In a Gondola

Robert Browning (1812–1889) · 1842

iambic tetrameter · 232 lines · from Dramatic Lyrics

I send my heart up to thee, all my heartIn this my singing.For the stars help me, and the sea bears part;The very night is clingingCloser to Venice' streets to leave one spaceAbove me, whence thy faceMay light my joyous heart to thee its dwelling-place.

Say after me, and try to sayMy very words, as if each wordCame from you of your own accord,In your own voice, in your own way:"This woman's heart and soul and brainAre mine as much as this gold chainShe bids me wear, which (say again)I choose to make by cherishingA precious thing, or choose to flingOver the boat-side, ring by ring."And yet once more say... no word more!Since words are only words. Give o'er!

Unless you call me, all the same,Familiarly by my pet name,Which if the Three should hear you call,And me reply to, would proclaimAt once our secret to them all.Ask of me, too, command me, blame--Do, break down the partition-wall'Twixt us, the daylight world beholdsCurtained in dusk and splendid folds!What's left but--all of me to take?I am the Three's: prevent them, slakeYour thirst! 'Tis said, the Arab sage,In practising with gems, can looseTheir subtle spirit in his cruceAnd leave but ashes: so, sweet mage,Leave them my ashes when thy useSucks out my soul, thy heritage!

Past we glide, and past, and past!What's that poor Agnese doingWhere they make the shutters fast?Grey Zanobi's just a-wooingTo his couch the purchased bride:Past we glide!

Past we glide, and past, and past!Why's the Pucci Palace flaringLike a beacon to the blast?Guests by hundreds, not one caringIf the dear host's neck were wried:Past we glide!

The moth's kiss, first!Kiss me as if you made believeYou were not sure, this eve,How my face, your flower, had pursedIts petals up; so, here and thereYou brush it, till I grow awareWho wants me, and wide ope I burst..

The bee's kiss, now!Kiss me as if you entered gayMy heart at some noonday,A bud that dares not disallowThe claim, so all is rendered up,And passively its shattered cupOver your head to sleep I bow.

What are we two?I am a Jew,And carry thee, farther than friends can pursue,To a feast of our tribe;Where they need thee to bribeThe devil that blasts them unless he imbibe.Thy... Scatter the vision for ever! And nowAs of old, I am I, thou art thou!

Say again, what we are?The sprite of a star,I lure thee above where the destinies barMy plumes their full playTill a ruddier rayThan my pale one announce there is withering awaySome... Scatter the vision forever! And now,As of old, I am I, thou art thou!

Oh, which were best, to roam or rest?The land's lap or the water's breast?To sleep on yellow millet-sheaves,Or swim in lucid shallows justEluding water-lily leaves,An inch from Death's black fingers, thrustTo lock you, whom release he must;Which life were best on Summer eves?

Lie back; could thought of mine improve you?From this shoulder let there springA wing; from this, another wing;Wings, not legs and feet, shall move you!Snow-white must they spring, to blendWith your flesh, but I intendThey shall deepen to the end,Broader, into burning gold,Till both wings crescent-wise enfoldYour perfect self, from 'neath your feetTo o'er your head, where, lo, they meetAs if a million sword-blades hurledDefiance from you to the world!

Rescue me thou, the only real!And scare away this mad idealThat came, nor motions to depart!Thanks! Now, stay ever as thou art!

What if the Three should catch at lastThy serenader? While there's castPaul's cloak about my head, and fastGian pinions me, Himself has pastHis stylet thro' my back; I reel;And... is it thou I feel?

They trail me, these three godless knaves,Past every church that saints and saves,Nor stop till, where the cold sea ravesBy Lido's wet accursed graves,They scoop mine, roll me to its brink,And... on thy breast I sink!

Dip your arm o'er the boat-side, elbow-deep,As I do: thus: were death so unlike sleep,Caught this way? Death's to fear from flame or steel,Or poison doubtless; but from water--feel!Go find the bottom! Would you stay me? There!Now pluck a great blade of that ribbon-grassTo plait in where the foolish jewel was,I flung away: since you have praised my hair,'Tis proper to be choice in what I wear.

Row home? must we row home? Too surelyKnow I where its front's demurelyOver the Giudecca piled;Window just with window mating,Door on door exactly waiting,All's the set face of a child:But behind it, where's a traceOf the staidness and reserve,And formal lines without a curve,In the same child's playing-face?No two windows look one wayO'er the small sea-water threadBelow them. Ah, the autumn dayI, passing, saw you overhead!First, out a cloud of curtain blew,Then a sweet cry, and last came you--To catch your lory that must needsEscape just then, of all times then,To peck a tall plant's fleecy seeds,And make me happiest of men.I scarce could breathe to see you reachSo far back o'er the balconyTo catch him ere he climbed too highAbove you in the Smyrna peachThat quick the round smooth cord of gold,This coiled hair on your head, unrolled,Fell down you like a gorgeous snakeThe Roman girls were wont, of old,When Rome there was, for coolness' sakeTo let lie curling o'er their bosoms.Dear lory, may his beak retainEver its delicate rose stainAs if the wounded lotus-blossomsHad marked their thief to know again!

Stay longer yet, for others' sakeThan mine! What should your chamber do?--With all its rarities that acheIn silence while day lasts, but wakeAt night-time and their life renew,Suspended just to pleasure youWho brought against their will togetherThese objects, and, while day lasts, weaveAround them such a magic tetherThat dumb they look: your harp, believe,With all the sensitive tight stringsWhich dare not speak, now to itselfBreathes slumberously, as if some elfWent in and out the chords, his wingsMake murmur wheresoe'er they graze,As an angel may, between the mazeOf midnight palace-pillars, onAnd on, to sow God's plagues, have goneThrough guilty glorious Babylon.And while such murmurs flow, the nymphBends o'er the harp-top from her shellAs the dry limpet for the nymphCome with a tune he knows so well.And how your statues' hearts must swell!And how your pictures must descendTo see each other, friend with friend!Oh, could you take them by surprise,You'd find Schidone's eager DukeDoing the quaintest courtesiesTo that prim saint by Haste-thee-Luke!And, deeper into her rock den,Bold Castelfranco's MagdalenYou'd find retreated from the kenOf that robed counsel-keeping Ser--As if the Tizian thinks of her,And is not, rather, gravely bentOn seeing for himself what toysAre these, his progeny invent,What litter now the board employsWhereon he signed a documentThat got him murdered! Each enjoysIts night so well, you cannot breakThe sport up, so, indeed must makeMore stay with me, for others' sake.

To-morrow, if a harp-string, say,Is used to tie the jasmine backThat overfloods my room with sweets,Contrive your Zorzi somehow meetsMy Zanze! If the ribbon's black,The Three are watching: keep away!

Your gondola--let Zorzi wreatheA mesh of water weeds aboutIts prow, as if he unawareHad struck some quay or bridge-foot stair!That I may throw a paper outAs you and he go underneath.There's Zanze's vigilant taper; safe are we.Only one minute more to-night with me?Resume your past self of a month ago!Be you the bashful gallant, I will beThe lady with the colder breast than snow.Now bow you, as becomes, nor touch my handMore than I touch yours when I step to land,And say, "All thanks, Siora!"--Heart to heartAnd lips to lips! Yet once more, ere we part,Clasp me and make me thine, as mine thou art!

It was ordained to be so, sweet!--and bestComes now, beneath thine eyes, upon thy breast.Still kiss me! Care not for the cowards! CareOnly to put aside thy beauteous hairMy blood will hurt! The Three, I do not scornTo death, because they never lived: but IHave lived indeed, and so--(yet one more kiss)--can die!

Words in this poem 46
closer n.
One who, or that which, closes; specifically, a boot closer. See under Boot.
daylight n.
The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
mage n.
A magician. Spenser. [F. mage. See Magi.]
heritage a.
That which is inherited, or passes from heir to heir; inheritance. [OE. heritage, eritage, OF. heritage, eritage, F. héritage, fr. hériter to inherit, LL. heriditare. See Hereditable.]
noonday n.
Midday; twelve o'clock in the day; noon.
disallow v. t.
To refuse to allow; to deny the force or validity of; to disown and reject; as, the judge disallowed the executor's charge. [Pref. dis- + allow: cf. OF. desalouer, desloer, to blame, dissuade.]
passively adv.
In a passive manner; inertly; unresistingly.
bribe n.
A gift begged; a present. [F. bribe a lump of bread, scraps, leavings of meals (that are generally given to a beggar), LL. briba scrap of bread; cf. OF. briber, brifer, to eat gluttonousl]
sprite n.
A spirit; a soul; a shade; also, an apparition. See Spright. [OE. sprit, F. esprit, fr. L. spiritus. See Spirit, and cf. Sprightly.]
withering a.
Tending to wither; causing to shrink or fade.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
intend v. t.
To stretch' to extend; to distend. [OE. entenden to be attentive, F. entendre, fr. L. intendre, intentum, and intensum, to intend, attend, stretch out, extend; pref. in- in + tendere to stretch, s]
deepen v. t.
To make deep or deeper; to increase the depth of; to sink lower; as, to deepen a well or a channel.
enfold v. t.
To infold. See Infold.
scare v. t.
To frighten; to strike with sudden fear; to alarm. [OE. skerren, skeren, Icel. skirra to bar, prevent, skirrask to shun , shrink from; or fr. OE. skerre, adj., scared, Icel. skjarr; both perhaps akin to E. sheer ]
depart v. i.
To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
serenader n.
One who serenades.
stylet n.
A small poniard; a stiletto. [F., dim. of style; cf. It. stiletto. See Stiletto.]
godless a.
Having, or acknowledging, no God; without reverence for God; impious; wicked.
brink n.
The edge, margin, or border of a steep place, as of a precipice; a bank or edge, as of a river or pit; a verge; a border; as, the brink of a chasm. Also Fig. [Dan. brink edge, verge; akin to Sw. brink declivity, hill, Icel. brekka; cf. LG. brink a grassy hill, W. bryn hill, bryncyn hillock.]
doubtless a.
Free from fear or suspicion.
demurely adv.
In a demure manner; soberly; gravely; -- now, commonly, with a mere show of gravity or modesty.
piled a.
Having a pile or point; pointed. [From 2d Pile.]
staidness n.
The quality or state of being staid; seriousness; steadiness; sedateness; regularity; -- the opposite of wildness, or Ant: levity.
lory n.
Any one of many species of small parrots of the family Trichoglossidæ, generally having the tongue papillose at the tip, and the mandibles straighter and less toothed than in common parrots. [Hind. & Malay. luri, nuri.]
needs adv.
Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
fleecy a.
Covered with, made of, or resembling, a fleece.
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
gorgeous a.
Imposing through splendid or various colors; showy; fine; magnificent. [OF. gorgias beautiful, glorious, vain, luxurious; cf. OF. gorgias ruff, neck handkerchief, and F. gorge throat, and se pengorger to assume airs. Cf. Gorge, n.]
ache n.
A name given to several species of plants; as, smallage, wild celery, parsley. Holland. [F. ache, L. apium parsley.]
tether n.
A long rope or chain by which an animal is fastened, as to a stake, so that it can range or feed only within certain limits. [Formerly tedder, OE. tedir; akin to LG. tider, tier, Icel. tjo, Dan. töir. *64.]
went n.
Course; way; path; journey; direction.
maze n.
A wild fancy; a confused notion. [OE. mase; cf. OE. masen to confuse, puzzle, Norweg. masast to fall into a slumber, masa to be continually busy, prate, chatter, Icel. masa to chatter, dial. Sw.]
glorious a.
Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
duke n.
A leader; a chief; a prince. [F. duc, fr. L. dux, ducis, leader, commander, fr. ducere to lead; akin to AS. teón to draw; cf. AS. heretoga (here army) an army leader, general, G. herzog duke]
magdalen n.
A reformed prostitute. [From Mary Magdalene, traditionally reported to have been the repentant sinner forgiven by Christ. See Luke vii. 36.]
gravely adv.
In a grave manner.
invent v. t.
To come or light upon; to meet; to find. [L. inventus, p. p. of invenire to come upon, to find, invent; pref. in- in + venire to come, akin to E. come: cf. F. inventer. See Come.]
whereon adv.
On which; -- used relatively; as, the earth whereon we live.
somehow adv.
In one way or another; in some way not yet known or designated; by some means; as, the thing must be done somehow; he lives somehow.
mesh n.
The opening or space inclosed by the threads of a net between knot and knot, or the threads inclosing such a space; network; a net. [AS. masc, max, m; akin to D. maas, masche, OHG. masca, Icel. möskvi; cf. Lith. mazgas a knot, megsti to weave nets, to knot.]
unaware a.
Not aware; not noticing; giving no heed; thoughtless; inattentive.
quay n.
A mole, bank, or wharf, formed toward the sea, or at the side of a harbor, river, or other navigable water, for convenience in loading and unloading vessels. [F. quai. See Key quay.]
resume n.
A summing up; a condensed statement; an abridgment or brief recapitulation. [F. See Resume.]
bashful a.
Abashed; daunted; dismayed. [See Bash.]
beauteous a.
Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

In a Gondola is in the public domain. This text is taken from Dramatic Romances, Project Gutenberg ebook #4253; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Browning, In a Gondola, in Dramatic Lyrics (1842), text of Project Gutenberg ebook #4253, Laurel, https://laurelpoetry.com/poem/browning-dramatic-lyrics/in-a-gondola.html, id L03545.

Form and metre

In a Gondola is 232 lines in 20 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 87%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 8.0 syllables. 22 lines end on an unstressed syllable, a feminine ending. 47% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCCC heartA · singingB · partA · clingingB · spaceC · faceC · placeC
  2. 2 A--ABBBCCC-- sayA · word · accord · wayA · brainB · chainB · againB · cherishingC · flingC · ringC · more · o'er
  3. 3 AABABABCCDD-EE-E- sameA · nameA · callB · proclaimA · allB · blameA · wallB · beholdsC · foldsC · takeD · slakeD · sage · looseE · cruceE · mage · useE · heritage
  4. 4 ABABCC pastA · doingB · fastA · wooingB · brideC · glideC
  5. 5 ABABCC pastA · flaringB · blastA · caringB · wriedC · glideC
  6. 6 ABBACCA firstA · believeB · eveB · pursedA · thereC · awareC · burstA
  7. 7 A--ABBA nowA · gay · noonday · disallowA · upB · cupB · bowA
  8. 8 AAABBBCC twoA · jewA · pursueA · tribeB · bribeB · imbibeB · nowC · thouC
  9. 9 AAABBBCC areA · starA · barA · playB · rayB · awayB · nowC · thouC
  10. 10 AABCBCCB restA · breastA · sheavesB · justC · leavesB · thrustC · mustC · evesB
  11. 11 ABBACCCDDEEFF youA · springB · wingB · youA · blendC · intendC · endC · goldD · enfoldD · feetE · meetE · hurledF · worldF
  12. 12 AABB realA · idealA · departB · artB
  13. 13 AAAABB lastA · castA · fastA · pastA · reelB · feelB
  14. 14 AAAABB knavesA · savesA · ravesA · gravesA · brinkB · sinkB
  15. 15 AABBC--CC deepA · sleepA · steelB · feelB · thereC · grass · was · hairC · wearC
  16. 16 AABCCBDEEDFGFGHHIJIJK--KLLMLM-NN-- surelyA · demurelyA · piledB · matingC · waitingC · childB · traceD · reserveE · curveE · faceD · wayF · threadG · dayF · overheadG · blewH · youH · needsI · thenJ · seedsI · menJ · reachK · balcony · high · peachK · goldL · unrolledL · snakeM · oldL · sakeM · bosoms · retainN · stainN · blossoms · again
  17. 17 ABAABBCDCDEFFEGGH-H-I-IIJJKLKLMMM--NONONOPPP sakeA · doB · acheA · wakeA · renewB · youB · togetherC · weaveD · tetherC · believeD · stringsE · itselfF · elfF · wingsE · grazeG · mazeG · onH · gone · babylonH · nymph · shellI · nymph · wellI · swellI · descendJ · friendJ · surpriseK · dukeL · courtesiesK · lukeL · denM · magdalenM · kenM · ser · her · bentN · toysO · inventN · employsO · documentN · enjoysO · breakP · makeP · sakeP
  18. 18 ABCCBA sayA · backB · sweetsC · meetsC · blackB · awayA
  19. 19 -ABBA-CCDCDEE-FFF wreathe · aboutA · unawareB · stairB · outA · underneath · weC · meC · agoD · beC · snowD · handE · landE · siora · heartF · partF · artF
  20. 20 AABB-CC bestA · breastA · careB · hairB · scorn · iC · dieC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
I send my heart up to thee, all my heart10··········
In this my singing.5···/˘
For the stars help me, and the sea bears part;10··········
The very night is clinging7·/˘··/˘
Closer to Venice' streets to leave one space10/˘·/˘·····
Above me, whence thy face6······
May light my joyous heart to thee its dwelling-place.12···/˘····/˘·
Say after me, and try to say8········
My very words, as if each word8·/˘·····
Came from you of your own accord,8······˘/
In your own voice, in your own way:8········
"This woman's heart and soul and brain8·/˘·····
Are mine as much as this gold chain8········
She bids me wear, which (say again)8······˘/
I choose to make by cherishing8·····/˘˘
A precious thing, or choose to fling8·/˘·····
Over the boat-side, ring by ring."8········
And yet once more say... no word more!8········
Since words are only words. Give o'er!8···/˘···
Unless you call me, all the same,8········
Familiarly by my pet name,8/˘˘˘····
Which if the Three should hear you call,8········
And me reply to, would proclaim8··˘/··˘/
At once our secret to them all.8··//˘···
Ask of me, too, command me, blame--8····˘/··
Do, break down the partition-wall8····˘/˘·
'Twixt us, the daylight world beholds8···/··˘/
Curtained in dusk and splendid folds!8/˘···/˘·
What's left but--all of me to take?8········
I am the Three's: prevent them, slake8····˘/··
Your thirst! 'Tis said, the Arab sage,8·····/˘·
In practising with gems, can loose8········
Their subtle spirit in his cruce8·/˘/˘···
And leave but ashes: so, sweet mage,8···/˘···
Leave them my ashes when thy use8···/˘···
Sucks out my soul, thy heritage!8·····/˘˘
Past we glide, and past, and past!7·······
What's that poor Agnese doing7·····/˘
Where they make the shutters fast?7····/˘·
Grey Zanobi's just a-wooing8······/˘
To his couch the purchased bride:8····/˘˘·
Past we glide!3···
Past we glide, and past, and past!7·······
Why's the Pucci Palace flaring8··/˘/˘/˘
Like a beacon to the blast?7··/˘···
Guests by hundreds, not one caring8··/˘··/˘
If the dear host's neck were wried:7·······
Past we glide!3···
The moth's kiss, first!4····
Kiss me as if you made believe8······˘/
You were not sure, this eve,6······
How my face, your flower, had pursed8····/˘··
Its petals up; so, here and there8·/˘·····
You brush it, till I grow aware8······˘/
Who wants me, and wide ope I burst..8········
The bee's kiss, now!4····
Kiss me as if you entered gay8·····/˘·
My heart at some noonday,6····/˘
A bud that dares not disallow8······˘/
The claim, so all is rendered up,8·····/˘·
And passively its shattered cup8·/˘˘·/˘·
Over your head to sleep I bow.8········
What are we two?4····
I am a Jew,4····
And carry thee, farther than friends can pursue,11·/˘·/˘···˘/
To a feast of our tribe;7····/˘·
Where they need thee to bribe6······
The devil that blasts them unless he imbibe.10·/······˘/
Thy... Scatter the vision for ever! And now10·/˘·/˘·/··
As of old, I am I, thou art thou!9·········
Say again, what we are?6·˘/···
The sprite of a star,5·····
I lure thee above where the destinies bar10·······/˘·
My plumes their full play5·····
Till a ruddier ray5·····
Than my pale one announce there is withering away12····˘/··/˘˘/
Some... Scatter the vision forever! And now,11·/˘·/˘˘/˘··
As of old, I am I, thou art thou!9·········
Oh, which were best, to roam or rest?8········
The land's lap or the water's breast?8·····/˘·
To sleep on yellow millet-sheaves,8···/˘/˘·
Or swim in lucid shallows just8···/˘/˘·
Eluding water-lily leaves,8˘/˘/˘/˘·
An inch from Death's black fingers, thrust8·····/˘·
To lock you, whom release he must;8····˘/··
Which life were best on Summer eves?8·····/˘·
Lie back; could thought of mine improve you?9······˘/·
From this shoulder let there spring7··/˘···
A wing; from this, another wing;8····˘/˘·
Wings, not legs and feet, shall move you!8········
Snow-white must they spring, to blend7·······
With your flesh, but I intend7·····˘/
They shall deepen to the end,7··/˘···
Broader, into burning gold,7/˘··/˘·
Till both wings crescent-wise enfold8···/˘·˘/
Your perfect self, from 'neath your feet8·˘/·····
To o'er your head, where, lo, they meet8········
As if a million sword-blades hurled8···/˘···
Defiance from you to the world!8˘/˘·····
Rescue me thou, the only real!8/˘···/˘·
And scare away this mad ideal8··˘/··˘/
That came, nor motions to depart!8···/˘·˘/
Thanks! Now, stay ever as thou art!8···/˘···
What if the Three should catch at last8········
Thy serenader? While there's cast8········
Paul's cloak about my head, and fast8········
Gian pinions me, Himself has past9/˘/˘·˘/··
His stylet thro' my back; I reel;8·/˘·····
And... is it thou I feel?6······
They trail me, these three godless knaves,8·····/˘·
Past every church that saints and saves,8·/˘·····
Nor stop till, where the cold sea raves8········
By Lido's wet accursed graves,8·/˘···˘·
They scoop mine, roll me to its brink,8········
And... on thy breast I sink!6······
Dip your arm o'er the boat-side, elbow-deep,10·······/··
As I do: thus: were death so unlike sleep,10·······˘/·
Caught this way? Death's to fear from flame or steel,10··········
Or poison doubtless; but from water--feel!10·/˘/˘··/˘·
Go find the bottom! Would you stay me? There!10···/˘·····
Now pluck a great blade of that ribbon-grass10·······/˘·
To plait in where the foolish jewel was,9·····/˘/·
I flung away: since you have praised my hair,10··˘/······
'Tis proper to be choice in what I wear.10·/˘·······
Row home? must we row home? Too surely9·······/˘
Know I where its front's demurely8·····˘/˘
Over the Giudecca piled;8·······˘
Window just with window mating,8/˘··/˘/˘
Door on door exactly waiting,8···˘/˘/˘
All's the set face of a child:7·······
But behind it, where's a trace7·······
Of the staidness and reserve,7··/˘·˘/
And formal lines without a curve,8·/˘·····
In the same child's playing-face?7····/˘·
No two windows look one way7··/˘···
O'er the small sea-water thread7····/˘·
Below them. Ah, the autumn day8·····/˘·
I, passing, saw you overhead!8·/˘··/˘/
First, out a cloud of curtain blew,8·····/˘·
Then a sweet cry, and last came you--8········
To catch your lory that must needs8···/˘···
Escape just then, of all times then,8˘/······
To peck a tall plant's fleecy seeds,8·····/˘·
And make me happiest of men.8···/˘˘··
I scarce could breathe to see you reach8········
So far back o'er the balcony8·····/˘˘
To catch him ere he climbed too high8········
Above you in the Smyrna peach8·····/˘·
That quick the round smooth cord of gold,8········
This coiled hair on your head, unrolled,8········
Fell down you like a gorgeous snake8·····/˘·
The Roman girls were wont, of old,8·/˘·····
When Rome there was, for coolness' sake8·····/˘·
To let lie curling o'er their bosoms.9···/˘··/˘
Dear lory, may his beak retain8·/˘···˘/
Ever its delicate rose stain8/˘·/˘˘··
As if the wounded lotus-blossoms9···/˘/˘/˘
Had marked their thief to know again!8······˘/
Stay longer yet, for others' sake8·/˘··/˘·
Than mine! What should your chamber do?8·····/˘·
--With all its rarities that ache8···/˘˘··
In silence while day lasts, but wake8·/˘·····
At night-time and their life renew,8······˘/
Suspended just to pleasure you8˘/˘··/˘·
Who brought against their will together9······˘/˘
These objects, and, while day lasts, weave8·/˘·····
Around them such a magic tether9·····/˘/˘
That dumb they look: your harp, believe,8······˘/
With all the sensitive tight strings8···/˘˘··
Which dare not speak, now to itself8······˘/
Breathes slumberously, as if some elf9·········
Went in and out the chords, his wings8········
Make murmur wheresoe'er they graze,8·/˘·····
As an angel may, between the maze9··/˘·····
Of midnight palace-pillars, on8·/·/˘/˘·
And on, to sow God's plagues, have gone8········
Through guilty glorious Babylon.8·/˘/˘/˘·
And while such murmurs flow, the nymph8···/˘···
Bends o'er the harp-top from her shell8········
As the dry limpet for the nymph8···/˘···
Come with a tune he knows so well.8········
And how your statues' hearts must swell!8···/····
And how your pictures must descend8···/˘·˘/
To see each other, friend with friend!8···/˘···
Oh, could you take them by surprise,8······˘/
You'd find Schidone's eager Duke7····/˘·
Doing the quaintest courtesies8/˘·/˘/˘˘
To that prim saint by Haste-thee-Luke!8········
And, deeper into her rock den,8·/˘·····
Bold Castelfranco's Magdalen8·····/˘˘
You'd find retreated from the ken8··˘/˘···
Of that robed counsel-keeping Ser--8···/˘/˘·
As if the Tizian thinks of her,8········
And is not, rather, gravely bent8···/˘/˘·
On seeing for himself what toys8·/˘·˘/··
Are these, his progeny invent,8···/˘˘˘/
What litter now the board employs8·/˘···˘/
Whereon he signed a document8˘/···/˘˘
That got him murdered! Each enjoys8···/˘·˘/
Its night so well, you cannot break8·····/˘·
The sport up, so, indeed must make8····˘/··
More stay with me, for others' sake.8·····/˘·
To-morrow, if a harp-string, say,8·/˘·····
Is used to tie the jasmine back8·····/˘·
That overfloods my room with sweets,8········
Contrive your Zorzi somehow meets8˘/·/˘/··
My Zanze! If the ribbon's black,7····/˘·
The Three are watching: keep away!8···/˘·˘/
Your gondola--let Zorzi wreathe8·/˘˘·/˘·
A mesh of water weeds about8···/˘···
Its prow, as if he unaware8······˘/
Had struck some quay or bridge-foot stair!8········
That I may throw a paper out8·····/˘·
As you and he go underneath.8······˘/
There's Zanze's vigilant taper; safe are we.10···/˘/˘···
Only one minute more to-night with me?10/˘·˘/·····
Resume your past self of a month ago!10˘/······˘/
Be you the bashful gallant, I will be10···/˘/˘···
The lady with the colder breast than snow.10·/˘··/˘···
Now bow you, as becomes, nor touch my hand10····˘/····
More than I touch yours when I step to land,10··········
And say, "All thanks, Siora!"--6······
Heart to heart3···
And lips to lips! Yet once more, ere we part,10··········
Clasp me and make me thine, as mine thou art!10··········
It was ordained to be so, sweet!--and best10··˘/······
Comes now, beneath thine eyes, upon thy breast.10··········
Still kiss me! Care not for the cowards! Care9·······/·
Only to put aside thy beauteous hair11/˘··˘/·/˘˘·
My blood will hurt! The Three, I do not scorn10··········
To death, because they never lived: but I9·····/···
Have lived indeed, and so--(yet one more kiss)--can die!12··˘/········

On this poem

"In a Gondola" is a lyric dialogue between two Venetian lovers who have stolen away in a gondola spite of "the three"--"Himself'," perhaps a husband, and "Paul" and "Gian," her brothers--whose vengeance discovers them at the end, but not before their love and danger have moved them to weave a series of lyrical fancies, and led them to a climax of emotion which makes Life so deep a joy that Death is of no account. Haste-thee-Luke: the English form of the nickname, Luca-fa-presto, given Luca Giordano (1632-1705), a Neapolitan painter, on account of his constantly being goaded on in his work by his penurious and avaricious father.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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