How It Strikes a Contemporary
I only knew one poet in my life:And this, or something like it, was his way.
You saw go up and down Valladolid,A man of mark, to know next time you saw.His very serviceable suit of blackWas courtly once and conscientious still,And many might have worn it, though none did;The cloak, that somewhat shone and showed the threads,Had purpose, and the ruff, significance.He walked and tapped the pavement with his cane,Scenting the world, looking it full in face,An old dog, bald and blindish, at his heels.They turned up, now, the alley by the church,That leads nowhither; now, they breathed themselvesOn the main promenade just at the wrong time;You'd come upon his scrutinizing hat,Making a peaked shade blacker than itselfAgainst the single window spared some houseIntact yet with its moldered Moorish work--Or else surprise the ferrel of his stickTrying the mortar's temper 'tween the chinksOf some new shop a-building, French and fine.He stood and watched the cobbler at his trade,The man who slices lemons into drink,The coffee-roaster's brazier, and the boysThat volunteer to help him turn its winch.He glanced o'er books on stalls with half an eye,And fly-leaf ballads on the vender's string,And broad-edge bold-print posters by the wall.He took such cognizance of men and things,If any beat a horse, you felt he saw;If any cursed a woman, he took note;Yet stared at nobody--you stared at him,And found, less to your pleasure than surprise,He seemed to know you and expect as much.So, next time that a neighbor's tongue was loosed,It marked the shameful and notorious fact,We had among us, not so much a spy,As a recording chief-inquisitor,The town's true master if the town but knew!We merely kept a governor for form,While this man walked about and took accountOf all thought, said and acted, then went home,And wrote it fully to our Lord the KingWho has an itch to know things, he knows why,And reads them in his bedroom of a night.Oh, you might smile! there wanted not a touch,A tang of ... well, it was not wholly easeAs back into your mind the man's look came.Stricken in years a little--such a browHis eyes had to live under!--clear as flintOn either side the formidable noseCurved, cut and colored like an eagle's claw.Had he to do with A's surprising fate?When altogether old B disappearedAnd young C got his mistress--was't our friend,His letter to the King, that did it all?What paid the bloodless man for so much pains?Our Lord the King has favorites manifold,And shifts his ministry some once a month;Our city gets new governors at whiles--But never word or sign, that I could hear,Notified to this man about the streetsThe King's approval of those letters connedThe last thing duly at the dead of night.Did the man love his office? Frowned our Lord,Exhorting when none heard--"Beseech me not!Too far above my people--beneath me!I set the watch--how should the people know?Forget them, keep me all the more in mind!"Was some such understanding 'twixt the two?
I found no truth in one report at least--That if you tracked him to his home, down lanesBeyond the Jewry, and as clean to pace,You found he ate his supper in a roomBlazing with lights, four Titians on the walls,And twenty naked girls to change his plate!Poor man, he lived another kind of lifeIn that new stuccoed third house by the bridge,Fresh-painted, rather smart than otherwise!The whole street might o'erlook him as he sat,Leg crossing leg, one foot on the dog's back,Playing a decent cribbage with his maid(Jacynth, you're sure her name was) o'er the cheeseAnd fruit, three red halves of starved winter-pears,Or treat of radishes in April. Nine,Ten, struck the church clock, straight to bed went he.
My father, like the man of sense he was,Would point him out to me a dozen times;"'St--'St," he'd whisper, "the Corregidor!"I had been used to think that personageWas one with lacquered breeches, lustrous belt,And feathers like a forest in his hat,Who blew a trumpet and proclaimed the news,Announced the bull-fights, gave each church its turn,And memorized the miracle in vogue!He had a great observance from us boys;We were in error; that was not the man.
I'd like now, yet had haply been afraid,To have just looked, when this man came to die,And seen who lined the clean gay garret-sidesAnd stood about the neat low truckle-bed,With the heavenly manner of relieving guard.Here had been, mark, the general-in-chief,Through a whole campaign of the world's life and death,Doing the King's work all the dim day long,In his old coat and up to knees in mud,Smoked like a herring, dining on a crust--And, now the day was won, relieved at once!No further show or need for that old coat,You are sure, for one thing! Bless us, all the whileHow sprucely we are dressed out, you and I!A second, and the angels alter that.Well, I could never write a verse--could you?Let's to the Prado and make the most of time.
Words in this poem 22
- courtly a.
- Relating or belonging to a court. [From Court.]
- conscientious a.
- Influenced by conscience; governed by a strict regard to the dictates of conscience, or by the known or supposed rules of right and wrong; -- said of a person. [Cf. F. consciencieux, LL. conscientiosus.]
- nowhither adv.
- Not anywhither; in no direction; nowhere. [No + whither.]
- promenade n.
- A walk for pleasure, display, or exercise. Burke. [F. (with a foreign suffix), from promener to lead, take for a walk, se promener to walk, from L. prominare to drive forward or along; pro forward + minare to dr]
- peaked a.
- Pointed; ending in a point; as, a peaked roof.
- intact a.
- Untouched, especially by anything that harms, defiles, or the like; uninjured; undefiled; left complete or entire. Buckle. [L. intactus; pref. in- not + tactus, p. p. of tangere to touch: cf. F. intact. See In- not, and Tact, Tangent.]
- brazier n.
- An artificer who works in brass. Franklin. [OE. brasiere, F. braise live coals. See Brass.]
- cursed a.
- Deserving a curse; execrable; hateful; detestable; abominable.
- nobody n.
- No person; no one; not anybody. [No, a. + body.]
- expect v. t.
- To wait for; to await. [L. expectatum, to look out for, await, expect; ex + out spectare to look at. See Spectacle.]
- went n.
- Course; way; path; journey; direction.
- wrote v. i.
- To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
- bedroom n.
- A room or apartment intended or used for a bed; a lodging room.
- stricken p. p.
- Struck; smitten; wounded; as, the stricken deer.
- altogether adv.
- All together; conjointly. [OE. altogedere; al all + togedere together. See Together.]
- whiles conj.
- During the time that; while. Chaucer. Fuller.
- jewry n.
- Judea; also, a district inhabited by Jews; a Jews' quarter. [OE. Jewerie, OF. Juierie, F. Juiverie.]
- cribbage n.
- A game of cards, played by two or four persons, in which there is a crib. (See Crib, 11.) It is characterized by a great variety of chances. [From Crib, v. t., 2.]
- corregidor n.
- The chief magistrate of a Spanish town. [Sp., orig., a corrector.]
- vogue n.
- The way or fashion of people at any particular time; temporary mode, custom, or practice; popular reception for the time; -- used now generally in the phrase in vogue. [F. vogue a rowing, vogue, fashion, It. voga, fr. vogare to row, to sail; probably fr. OHG. wag to move, akin to E. way. Cf. Way.]
- haply adv.
- By hap, chance, luck, or accident; perhaps; it may be.
- campaign n.
- An open field; a large, open plain without considerable hills. [F. campagne, It. campagna, fr. L. Campania the level country about Naples, fr. campus field. See Camp, and cf. Champaign, Champagne.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
How It Strikes a Contemporary is in the public domain. This text is taken from Selections from the Poems and Plays of Robert Browning, Project Gutenberg ebook #28041; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Robert Browning, How It Strikes a Contemporary, in Selections from the Poems and Plays of Robert Browning (1864), text of Project Gutenberg ebook #28041, Laurel, https://laurelpoetry.com/poem/browning-selections/how-it-strikes-a-contemporary.html, id L25106.
Form and metre
How It Strikes a Contemporary is 115 lines in 5 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 5 -A-----------A--- afraid · dieA · sides · bed · guard · chief · death · long · mud · crust · once · coat · while · iA · that · you · time
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| I only knew one poet in my life: | 10 | ·/˘··/˘··· |
| And this, or something like it, was his way. | 10 | ···/˘····· |
| You saw go up and down Valladolid, | 10 | ·········· |
| A man of mark, to know next time you saw. | 10 | ·········· |
| His very serviceable suit of black | 10 | ·/˘/˘˘˘··· |
| Was courtly once and conscientious still, | 10 | ·/˘···˘/˘· |
| And many might have worn it, though none did; | 10 | ·/˘······· |
| The cloak, that somewhat shone and showed the threads, | 10 | ···//····· |
| Had purpose, and the ruff, significance. | 10 | ·/˘···˘/˘˘ |
| He walked and tapped the pavement with his cane, | 10 | ·····/˘··· |
| Scenting the world, looking it full in face, | 10 | /˘··/˘···· |
| An old dog, bald and blindish, at his heels. | 10 | ·········· |
| They turned up, now, the alley by the church, | 10 | ·····/˘··· |
| That leads nowhither; now, they breathed themselves | 10 | ··/˘···˘˘/ |
| On the main promenade just at the wrong time; | 11 | ····˘/····· |
| You'd come upon his scrutinizing hat, | 10 | ·····/˘·˘· |
| Making a peaked shade blacker than itself | 10 | /˘···/˘·˘/ |
| Against the single window spared some house | 10 | ···/˘/˘··· |
| Intact yet with its moldered Moorish work-- | 10 | ˘/···/˘/˘· |
| Or else surprise the ferrel of his stick | 10 | ··˘/·˘/··· |
| Trying the mortar's temper 'tween the chinks | 10 | /˘·/˘/˘··· |
| Of some new shop a-building, French and fine. | 10 | ·····/˘··· |
| He stood and watched the cobbler at his trade, | 10 | ·····/˘··· |
| The man who slices lemons into drink, | 10 | ···/˘/˘··· |
| The coffee-roaster's brazier, and the boys | 10 | ·/˘/˘/˘··· |
| That volunteer to help him turn its winch. | 10 | ··˘/······ |
| He glanced o'er books on stalls with half an eye, | 10 | ·········· |
| And fly-leaf ballads on the vender's string, | 10 | ···/˘····· |
| And broad-edge bold-print posters by the wall. | 10 | ·····/˘··· |
| He took such cognizance of men and things, | 10 | ···/˘˘···· |
| If any beat a horse, you felt he saw; | 10 | ·/˘······· |
| If any cursed a woman, he took note; | 10 | ·/˘··/˘··· |
| Yet stared at nobody--you stared at him, | 10 | ···/······ |
| And found, less to your pleasure than surprise, | 10 | ·····/˘·˘/ |
| He seemed to know you and expect as much. | 10 | ······˘/·· |
| So, next time that a neighbor's tongue was loosed, | 10 | ·····/˘··· |
| It marked the shameful and notorious fact, | 10 | ···/˘·˘/˘· |
| We had among us, not so much a spy, | 10 | ·········· |
| As a recording chief-inquisitor, | 10 | ··˘/˘·˘/˘˘ |
| The town's true master if the town but knew! | 10 | ···/˘····· |
| We merely kept a governor for form, | 10 | ·/˘··/˘˘·· |
| While this man walked about and took account | 10 | ········˘/ |
| Of all thought, said and acted, then went home, | 10 | ·····/˘··· |
| And wrote it fully to our Lord the King | 10 | ···/˘·/··· |
| Who has an itch to know things, he knows why, | 10 | ·········· |
| And reads them in his bedroom of a night. | 10 | ·····/···· |
| Oh, you might smile! there wanted not a touch, | 10 | ·····/˘··· |
| A tang of ... well, it was not wholly ease | 10 | ·······/˘· |
| As back into your mind the man's look came. | 10 | ·········· |
| Stricken in years a little--such a brow | 10 | /˘···/˘··· |
| His eyes had to live under!--clear as flint | 10 | ·········· |
| On either side the formidable nose | 10 | ·/˘··/˘˘˘· |
| Curved, cut and colored like an eagle's claw. | 10 | ···/˘··/˘· |
| Had he to do with A's surprising fate? | 10 | ······˘/˘· |
| When altogether old B disappeared | 10 | ··˘/˘···˘/ |
| And young C got his mistress--was't our friend, | 10 | ·····/˘·/· |
| His letter to the King, that did it all? | 10 | ·/˘······· |
| What paid the bloodless man for so much pains? | 10 | ···/˘····· |
| Our Lord the King has favorites manifold, | 10 | /····/˘/˘· |
| And shifts his ministry some once a month; | 10 | ···/˘˘···· |
| Our city gets new governors at whiles-- | 10 | //˘··/˘˘·· |
| But never word or sign, that I could hear, | 10 | ·/˘······· |
| Notified to this man about the streets | 10 | /˘········ |
| The King's approval of those letters conned | 10 | ··˘/˘··/˘· |
| The last thing duly at the dead of night. | 10 | ···/˘····· |
| Did the man love his office? Frowned our Lord, | 10 | ·····/˘·/· |
| Exhorting when none heard--"Beseech me not! | 10 | ˘/˘···˘/·· |
| Too far above my people--beneath me! | 10 | ·····/˘··· |
| I set the watch--how should the people know? | 10 | ·······/˘· |
| Forget them, keep me all the more in mind!" | 10 | ˘/········ |
| Was some such understanding 'twixt the two? | 10 | ····˘/˘··· |
| I found no truth in one report at least-- | 10 | ······˘/·· |
| That if you tracked him to his home, down lanes | 10 | ·········· |
| Beyond the Jewry, and as clean to pace, | 10 | ···/˘····· |
| You found he ate his supper in a room | 10 | ·····/˘··· |
| Blazing with lights, four Titians on the walls, | 10 | /˘···/˘··· |
| And twenty naked girls to change his plate! | 10 | ·/˘/˘····· |
| Poor man, he lived another kind of life | 10 | ····˘/˘··· |
| In that new stuccoed third house by the bridge, | 10 | ···/˘····· |
| Fresh-painted, rather smart than otherwise! | 10 | ·/˘/˘··/˘· |
| The whole street might o'erlook him as he sat, | 10 | ·········· |
| Leg crossing leg, one foot on the dog's back, | 10 | ·/˘······· |
| Playing a decent cribbage with his maid | 10 | /˘·/˘/˘··· |
| (Jacynth, you're sure her name was) o'er the cheese | 10 | ·········· |
| And fruit, three red halves of starved winter-pears, | 10 | ·······/˘· |
| Or treat of radishes in April. Nine, | 10 | ···/˘˘·/˘· |
| Ten, struck the church clock, straight to bed went he. | 10 | ·········· |
| My father, like the man of sense he was, | 10 | ·/˘······· |
| Would point him out to me a dozen times; | 10 | ·······/˘· |
| "'St--'St," he'd whisper, "the Corregidor!" | 11 | ·˘/·/˘·˘/˘˘ |
| I had been used to think that personage | 10 | ·······/˘˘ |
| Was one with lacquered breeches, lustrous belt, | 10 | ···/˘/˘/˘· |
| And feathers like a forest in his hat, | 10 | ·/˘··/˘··· |
| Who blew a trumpet and proclaimed the news, | 10 | ···/˘·˘/·· |
| Announced the bull-fights, gave each church its turn, | 10 | ˘/········ |
| And memorized the miracle in vogue! | 10 | ·/˘··/˘˘·· |
| He had a great observance from us boys; | 10 | ····˘/˘··· |
| We were in error; that was not the man. | 10 | ···/˘····· |
| I'd like now, yet had haply been afraid, | 10 | ·····/˘·˘/ |
| To have just looked, when this man came to die, | 10 | ·········· |
| And seen who lined the clean gay garret-sides | 10 | ·······/˘· |
| And stood about the neat low truckle-bed, | 10 | ·······/˘· |
| With the heavenly manner of relieving guard. | 11 | ··/˘/˘·˘/˘· |
| Here had been, mark, the general-in-chief, | 10 | ·····/˘˘·· |
| Through a whole campaign of the world's life and death, | 11 | ···˘/······ |
| Doing the King's work all the dim day long, | 10 | /˘········ |
| In his old coat and up to knees in mud, | 10 | ·········· |
| Smoked like a herring, dining on a crust-- | 10 | ···/˘/˘··· |
| And, now the day was won, relieved at once! | 10 | ······˘/·· |
| No further show or need for that old coat, | 10 | ·/˘······· |
| You are sure, for one thing! Bless us, all the while | 11 | ··········· |
| How sprucely we are dressed out, you and I! | 11 | ··········· |
| A second, and the angels alter that. | 10 | ·/˘··/˘/˘· |
| Well, I could never write a verse--could you? | 10 | ···/˘····· |
| Let's to the Prado and make the most of time. | 11 | ···/˘······ |
On this poem
Notes from the edition 6
Notes by Myra Reynolds, Selections from the Poems and Plays of Robert Browning (Project Gutenberg #28041).
- Stanza 2, line 5 Though none did. His suit had once been fashionable, but, though still serviceable, was of a sort no longer worn by his fellow townsmen.
- Stanza 2, line 23 The coffee-roaster's brazier. The coffee is roasted in a dish that is made to revolve over the coals in an open pan or basin.
- Stanza 3, line 3 Beyond the Jewry. Beyond the Jew's quarter, a squalid portion of the city.
- Stanza 4, line 3 The Corregidor. The Spanish title for a magistrate.
- Stanza 5, line 6 Here had been. The poet, misconceived by his generation, poor, and lonely, has yet a great spiritual personality. Men see the old coat. God, the King for whom he works, sees his real nature; hence heavenly guards attend when this man comes to die.
- Stanza 5, line 17 The Prado. The chief fashionable promenade of Madrid.
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