · from Alastor, and Other Poems

The Devil, I safely can aver,Has neither hoof, nor tail, nor sting;Nor is he, as some sages swear,A spirit, neither here nor there,In nothing--yet in everything.

He is--what we are; for sometimesThe Devil is a gentleman;At others a bard bartering rhymesFor sack; a statesman spinning crimes;A swindler, living as he can;

A thief, who cometh in the night,With whole boots and net pantaloons,Like some one whom it were not rightTo mention;--or the luckless wightFrom whom he steals nine silver spoons.

But in this case he did appearLike a slop-merchant from Wapping,And with smug face, and eye severe,On every side did perk and peerTill he saw Peter dead or napping.

He had on an upper Benjamin(For he was of the driving schism)In the which he wrapped his skinFrom the storm he travelled in,For fear of rheumatism.

He called the ghost out of the corse;--It was exceedingly like Peter,--Only its voice was hollow and hoarse--It had a queerish look of course--Its dress too was a little neater.

The Devil knew not his name and lot;Peter knew not that he was Bell:Each had an upper stream of thought,Which made all seem as it was not;Fitting itself to all things well.

Peter thought he had parents dear,Brothers, sisters, cousins, cronies,In the fens of Lincolnshire;He perhaps had found them thereHad he gone and boldly shown his

Solemn phiz in his own village;Where he thought oft when a boyHe'd clomb the orchard walls to pillageThe produce of his neighbour's tillage,With marvellous pride and joy.

And the Devil thought he had,'Mid the misery and confusionOf an unjust war, just madeA fortune by the gainful tradeOf giving soldiers rations bad--The world is full of strange delusion--

That he had a mansion plannedIn a square like Grosvenor Square,That he was aping fashion, andThat he now came to WestmorelandTo see what was romantic there.

And all this, though quite ideal,--Ready at a breath to vanish,--Was a state not more unrealThan the peace he could not feel,Or the care he could not banish.

After a little conversation,The Devil told Peter, if he chose,He'd bring him to the world of fashionBy giving him a situationIn his own service--and new clothes.

And Peter bowed, quite pleased and proud,And after waiting some few daysFor a new livery--dirty yellowTurned up with black--the wretched fellowWas bowled to Hell in the Devil's chaise.

Words in this poem 16
aver n.
A work horse, or working ox. [OF. aver domestic animal, whence LL. averia, pl. cattle. See Habit, and cf. Average.]
swindler n.
One who swindles, or defrauds grossly; one who makes a practice of defrauding others by imposition or deliberate artifice; a cheat. [G. schwindler, fr. schwindlen to be dizzy, to act thoughtlessly, to cheat, fr. schwindel dizziness, fr. schwinden to vanish, to disappear, to dwindle. See Swim ]
luckless a.
Being without luck; unpropitious; unfortunate; unlucky; meeting with ill success or bad fortune; as, a luckless gamester; a luckless maid.
wight n.
A whit; a bit; a jot. [OE. wight, wiht, a wight, a whit, AS. wiht, wuht, a creature, a thing; skin to D. wicht a child, OS. & OHG. wiht a creature, thing, G. wicht a creature, Icel. v]
wapping n.
Yelping. Fuller.
smug v. t.
To make smug, or spruce.
perk v. t.
To make trim or smart; to straighten up; to erect; to make a jaunty or saucy display of; as, to perk the ears; to perk up one's head. Cowper. Sherburne. [Cf. W. percu to trim, to make smart.]
napping n.
The act or process of raising a nap, as on cloth.
benjamin n.
A kind of upper coat for men.
ghost n.
The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
corse n.
A living body or its bulk. [OF. cors, F. corps. See Corpse.]
queerish a.
Rather queer; somewhat singular.
boldly adv.
In a bold manner. [AS. bealdlice.]
phiz n.
The face or visage. [Contr. fr. physiognomy.]
mansion n.
A dwelling place, -- whether a part or whole of a house or other shelter. [OF. mansion, F. maison, fr. L. mansio a staying, remaining, a dwelling, habitation, fr. manere, mansum, to stay, dwell; akin to Gr. Manse, Manor, Menagerie, Men]
chaise n.
A two-wheeled carriage for two persons, with a calash top, and the body hung on leather straps, or thoroughbraces. It is usually drawn by one horse. [F. chaise seat, or chair, chaise or carriage, for chaire, from a peculiar Parisian pronunciation. See Chair.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Part II: The Devil is in the public domain. This text is taken from The Complete Poetical Works of Percy Bysshe Shelley — Volume 1, Project Gutenberg ebook #4797; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Percy Bysshe Shelley, Part II: The Devil, in Alastor, and Other Poems (1813–1820), text of Project Gutenberg ebook #4797, Laurel, https://laurelpoetry.com/poem/shelley-poems/part-ii-the-devil.html, id L00257.

Form and metre

Part II: The Devil is 71 lines in 14 stanzas. The rhyme scheme is ABAAB, complete in 11 of its 14 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 84%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 8.2 syllables. 23 lines end on an unstressed syllable, a feminine ending. 34% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -ABBA aver · stingA · swearB · thereB · everythingA
  2. 2 ABAAB sometimesA · gentlemanB · rhymesA · crimesA · canB
  3. 3 ABAAB nightA · pantaloonsB · rightA · wightA · spoonsB
  4. 4 ABAAB appearA · wappingB · severeA · peerA · nappingB
  5. 5 ABAAB benjaminA · schismB · skinA · inA · rheumatismB
  6. 6 ABAAB corseA · peterB · hoarseA · courseA · neaterB
  7. 7 ABAAB lotA · bellB · thoughtA · notA · wellB
  8. 8 ABAAB dearA · croniesB · lincolnshireA · thereA · hisB
  9. 9 ABAAB villageA · boyB · pillageA · tillageA · joyB
  10. 10 ABCCAB hadA · confusionB · madeC · tradeC · badA · delusionB
  11. 11 ABAAB plannedA · squareB · andA · westmorelandA · thereB
  12. 12 ABAAB idealA · vanishB · unrealA · feelA · banishB
  13. 13 ABAAB conversationA · choseB · fashionA · situationA · clothesB
  14. 14 -ABBA proud · daysA · yellowB · fellowB · chaiseA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
The Devil, I safely can aver,9·/˘·/˘·/˘
Has neither hoof, nor tail, nor sting;8·/˘·····
Nor is he, as some sages swear,8·····/˘·
A spirit, neither here nor there,8·/˘/˘···
In nothing--yet in everything.8·/˘··/˘·
He is--what we are; for sometimes8······˘/
The Devil is a gentleman;8·/˘··/˘˘
At others a bard bartering rhymes8·/˘··/˘·
For sack; a statesman spinning crimes;8···/˘/˘·
A swindler, living as he can;8·/˘/˘···
A thief, who cometh in the night,8···/˘···
With whole boots and net pantaloons,8·····/˘·
Like some one whom it were not right8········
To mention;--or the luckless wight8·/˘··/˘·
From whom he steals nine silver spoons.8·····/˘·
But in this case he did appear8······˘/
Like a slop-merchant from Wapping,8···/˘·/˘
And with smug face, and eye severe,8······˘/
On every side did perk and peer8·/˘·····
Till he saw Peter dead or napping.9···/˘··/˘
He had on an upper Benjamin9····/˘/˘˘
(For he was of the driving schism)9·····/˘/˘
In the which he wrapped his skin8·····˘··
From the storm he travelled in,8····/˘˘·
For fear of rheumatism.7···/˘·˘
He called the ghost out of the corse;--8········
It was exceedingly like Peter,--9··˘/˘˘·/˘
Only its voice was hollow and hoarse--9/˘···/˘··
It had a queerish look of course--8···/˘···
Its dress too was a little neater.9·····/˘/˘
The Devil knew not his name and lot;8·/······
Peter knew not that he was Bell:8/˘······
Each had an upper stream of thought,8···/˘···
Which made all seem as it was not;8········
Fitting itself to all things well.8/˘˘/····
Peter thought he had parents dear,8/˘···/˘·
Brothers, sisters, cousins, cronies,8/˘/˘/˘/˘
In the fens of Lincolnshire;7····/˘·
He perhaps had found them there7·˘/····
Had he gone and boldly shown his8····/˘··
Solemn phiz in his own village;8/˘····/˘
Where he thought oft when a boy7·······
He'd clomb the orchard walls to pillage9···/˘··/˘
The produce of his neighbour's tillage,9·/˘··/˘/˘
With marvellous pride and joy.7·······
And the Devil thought he had,7··/˘···
'Mid the misery and confusion9··/˘˘·˘/˘
Of an unjust war, just made7··˘/···
A fortune by the gainful trade8·/˘··/˘·
Of giving soldiers rations bad--8·/˘/˘/˘·
The world is full of strange delusion--9······˘/˘
That he had a mansion planned8····/˘·˘
In a square like Grosvenor Square,7····/˘·
That he was aping fashion, and8···/˘/˘·
That he now came to Westmoreland8·····˘/˘
To see what was romantic there.8····˘/˘·
And all this, though quite ideal,--7·····˘/
Ready at a breath to vanish,--8/˘····/˘
Was a state not more unreal7·····˘/
Than the peace he could not feel,7·······
Or the care he could not banish.8······/˘
After a little conversation,9···/˘·˘/˘
The Devil told Peter, if he chose,8·/·/˘···
He'd bring him to the world of fashion9·······/˘
By giving him a situation9·/˘···˘/˘
In his own service--and new clothes.8···/˘···
And Peter bowed, quite pleased and proud,8·/˘·····
And after waiting some few days8···/˘···
For a new livery--dirty yellow9···/˘/˘/˘
Turned up with black--the wretched fellow9·····/˘/˘
Was bowled to Hell in the Devil's chaise.9······/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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