Section VI

Nizami Ganjavi (1141–1209), translated by James Atkinson · 1836

iambic tetrameter · octosyllabic couplets · 82 lines · from The Loves of Laili and Majnun

Lailí in beauty, softness, grace,Surpassed the loveliest of her race;She was a fresh and odorous flower,Plucked by a fairy from her bower;With heart-delighting rosebuds blooming,The welcome breeze of spring perfuming.The killing witchery that liesIn her soft, black, delicious eyes,When gathered in one amorous glance,Pierces the heart like sword or lance;The prey that falls into her snare,For life must mourn and struggle there;Her eyelash speaks a thousand blisses,Her lips of ruby ask for kisses;Soft lips where sugar-sweetness dwells,Sweet as the bee-hive's honey-cells;Her cheeks, so beautiful and bright,Had stole the moon's refulgent light;Her form the cypress-tree expresses,And full and ripe invites caresses.With all these charms the heart to win,There was a cureless grief within—Yet none beheld her grief, or heard;She drooped like broken-winged bird.'Her secret thoughts her love concealing,But, softly to the terrace stealing,From morn to eve she gazed around,In hopes her Majnún might be found,Wandering in sight. For she had noneTo sympathise with her—not one!None to compassionate her woes—In dread of rivals, friends, and foes;And though she smiled, her mind's distressFilled all her thoughts with bitterness;The fire of absence on them preyed,But light nor smoke that fire betrayed;Shut up within herself, she sate,Absorbed in grief, disconsolate;Yet true love has resources still,Its soothing arts, and ever will!Voices in guarded softness roseUpon her ever-listening ear;She heard her constant lover's woes,In melting strains, repeated near;

The sky, with gloomy clouds o'erspread,At length soft showers began to shed;And what, before, destruction seemed,With rays of better promise gleamed.

Voices of young and old she heardBeneath the harem-walls recitingHer Majnún's songs; each thrilling wordHer almost broken heart delighting.

Lailí, with matchless charms of face,Was blessed with equal mental grace;With eloquence and taste refined;And from the treasures of her mindShe poured her fondest love's confessionWith faithful love's most warm expression;Told all her hopes and sorrows o'er,Though told a thousand times before:The life-blood circling through her veinsRecorded her affecting strains;And as she wrote, with passion flushed,The glowing words with crimson blushed.And now the terrace she ascendsIn secret, o'er the rampart bends,And flings the record, with a sigh,To one that moment passing by:Unmarked the stranger gains the prize,And from the spot like lightning fliesTo where the lingering lover weeps unseen.—Starting upon his feet, with cheerful mien,He gazes, reads, devours the pleasing tale,And joy again illumes his features pale.

Thus was resumed the soft exchange of thought;Thus the return of tenderest feeling wrought:Each the same secret intercourse pursued,And mutual vows more ardently renewed;And many a time between them went and cameThe fondest tokens of their deathless flame;Now in hope's heaven, now in despair's abyss,And now enrapt in visionary bliss.

Words in this poem 16
witchery
Sorcery; enchantment; witchcraft.
eyelash n.
The fringe of hair that edges the eyelid; -- usually in the pl.
stole n.
A long, loose garment reaching to the feet. [AS. stole, L. stola, Gr. stall. See Stall.]
refulgent a.
Casting a bright light; radiant; brilliant; resplendent; shining; splendid; as, refulgent beams. [L. refulgens, p. pr. of refulgere to flash back, to shine bright; pref. re- re- + fulgere to shine. See Fulgent.]
cureless a.
Incapable of cure; incurable.
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
sympathise v. t.
To experience together.
sate v. t.
To satisfy the desire or appetite of; to satiate; to glut; to surfeit. [Probably shortened fr. satiate: cf. L. satus full. See Satiate.]
disconsolate n.
Disconsolateness. Barrow.
harem n.
The apartments or portion of the house allotted to females in Mohammedan families. [Ar.haram, orig., anything forbidden of sacred, fr. harama to forbid, prohibit.]
thrilling a.
Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
wrote v. i.
To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
unseen a.
Not seen or discovered.
went n.
Course; way; path; journey; direction.
deathless a.
Not subject to death, destruction, or extinction; immortal; undying; imperishable; as, deathless beings; deathless fame.
enrapt p. a.
Thrown into ecstasy; transported; enraptured. [Pref. en- + rapt. Cf. Enravish.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Section VI is in the public domain. This text is taken from The Loves of Laili and Majnun: A Poem from the Original Persian of Nizami, by James Atkinson, edited by the Rev. J. A. Atkinson (London: David Nutt, 1894), reprinting the Oriental Translation Fund edition of 1836, Internet Archive, the James Atkinson translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Nizami Ganjavi, Section VI, in The Loves of Laili and Majnun (1836), text of Internet Archive, Laurel, https://laurelpoetry.com/poem/nizami-laili-and-majnun/section-vi.html, id L29213.

Form and metre

Section VI is 82 lines in 5 verse paragraphs. It is in rhyming couplets, 83% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 91%).

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFF--GGHH--IIJJKKLLMMNNOOPP--QQRSRS graceA · raceA · flowerB · bowerB · bloomingC · perfumingC · liesD · eyesD · glanceE · lanceE · snareF · thereF · blisses · kisses · dwellsG · cellsG · brightH · lightH · expresses · caresses · winI · withinI · heardJ · birdJ · concealingK · stealingK · aroundL · foundL · noneM · oneM · woesN · foesN · distressO · bitternessO · preyedP · betrayedP · sate · disconsolate · stillQ · willQ · roseR · earS · woesR · nearS
  2. 2 AABB o'erspreadA · shedA · seemedB · gleamedB
  3. 3 ABAB heardA · recitingB · wordA · delightingB
  4. 4 AABBCCDDEEFFGGHHIIJJKK faceA · graceA · refinedB · mindB · confessionC · expressionC · o'erD · beforeD · veinsE · strainsE · flushedF · blushedF · ascendsG · bendsG · sighH · byH · prizeI · fliesI · unseenJ · mienJ · taleK · paleK
  5. 5 AABBCCDD thoughtA · wroughtA · pursuedB · renewedB · cameC · flameC · abyssD · blissD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Lailí in beauty, softness, grace,7··/˘/˘·
Surpassed the loveliest of her race;9˘/·······
She was a fresh and odorous flower,8·····/˘/
Plucked by a fairy from her bower;9···/˘··/˘
With heart-delighting rosebuds blooming,9··˘/˘/˘/˘
The welcome breeze of spring perfuming.9·/˘···˘/˘
The killing witchery that lies8·/˘/˘˘··
In her soft, black, delicious eyes,8····˘/˘·
When gathered in one amorous glance,8·/˘··/˘·
Pierces the heart like sword or lance;8/˘······
The prey that falls into her snare,8········
For life must mourn and struggle there;8·····/˘·
Her eyelash speaks a thousand blisses,9·/···/˘/˘
Her lips of ruby ask for kisses;9···/˘··/˘
Soft lips where sugar-sweetness dwells,8···/˘/˘·
Sweet as the bee-hive's honey-cells;8·····/˘·
Her cheeks, so beautiful and bright,8···/˘˘··
Had stole the moon's refulgent light;8····˘/˘·
Her form the cypress-tree expresses,9···/˘·˘/˘
And full and ripe invites caresses.9····˘/˘/˘
With all these charms the heart to win,8········
There was a cureless grief within—8···/˘···
Yet none beheld her grief, or heard;8··˘/····
She drooped like broken-winged bird.'8··˘·/˘··
Her secret thoughts her love concealing,9·/˘···˘/˘
But, softly to the terrace stealing,9·/˘··/˘/˘
From morn to eve she gazed around,8········
In hopes her Majnún might be found,8········
Wandering in sight. For she had none8/˘······
To sympathise with her—not one!8·/˘·····
None to compassionate her woes—8··˘/˘˘··
In dread of rivals, friends, and foes;8···/˘···
And though she smiled, her mind's distress8······˘/
Filled all her thoughts with bitterness;8·····/˘˘
The fire of absence on them preyed,8·/·/˘···
But light nor smoke that fire betrayed;8·····/˘/
Shut up within herself, she sate,8····˘/··
Absorbed in grief, disconsolate;8˘/··˘/˘˘
Yet true love has resources still,8····/˘˘·
Its soothing arts, and ever will!8·/˘··/˘·
Voices in guarded softness rose8/˘·/˘/˘·
Upon her ever-listening ear;8···//˘˘·
She heard her constant lover's woes,8···/˘/˘·
In melting strains, repeated near;8·/˘·˘/˘·
The sky, with gloomy clouds o'erspread,8···/˘···
At length soft showers began to shed;8···/˘/··
And what, before, destruction seemed,8····˘/˘·
With rays of better promise gleamed.8···/˘/˘·
Voices of young and old she heard8/˘······
Beneath the harem-walls reciting9···/˘·˘/˘
Her Majnún's songs; each thrilling word8·····/˘·
Her almost broken heart delighting.9·/·/˘·˘/˘
Lailí, with matchless charms of face,7··/˘···
Was blessed with equal mental grace;8···/˘/˘·
With eloquence and taste refined;8·/˘˘··˘/
And from the treasures of her mind8···/˘···
She poured her fondest love's confession9···/˘·˘/˘
With faithful love's most warm expression;9·/˘···˘/˘
Told all her hopes and sorrows o'er,8·····/˘·
Though told a thousand times before:8···/˘···
The life-blood circling through her veins8···/˘···
Recorded her affecting strains;8˘/˘·˘/˘·
And as she wrote, with passion flushed,8·····/˘·
The glowing words with crimson blushed.8·/˘··/˘·
And now the terrace she ascends8···/˘·˘/
In secret, o'er the rampart bends,8·/˘··/˘·
And flings the record, with a sigh,8···˘/···
To one that moment passing by:8···/˘/˘·
Unmarked the stranger gains the prize,8˘/·/˘···
And from the spot like lightning flies8·····/˘·
To where the lingering lover weeps unseen.10···/˘/˘·˘/
—Starting upon his feet, with cheerful mien,10/˘·····/˘·
He gazes, reads, devours the pleasing tale,10·/˘·˘/·/˘·
And joy again illumes his features pale.10··˘/···/˘·
Thus was resumed the soft exchange of thought;10··˘/··˘/··
Thus the return of tenderest feeling wrought:10··˘/·/˘/˘·
Each the same secret intercourse pursued,10···/˘/˘·˘/
And mutual vows more ardently renewed;9·/˘··/˘˘/
And many a time between them went and came10·/········
The fondest tokens of their deathless flame;10·/˘/˘··/˘·
Now in hope's heaven, now in despair's abyss,10···/··˘/˘/
And now enrapt in visionary bliss.10··˘/·/˘·˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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