Act the First: Scene V
ASTOLFO. Struck at once with admirationAt thy starry eyes outshining,Mingle many a salutation,Drums and trumpet-notes combining,Founts and birds in alternation;Wondering here to see thee pass,Music in grand chorus gathersAll her notes from grove and grass:Here are trumpets formed of feathers,There are birds that breathe in brass.All salute thee, fair Senora,Ordnance as their Queen proclaim thee,Beauteous birds as their Aurora,As their Pallas trumpets name thee,And the sweet flowers as their Flora;For Aurora sure thou art,Bright as day that conquers night --Thine is Flora's peaceful part,Thou art Pallas in thy might,And as Queen thou rul'st my heart.
ESTRELLA. If the human voice obeyingShould with human action pair,Then you have said ill in sayingAll these flattering words and fair,Since in truth they are gainsayingThis parade of victory,'Gainst which I my standard rear,Since they say, it seems to me,Not the flatteries that I hear,But the rigours that I see.Think, too, what a base inventionFrom a wild beast's treachery sprung,--Fraudful mother of dissension --Is to flatter with the tongue,And to kill with the intention.
ASTOLFO. Ill informed you must have been,Fair Estrella, thus to throwDoubt on my respectful mien:Let your ear attentive leanWhile the cause I strive show.King Eustorgius the Fair,Third so called, died leaving twoDaughters, and Basilius heir;Of his sisters I and youAre the children -- I forbearTo recall a single sceneSave what's needful. Clorilene,Your good mother and my aunt,Who is now a habitantOf a sphere of sunnier sheen,Was the elder, of whom youAre the daughter; Recisunda,Whom God guard a thousand years,Her fair sister (RosamundaWere she called if names were true)Wed in Muscovy, of whomI was born. 'Tis needful nowThe commencement to resume.King Basilius, who doth bow'Neath the weight of years, the doomAge imposes, more inclinedTo the studies of the mindThan to women, wifeless, lone,Without sons, to fill his throneI and you our way would find.You, the elder's child, averred,That the crown you stood more nigh:I, maintaining that you erred,Held, though born of the younger, I,Being a man, should be preferred.Thus our mutual pretensionTo our uncle we related,Who replied that he would mentionHere, and on this day he stated,What might settle the dissension.With this end, from MuscovyI set out, and with that view,I to-day fair Poland see,And not making war on you,Wait till war you make on me.Would to love -- that God so wise --That the crowd may be a sureAstrologue to read the skies,And this festive truce secureBoth to you and me the prize,Making you a Queen, but QueenBy my will, our uncle leavingYou the throne we'll share between --And my love a realm receivingDearer than a King's demesne.
ESTRELLA. Well, I must be generous too,For a gallantry so fine;This imperial realm you view,If I wish it to be mine'Tis to give it unto you.Though if I the truth confessed,I must fear your love may fail --Flattering words are words at best,For perhaps a truer taleTells that portrait on your breast.
ASTOLFO. On that point complete contentWill I give your mind, not here,For each sounding instrumentTells us that the King is near,With his Court and Parliament.
Words in this poem 18
- admiration n.
- Wonder; astonishment. [F., fr. L. admiratio. See Admire.]
- starry a.
- Abounding with stars; adorned with stars.
- trumpets n.
- A plant (Sarracenia flava) with long, hollow leaves.
- beauteous a.
- Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
- aurora n.
- The rising light of the morning; the dawn of day; the redness of the sky just before the sun rises. [L. aurora, for ausosa, akin to Gr. ushas, and E. east.]
- pallas n.
- Pallas Athene, the Grecian goddess of wisdom, called also Athene, and identified, at a later period, with the Roman Minerva.
- flora n.
- The goddess of flowers and spring. [L., the goddess of flowers, from flos, floris, flower. See Flower.]
- fraudful a.
- Full of fraud, deceit, or treachery; trickish; treacherous; fraudulent; -- applied to persons or things. I. Taylor.
- informed a.
- Unformed or ill-formed; deformed; shapeless.
- needful a.
- Full of need; in need or want; needy; distressing.
- habitant n.
- An inhabitant; a dweller. Milton. [F. habitant. See Habit, v.t]
- sheen v. i.
- To shine; to glisten.
- resume n.
- A summing up; a condensed statement; an abridgment or brief recapitulation. [F. See Resume.]
- wifeless a.
- Without a wife; unmarried.
- lone n.
- A lane. See Loanin.
- generous a.
- Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
- gallantry n.
- Splendor of appearance; ostentatious finery. [F. galanterie.]
- parliament n.
- A parleying; a discussion; a conference. [OE. parlement, F. parlement, fr. parler to speak; cf. LL. parlamentum, parliamentum. See Parley.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Act the First: Scene V is in the public domain. This text is taken from Life Is a Dream, Project Gutenberg ebook #6363, the Denis Florence MacCarthy translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Pedro Calderón de la Barca, Act the First: Scene V, in Life Is a Dream (1873), text of Project Gutenberg ebook #6363, Laurel, https://laurelpoetry.com/poem/calderon-life-is-a-dream/act-the-first-scene-v.html, id L26562.
Form and metre
Act the First: Scene V is 105 lines in 5 stanzas. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 87%).
See other poems in trochaic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABAC-C-CDEDEDFGFGF admirationA · outshiningB · salutationA · combiningB · alternationA · passC · gathers · grassC · feathers · brassC · senoraD · theeE · auroraD · theeE · floraD · artF · nightG · partF · mightG · heartF
- 2 ABABA-CDCDEFEF- obeyingA · pairB · sayingA · fairB · gainsayingA · victory · rearC · meD · hearC · seeD · inventionE · sprungF · dissensionE · tongueF · intention
- 3 -ABBACDCD-EEFFEGH-HGIJIJIKKLLKMN-NMOMOMO-PQPQRSRSRTUTU- been · throwA · mienB · leanB · showA · fairC · twoD · heirC · youD · forbear · sceneE · clorileneE · auntF · habitantF · sheenE · youG · recisundaH · years · rosamundaH · trueG · whomI · nowJ · resumeI · bowJ · doomI · inclinedK · mindK · loneL · throneL · findK · averredM · nighN · erred · iN · preferredM · pretensionO · relatedM · mentionO · statedM · dissensionO · muscovy · viewP · seeQ · youP · meQ · wiseR · sureS · skiesR · secureS · prizeR · queenT · leavingU · betweenT · receivingU · demesne
- 4 ABABACDCDC tooA · fineB · viewA · mineB · youA · confessedC · failD · bestC · taleD · breastC
- 5 -A-A- content · hereA · instrument · nearA · parliament
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| ASTOLFO. Struck at once with admiration | 11 | ········˘/˘ |
| At thy starry eyes outshining, | 8 | ··/˘·/·˘ |
| Mingle many a salutation, | 8 | /˘/····· |
| Drums and trumpet-notes combining, | 8 | ··/˘·˘/˘ |
| Founts and birds in alternation; | 8 | ····/˘·˘ |
| Wondering here to see thee pass, | 8 | /˘˘····· |
| Music in grand chorus gathers | 8 | /˘··/˘/˘ |
| All her notes from grove and grass: | 7 | ······· |
| Here are trumpets formed of feathers, | 8 | ··/˘··/˘ |
| There are birds that breathe in brass. | 7 | ······· |
| All salute thee, fair Senora, | 8 | ·˘/···/˘ |
| Ordnance as their Queen proclaim thee, | 8 | /˘···˘/· |
| Beauteous birds as their Aurora, | 9 | /˘˘······ |
| As their Pallas trumpets name thee, | 8 | ····/˘·· |
| And the sweet flowers as their Flora; | 9 | ···/˘··/˘ |
| For Aurora sure thou art, | 7 | ······· |
| Bright as day that conquers night -- | 7 | ····/˘· |
| Thine is Flora's peaceful part, | 7 | ··/˘/˘· |
| Thou art Pallas in thy might, | 7 | ······· |
| And as Queen thou rul'st my heart. | 7 | ······· |
| ESTRELLA. If the human voice obeying | 11 | ·/˘··/˘·˘/˘ |
| Should with human action pair, | 7 | ··/˘/˘· |
| Then you have said ill in saying | 8 | ······/˘ |
| All these flattering words and fair, | 8 | ··/˘˘··· |
| Since in truth they are gainsaying | 8 | ·····/·˘ |
| This parade of victory, | 7 | ·˘/·/˘˘ |
| 'Gainst which I my standard rear, | 7 | ····/˘· |
| Since they say, it seems to me, | 7 | ······· |
| Not the flatteries that I hear, | 8 | ··/˘˘··· |
| But the rigours that I see. | 7 | ··/˘··· |
| Think, too, what a base invention | 8 | ·····˘/˘ |
| From a wild beast's treachery sprung,-- | 8 | ····/˘˘· |
| Fraudful mother of dissension -- | 8 | /˘/˘·˘/˘ |
| Is to flatter with the tongue, | 7 | ··/˘··· |
| And to kill with the intention. | 8 | ·····˘/˘ |
| ASTOLFO. Ill informed you must have been, | 10 | ····˘/···· |
| Fair Estrella, thus to throw | 7 | ··/˘··· |
| Doubt on my respectful mien: | 7 | ···˘/˘· |
| Let your ear attentive lean | 7 | ···˘/˘· |
| While the cause I strive show. | 6 | ······ |
| King Eustorgius the Fair, | 6 | ······ |
| Third so called, died leaving two | 8 | ···˘·/˘· |
| Daughters, and Basilius heir; | 7 | /˘····· |
| Of his sisters I and you | 7 | ··/˘··· |
| Are the children -- I forbear | 7 | ··/˘·˘/ |
| To recall a single scene | 7 | ·˘/·/˘· |
| Save what's needful. Clorilene, | 7 | ··/˘··· |
| Your good mother and my aunt, | 7 | ··/˘··· |
| Who is now a habitant | 7 | ······· |
| Of a sphere of sunnier sheen, | 7 | ······· |
| Was the elder, of whom you | 7 | ··/˘··· |
| Are the daughter; Recisunda, | 8 | ··/˘···· |
| Whom God guard a thousand years, | 7 | ····/˘· |
| Her fair sister (Rosamunda | 8 | ··/˘···· |
| Were she called if names were true) | 8 | ···˘···· |
| Wed in Muscovy, of whom | 8 | ········ |
| I was born. 'Tis needful now | 7 | ····/˘· |
| The commencement to resume. | 7 | ·˘/˘·˘/ |
| King Basilius, who doth bow | 7 | ······· |
| 'Neath the weight of years, the doom | 7 | ······· |
| Age imposes, more inclined | 8 | ·˘/˘·˘/˘ |
| To the studies of the mind | 7 | ··/˘··· |
| Than to women, wifeless, lone, | 7 | ··/˘/˘· |
| Without sons, to fill his throne | 7 | ······· |
| I and you our way would find. | 8 | ···/˘··· |
| You, the elder's child, averred, | 8 | ··/˘·/˘˘ |
| That the crown you stood more nigh: | 7 | ······· |
| I, maintaining that you erred, | 8 | ·˘/˘···˘ |
| Held, though born of the younger, I, | 8 | ·····/˘· |
| Being a man, should be preferred. | 8 | /˘····˘/ |
| Thus our mutual pretension | 9 | ·/˘/˘˘˘/˘ |
| To our uncle we related, | 9 | ·/˘/˘·˘/˘ |
| Who replied that he would mention | 8 | ·˘/···/˘ |
| Here, and on this day he stated, | 8 | ······/˘ |
| What might settle the dissension. | 8 | ··/˘·˘/˘ |
| With this end, from Muscovy | 8 | ········ |
| I set out, and with that view, | 7 | ······· |
| I to-day fair Poland see, | 7 | ····/˘· |
| And not making war on you, | 7 | ··/˘··· |
| Wait till war you make on me. | 7 | ······· |
| Would to love -- that God so wise -- | 7 | ······· |
| That the crowd may be a sure | 7 | ······· |
| Astrologue to read the skies, | 7 | ······· |
| And this festive truce secure | 7 | ··/˘·˘/ |
| Both to you and me the prize, | 7 | ······· |
| Making you a Queen, but Queen | 7 | /˘····· |
| By my will, our uncle leaving | 9 | ···/˘/˘/˘ |
| You the throne we'll share between -- | 7 | ······· |
| And my love a realm receiving | 8 | ·····˘/˘ |
| Dearer than a King's demesne. | 7 | /˘···˘/ |
| ESTRELLA. Well, I must be generous too, | 10 | ·/˘····/˘· |
| For a gallantry so fine; | 7 | ··/˘˘·· |
| This imperial realm you view, | 8 | ·˘/˘˘··· |
| If I wish it to be mine | 7 | ······· |
| 'Tis to give it unto you. | 7 | ······· |
| Though if I the truth confessed, | 8 | ·····˘/˘ |
| I must fear your love may fail -- | 7 | ······· |
| Flattering words are words at best, | 8 | /˘˘····· |
| For perhaps a truer tale | 7 | ·˘/·/˘· |
| Tells that portrait on your breast. | 7 | ··/˘··· |
| ASTOLFO. On that point complete content | 10 | ······˘/˘/ |
| Will I give your mind, not here, | 7 | ······· |
| For each sounding instrument | 7 | ··/˘/˘˘ |
| Tells us that the King is near, | 7 | ······· |
| With his Court and Parliament. | 7 | ····/˘˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.