A Musical Instrument
What was he doing, the great god Pan,Down in the reeds by the river?Spreading ruin and scattering ban,Splashing and paddling with hoofs of a goat,And breaking the golden lilies afloatWith the dragon-fly on the river.
He tore out a reed, the great god Pan,From the deep cool bed of the river:The limpid water turbidly ran,And the broken lilies a-dying lay,And the dragon-fly had fled away,Ere he brought it out of the river.
High on the shore sat the great god Pan,While turbidly flow’d the river;And hack’d and hew’d as a great god can,With his hard bleak steel at the patient reed,Till there was not a sign of a leaf indeedTo prove it fresh from the river.
He cut it short, did the great god Pan(How tall it stood in the river!),Then drew the pith, like the heart of a man,Steadily from the outside ring,And notched the poor dry empty thingIn holes, as he sat by the river.
“This is the way,” laugh’d the great god Pan(Laugh’d while he sat by the river),“The only way, since gods beganTo make sweet music, they could succeed.”Then, dropping his mouth to a hole in the reedHe blew in power by the river.
Sweet, sweet, sweet, O Pan!Piercing sweet by the river!Blinding sweet, O great god Pan!The sun on the hill forgot to die,And the lilies reviv’d, and the dragon-flyCame back to dream on the river.
Yet half a beast is the great god Pan,To laugh as he sits by the river,Making a poet out of a man:The true gods sigh for the cost and pain,--For the reed which grows nevermore againAs a reed with the reeds in the river.
Words in this poem
- afloat adv.
- Borne on the water; floating; on board ship. [Pref. a- + float.]
- tore n.
- The dead grass that remains on mowing land in winter and spring. Mortimer. [Probably from the root of tear; cf. W. tór a break, cut, tóri to break, cut.]
- turbidly adv.
- In a turbid manner; with muddiness or confusion.
- nevermore adv.
- Never again; at no time hereafter. Testament of Love. Tyndale.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Musical Instrument is in the public domain. This text is taken from Poems Every Child Should Know The What-Every-Child-Should-Know-Library, Project Gutenberg ebook #16436; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Mary E. Burt, A Musical Instrument, in Poems Every Child Should Know (1904), text of Project Gutenberg ebook #16436, Laurel, https://laurelpoetry.com/poem/poems-every-child/a-musical-instrument.html, id L25308.
Form and metre
A Musical Instrument is 42 lines in 7 stanzas of 6 lines each. Every stanza rhymes ABACCB. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABACCB panA · riverB · banA · goatC · afloatC · riverB
- 2 ABACCB panA · riverB · ranA · layC · awayC · riverB
- 3 ABACCB panA · riverB · canA · reedC · indeedC · riverB
- 4 ABACCB panA · riverB · manA · ringC · thingC · riverB
- 5 ABACCB panA · riverB · beganA · succeedC · reedC · riverB
- 6 ABACCB panA · riverB · panA · dieC · flyC · riverB
- 7 ABACCB panA · riverB · manA · painC · againC · riverB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| What was he doing, the great god Pan, | 8 | ···/···· |
| Down in the reeds by the river? | 8 | ······/˘ |
| Spreading ruin and scattering ban, | 8 | /˘/·/˘˘· |
| Splashing and paddling with hoofs of a goat, | 10 | /˘·/˘····· |
| And breaking the golden lilies afloat | 10 | ·/˘·/˘/˘˘/ |
| With the dragon-fly on the river. | 9 | ··/˘···/˘ |
| He tore out a reed, the great god Pan, | 9 | ········· |
| From the deep cool bed of the river: | 9 | ·······/˘ |
| The limpid water turbidly ran, | 9 | ·/˘/˘/˘˘· |
| And the broken lilies a-dying lay, | 10 | ··/˘/˘·/˘· |
| And the dragon-fly had fled away, | 9 | ··/˘···˘/ |
| Ere he brought it out of the river. | 9 | ·······/˘ |
| High on the shore sat the great god Pan, | 9 | ········· |
| While turbidly flow’d the river; | 8 | ·/˘˘··/˘ |
| And hack’d and hew’d as a great god can, | 9 | ········· |
| With his hard bleak steel at the patient reed, | 10 | ·······/˘· |
| Till there was not a sign of a leaf indeed | 11 | ·········˘/ |
| To prove it fresh from the river. | 8 | ······/˘ |
| He cut it short, did the great god Pan | 9 | ········· |
| (How tall it stood in the river!), | 8 | ······/˘ |
| Then drew the pith, like the heart of a man, | 10 | ·········· |
| Steadily from the outside ring, | 8 | /˘˘··//· |
| And notched the poor dry empty thing | 8 | ·····/˘· |
| In holes, as he sat by the river. | 9 | ·······/˘ |
| “This is the way,” laugh’d the great god Pan | 9 | ········· |
| (Laugh’d while he sat by the river), | 8 | ······/˘ |
| “The only way, since gods began | 8 | ·/˘···˘/ |
| To make sweet music, they could succeed.” | 9 | ···/˘··˘/ |
| Then, dropping his mouth to a hole in the reed | 11 | ·/˘········ |
| He blew in power by the river. | 9 | ···/˘··/˘ |
| Sweet, sweet, sweet, O Pan! | 5 | ····· |
| Piercing sweet by the river! | 7 | /˘···/˘ |
| Blinding sweet, O great god Pan! | 7 | /˘····· |
| The sun on the hill forgot to die, | 9 | ·····˘/·· |
| And the lilies reviv’d, and the dragon-fly | 11 | ··/˘˘/··/˘· |
| Came back to dream on the river. | 8 | ······/˘ |
| Yet half a beast is the great god Pan, | 9 | ········· |
| To laugh as he sits by the river, | 9 | ·······/˘ |
| Making a poet out of a man: | 9 | /˘·/˘···· |
| The true gods sigh for the cost and pain,-- | 9 | ········· |
| For the reed which grows nevermore again | 10 | ·····/˘·˘/ |
| As a reed with the reeds in the river. | 10 | ········/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.