Book I: The Oak and the Reed

Jean de La Fontaine (1621–1695), translated by Elizur Wright · 1841

iambic tetrameter · octosyllabic couplets · 44 lines · from The Fables of La Fontaine

The oak one day address'd the reed:--'To you ungenerous indeedHas nature been, my humble friend,With weakness aye obliged to bend.The smallest bird that flits in airIs quite too much for you to bear;The slightest wind that wreathes the lakeYour ever-trembling head doth shake.The while, my towering formDares with the mountain topThe solar blaze to stop,And wrestle with the storm.What seems to you the blast of death,To me is but a zephyr's breath.Beneath my branches had you grown,That spread far round their friendly bower,Less suffering would your life have known,Defended from the tempest's power.Unhappily you oftenest showIn open air your slender form,Along the marshes wet and low,That fringe the kingdom of the storm.To you, declare I must,Dame Nature seems unjust.'Then modestly replied the reed:'Your pity, sir, is kind indeed,But wholly needless for my sake.The wildest wind that ever blewIs safe to me compared with you.I bend, indeed, but never break.Thus far, I own, the hurricaneHas beat your sturdy back in vain;But wait the end.' Just at the word,The tempest's hollow voice was heard.The North sent forth her fiercest child,Dark, jagged, pitiless, and wild.The oak, erect, endured the blow;The reed bow'd gracefully and low.But, gathering up its strength once more,In greater fury than before,The savage blastO'erthrew, at last,That proud, old, sky-encircled head,Whose feet entwined the empire of the dead!

Words in this poem

ungenerous a.
Not generous; illiberal; ignoble; unkind; dishonorable.
towering a.
Very high; elevated; rising aloft; as, a towering height.
wrestle v. i.
To contend, by grappling with, and striving to trip or throw down, an opponent; as, they wrestled skillfully. [OE. wrestlen, wrastlen, AS. wr, freq. of wr to wrest; akin to OD. wrastelen to wrestle. See Wrest, v. t.]
dame n.
A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]
modestly adv.
In a modest manner.
needless a.
Having no need.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Book I: The Oak and the Reed is in the public domain. This text is taken from The Fables of La Fontaine, Project Gutenberg ebook #7241, the Elizur Wright translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Jean de La Fontaine, Book I: The Oak and the Reed, in The Fables of La Fontaine (1841), text of Project Gutenberg ebook #7241, Laurel, https://laurelpoetry.com/poem/la-fontaine-fables/1-22.html, id L28232.

Form and metre

Book I: The Oak and the Reed is 44 lines in a single stanza. It is in rhyming couplets, 64% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 91%).

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEFFEGGHIHIJKJKLLMMNOONPPQQRRSSTTUUVV reedA · indeedA · friendB · bendB · airC · bearC · lakeD · shakeD · formE · topF · stopF · stormE · deathG · breathG · grownH · bowerI · knownH · powerI · showJ · formK · lowJ · stormK · mustL · unjustL · reedM · indeedM · sakeN · blewO · youO · breakN · hurricaneP · vainP · wordQ · heardQ · childR · wildR · blowS · lowS · moreT · beforeT · blastU · lastU · headV · deadV
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
The oak one day address'd the reed:--8····˘/··
'To you ungenerous indeed8··˘/˘˘˘/
Has nature been, my humble friend,8·/˘··/˘·
With weakness aye obliged to bend.8·/˘·˘/··
The smallest bird that flits in air8·/˘·····
Is quite too much for you to bear;8········
The slightest wind that wreathes the lake8·/˘·····
Your ever-trembling head doth shake.8·//˘˘···
The while, my towering form7···/˘˘·
Dares with the mountain top6···/˘·
The solar blaze to stop,6·/˘···
And wrestle with the storm.6·/˘···
What seems to you the blast of death,8········
To me is but a zephyr's breath.8·····/˘·
Beneath my branches had you grown,8···/˘···
That spread far round their friendly bower,9·····/˘/˘
Less suffering would your life have known,8·/˘·····
Defended from the tempest's power.9˘/˘··/˘/˘
Unhappily you oftenest show8˘/˘·/˘˘·
In open air your slender form,8·/˘··/˘·
Along the marshes wet and low,8˘/·/˘···
That fringe the kingdom of the storm.8···/˘···
To you, declare I must,6··˘/··
Dame Nature seems unjust.'6·/˘·˘/
Then modestly replied the reed:8·/˘˘˘/··
'Your pity, sir, is kind indeed,8·/˘···˘/
But wholly needless for my sake.8·/˘/˘···
The wildest wind that ever blew8·/˘··/˘·
Is safe to me compared with you.8····˘/··
I bend, indeed, but never break.8··˘/·/˘·
Thus far, I own, the hurricane8·····/˘·
Has beat your sturdy back in vain;8···/˘···
But wait the end.' Just at the word,8········
The tempest's hollow voice was heard.8·/˘/˘···
The North sent forth her fiercest child,8·····/˘·
Dark, jagged, pitiless, and wild.8··˘/˘˘··
The oak, erect, endured the blow;8··˘/˘/··
The reed bow'd gracefully and low.8···/˘˘··
But, gathering up its strength once more,8·/˘·····
In greater fury than before,8·/˘/˘···
The savage blast4·/˘·
O'erthrew, at last,4····
That proud, old, sky-encircled head,8····˘/˘·
Whose feet entwined the empire of the dead!10··˘/·/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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