Book I: The Hornets and the Bees

Jean de La Fontaine (1621–1695), translated by Elizur Wright · 1841

iambic tetrameter · octosyllabic couplets · 44 lines · from The Fables of La Fontaine

"The artist by his work is known."--A piece of honey-comb, one day,Discover'd as a waif and stray,The hornets treated as their own.Their title did the bees dispute,And brought before a wasp the suit.The judge was puzzled to decide,For nothing could be testifiedSave that around this honey-combThere had been seen, as if at home,Some longish, brownish, buzzing creatures,Much like the bees in wings and features.But what of that? for marks the same,The hornets, too, could truly claim.Between assertion, and denial,The wasp, in doubt, proclaim'd new trial;And, hearing what an ant-hill swore,Could see no clearer than before.'What use, I pray, of this expense?'At last exclaim'd a bee of sense.'We've labour'd months in this affair,And now are only where we were.Meanwhile the honey runs to waste:'Tis time the judge should show some haste.The parties, sure, have had sufficient bleeding,Without more fuss of scrawls and pleading.Let's set ourselves at work, these drones and we,And then all eyes the truth may plainly see,Whose art it is that can produceThe magic cells, the nectar juice.'The hornets, flinching on their part,Show that the work transcends their art.The wasp at length their title sees,And gives the honey to the bees.Would God that suits at laws with usMight all be managed thus!That we might, in the Turkish mode,Have simple common sense for code!They then were short and cheap affairs,Instead of stretching on like ditches,Ingulfing in their course all riches,--The parties leaving for their shares,The shells (and shells there might be moister)From which the court has suck'd the oyster.

Words in this poem

artist n.
One who practices some mechanic art or craft; an artisan. [F. artiste, LL. artista, fr. L. ars. See Art, n., and cf. Artiste.]
longish a.
Somewhat long; moderately long.
clearer n.
One who, or that which, clears.
meanwhile n.
The intervening time; as, in the meantime (or mean time).
fuss n.
A tumult; a bustle; unnecessary or annoying ado about trifles. [Cf. Fusome.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Book I: The Hornets and the Bees is in the public domain. This text is taken from The Fables of La Fontaine, Project Gutenberg ebook #7241, the Elizur Wright translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Jean de La Fontaine, Book I: The Hornets and the Bees, in The Fables of La Fontaine (1841), text of Project Gutenberg ebook #7241, Laurel, https://laurelpoetry.com/poem/la-fontaine-fables/1-21.html, id L28231.

Form and metre

Book I: The Hornets and the Bees is 44 lines in a single stanza. It is in rhyming couplets, 77% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 94%).

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABBACCDDEEFFGGHHIIJJ--KKLLMMNNOOPPQQRRSTTSUU knownA · dayB · strayB · ownA · disputeC · suitC · decideD · testifiedD · combE · homeE · creaturesF · featuresF · sameG · claimG · denialH · trialH · sworeI · beforeI · expenseJ · senseJ · affair · were · wasteK · hasteK · bleedingL · pleadingL · weM · seeM · produceN · juiceN · partO · artO · seesP · beesP · usQ · thusQ · modeR · codeR · affairsS · ditchesT · richesT · sharesS · moisterU · oysterU
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
"The artist by his work is known."--8·/˘·····
A piece of honey-comb, one day,8···/˘···
Discover'd as a waif and stray,8˘/˘·····
The hornets treated as their own.8·/˘/˘···
Their title did the bees dispute,8·/˘···˘/
And brought before a wasp the suit.8········
The judge was puzzled to decide,8···/˘·˘/
For nothing could be testified8·/˘··/˘·
Save that around this honey-comb8·····/˘·
There had been seen, as if at home,8········
Some longish, brownish, buzzing creatures,9·/˘/˘/˘/˘
Much like the bees in wings and features.9·······/˘
But what of that? for marks the same,8········
The hornets, too, could truly claim.8·/˘··/˘·
Between assertion, and denial,9··˘/˘·˘/˘
The wasp, in doubt, proclaim'd new trial;9····˘/·/˘
And, hearing what an ant-hill swore,8·/˘·····
Could see no clearer than before.8···/˘···
'What use, I pray, of this expense?'8······˘/
At last exclaim'd a bee of sense.8··˘/····
'We've labour'd months in this affair,8······˘/
And now are only where we were.8···/˘···
Meanwhile the honey runs to waste:8/··/˘···
'Tis time the judge should show some haste.8········
The parties, sure, have had sufficient bleeding,11·/˘···˘/˘/˘
Without more fuss of scrawls and pleading.9·······/˘
Let's set ourselves at work, these drones and we,10··˘/······
And then all eyes the truth may plainly see,10·······/˘·
Whose art it is that can produce8······˘/
The magic cells, the nectar juice.'8·/˘··/˘·
The hornets, flinching on their part,8·/˘/˘···
Show that the work transcends their art.8····˘/··
The wasp at length their title sees,8·····/˘·
And gives the honey to the bees.8···/˘···
Would God that suits at laws with us8········
Might all be managed thus!7···/˘˘·
That we might, in the Turkish mode,8·····/˘·
Have simple common sense for code!8·/˘/˘···
They then were short and cheap affairs,8······˘/
Instead of stretching on like ditches,9˘/·/˘··/˘
Ingulfing in their course all riches,--9·······/˘
The parties leaving for their shares,8·/˘/˘···
The shells (and shells there might be moister)9·········
From which the court has suck'd the oyster.9·······/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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