Epilogue to the Two Poets of Croisic

Robert Browning (1812–1889) · 1864

trochaic tetrameter · ABABCC · 108 lines · from Selections from the Poems and Plays of Robert Browning

What a pretty tale you told meOnce upon a time--Said you found it somewhere (scold me!)Was it prose or was it rhyme,Greek or Latin? Greek, you said,While your shoulder propped my head.

Anyhow there's no forgettingThis much if no more,That a poet (pray, no petting!)Yes, a bard, sir, famed of yore,Went where suchlike used to go,Singing for a prize, you know.

Well, he had to sing, nor merelySing but play the lyre;Playing was important clearlyQuite as singing--I desire,Sir, you keep the fact in mindFor a purpose that's behind.

There stood he, while deep attentionHeld the judges round,--Judges able, I should mention,To detect the slightest soundSung or played amiss--such earsHad old judges, it appears!

None the less he sang out boldly,Played in time and tune,Till the judges, weighing coldlyEach note's worth, seemed, late or soon,Sure to smile, "In vain one triesPicking faults out; take the prize!"

When, a mischief! Were they sevenStrings the lyre possessed?Oh, and afterwards eleven,Thank you! Well, sir--who had guessedSuch ill luck in store?--it happedOne of those same seven strings snapped.

All was lost, then! No! a cricket(What "cicada"? Pooh!)--Some mad thing that left its thicketFor mere love of music--flewWith its little heart on fire,Lighted on the crippled lyre.

So that when (ah, joy!) our singerFor his truant stringFeels with disconcerted finger,What does cricket else but flingFiery heart forth, sound the noteWanted by the throbbing throat?

Aye and, ever to the ending,Cricket chirps at need,Executes the hand's intending,Promptly, perfectly--indeedSaves the singer from defeatWith her chirrup low and sweet.

Till, at ending, all the judgesCry with one assent,"Take the prize--a prize who grudgesSuch a voice and instrument?Why, we took your lyre for harp,So it shrilled us forth F sharp!"

Did the conqueror spurn the creature,Once its service done?That's no such uncommon featureIn the case when Music's sonFinds his Lotte's power too spentFor aiding soul-development.

No! This other, on returningHomeward, prize in hand,Satisfied his bosom's yearning(Sir, I hope you understand!)--Said, "Some record there must beOf this cricket's help to me!"

So, he made himself a statue:Marble stood, life-size;On the lyre he pointed at youPerched his partner in the prize;Never more apart you foundHer, he throned, from him, she crowned.

That's the tale--its application?Somebody I knowHopes one day for reputationThrough his poetry that's--oh,All so learned and so wiseAnd deserving of a prize!

If he gains one, will some ticket,When his statue's built,Tell the gazer, "'Twas a cricketHelped my crippled lyre, whose liltSweet and low, when strength usurpedSoftness' place i' the scale, she chirped?

"For as victory was nighest,While I sang and played--With my lyre at lowest, highest,Right alike--one string that made'Love' sound soft was snapped in twain,Never to be heard again--

"Had not a kind cricket fluttered,Perched upon the placeVacant left, and duly uttered,'Love, Love, Love,' whene'er the bassAsked the treble to atoneFor its somewhat somber drone."

But you don't know music! WhereforeKeep on casting pearlsTo a--poet? All I care forIs--to tell him that a girl's"Love" comes aptly in when gruffGrows his singing. (There, enough!)

Words in this poem 22
somewhere adv.
In some place unknown or not specified; in one place or another.
anyhow adv.
In any way or manner whatever; at any rate; in any event.
yore adv.
In time long past; in old time; long since. [OE. , yare, , AS. geára;akin to geár a year, E. year. Year.]
went n.
Course; way; path; journey; direction.
boldly adv.
In a bold manner. [AS. bealdlice.]
coldly adv.
In a cold manner; without warmth, animation, or feeling; with indifference; calmly.
thank n.
A expression of gratitude; an acknowledgment expressive of a sense of favor or kindness received; obligation, claim, or desert, or gratitude; -- now generally used in the plural. [AS. Þanc, Þonc, thanks, favor, thought; akin to OS. thank favor, pleasure, thanks, D. & G. dank thanks, Icel. Þ\'94kk, Dan. tak, Sw. tack, Goth. Þagks thanks; -]
happed p. a.
Wrapped; covered; cloaked. [From 1st Hap.]
pooh interj.
Pshaw! pish! nonsense! -- an expression of scorn, dislike, or contempt. [Of. imitative origin; cf. Icel. pu.]
crippled a.
Lamed; lame; disabled; impeded.
promptly adv.
In a prompt manner.
defeat v. t.
To undo; to disfigure; to destroy. [From F. défait, OF. desfait, p. p. ofe défaire, OF. desfaire, to undo; L. dis- + facere to do. See Feat, Fact, and cf. Disfashion.]
chirrup v. t.
To quicken or animate by chirping; to cherup. [See Chirp.]
spurn v. t.
To drive back or away, as with the foot; to kick. [OE. spurnen to kick against, to stumble over, AS. spurnan to kick, offend; akin to spura spur, OS. & OHG. spurnan to kick, Icel. spyrna, L. spernere to despise,]
homeward a.
Being in the direction of home; as, the homeward way.
somebody n.
A person unknown or uncertain; a person indeterminate; some person.
lilt v. i.
To do anything with animation and quickness, as to skip, fly, or hop. [Cf. Norw. lilla, lirla, to sing in a high tone.]
twain a.
Two;- nearly obsolete in common discourse, but used in poetry and burlesque. [OE. twein, tweien, tweyne, AS. twegen, masc. See Two.]
atone v. t.
To set at one; to reduce to concord; to reconcile, as parties at variance; to appease.
wherefore adv.
For which reason; so; -- used relatively. [Where + for.]
aptly adv.
In an apt or suitable manner; fitly; properly; pertinently; appropriately; readily.
gruff a.
Of a rough or stern manner, voice, or countenance; sour; surly; severe; harsh. [D. grof; akin to G. grob, OHG. gerob, grob, Dan. grov, Sw. grof, perh. akin to AS. rcófan to break, Z. reavc, rupture, g- standing for the AS. prefix ge-, Goth.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Epilogue to the Two Poets of Croisic is in the public domain. This text is taken from Selections from the Poems and Plays of Robert Browning, Project Gutenberg ebook #28041; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Browning, Epilogue to the Two Poets of Croisic, in Selections from the Poems and Plays of Robert Browning (1864), text of Project Gutenberg ebook #28041, Laurel, https://laurelpoetry.com/poem/browning-selections/epilogue-to-the-two-poets-of-croisic.html, id L25124.

Form and metre

Epilogue to the Two Poets of Croisic is 108 lines in 18 stanzas of 6 lines each. The rhyme scheme is ABABCC, complete in 17 of its 18 stanzas. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 91%).

See other poems in trochaic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCC meA · timeB · meA · rhymeB · saidC · headC
  2. 2 ABABCC forgettingA · moreB · pettingA · yoreB · goC · knowC
  3. 3 A-A-BB merelyA · lyre · clearlyA · desire · mindB · behindB
  4. 4 ABABCC attentionA · roundB · mentionA · soundB · earsC · appearsC
  5. 5 ABABCC boldlyA · tuneB · coldlyA · soonB · triesC · prizeC
  6. 6 ABABCC sevenA · possessedB · elevenA · guessedB · happedC · snappedC
  7. 7 ABABCC cricketA · poohB · thicketA · flewB · fireC · lyreC
  8. 8 ABABCC singerA · stringB · fingerA · flingB · noteC · throatC
  9. 9 ABABCC endingA · needB · intendingA · indeedB · defeatC · sweetC
  10. 10 ABABCC judgesA · assentB · grudgesA · instrumentB · harpC · sharpC
  11. 11 ABABCC creatureA · doneB · featureA · sonB · spentC · developmentC
  12. 12 ABABCC returningA · handB · yearningA · understandB · beC · meC
  13. 13 ABABCC statueA · sizeB · youA · prizeB · foundC · crownedC
  14. 14 ABABCC applicationA · knowB · reputationA · ohB · wiseC · prizeC
  15. 15 ABABCC ticketA · builtB · cricketA · liltB · usurpedC · chirpedC
  16. 16 ABABCC nighestA · playedB · highestA · madeB · twainC · againC
  17. 17 ABABCC flutteredA · placeB · utteredA · bassB · atoneC · droneC
  18. 18 ABABCC whereforeA · pearlsB · forA · girl'sB · gruffC · enoughC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.

LineSyl.Stress
What a pretty tale you told me8··/˘····
Once upon a time5·····
--Said you found it somewhere (scold me!)8····/···
Was it prose or was it rhyme,7·······
Greek or Latin? Greek, you said,7··/˘···
While your shoulder propped my head.7··/˘···
Anyhow there's no forgetting8/˘···˘/˘
This much if no more,5·····
That a poet (pray, no petting!)8··/˘··/˘
Yes, a bard, sir, famed of yore,7·······
Went where suchlike used to go,7·······
Singing for a prize, you know.7/˘·····
Well, he had to sing, nor merely8······/˘
Sing but play the lyre;5·····
Playing was important clearly8/˘·˘/˘/˘
Quite as singing--I desire,8··/˘·˘/˘
Sir, you keep the fact in mind7·······
For a purpose that's behind.7··/˘···
There stood he, while deep attention8·····˘/˘
Held the judges round,5··/˘·
--Judges able, I should mention,8/˘/˘··/˘
To detect the slightest sound7·˘/·/˘·
Sung or played amiss--such ears7···˘/··
Had old judges, it appears!7··/˘·˘/
None the less he sang out boldly,8······/˘
Played in time and tune,6·˘····
Till the judges, weighing coldly8··/˘/˘/˘
Each note's worth, seemed, late or soon,7·······
Sure to smile, "In vain one tries7·······
Picking faults out; take the prize!"7/˘·····
When, a mischief! Were they seven8··/˘··/˘
Strings the lyre possessed?6···˘/˘
Oh, and afterwards eleven,8··/˘˘˘/˘
Thank you! Well, sir--who had guessed7·······
Such ill luck in store?--it happed7·······
One of those same seven strings snapped.7····/··
All was lost, then! No! a cricket8······/˘
(What "cicada"? Pooh!)5·˘/˘·
--Some mad thing that left its thicket8······/˘
For mere love of music--flew7····/˘·
With its little heart on fire,8··/˘··/˘
Lighted on the crippled lyre.7/˘··/˘·
So that when (ah, joy!) our singer8·····//˘
For his truant string5··/˘·
Feels with disconcerted finger,8···˘/˘/˘
What does cricket else but fling7··/˘···
Fiery heart forth, sound the note7/˘·····
Wanted by the throbbing throat?7/˘··/˘·
Aye and, ever to the ending,8··/˘··/˘
Cricket chirps at need,5/˘···
Executes the hand's intending,8/˘···˘/˘
Promptly, perfectly--indeed7/˘/˘˘˘/
Saves the singer from defeat7··/˘·˘/
With her chirrup low and sweet.7··/˘···
Till, at ending, all the judges8··/˘··/˘
Cry with one assent,5···˘/
"Take the prize--a prize who grudges8······/˘
Such a voice and instrument?7····/˘˘
Why, we took your lyre for harp,7·······
So it shrilled us forth F sharp!"7·······
Did the conqueror spurn the creature,8··/˘··/˘
Once its service done?5··/˘·
That's no such uncommon feature8···˘/˘/˘
In the case when Music's son7····/˘·
Finds his Lotte's power too spent7···/˘··
For aiding soul-development.8·/˘·˘/˘˘
No! This other, on returning8··/˘·˘/˘
Homeward, prize in hand,5/˘···
Satisfied his bosom's yearning8/˘··/˘/˘
(Sir, I hope you understand!)7·····˘/
--Said, "Some record there must be7··˘/···
Of this cricket's help to me!"7··/˘···
So, he made himself a statue:8···˘/·/·
Marble stood, life-size;5/˘···
On the lyre he pointed at you8····/˘··
Perched his partner in the prize;7··/˘···
Never more apart you found7/˘·˘/··
Her, he throned, from him, she crowned.7·······
That's the tale--its application?8·····˘/˘
Somebody I know5/˘˘··
Hopes one day for reputation8·····˘/˘
Through his poetry that's--oh,7··/˘˘··
All so learned and so wise7···˘···
And deserving of a prize!7·˘/˘···
If he gains one, will some ticket,8······/˘
When his statue's built,5··/··
Tell the gazer, "'Twas a cricket8··/˘··/˘
Helped my crippled lyre, whose lilt7··/˘···
Sweet and low, when strength usurped7······/
Softness' place i' the scale, she chirped?8/˘······
"For as victory was nighest,8··/˘˘·/˘
While I sang and played--6·····˘
With my lyre at lowest, highest,8····/˘/˘
Right alike--one string that made7·˘/····
'Love' sound soft was snapped in twain,7·······
Never to be heard again--7/˘···˘/
"Had not a kind cricket fluttered,8····/˘/˘
Perched upon the place6·˘····
Vacant left, and duly uttered,8/˘··/˘/˘
'Love, Love, Love,' whene'er the bass8········
Asked the treble to atone7··/˘·˘/
For its somewhat somber drone."7··///˘·
But you don't know music! Wherefore8····/˘/˘
Keep on casting pearls5··/˘·
To a--poet? All I care for8··/˘····
Is--to tell him that a girl's7·······
"Love" comes aptly in when gruff7··/˘···
Grows his singing. (There, enough!)7··/˘·˘/

On this poem

This fate of the musician and the cricket has the same fundamental idea as the prefatory stanzas, the power of love to soften what is gruff and brighten what is somber in life.
Notes from the edition 1

Notes by Myra Reynolds, Selections from the Poems and Plays of Robert Browning (Project Gutenberg #28041).

  1. Stanza 11, line 4 Music's son. Goethe. The "Lotte" of the next line, the heroine of Goethe's Sorrows of Werther, was modeled in part on Charlotte Buff, with whom Goethe was at one time in love.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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