The Brides of Enderby
The old mayor climb’d the belfry tower,The ringers ran by two, by three;“Pull, if ye never pull’d before;Good ringers, pull your best,” quoth he.“Play uppe, play uppe, O Boston bells!Ply all your changes, all your swells,Play uppe, ‘The Brides of Enderby.’”
Men say it was a stolen tyde--The Lord that sent it, He knows all;But in myne ears doth still abideThe message that the bells let fall:And there was naught of strange, besideThe flight of mews and peewits piedBy millions crouch’d on the old sea wall.
I sat and spun within the doore,My thread brake off, I raised myne eyes;The level sun, like ruddy ore,Lay sinking in the barren skies;And dark against day’s golden deathShe moved where Lindis wandereth,My sonne’s faire wife, Elizabeth.
“Cusha! Cusha! Cusha!” calling,Ere the early dews were falling,Farre away I heard her song,“Cusha! Cusha!” all along;Where the reedy Lindis floweth,Floweth, floweth,From the meads where melick growethFaintly came her milking song--
“Cusha! Cusha! Cusha!” calling,“For the dews will soone be falling;Leave your meadow grasses mellow,Mellow, mellow;Quit your cowslips, cowslips yellow;Come uppe, Whitefoot, come uppe, Lightfoot;Quit the stalks of parsley hollow,Hollow, hollow;Come uppe, Jetty, rise and follow,From the clovers lift your head;Come uppe, Whitefoot, come uppe, Lightfoot,Come uppe, Jetty, rise and follow,Jetty, to the milking shed.”
If it be long ay, long ago,When I beginne to think howe long,Againe I hear the Lindis flow,Swift as an arrowe, sharpe and strong;And all the aire, it seemeth mee,Bin full of floating bells (sayth shee),That ring the tune of Enderby.
Alle fresh the level pasture lay,And not a shadowe mote be seene,Save where full fyve good miles awayThe steeple tower’d from out the greene;And lo! the great bell farre and wideWas heard in all the country sideThat Saturday at eventide.
The swanherds where their sedges areMov’d on in sunset’s golden breath,The shepherde lads I heard afarre,And my sonne’s wife, Elizabeth;Till floating o’er the grassy seaCame downe that kyndly message free,The “Brides of Mavis Enderby.”
Then some look’d uppe into the sky,And all along where Lindis flowsTo where the goodly vessels lie,And where the lordly steeple shows.They sayde, “And why should this thing be?What danger lowers by land or sea?They ring the tune of Enderby!
“For evil news from Mablethorpe,Of pyrate galleys warping down;For shippes ashore beyond the scorpe,They have not spar’d to wake the towne:But while the west bin red to see,And storms be none, and pyrates flee,Why ring ‘The Brides of Enderby’?”
I look’d without, and lo! my sonneCame riding downe with might and main;He rais’d a shout as he drew on,Till all the welkin rang again,“Elizabeth! Elizabeth!”(A sweeter woman ne’er drew breathThan my sonne’s wife, Elizabeth.)
“The olde sea wall,” he cried, “is downe,The rising tide comes on apace,And boats adrift in yonder towneGo sailing uppe the market-place.”He shook as one that looks on death:“God save you, mother!” straight he saith“Where is my wife, Elizabeth?”
“Good sonne, where Lindis winds her wayWith her two bairns I marked her long;And ere yon bells beganne to playAfar I heard her milking song.”He looked across the grassy lea,To right, to left, “Ho, Enderby!”They rang “The Brides of Enderby!”
With that he cried and beat his breast;For, lo! along the river’s bedA mighty eygre rear’d his crest,And uppe the Lindis raging sped.It swept with thunderous noises loud;Shap’d like a curling snow-white cloud,Or like a demon in a shroud.
And rearing Lindis backward press’dShook all her trembling bankes amaine;Then madly at the eygre’s breastFlung uppe her weltering walls again.Then bankes came downe with ruin and rout--Then beaten foam flew round about--Then all the mighty floods were out.
So farre, so fast the eygre drave,The heart had hardly time to beatBefore a shallow seething waveSobb’d in the grasses at oure feet:The feet had hardly time to fleeBefore it brake against the knee,And all the world was in the sea.
Upon the roofe we sate that night,The noise of bells went sweeping by;I mark’d the lofty beacon lightStream from the church tower, red and high--A lurid mark and dread to see;And awsome bells they were to mee,That in the dark rang “Enderby.”
They rang the sailor lads to guideFrom roofe to roofe who fearless row’d;And I--my sonne was at my side,And yet the ruddy beacon glow’d:And yet he moan’d beneath his breath,“O come in life, or come in death!O lost! my love, Elizabeth.”
And didst thou visit him no more?Thou didst, thou didst, my daughter deareThe waters laid thee at his doore,Ere yet the early dawn was clear.Thy pretty bairns in fast embrace,The lifted sun shone on thy face,Downe drifted to thy dwelling-place.
That flow strew’d wrecks about the grass,That ebbe swept out the flocks to sea;A fatal ebbe and flow, alas!To manye more than myne and mee;But each will mourn his own (she saith);And sweeter woman ne’er drew breathThan my sonne’s wife, Elizabeth.
I shall never hear her moreBy the reedy Lindis shore,“Cusha! Cusha! Cusha!” calling,Ere the early dews be falling;I shall never hear her song,“Cusha! Cusha!” all alongWhere the sunny Lindis floweth,Goeth, floweth;From the meads where melick groweth,When the water winding down,Onward floweth to the town.
I shall never see her moreWhere the reeds and rushes quiver,Shiver, quiver;Stand beside the sobbing river,Sobbing, throbbing, in its fallingTo the sandy lonesome shore;I shall never hear her calling,“Leave your meadow grasses mellow,Mellow, mellow;Quit your cowslips, cowslips yellow;
“Come uppe, Whitefoot, come uppe, Lightfoot;Quit your pipes of parsley hollow,Hollow, hollow;Come uppe, Lightfoot, rise and follow;Lightfoot, Whitefoot,From your clovers lift the head;Come uppe, Jetty, follow, follow,Jetty, to the milking shed.”
Words in this poem 35
- belfry n.
- A movable tower erected by besiegers for purposes of attack and defense. [OE. berfray movable tower used in sieges, OF. berfreit, berfroit, F. beffroi, fr. MHG. bervrit, bercvrit, G. bergfriede, fr. MHG. bergen to protect (G. bergen t]
- quoth v. t.
- Said; spoke; uttered; -- used only in the first and third persons in the past tenses, and always followed by its nominative, the word or words said being the object; as, quoth I. quoth he. [AS.cweedhan, imp cwæedh, pl. cwædon; akin to OS. queedhan, OHG. quethan, quedan, Icel. kveedha, Goth. qiþan. sq. root22. Cf. Bequeath.]
- uppe adv.
- Aloft; on high; in a direction contrary to that of gravity; toward or in a higher place or position; above; -- the opposite of Ant: down. [AS. up, upp, ; akin to OFries. up, op, D. op, OS. , OHG. , G. auf, Icel. upp, Dan. op, Goth. iup, and probably to E. over. See Over.]
- mews n.
- An alley where there are stables; a narrow passage; a confined place. [Eng.] [Prop. pl. of mew. See Mew a cage.]
- sonne n.
- A male child; the male issue, or offspring, of a parent, father or mother. [OE. sone, sune, AS. sunu; akin to D. zoon, OS., OFries., & OHG. sunu, G. sohn, Icel. sonr, Sw. son, Dan. sön, Goth. sunus, Lith. sunus, Russ. suin', Skr. sunu (]
- farre n.
- A young pig, or a litter of pigs. [See Farrow.]
- jetty v. i.
- To jut out; to project. Florio.
- beginne v. i.
- To have or commence an independent or first existence; to take rise; to commence. [AS. beginnan (akin to OS. biginnan, D. & G. beginnen, OHG. biginnan, Goth., du-ginnan, Sw. begynna, Dan. begynde); pref. be- + an assumed ginnan. sq. root31. Se]
- alle conj.
- Although; if. See All, conj.
- mote n.
- A meeting of persons for discussion; as, a wardmote in the city of London. [See Moot, a meeting.]
- saturday n.
- The seventh or last day of the week; the day following Friday and preceding Sunday. [OE. Saterday, AS. Sæterdæg, Sæterndæg, Sæternesdæg, literally, Saturn's day, fr. L. Saturnus Saturn + AS. dæg day; cf. L. dies Saturni.]
- eventide n.
- The time of evening; evening. [AS. æfentid. See Tide.]
- afarre adv.
- At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
- mavis n.
- The European throstle or song thrush (Turdus musicus). [F. mauvis, Arm. milvid, milfid, milc'hhouid, Corn. melhuez.]
- goodly a.
- Pleasant; agreeable; desirable. [OE. godlich, AS. g. See Good, and Like.]
- warping n.
- The act or process of one who, or that which, warps.
- welkin n.
- The visible regions of the air; the vault of heaven; the sky. [OE. welken, welkene, welkne, wolcne, weolcne, AS. wolcen, pl. wolcnu, a cloud; akin to D. wolk, OFries. wolken, OS. wolkan, G. wolke, OHG. wolchan, and probably]
- apace adv.
- With a quick pace; quick; fast; speedily. [Pref. a- + pace. OE. a pas at a walk, in which a is the article. See Pace.]
- adrift adv.
- Floating at random; in a drifting condition; at the mercy of wind and waves. Also fig. [Pref. a- (for on) + drift.]
- yonder adv.
- At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
- shook v. t.
- To pack, as staves, in a shook.
- saith
- 3d pers. sing. pres. of Say.
- afar adv.
- At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
- thunderous a.
- Producing thunder. [Written also thundrous.]
- madly adv.
- In a mad manner; without reason or understanding; wildly. [From Mad, a.]
- drave
- , old imp. of Drive.
- sate v. t.
- To satisfy the desire or appetite of; to satiate; to glut; to surfeit. [Probably shortened fr. satiate: cf. L. satus full. See Satiate.]
- went n.
- Course; way; path; journey; direction.
- lurid a.
- Pale yellow; ghastly pale; wan; gloomy; dismal. [L. luridus.]
- didst
- , the 2d pers. sing. imp. of Do.
- deare
- variant of Dere, v. t. & n.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- sunny a.
- Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
- sobbing n.
- A series of short, convulsive inspirations, the glottis being suddenly closed so that little or no air enters into the lungs.
- lonesome a.
- Secluded from society; not frequented by human beings; solitary.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Brides of Enderby is in the public domain. This text is taken from Poems Every Child Should Know The What-Every-Child-Should-Know-Library, Project Gutenberg ebook #16436; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Mary E. Burt, The Brides of Enderby, in Poems Every Child Should Know (1904), text of Project Gutenberg ebook #16436, Laurel, https://laurelpoetry.com/poem/poems-every-child/the-brides-of-enderby.html, id L25309.
Form and metre
The Brides of Enderby is 176 lines in 23 stanzas. The rhyme scheme is ABABCCC, complete in 16 of its 23 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 86%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-ABB- tower · threeA · before · heA · bellsB · swellsB · enderby
- 2 ABABAAB tydeA · allB · abideA · fallB · besideA · piedA · wallB
- 3 ABABCCC dooreA · eyesB · oreA · skiesB · deathC · wanderethC · elizabethC
- 4 AAAABBBA callingA · fallingA · songA · alongA · flowethB · flowethB · growethB · songA
- 5 --AAABCCCDBCD calling · falling · mellowA · mellowA · yellowA · lightfootB · hollowC · hollowC · followC · headD · lightfootB · followC · shedD
- 6 ABABCCC agoA · longB · flowA · strongB · meeC · sheeC · enderbyC
- 7 ABABCCC layA · seeneB · awayA · greeneB · wideC · sideC · eventideC
- 8 ABABCCC areA · breathB · afarreA · elizabethB · seaC · freeC · enderbyC
- 9 ABABCCC skyA · flowsB · lieA · showsB · beC · seaC · enderbyC
- 10 ABABCCC mablethorpeA · downB · scorpeA · towneB · seeC · fleeC · enderbyC
- 11 ABABCCC sonneA · mainB · onA · againB · elizabethC · breathC · elizabethC
- 12 ABABCCC downeA · apaceB · towneA · placeB · deathC · saithC · elizabethC
- 13 ABABCCC wayA · longB · playA · songB · leaC · enderbyC · enderbyC
- 14 ABABCCC breastA · bedB · crestA · spedB · loudC · cloudC · shroudC
- 15 ABABCCC press'dA · amaineB · breastA · againB · routC · aboutC · outC
- 16 ABABCCC draveA · beatB · waveA · feetB · fleeC · kneeC · seaC
- 17 ABABCCC nightA · byB · lightA · highB · seeC · meeC · enderbyC
- 18 ABABCCC guideA · row'dB · sideA · glow'dB · breathC · deathC · elizabethC
- 19 ABABCCC moreA · deareB · dooreA · clearB · embraceC · faceC · placeC
- 20 ABABCCC grassA · seaB · alasA · meeB · saithC · breathC · elizabethC
- 21 AABBBBCCCDD moreA · shoreA · callingB · fallingB · songB · alongB · flowethC · flowethC · growethC · downD · townD
- 22 ABBB-A-CCC moreA · quiverB · quiverB · riverB · falling · shoreA · calling · mellowC · mellowC · yellowC
- 23 ABBBACBC lightfootA · hollowB · hollowB · followB · whitefootA · headC · followB · shedC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| The old mayor climb’d the belfry tower, | 9 | ··/˘··/˘/ |
| The ringers ran by two, by three; | 8 | ·/˘····· |
| “Pull, if ye never pull’d before; | 8 | ···/˘··· |
| Good ringers, pull your best,” quoth he. | 8 | ·/˘····· |
| “Play uppe, play uppe, O Boston bells! | 8 | ·····/˘· |
| Ply all your changes, all your swells, | 8 | ···/˘··· |
| Play uppe, ‘The Brides of Enderby.’” | 8 | ·····/˘˘ |
| Men say it was a stolen tyde-- | 8 | ·····/˘· |
| The Lord that sent it, He knows all; | 8 | ········ |
| But in myne ears doth still abide | 8 | ······˘/ |
| The message that the bells let fall: | 8 | ·/˘····· |
| And there was naught of strange, beside | 8 | ······˘/ |
| The flight of mews and peewits pied | 8 | ········ |
| By millions crouch’d on the old sea wall. | 9 | ·/˘······ |
| I sat and spun within the doore, | 8 | ········ |
| My thread brake off, I raised myne eyes; | 8 | ········ |
| The level sun, like ruddy ore, | 8 | ·/˘··/˘· |
| Lay sinking in the barren skies; | 8 | ·/˘··/˘· |
| And dark against day’s golden death | 8 | ·····/˘· |
| She moved where Lindis wandereth, | 8 | ·····/˘˘ |
| My sonne’s faire wife, Elizabeth. | 8 | ····˘/˘˘ |
| “Cusha! Cusha! Cusha!” calling, | 8 | ······/˘ |
| Ere the early dews were falling, | 8 | ··/˘··/˘ |
| Farre away I heard her song, | 7 | ·˘/···· |
| “Cusha! Cusha!” all along; | 7 | ·····˘/ |
| Where the reedy Lindis floweth, | 8 | ··/˘··/˘ |
| Floweth, floweth, | 4 | /˘/˘ |
| From the meads where melick groweth | 8 | ····/˘/˘ |
| Faintly came her milking song-- | 7 | /˘··/˘· |
| “Cusha! Cusha! Cusha!” calling, | 8 | ······/˘ |
| “For the dews will soone be falling; | 8 | ······/˘ |
| Leave your meadow grasses mellow, | 8 | ··/·/˘/˘ |
| Mellow, mellow; | 4 | /˘/˘ |
| Quit your cowslips, cowslips yellow; | 8 | ··/˘/˘/˘ |
| Come uppe, Whitefoot, come uppe, Lightfoot; | 8 | ··/˘··/· |
| Quit the stalks of parsley hollow, | 8 | ····/˘/˘ |
| Hollow, hollow; | 4 | /˘/˘ |
| Come uppe, Jetty, rise and follow, | 8 | ··/˘··/˘ |
| From the clovers lift your head; | 7 | ··/˘··· |
| Come uppe, Whitefoot, come uppe, Lightfoot, | 8 | ··/˘··/· |
| Come uppe, Jetty, rise and follow, | 8 | ··/˘··/˘ |
| Jetty, to the milking shed.” | 7 | /˘··/˘· |
| If it be long ay, long ago, | 8 | ······˘/ |
| When I beginne to think howe long, | 8 | ··˘/···· |
| Againe I hear the Lindis flow, | 8 | ········ |
| Swift as an arrowe, sharpe and strong; | 8 | ········ |
| And all the aire, it seemeth mee, | 8 | ·····/˘· |
| Bin full of floating bells (sayth shee), | 8 | ···/˘··· |
| That ring the tune of Enderby. | 8 | ·····/˘˘ |
| Alle fresh the level pasture lay, | 8 | ···/˘/˘· |
| And not a shadowe mote be seene, | 8 | ········ |
| Save where full fyve good miles away | 8 | ······˘/ |
| The steeple tower’d from out the greene; | 8 | ·/˘/···· |
| And lo! the great bell farre and wide | 8 | ········ |
| Was heard in all the country side | 8 | ·····/˘· |
| That Saturday at eventide. | 8 | ·/···/˘˘ |
| The swanherds where their sedges are | 8 | ·····/˘· |
| Mov’d on in sunset’s golden breath, | 8 | ···/·/˘· |
| The shepherde lads I heard afarre, | 8 | ······˘/ |
| And my sonne’s wife, Elizabeth; | 8 | ····˘/˘˘ |
| Till floating o’er the grassy sea | 8 | ·/˘··/˘· |
| Came downe that kyndly message free, | 8 | ·····/˘· |
| The “Brides of Mavis Enderby.” | 8 | ···/˘/˘˘ |
| Then some look’d uppe into the sky, | 8 | ········ |
| And all along where Lindis flows | 8 | ··˘/···· |
| To where the goodly vessels lie, | 8 | ···/˘/˘· |
| And where the lordly steeple shows. | 8 | ···/˘/˘· |
| They sayde, “And why should this thing be? | 8 | ········ |
| What danger lowers by land or sea? | 9 | ·/˘/˘···· |
| They ring the tune of Enderby! | 8 | ·····/˘˘ |
| “For evil news from Mablethorpe, | 8 | ·/˘····· |
| Of pyrate galleys warping down; | 8 | ···/˘/˘· |
| For shippes ashore beyond the scorpe, | 8 | ··˘/···· |
| They have not spar’d to wake the towne: | 8 | ········ |
| But while the west bin red to see, | 8 | ········ |
| And storms be none, and pyrates flee, | 8 | ········ |
| Why ring ‘The Brides of Enderby’?” | 8 | ·····/˘˘ |
| I look’d without, and lo! my sonne | 8 | ········ |
| Came riding downe with might and main; | 8 | ·/˘····· |
| He rais’d a shout as he drew on, | 8 | ········ |
| Till all the welkin rang again, | 8 | ···/˘·˘/ |
| “Elizabeth! Elizabeth!” | 8 | ˘/˘˘˘/˘˘ |
| (A sweeter woman ne’er drew breath | 8 | ·/˘/˘··· |
| Than my sonne’s wife, Elizabeth.) | 8 | ····˘/˘˘ |
| “The olde sea wall,” he cried, “is downe, | 8 | ········ |
| The rising tide comes on apace, | 8 | ·/˘···˘/ |
| And boats adrift in yonder towne | 8 | ··˘/·/˘· |
| Go sailing uppe the market-place.” | 8 | ·/˘··/˘· |
| He shook as one that looks on death: | 8 | ········ |
| “God save you, mother!” straight he saith | 8 | ···/˘··· |
| “Where is my wife, Elizabeth?” | 8 | ····˘/˘˘ |
| “Good sonne, where Lindis winds her way | 8 | ········ |
| With her two bairns I marked her long; | 8 | ········ |
| And ere yon bells beganne to play | 8 | ····˘/·· |
| Afar I heard her milking song.” | 8 | ˘/···/˘· |
| He looked across the grassy lea, | 8 | ··˘/·/˘· |
| To right, to left, “Ho, Enderby!” | 8 | ·····/˘˘ |
| They rang “The Brides of Enderby!” | 8 | ·····/˘˘ |
| With that he cried and beat his breast; | 8 | ········ |
| For, lo! along the river’s bed | 8 | ··˘/·/˘· |
| A mighty eygre rear’d his crest, | 7 | ·/˘···· |
| And uppe the Lindis raging sped. | 8 | ·····/˘· |
| It swept with thunderous noises loud; | 8 | ···/˘/˘· |
| Shap’d like a curling snow-white cloud, | 8 | ···/˘··· |
| Or like a demon in a shroud. | 8 | ···/˘··· |
| And rearing Lindis backward press’d | 8 | ·/˘··/˘· |
| Shook all her trembling bankes amaine; | 8 | ···/˘··· |
| Then madly at the eygre’s breast | 7 | ·/˘···· |
| Flung uppe her weltering walls again. | 8 | ···/˘·˘/ |
| Then bankes came downe with ruin and rout-- | 8 | ·····/·· |
| Then beaten foam flew round about-- | 8 | ·/˘····· |
| Then all the mighty floods were out. | 8 | ···/˘··· |
| So farre, so fast the eygre drave, | 7 | ······· |
| The heart had hardly time to beat | 8 | ···/˘··· |
| Before a shallow seething wave | 8 | ···/˘/˘· |
| Sobb’d in the grasses at oure feet: | 8 | ···/˘··· |
| The feet had hardly time to flee | 8 | ···/˘··· |
| Before it brake against the knee, | 8 | ········ |
| And all the world was in the sea. | 8 | ········ |
| Upon the roofe we sate that night, | 8 | ········ |
| The noise of bells went sweeping by; | 8 | ·····/˘· |
| I mark’d the lofty beacon light | 8 | ···/˘/˘· |
| Stream from the church tower, red and high-- | 8 | ····/··· |
| A lurid mark and dread to see; | 8 | ·/˘····· |
| And awsome bells they were to mee, | 8 | ·/˘····· |
| That in the dark rang “Enderby.” | 8 | ·····/˘˘ |
| They rang the sailor lads to guide | 8 | ···/˘··· |
| From roofe to roofe who fearless row’d; | 8 | ·····/˘· |
| And I--my sonne was at my side, | 8 | ········ |
| And yet the ruddy beacon glow’d: | 8 | ···/˘/˘· |
| And yet he moan’d beneath his breath, | 8 | ········ |
| “O come in life, or come in death! | 8 | ········ |
| O lost! my love, Elizabeth.” | 8 | ····˘/˘˘ |
| And didst thou visit him no more? | 8 | ···/˘··· |
| Thou didst, thou didst, my daughter deare | 8 | ·····/˘· |
| The waters laid thee at his doore, | 8 | ·/˘····· |
| Ere yet the early dawn was clear. | 8 | ···/˘··· |
| Thy pretty bairns in fast embrace, | 8 | ·/˘···˘/ |
| The lifted sun shone on thy face, | 8 | ·/˘····· |
| Downe drifted to thy dwelling-place. | 8 | ·/˘··/˘· |
| That flow strew’d wrecks about the grass, | 8 | ········ |
| That ebbe swept out the flocks to sea; | 8 | ········ |
| A fatal ebbe and flow, alas! | 8 | ·/˘···˘/ |
| To manye more than myne and mee; | 8 | ········ |
| But each will mourn his own (she saith); | 8 | ········ |
| And sweeter woman ne’er drew breath | 8 | ·/˘/˘··· |
| Than my sonne’s wife, Elizabeth. | 8 | ····˘/˘˘ |
| I shall never hear her more | 7 | ··/˘··· |
| By the reedy Lindis shore, | 7 | ··/˘··· |
| “Cusha! Cusha! Cusha!” calling, | 8 | ······/˘ |
| Ere the early dews be falling; | 8 | ··/˘··/˘ |
| I shall never hear her song, | 7 | ··/˘··· |
| “Cusha! Cusha!” all along | 7 | ·····˘/ |
| Where the sunny Lindis floweth, | 8 | ··/˘··/˘ |
| Goeth, floweth; | 3 | ·/˘ |
| From the meads where melick groweth, | 8 | ····/˘/˘ |
| When the water winding down, | 7 | ··/˘/˘· |
| Onward floweth to the town. | 7 | /˘/˘··· |
| I shall never see her more | 7 | ··/˘··· |
| Where the reeds and rushes quiver, | 8 | ····/˘/˘ |
| Shiver, quiver; | 4 | /˘/˘ |
| Stand beside the sobbing river, | 8 | ·˘/·/˘/˘ |
| Sobbing, throbbing, in its falling | 8 | /˘/˘··/˘ |
| To the sandy lonesome shore; | 7 | ··/˘/˘· |
| I shall never hear her calling, | 8 | ··/˘··/˘ |
| “Leave your meadow grasses mellow, | 8 | ··/·/˘/˘ |
| Mellow, mellow; | 4 | /˘/˘ |
| Quit your cowslips, cowslips yellow; | 8 | ··/˘/˘/˘ |
| “Come uppe, Whitefoot, come uppe, Lightfoot; | 8 | ··/˘··/· |
| Quit your pipes of parsley hollow, | 8 | ····/˘/˘ |
| Hollow, hollow; | 4 | /˘/˘ |
| Come uppe, Lightfoot, rise and follow; | 8 | ··/···/˘ |
| Lightfoot, Whitefoot, | 4 | /·/˘ |
| From your clovers lift the head; | 7 | ··/˘··· |
| Come uppe, Jetty, follow, follow, | 8 | ··/˘/˘/˘ |
| Jetty, to the milking shed.” | 7 | /˘··/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.