Cawing rooks in tangled flight
Cawing rooks in tangled flightCome crowding home against the night.And all other wings are stillExcept rooks tumbling down the hillOf evening sky. The crimson fallsUpon the solemn ivied walls;The horns of sunset slowly soundBetween the waiting sky and ground;The cedars painted on the skyHide the sun slow flaminglyRepeated level on the lake,Smooth and still and without shake,Until the swans' inverted graceWreathes in thought its placid faceWith spreading lines like opening fansMoved by white and languid hands.
Now the vesper song of bellsBeneath the evening flows and swells,And the twilight's silver throatSlowly repeats each resonant note:The dying day gives those who sorrowA boon no king can give: a morrow.
The westering sun has climbed the wallAnd silently we watch night fallWhile sunset lingers in the treesIts subtle gold-shot tapestries,The sky is velvet overheadWhere petalled stars are canopiedLike sequins in a spreading trainWithout fold or break or stain.
A cool wind whispers by the headsOf flowers dreaming in their bedsLike convent girls, filling their sleepWith strange dreams from the outer deep.On every hill battalioned treesMarch skyward on unmoving knees,And like a spider on a veilClimbs the moon. A nightingale,Lost in the trees against the sky,Loudly repeats its jewelled cry.
Words in this poem
- ivied a.
- Overgrown with ivy. [From Ivy.]
- flamingly adv.
- In a flaming manner.
- placid a.
- Pleased; contented; unruffied; undisturbed; serene; peaceful; tranquil; quiet; gentle. [L. placidus, originally, pleasing, mild, from placere to please: cf. F. placide. See Please.]
- vesper n.
- The evening star; Hesper; Venus, when seen after sunset; hence, the evening. [L., the evening, the evening star, the west; akin to Gr. west. Cf. Hesperian, Vespers.]
- boon n.
- A prayer or petition. [OE. bone, boin, a petition, fr. Icel. b; akin to Sw. & Dan. b, AS. b, and perh. to E. ban; but influenced by F. bon good, fr. L. bonus. Ban, Bounty.]
- westering a.
- Passing to the west.
- skyward a.
- Toward the sky.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Cawing rooks in tangled flight is in the public domain. This text is taken from The Marble Faun, Wikisource; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Faulkner, Cawing rooks in tangled flight, in The Marble Faun (1924), text of Wikisource, Laurel, https://laurelpoetry.com/poem/faulkner-marble-faun/section-7.html, id L28619.
Form and metre
Cawing rooks in tangled flight is 40 lines in 4 verse paragraphs. It is in rhyming couplets, 95% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 91%).
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGGHH flightA · nightA · stillB · hillB · fallsC · wallsC · soundD · groundD · skyE · flaminglyE · lakeF · shakeF · graceG · faceG · fansH · handsH
- 2 AABBCC bellsA · swellsA · throatB · noteB · sorrowC · morrowC
- 3 AABB--CC wallA · fallA · treesB · tapestriesB · overhead · canopied · trainC · stainC
- 4 AABBCCDDEE headsA · bedsA · sleepB · deepB · treesC · kneesC · veilD · nightingaleD · skyE · cryE
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Cawing rooks in tangled flight | 8 | ····/˘˘· |
| Come crowding home against the night. | 8 | ·/˘····· |
| And all other wings are still | 7 | ··/˘··· |
| Except rooks tumbling down the hill | 8 | ···/˘··· |
| Of evening sky. The crimson falls | 8 | ·/˘··/˘· |
| Upon the solemn ivied walls; | 8 | ···/˘/˘· |
| The horns of sunset slowly sound | 8 | ···/·/˘· |
| Between the waiting sky and ground; | 8 | ···/˘··· |
| The cedars painted on the sky | 8 | ·/˘/˘··· |
| Hide the sun slow flamingly | 7 | ····/˘˘ |
| Repeated level on the lake, | 8 | ˘/˘/˘··· |
| Smooth and still and without shake, | 7 | ······· |
| Until the swans' inverted grace | 8 | ····˘/˘· |
| Wreathes in thought its placid face | 7 | ····/˘· |
| With spreading lines like opening fans | 8 | ·/˘··/˘· |
| Moved by white and languid hands. | 8 | ·˘···/˘· |
| Now the vesper song of bells | 7 | ··/˘··· |
| Beneath the evening flows and swells, | 8 | ···/˘··· |
| And the twilight's silver throat | 7 | ··/·/˘· |
| Slowly repeats each resonant note: | 8 | /˘˘/·/˘· |
| The dying day gives those who sorrow | 9 | ·/˘····/˘ |
| A boon no king can give: a morrow. | 9 | ·······/˘ |
| The westering sun has climbed the wall | 8 | ·/˘····· |
| And silently we watch night fall | 8 | ·/˘˘···· |
| While sunset lingers in the trees | 8 | ·/·/˘··· |
| Its subtle gold-shot tapestries, | 8 | ·/˘··/˘˘ |
| The sky is velvet overhead | 8 | ···/˘/˘/ |
| Where petalled stars are canopied | 8 | ·/˘˘···· |
| Like sequins in a spreading train | 8 | ·/˘··/˘· |
| Without fold or break or stain. | 7 | ······· |
| A cool wind whispers by the heads | 8 | ···/˘··· |
| Of flowers dreaming in their beds | 8 | ·/˘/˘··· |
| Like convent girls, filling their sleep | 8 | ·/··/˘·· |
| With strange dreams from the outer deep. | 8 | ·····/˘· |
| On every hill battalioned trees | 8 | ·/˘·˘/˘· |
| March skyward on unmoving knees, | 8 | ·/˘····· |
| And like a spider on a veil | 8 | ···/˘··· |
| Climbs the moon. A nightingale, | 7 | ····/˘˘ |
| Lost in the trees against the sky, | 8 | ········ |
| Loudly repeats its jewelled cry. | 8 | /˘˘/·/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.