I am sad, nor yet can I
I am sad, nor yet can I,For all my questing, reason why;And now as night falls I will goWhere two breezes joining flowAbove a stream whose gleamless deepsCaressingly sing the while it sleepsUpon sands powdered by the moon.And there I'll lie to hear it croonIn fondling a wayward starFallen from the shoreless farSky, while winds in misty stream,Laughing and weeping in a dream,Whisper of an orchard's treesThat, shaken by the aimless breeze,Let their blossoms fade and slipSoberly, as lip to lipThey touch the misty grasses fannedTo ripples by the breeze.
Here standThe clustered lilacs faint as criesAgainst the silken-breasted skies;They nod and sway, and slow as rainTheir slowly falling petals stainThe grass as through them breezes stray,Smoothing them in silver play.And we, the marbles in the glade,Dreaming in the leafy shadeAre saddened, for we know that allThings save us must fade and fall,And the moon that sits there in the skiesDraws her hair across her eyes:She sees the blossoms blow and die,Soberly and quietly,Till spring breaks in the waiting gladeAnd the first thin branchèd shadeFalls 'thwart them, and the swallows' cryCalls down from the stirring sky,Thin and cold and hot as flameWhere spring is nothing but a name.
The stream flows calmly without soundIn the darkness gathered round;Trembling to the vagrant breezeAbout me stand the inky treesPeopled by some bird's loud cries,Until it seems as if the skiesHad shaken down their blossomed starsSeeking among the trees' dim bars,Crying aloud, each for its mate,About the old earth, insensate,Seemingly, to their white woe,But their sorrow does she knowAnd her breast, unkempt and dim,Throbs her sorrow out to them.The dying day gives all who sorrowThe boon no king may give: a morrow.
Words in this poem
- caressingly
- In caressing manner.
- croon v. i.
- To make a continuous hollow moan, as cattle do when in pain.
- wayward a.
- Taking one's own way; disobedient; froward; perverse; willful. [OE. weiward, for aweiward, i. e., turned away. See Away, and -ward.]
- shoreless a.
- Having no shore or coast; of indefinite or unlimited extent; as, a shoreless ocean. Young.
- aimless a.
- Without aim or purpose; as, an aimless life.
- soberly a.
- Grave; serious; solemn; sad.
- glade n.
- An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
- peopled a.
- Stocked with, or as with, people; inhabited.
- aloud adv.
- With a loud voice, or great noise; loudly; audibly. [Pref. a- + loud.]
- insensate a.
- Wanting sensibility; destitute of sense; stupid; foolish. [L. insensatus. See In- not, and Sensate.]
- seemingly adv.
- In appearance; in show; in semblance; apparently; ostensibly.
- unkempt a.
- Not combed; disheveled; as, an urchin with unkempt hair. [Pref. un- not + kempt, p. p. of kemb.]
- boon n.
- A prayer or petition. [OE. bone, boin, a petition, fr. Icel. b; akin to Sw. & Dan. b, AS. b, and perh. to E. ban; but influenced by F. bon good, fr. L. bonus. Ban, Bounty.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
I am sad, nor yet can I is in the public domain. This text is taken from The Marble Faun, Wikisource; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Faulkner, I am sad, nor yet can I, in The Marble Faun (1924), text of Wikisource, Laurel, https://laurelpoetry.com/poem/faulkner-marble-faun/section-8.html, id L28620.
Form and metre
I am sad, nor yet can I is 55 lines in 3 verse paragraphs. It is in rhyming couplets, 87% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 91%).
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABB--CCDDEEFFGG-F iA · whyA · goB · flowB · deeps · sleeps · moonC · croonC · starD · farD · streamE · dreamE · treesF · breezeF · slipG · lipG · fanned · breezeF
- 2 -AABBCCDDEEAAF-DDFFGG stand · criesA · skiesA · rainB · stainB · strayC · playC · gladeD · shadeD · allE · fallE · skiesA · eyesA · dieF · quietly · gladeD · shadeD · cryF · skyF · flameG · nameG
- 3 AABBCCDDEEFFGGHH soundA · roundA · breezeB · treesB · criesC · skiesC · starsD · barsD · mateE · insensateE · woeF · knowF · dimG · themG · sorrowH · morrowH
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| I am sad, nor yet can I, | 7 | ······· |
| For all my questing, reason why; | 8 | ···/˘/˘· |
| And now as night falls I will go | 8 | ········ |
| Where two breezes joining flow | 7 | ··/˘/˘· |
| Above a stream whose gleamless deeps | 8 | ········ |
| Caressingly sing the while it sleeps | 9 | ˘/˘˘····· |
| Upon sands powdered by the moon. | 8 | ···/˘··· |
| And there I'll lie to hear it croon | 8 | ········ |
| In fondling a wayward star | 8 | ·/˘˘·/˘· |
| Fallen from the shoreless far | 7 | /˘··/˘· |
| Sky, while winds in misty stream, | 7 | ····/˘· |
| Laughing and weeping in a dream, | 8 | /˘·/˘··· |
| Whisper of an orchard's trees | 7 | /˘··/˘· |
| That, shaken by the aimless breeze, | 8 | ·/˘··/˘· |
| Let their blossoms fade and slip | 7 | ··/˘··· |
| Soberly, as lip to lip | 7 | /˘˘···· |
| They touch the misty grasses fanned | 8 | ···/˘/˘· |
| To ripples by the breeze. | 6 | ·/˘··· |
| Here stand | 2 | ·· |
| The clustered lilacs faint as cries | 8 | ·/˘/···· |
| Against the silken-breasted skies; | 8 | ···/˘/˘· |
| They nod and sway, and slow as rain | 8 | ········ |
| Their slowly falling petals stain | 8 | ·/˘/˘/˘· |
| The grass as through them breezes stray, | 8 | ·····/˘· |
| Smoothing them in silver play. | 7 | /˘··/˘· |
| And we, the marbles in the glade, | 8 | ···/˘··· |
| Dreaming in the leafy shade | 7 | /˘··/˘· |
| Are saddened, for we know that all | 8 | ·/˘····· |
| Things save us must fade and fall, | 7 | ······· |
| And the moon that sits there in the skies | 9 | ········· |
| Draws her hair across her eyes: | 7 | ···˘/·· |
| She sees the blossoms blow and die, | 8 | ···/˘··· |
| Soberly and quietly, | 7 | /˘˘·/˘˘ |
| Till spring breaks in the waiting glade | 8 | ·····/˘· |
| And the first thin branchèd shade | 6 | ······ |
| Falls 'thwart them, and the swallows' cry | 8 | ·····/˘· |
| Calls down from the stirring sky, | 7 | ····/˘· |
| Thin and cold and hot as flame | 7 | ······· |
| Where spring is nothing but a name. | 8 | ···/˘··· |
| The stream flows calmly without sound | 8 | ···/˘··· |
| In the darkness gathered round; | 8 | ··/˘/˘˘· |
| Trembling to the vagrant breeze | 8 | /˘˘··/˘· |
| About me stand the inky trees | 8 | ·····/˘· |
| Peopled by some bird's loud cries, | 8 | /˘˘····· |
| Until it seems as if the skies | 8 | ········ |
| Had shaken down their blossomed stars | 8 | ·/˘··/˘· |
| Seeking among the trees' dim bars, | 8 | /˘······ |
| Crying aloud, each for its mate, | 8 | /˘˘/···· |
| About the old earth, insensate, | 8 | ·····˘/˘ |
| Seemingly, to their white woe, | 7 | /˘˘···· |
| But their sorrow does she know | 7 | ··/˘··· |
| And her breast, unkempt and dim, | 7 | ···˘/·· |
| Throbs her sorrow out to them. | 7 | ··/˘··· |
| The dying day gives all who sorrow | 9 | ·/˘····/˘ |
| The boon no king may give: a morrow. | 9 | ·······/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.