Spring

Kalidasa (about 400), translated by Arthur W. Ryder · 1912

iambic tetrameter · ABABCDCD · 24 lines · from Shakuntala and Other Works

A stalwart soldier comes, the spring,Who bears the bow of Love;And on that bow, the lustrous stringIs made of bees, that moveWith malice as they speed the shaftOf blossoming mango-flowerAt us, dear, who have never laughedAt love, nor scorned his power.

Their blossom-burden weights the trees;The winds in fragrance move;The lakes are bright with lotuses,The women bright with love;The days are soft, the evenings clearAnd charming; everythingThat moves and lives and blossoms, dear,Is sweeter in the spring.

The groves are beautifully brightFor many and many a mileWith jasmine-flowers that are as whiteAs loving woman's smile:The resolution of a saintMight well be tried by this;Far more, young hearts that fancies paintWith dreams of loving bliss.

Words in this poem

stalwart a.
Brave; bold; strong; redoubted; daring; vehement; violent. [OE. stalworth, AS. stælwyrth serviceable, probably originally, good at stealing, or worth stealing or taking, and afterwards extended to other causes of estimat]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Spring is in the public domain. This text is taken from Shakuntala and Other Works, Project Gutenberg ebook #16659, the Arthur W. Ryder translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Kalidasa, Spring, in Shakuntala and Other Works (1912), text of Project Gutenberg ebook #16659, Laurel, https://laurelpoetry.com/poem/kalidasa-shakuntala/spring.html, id L15660.

Form and metre

Spring is 24 lines in 3 stanzas of 8 lines each. Every stanza rhymes ABABCDCD. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 92%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 7.2 syllables. 4 lines end on an unstressed syllable, a feminine ending. 50% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCDCD springA · loveB · stringA · moveB · shaftC · flowerD · laughedC · powerD
  2. 2 ABABCDCD treesA · moveB · lotusesA · loveB · clearC · everythingD · dearC · springD
  3. 3 ABABCDCD brightA · mileB · whiteA · smileB · saintC · thisD · paintC · blissD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
A stalwart soldier comes, the spring,8·/˘/˘···
Who bears the bow of Love;6······
And on that bow, the lustrous string8·····/˘·
Is made of bees, that move6······
With malice as they speed the shaft8·/˘·····
Of blossoming mango-flower8·/˘˘/˘/˘
At us, dear, who have never laughed9·····/˘·˘
At love, nor scorned his power.7·····/˘
Their blossom-burden weights the trees;8·/˘/˘···
The winds in fragrance move;6···/˘·
The lakes are bright with lotuses,8·····/˘˘
The women bright with love;6·/˘···
The days are soft, the evenings clear8·····/˘·
And charming; everything6·/˘/˘·
That moves and lives and blossoms, dear,8·····/˘·
Is sweeter in the spring.6·/˘···
The groves are beautifully bright7···/˘˘·
For many and many a mile8·/˘·/˘··
With jasmine-flowers that are as white9·/˘/˘····
As loving woman's smile:6·/˘/˘·
The resolution of a saint8··˘/˘···
Might well be tried by this;6······
Far more, young hearts that fancies paint8·····/˘·
With dreams of loving bliss.6···/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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