The ringèd moon sits eerily
The ringèd moon sits eerilyLike a mad woman in the sky,Dropping flat hands to caressThe far world's shaggy flanks and breast,Plunging white hands in the gladeElbow deep in leafy shadeWhere birds sleep in each silent brakeSilverly, there to wakeThe quivering loud nightingalesWhose cries like scattered silver sailsSpread across the azure sea.Her hands also caress me:My keen heart also does she dare;While turning always through the skiesHer white feet mirrored in my eyesWeave a snare about my brainUnbreakable by surge or strain,For the moon is mad, for she is old,And many's the bead of a life she's told;And many's the fair one she's seen wither:They pass, they pass, and know not whither.
The hushèd earth, so calm, so old,Dreams beneath its heath and wold—And heavy scent from thorny hedgePaused and snowy on the edgeOf some dark ravine, from whereMists as soft and thick as hairFloat silver in the moon.
Stars sweep down—or are they stars?—Against the pines' dark etchèd bars.Along a brooding moon-wet hillDogwood shines so cool and still,Like hands that, palm up, rigid lieIn invocation to the skyAs they spread there, frozen white,Upon the velvet of the night.
Words in this poem
- eerily adv.
- In a strange, unearthly way.
- caress n.
- An act of endearment; any act or expression of affection; an embracing, or touching, with tenderness. [F. caresse, It. carezza, LL. caritia dearness, fr. L. carus dear. See Charity.]
- glade n.
- An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
- silverly adv.
- Like silver in appearance or in sound.
- whither adv.
- To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
- wold n.
- A wood; a forest. [OE. wold, wald, AS. weald, wald, a wood, forest; akin to OFries. & OS. wald, D. woud, G. wald, Icel. völlr, a field, and probably to Gr. va a garden, inclosure.]
- snowy a.
- White like snow.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The ringèd moon sits eerily is in the public domain. This text is taken from The Marble Faun, Wikisource; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Faulkner, The ringèd moon sits eerily, in The Marble Faun (1924), text of Wikisource, Laurel, https://laurelpoetry.com/poem/faulkner-marble-faun/section-9.html, id L28621.
Form and metre
The ringèd moon sits eerily is 36 lines in 3 verse paragraphs. It is in rhyming couplets, 61% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 86%).
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ----AABBCCDD-EEFFGGHH eerily · sky · caress · breast · gladeA · shadeA · brakeB · wakeB · nightingalesC · sailsC · seaD · meD · dare · skiesE · eyesE · brainF · strainF · oldG · toldG · witherH · whitherH
- 2 AABBCC- oldA · woldA · hedgeB · edgeB · whereC · hairC · moon
- 3 AABBCCDD starsA · barsA · hillB · stillB · lieC · skyC · whiteD · nightD
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| The ringèd moon sits eerily | 7 | ····/˘˘ |
| Like a mad woman in the sky, | 8 | ···/˘··· |
| Dropping flat hands to caress | 7 | /˘···˘/ |
| The far world's shaggy flanks and breast, | 8 | ···/˘··· |
| Plunging white hands in the glade | 7 | /˘····· |
| Elbow deep in leafy shade | 7 | /···/˘· |
| Where birds sleep in each silent brake | 8 | ·····/˘· |
| Silverly, there to wake | 6 | /˘˘··· |
| The quivering loud nightingales | 8 | ·/˘˘·/˘˘ |
| Whose cries like scattered silver sails | 8 | ···/˘/˘· |
| Spread across the azure sea. | 7 | ·˘/·/˘· |
| Her hands also caress me: | 7 | ··/˘˘/· |
| My keen heart also does she dare; | 8 | ···/˘··· |
| While turning always through the skies | 8 | ·/˘/···· |
| Her white feet mirrored in my eyes | 8 | ···/˘··· |
| Weave a snare about my brain | 7 | ······· |
| Unbreakable by surge or strain, | 8 | ˘/˘˘···· |
| For the moon is mad, for she is old, | 9 | ········· |
| And many's the bead of a life she's told; | 10 | ·/˘······· |
| And many's the fair one she's seen wither: | 10 | ·/˘·····/˘ |
| They pass, they pass, and know not whither. | 9 | ·······/˘ |
| The hushèd earth, so calm, so old, | 8 | ········ |
| Dreams beneath its heath and wold— | 7 | ······· |
| And heavy scent from thorny hedge | 8 | ·/˘··/˘· |
| Paused and snowy on the edge | 8 | ·˘·/˘··· |
| Of some dark ravine, from where | 7 | ···˘/·· |
| Mists as soft and thick as hair | 7 | ······· |
| Float silver in the moon. | 6 | ·/˘··· |
| Stars sweep down—or are they stars?— | 7 | ······· |
| Against the pines' dark etchèd bars. | 7 | ······· |
| Along a brooding moon-wet hill | 8 | ˘/·/˘··· |
| Dogwood shines so cool and still, | 7 | /······ |
| Like hands that, palm up, rigid lie | 8 | ·····/˘· |
| In invocation to the sky | 8 | ··˘/˘··· |
| As they spread there, frozen white, | 7 | ····/˘· |
| Upon the velvet of the night. | 8 | ···/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.