The Englishman in Italy
Fortu, Fortu, my beloved one,Sit here by my side,On my knees put up both little feet!I was sure, if I tried,I could make you laugh spite of Scirocco.Now, open your eyes,Let me keep you amused till he vanishIn black from the skies,With telling my memories overAs you tell your beads;All the Plain saw me gather, I garland--The flowers or the weeds.
Time for rain! for your long hot dry AutumnHad net-worked with brownThe white skin of each grape on the bunches,Marked like a quail's crown,Those creatures you make such account of,Whose heads--speckled whiteOver brown like a great spider's back,As I told you last night--Your mother bites off for her supper.Red-ripe as could be,Pomegranates were chapping and splittingIn halves on the tree:And betwixt the loose walls of great flintstone,Or in the thick dustOn the path, or straight out of the rockside,Wherever could thrustSome burnt sprig of bold hardy rock-flowerIts yellow face up,For the prize were great butterflies fighting,Some five for one cup.So, I guessed, ere I got up this morning,What change was in store,By the quick rustle-down of the quail-netsWhich woke me beforeI could open my shutter, made fastWith a bough and a stone,And look thro' the twisted dead vine-twigs,Sole lattice that's known.Quick and sharp rang the rings down the net-poles,While, busy beneath,Your priest and his brother tugged at them,The rain in their teeth.And out upon all the flat house-roofsWhere split figs lay drying,The girls took the frails under cover:Nor use seemed in tryingTo get out the boats and go fishing,For, under the cliff,Fierce the black water frothed o'er the blind-rock.No seeing our skiffArrive about noon from Amalfi,--Our fisher arrive,And pitch down his basket before us,All trembling aliveWith pink and grey jellies, your sea-fruit;You touch the strange lumps,And mouths gape there, eyes open, all mannerOf horns and of humps,Which only the fisher looks grave at,While round him like impsCling screaming the children as nakedAnd brown as his shrimps;Himself too as bare to the middle--You see round his neckThe string and its brass coin suspended,That saves him from wreck.But to-day not a boat reached Salerno,So back, to a man,Came our friends, with whose help in the vineyardsGrape-harvest began.In the vat, halfway up in our houseside,Like blood the juice spins,While your brother all bare-legged is dancingTill breathless he grinsDead-beaten in effort on effortTo keep the grapes under,Since still when he seems all but master,In pours the fresh plunderFrom girls who keep coming and goingWith basket on shoulder,And eyes shut against the rain's driving;Your girls that are older,--For under the hedges of aloe,And where, on its bedOf the orchard's black mould, the love-appleLies pulpy and red,All the young ones are kneeling and fillingTheir laps with the snailsTempted out by this first rainy weather,--Your best of regales,As to-night will be proved to my sorrow,When, supping in state,We shall feast our grape-gleaners (two dozen,Three over one plate)With lasagne so tempting to swallow,In slippery ropes,And gourds fried in great purple slices,That colour of popes.Meantime, see the grape bunch they've brought you:The rain-water slipsO'er the heavy blue bloom on each globeWhich the wasp to your lipsStill follows with fretful persistence:Nay, taste, while awake,This half of a curd-white smooth cheese-ballThat peels, flake by flake,Like an onion, each smoother and whiter;Next, sip this weak wineFrom the thin green glass flask, with its stopper,A leaf of the vine;And end with the prickly-pear's red fleshThat leaves thro' its juiceThe stony black seeds on your pearl-teeth.Scirocco is loose!Hark, the quick, whistling pelt of the olivesWhich, thick in one's track,Tempt the stranger to pick up and bite them,Tho' not yet half black!How the old twisted olive trunks shudder,The medlars let fallTheir hard fruit, and the brittle great fig-treesSnap off, figs and all,For here comes the whole of the tempest!No refuge, but creepBack again to my side and my shoulder,And listen or sleep.O how will your country show next week,When all the vine-boughsHave been stripped of their foliage to pastureThe mules and the cows?Last eve, I rode over the mountains,Your brother, my guide,Soon left me, to feast on the myrtlesThat offered, each side,Their fruit-balls, black, glossy and luscious,--Or strip from the sorbsA treasure, or, rosy and wondrous,Those hairy gold orbs!But my mule picked his sure sober path out,Just stopping to neighWhen he recognized down in the valleyHis mates on their wayWith the faggots and barrels of water;And soon we emergedFrom the plain, where the woods could scarce follow;And still as we urgedOur way, the woods wondered, and left us,As up still we trudgedThough the wild path grew wilder each instant,And place was e'en grudged'Mid the rock-chasms and piles of loose stonesLike the loose broken teethOf some monster which climbed there to dieFrom the ocean beneath--Place was grudged to the silver-grey fume-weedThat clung to the path,And dark rosemary ever a-dyingThat, 'spite the wind's wrath,So loves the salt rock's face to seaward,And lentisks as staunchTo the stone where they root and bear berries,And... what shows a branchCoral-coloured, transparent, with circletsOf pale seagreen leaves;Over all trod my mule with the cautionOf gleaners o'er sheaves,Still, foot after foot like a ladTill, round after round,He climbed to the top of Calvano,And God's own profoundWas above me, and round me the mountains,And under, the sea,And within me my heart to bear witnessWhat was and shall be.
Oh, heaven and the terrible crystal!No rampart excludesYour eye from the life to be livedIn the blue solitudes.Oh, those mountains, their infinite movement!Still moving with you;For, ever some new head and breast of themThrusts into viewTo observe the intruder; you see itIf quickly you turnAnd, before they escape you surprise them.They grudge you should learnHow the soft plains they look on, lean overAnd love (they pretend)--Cower beneath them, the flat sea-pine crouches,The wild fruit-trees bend,E'en the myrtle-leaves curl, shrink and shut:All is silent and grave:'Tis a sensual and timorous beauty,How fair! but a slave.So, I turned to the sea; and there slumberedAs greenly as everThose isles of the siren, your Galli;No ages can severThe Three, nor enable their sisterTo join them,--halfwayOn the voyage, she looked at Ulysses--No farther to-day,Tho' the small one, just launched in the wave,Watches breast-high and steadyFrom under the rock, her bold sisterSwum halfway already.Fortu, shall we sail there togetherAnd see from the sidesQuite new rocks show their faces, new hauntsWhere the siren abides?Shall we sail round and round them, close overThe rocks, tho' unseen,That ruffle the grey glassy waterTo glorious green?Then scramble from splinter to splinter,Reach land and explore,On the largest, the strange square black turretWith never a door,Just a loop to admit the quick lizards;Then, stand there and hearThe birds' quiet singing, that tells usWhat life is, so clear?--The secret they sang to UlyssesWhen, ages ago,He heard and he knew this life's secretI hear and I know.
Ah, see! The sun breaks o'er Calvano;He strikes the great gloomAnd flutters it o'er the mount's summitIn airy gold fume.All is over. Look out, see the gipsy,Our tinker and smith,Has arrived, set up bellows and forge,And down-squatted forthwithTo his hammering, under the wall there;One eye keeps aloofThe urchins that itch to be puttingHis jews'-harps to proof,While the other, thro' locks of curled wire,Is watching how sleekShines the hog, come to share in the windfall--Chew, abbot's own cheek!All is over. Wake up and come out now,And down let us go,And see the fine things got in orderAt church for the showOf the Sacrament, set forth this evening.To-morrow's the FeastOf the Rosary's Virgin, by no meansOf Virgins the least,As you'll hear in the off-hand discourseWhich (all nature, no art)The Dominican brother, these three weeks,Was getting by heart.Not a pillar nor post but is dizenedWith red and blue papers;All the roof waves with ribbons, each altarA-blaze with long tapers;But the great masterpiece is the scaffoldRigged glorious to holdAll the fiddlers and fifers and drummersAnd trumpeters bold,Not afraid of Bellini nor Auber,Who, when the priest's hoarse,Will strike us up something that's briskFor the feast's second course.And then will the flaxen-wigged ImageBe carried in pompThro' the plain, while in gallant processionThe priests mean to stomp.All round the glad church lie old bottlesWith gunpowder stopped,Which will be, when the Image re-enters,Religiously popped;And at night from the crest of CalvanoGreat bonfires will hang,On the plain will the trumpets join chorus,And more poppers bang.At all events, come-to the gardenAs far as the wall;See me tap with a hoe on the plasterTill out there shall fallA scorpion with wide angry nippers!
--"Such trifles!" you say?Fortu, in my England at home,Men meet gravely to-dayAnd debate, if abolishing Corn-lawsBe righteous and wise--If 'twere proper, Scirocco should vanishIn black from the skies!
Words in this poem 36
- betwixt prep.
- In the space which separates; between. [OE. betwix, bitwix, rarely bitwixt, AS. betweox, betweohs, betweoh, betwih; pref. be- by + a form fr. AS. twa two. See Between.]
- wherever adv.
- At or in whatever place; wheresoever.
- skiff n.
- A small, light boat. [F. esquif, fr. OHG. skif, G. schiff. See Ship.]
- screaming a.
- Uttering screams; shrieking.
- breathless a.
- Spent with labor or violent action; out of breath.
- mould n.
- Crumbling, soft, friable earth; esp., earth containing the remains or constituents of organic matter, and suited to the growth of plants; soil. [OE. molde, AS. molde; akin to D. mul, G. mull, mulm, OHG. molt, molta, Icel. mold, Dan. muld, Sw. mull, Goth. mulda, and E. meal flour. See Meal, and cf. Mole a]
- supping n.
- The act of one who sups; the act of taking supper.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- flake n.
- A paling; a hurdle. [prov. Eng.] [Cf. Icel. flaki, fleki, Dan. flage, D. vlaak.]
- smoother n.
- One who, or that which, smooths.
- rode n.
- Redness; complexion. [See Rud.]
- luscious a.
- Sweet; delicious; very grateful to the taste; toothsome; excessively sweet or rich. [Prob. for lustious, fr. lusty, or perh. a corruption of luxurious. Cf. Lush, Lusty.]
- wondrous adv.
- In a wonderful or surprising manner or degree; wonderfully. [OE. wonders, adv. (later also adj.). See Wonder, n., and cf. -wards.]
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- wondered a.
- Having performed wonders; able to perform wonderful things.
- fume n.
- Exhalation; volatile matter (esp. noxious vapor or smoke) ascending in a dense body; smoke; vapor; reek; as, the fumes of tobacco. [L. fumus; akin to Skr. dh smoke, dh to shake, fan a flame, cf. Gr. fum smoke, F. fumée. Cf. Dust, n., Femerell, Thyme.]
- clung a.
- Wasted away; shrunken. [Prop. p. p. fr. OE. clingen to wither. See Cling, v. i.]
- seaward a.
- Directed or situated toward the sea. Donne.
- coloured a.
- Having color; tinged; dyed; painted; stained.
- intruder n.
- One who intrudes; one who thrusts himself in, or enters without right, or without leave or welcome; a trespasser.
- greenly adv.
- With a green color; newly; freshly, immaturely.
- enable v. t.
- To give strength or ability to; to make firm and strong.
- unseen a.
- Not seen or discovered.
- glorious a.
- Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
- explore v. t.
- To seek for or after; to strive to attain by search; to look wisely and carefully for. [L. explorare to explore; ex out+plorare to cry out aloud,prob. orig., to cause to flow; perh. akin to E. flow: cf. F. explorer.]
- forthwith adv.
- Immediately; without delay; directly.
- windfall n.
- Anything blown down or off by the wind, as fruit from a tree, or the tree itself, or a portion of a forest prostrated by a violent wind, etc.
- sacrament n.
- The oath of allegiance taken by Roman soldiers; hence, a sacred ceremony used to impress an obligation; a solemn oath-taking; an oath. [L. sacramentum an oath, a sacred thing, a mystery, a sacrament, fr. sacrare to declare as sacred, sacer sacred: cf. F. sacrament. See Sacred.]
- masterpiece n.
- Anything done or made with extraordinary skill; a capital performance; a chef-d'oeuvre; a supreme achievement.
- flaxen a.
- Made of flax; resembling flax or its fibers; of the color of flax; of a light soft straw color; fair and flowing, like flax or tow; as, flaxen thread; flaxen hair.
- stomp v. i.
- To stamp with the foot. [See Stamp.]
- religiously adv.
- In a religious manner. Drayton.
- trumpets n.
- A plant (Sarracenia flava) with long, hollow leaves.
- angry a.
- Troublesome; vexatious; rigorous. [See Anger.]
- nippers n.
- Small pinchers for holding, breaking, or cutting. [From 2d Nip.]
- gravely adv.
- In a grave manner.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Englishman in Italy is in the public domain. This text is taken from Dramatic Romances, Project Gutenberg ebook #4253; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Robert Browning, The Englishman in Italy, in Dramatic Lyrics (1842), text of Project Gutenberg ebook #4253, Laurel, https://laurelpoetry.com/poem/browning-dramatic-lyrics/the-englishman-in-italy.html, id L03544.
Form and metre
The Englishman in Italy is 292 lines in 5 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter. 90% of its stressed syllables fall where the metre puts the beat. The lines average 7.3 syllables. 98 lines end on an unstressed syllable, a feminine ending. 41% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-A-B-B-C-C one · sideA · feet · triedA · scirocco · eyesB · vanish · skiesB · over · beadsC · garland · weedsC
- 2 -A-A-B-B-C-C-D-D-E-E-F-F-G-G-H-H-I-I-J-J-K-K-L-L-L-L-M-M-N-N-O-O-P-P-Q-Q-R-R-S-S-T-T-----U-U-V-V-W-W-X-X-Y-Y-Z-Z-a-a-b-b-c-c-d-d-e-e-f-f-g-g-h-hij-ji----k-k-l-l-m-m autumn · brownA · bunches · crownA · of · whiteB · back · nightB · supper · beC · splitting · treeC · flintstone · dustD · rockside · thrustD · flower · upE · fighting · cupE · morning · storeF · nets · beforeF · fast · stoneG · twigs · knownG · poles · beneathH · them · teethH · roofs · dryingI · cover · tryingI · fishing · cliffJ · rock · skiffJ · amalfi · arriveK · us · aliveK · fruit · lumpsL · manner · humpsL · at · impsL · naked · shrimpsL · middle · neckM · suspended · wreckM · salerno · manN · vineyards · beganN · houseside · spinsO · dancing · grinsO · effort · underP · master · plunderP · going · shoulderQ · driving · olderQ · aloe · bedR · apple · redR · filling · snailsS · weather · regalesS · sorrow · stateT · dozen · plateT · swallow · ropes · slices · popes · you · slipsU · globe · lipsU · persistence · awakeV · ball · flakeV · whiter · wineW · stopper · vineW · flesh · juiceX · teeth · looseX · olives · trackY · them · blackY · shudder · fallZ · trees · allZ · tempest · creepa · shoulder · sleepa · week · boughsb · pasture · cowsb · mountains · guidec · myrtles · sidec · luscious · sorbsd · wondrous · orbsd · out · neighe · valley · waye · water · emergedf · follow · urgedf · us · trudgedg · instant · grudgedg · stones · teethh · die · beneathh · weedi · pathj · dying · wrathj · seawardi · staunch · berries · branch · circlets · leavesk · caution · sheavesk · lad · roundl · calvano · profoundl · mountains · seam · witness · bem
- 3 -A-A-B-B-C-C-D-D-E-E-F-F-G-G-H-H-I-I-J-J-K-K-L-L-M-M crystal · excludesA · lived · solitudesA · movement · youB · them · viewB · it · turnC · them · learnC · over · pretendD · crouches · bendD · shut · graveE · beauty · slaveE · slumbered · everF · galli · severF · sister · halfwayG · ulysses · dayG · wave · steadyH · sister · alreadyH · together · sidesI · haunts · abidesI · over · unseenJ · water · greenJ · splinter · exploreK · turret · doorK · lizards · hearL · us · clearL · ulysses · agoM · secret · knowM
- 4 -A-A-B-B-C-C-D-D-E-E-F-F-G-G-H-HII-I-J-J-K-K-L-L-M-M-N-N- calvano · gloomA · summit · fumeA · gipsy · smithB · forge · forthwithB · there · aloofC · putting · proofC · wire · sleekD · windfall · cheekD · now · goE · order · showE · evening · feastF · means · leastF · discourse · artG · weeks · heartG · dizened · papersH · altar · tapersH · scaffoldI · holdI · drummers · boldI · auber · hoarseJ · brisk · courseJ · image · pompK · procession · stompK · bottles · stoppedL · enters · poppedL · calvano · hangM · chorus · bangM · garden · wallN · plaster · fallN · nippers
- 5 A-A-B-B sayA · home · dayA · laws · wiseB · vanish · skiesB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Fortu, Fortu, my beloved one, | 8 | ·····˘/· |
| Sit here by my side, | 5 | ····· |
| On my knees put up both little feet! | 9 | ······/˘· |
| I was sure, if I tried, | 6 | ······ |
| I could make you laugh spite of Scirocco. | 10 | ·········· |
| Now, open your eyes, | 5 | ·/˘·· |
| Let me keep you amused till he vanish | 10 | ····˘/··/˘ |
| In black from the skies, | 5 | ····· |
| With telling my memories over | 8 | ·/˘·/˘˘· |
| As you tell your beads; | 5 | ····· |
| All the Plain saw me gather, I garland | 10 | ·····/˘·/˘ |
| --The flowers or the weeds. | 6 | ·/˘··· |
| Time for rain! for your long hot dry Autumn | 10 | ········/˘ |
| Had net-worked with brown | 5 | ····· |
| The white skin of each grape on the bunches, | 10 | ········/˘ |
| Marked like a quail's crown, | 5 | ····· |
| Those creatures you make such account of, | 9 | ·/˘···˘/· |
| Whose heads--speckled white | 5 | ··/˘· |
| Over brown like a great spider's back, | 8 | ·····/˘· |
| As I told you last night-- | 6 | ······ |
| Your mother bites off for her supper. | 9 | ·/˘····/˘ |
| Red-ripe as could be, | 5 | ····· |
| Pomegranates were chapping and splitting | 10 | ·····/˘·/˘ |
| In halves on the tree: | 5 | ····· |
| And betwixt the loose walls of great flintstone, | 10 | ·˘/·····// |
| Or in the thick dust | 5 | ····· |
| On the path, or straight out of the rockside, | 10 | ·········· |
| Wherever could thrust | 5 | ˘/˘·· |
| Some burnt sprig of bold hardy rock-flower | 9 | ·····/˘·/ |
| Its yellow face up, | 5 | ·/˘·· |
| For the prize were great butterflies fighting, | 10 | ·····/˘·/˘ |
| Some five for one cup. | 5 | ····· |
| So, I guessed, ere I got up this morning, | 10 | ········/˘ |
| What change was in store, | 5 | ····· |
| By the quick rustle-down of the quail-nets | 10 | ···/˘····· |
| Which woke me before | 5 | ····· |
| I could open my shutter, made fast | 9 | ··/˘·/˘·· |
| With a bough and a stone, | 6 | ······ |
| And look thro' the twisted dead vine-twigs, | 9 | ····/˘··· |
| Sole lattice that's known. | 5 | ·/˘·· |
| Quick and sharp rang the rings down the net-poles, | 10 | ·········· |
| While, busy beneath, | 5 | ·/˘·· |
| Your priest and his brother tugged at them, | 9 | ····/˘··· |
| The rain in their teeth. | 5 | ····· |
| And out upon all the flat house-roofs | 9 | ········· |
| Where split figs lay drying, | 6 | ····/˘ |
| The girls took the frails under cover: | 9 | ·······/˘ |
| Nor use seemed in trying | 6 | ····/˘ |
| To get out the boats and go fishing, | 9 | ·······/˘ |
| For, under the cliff, | 5 | ····· |
| Fierce the black water frothed o'er the blind-rock. | 10 | ···/˘····· |
| No seeing our skiff | 6 | ·/˘/˘· |
| Arrive about noon from Amalfi, | 9 | ˘/······· |
| --Our fisher arrive, | 6 | /˘/˘˘/ |
| And pitch down his basket before us, | 9 | ····/˘··· |
| All trembling alive | 6 | ·/˘˘˘/ |
| With pink and grey jellies, your sea-fruit; | 9 | ····/˘··· |
| You touch the strange lumps, | 5 | ····· |
| And mouths gape there, eyes open, all manner | 10 | ·····/˘·/˘ |
| Of horns and of humps, | 5 | ····· |
| Which only the fisher looks grave at, | 9 | ·/˘·/˘··· |
| While round him like imps | 5 | ····· |
| Cling screaming the children as naked | 9 | ·/˘·/˘·/˘ |
| And brown as his shrimps; | 5 | ····· |
| Himself too as bare to the middle | 9 | ˘/·····/˘ |
| --You see round his neck | 5 | ····· |
| The string and its brass coin suspended, | 9 | ······˘/˘ |
| That saves him from wreck. | 5 | ····· |
| But to-day not a boat reached Salerno, | 10 | ·······˘/˘ |
| So back, to a man, | 5 | ····· |
| Came our friends, with whose help in the vineyards | 10 | ·/······/˘ |
| Grape-harvest began. | 5 | ·/˘˘/ |
| In the vat, halfway up in our houseside, | 11 | ···//··/··· |
| Like blood the juice spins, | 5 | ····· |
| While your brother all bare-legged is dancing | 11 | ··/˘··/˘·/˘ |
| Till breathless he grins | 5 | ·/˘·· |
| Dead-beaten in effort on effort | 9 | ·/˘·/˘·/˘ |
| To keep the grapes under, | 6 | ······ |
| Since still when he seems all but master, | 9 | ·······/˘ |
| In pours the fresh plunder | 6 | ····/˘ |
| From girls who keep coming and going | 9 | ····/˘·/˘ |
| With basket on shoulder, | 6 | ·/˘·/˘ |
| And eyes shut against the rain's driving; | 9 | ·······/˘ |
| Your girls that are older,-- | 6 | ····/˘ |
| For under the hedges of aloe, | 9 | ····/˘·/· |
| And where, on its bed | 5 | ····· |
| Of the orchard's black mould, the love-apple | 10 | ··/˘····/˘ |
| Lies pulpy and red, | 5 | ·/˘·· |
| All the young ones are kneeling and filling | 10 | ·····/˘·/˘ |
| Their laps with the snails | 5 | ····· |
| Tempted out by this first rainy weather,-- | 10 | /˘····/˘/˘ |
| Your best of regales, | 5 | ···˘/ |
| As to-night will be proved to my sorrow, | 10 | ········/˘ |
| When, supping in state, | 5 | ·/˘·· |
| We shall feast our grape-gleaners (two dozen, | 10 | ···/····/˘ |
| Three over one plate) | 5 | ····· |
| With lasagne so tempting to swallow, | 9 | ····/˘·/˘ |
| In slippery ropes, | 5 | ·/˘˘· |
| And gourds fried in great purple slices, | 9 | ·····/˘/˘ |
| That colour of popes. | 5 | ·/˘·· |
| Meantime, see the grape bunch they've brought you: | 9 | /········ |
| The rain-water slips | 5 | ··/˘· |
| O'er the heavy blue bloom on each globe | 9 | ··/˘····· |
| Which the wasp to your lips | 6 | ······ |
| Still follows with fretful persistence: | 9 | ·/˘·/˘˘/˘ |
| Nay, taste, while awake, | 5 | ···˘/ |
| This half of a curd-white smooth cheese-ball | 9 | ········· |
| That peels, flake by flake, | 5 | ····· |
| Like an onion, each smoother and whiter; | 9 | ··/˘·/˘·/ |
| Next, sip this weak wine | 5 | ····· |
| From the thin green glass flask, with its stopper, | 10 | ········/˘ |
| A leaf of the vine; | 5 | ····· |
| And end with the prickly-pear's red flesh | 9 | ····/˘··· |
| That leaves thro' its juice | 5 | ····· |
| The stony black seeds on your pearl-teeth. | 9 | ·/˘······ |
| Scirocco is loose! | 5 | ····· |
| Hark, the quick, whistling pelt of the olives | 10 | ···/˘···/˘ |
| Which, thick in one's track, | 5 | ····· |
| Tempt the stranger to pick up and bite them, | 10 | ··/˘······ |
| Tho' not yet half black! | 5 | ····· |
| How the old twisted olive trunks shudder, | 10 | ···/˘/˘·/˘ |
| The medlars let fall | 5 | ·/˘·· |
| Their hard fruit, and the brittle great fig-trees | 10 | ·····/˘··· |
| Snap off, figs and all, | 5 | ····· |
| For here comes the whole of the tempest! | 9 | ·······/˘ |
| No refuge, but creep | 5 | ·/˘·· |
| Back again to my side and my shoulder, | 10 | ·˘/·····/˘ |
| And listen or sleep. | 5 | ·/˘·· |
| O how will your country show next week, | 9 | ····/˘··· |
| When all the vine-boughs | 5 | ····· |
| Have been stripped of their foliage to pasture | 10 | ·····/˘·/˘ |
| The mules and the cows? | 5 | ····· |
| Last eve, I rode over the mountains, | 9 | ·······/˘ |
| Your brother, my guide, | 5 | ·/˘·· |
| Soon left me, to feast on the myrtles | 9 | ·······/˘ |
| That offered, each side, | 5 | ·/˘·· |
| Their fruit-balls, black, glossy and luscious,-- | 9 | ····/˘·/˘ |
| Or strip from the sorbs | 5 | ····· |
| A treasure, or, rosy and wondrous, | 9 | ·/˘·/˘·/˘ |
| Those hairy gold orbs! | 5 | ·/˘·· |
| But my mule picked his sure sober path out, | 10 | ······/˘·· |
| Just stopping to neigh | 5 | ·/˘·· |
| When he recognized down in the valley | 10 | ··/˘····/˘ |
| His mates on their way | 5 | ····· |
| With the faggots and barrels of water; | 10 | ··/˘·/˘·/˘ |
| And soon we emerged | 5 | ···˘/ |
| From the plain, where the woods could scarce follow; | 10 | ········/˘ |
| And still as we urged | 5 | ····· |
| Our way, the woods wondered, and left us, | 9 | /···/˘··· |
| As up still we trudged | 5 | ····· |
| Though the wild path grew wilder each instant, | 9 | ·····/·/˘ |
| And place was e'en grudged | 5 | ····· |
| 'Mid the rock-chasms and piles of loose stones | 10 | ···/˘····· |
| Like the loose broken teeth | 6 | ···/˘· |
| Of some monster which climbed there to die | 9 | ··/˘····· |
| From the ocean beneath-- | 6 | ··/˘·· |
| Place was grudged to the silver-grey fume-weed | 10 | ·····/˘··· |
| That clung to the path, | 5 | ····· |
| And dark rosemary ever a-dying | 9 | ··/·˘/·/˘ |
| That, 'spite the wind's wrath, | 5 | ····· |
| So loves the salt rock's face to seaward, | 9 | ·······/˘ |
| And lentisks as staunch | 5 | ····· |
| To the stone where they root and bear berries, | 10 | ········/˘ |
| And... what shows a branch | 5 | ····· |
| Coral-coloured, transparent, with circlets | 10 | /˘/˘˘/˘··· |
| Of pale seagreen leaves; | 5 | ····· |
| Over all trod my mule with the caution | 9 | ·······/˘ |
| Of gleaners o'er sheaves, | 5 | ····· |
| Still, foot after foot like a lad | 8 | ········ |
| Till, round after round, | 5 | ····· |
| He climbed to the top of Calvano, | 9 | ······˘/˘ |
| And God's own profound | 5 | ···˘/ |
| Was above me, and round me the mountains, | 10 | ········/˘ |
| And under, the sea, | 5 | ····· |
| And within me my heart to bear witness | 10 | ········/˘ |
| What was and shall be. | 5 | ····· |
| Oh, heaven and the terrible crystal! | 9 | ·/··/˘˘/˘ |
| No rampart excludes | 5 | ·/˘˘/ |
| Your eye from the life to be lived | 8 | ········ |
| In the blue solitudes. | 6 | ···/˘· |
| Oh, those mountains, their infinite movement! | 9 | ··/˘·/˘/˘ |
| Still moving with you; | 5 | ·/˘·· |
| For, ever some new head and breast of them | 9 | ·/······· |
| Thrusts into view | 4 | ···· |
| To observe the intruder; you see it | 10 | ·˘/·˘/˘··· |
| If quickly you turn | 5 | ·/˘·· |
| And, before they escape you surprise them. | 10 | ····˘/·˘/· |
| They grudge you should learn | 5 | ····· |
| How the soft plains they look on, lean over | 9 | ········· |
| And love (they pretend) | 5 | ···˘/ |
| --Cower beneath them, the flat sea-pine crouches, | 10 | /·······/˘ |
| The wild fruit-trees bend, | 5 | ····· |
| E'en the myrtle-leaves curl, shrink and shut: | 9 | ··/˘····· |
| All is silent and grave: | 6 | ··/˘·· |
| 'Tis a sensual and timorous beauty, | 9 | ··/˘·/˘/˘ |
| How fair! but a slave. | 5 | ····· |
| So, I turned to the sea; and there slumbered | 10 | ········/˘ |
| As greenly as ever | 6 | ·/˘·/˘ |
| Those isles of the siren, your Galli; | 9 | ····/˘·/˘ |
| No ages can sever | 6 | ·/˘·/˘ |
| The Three, nor enable their sister | 9 | ···˘/˘·/˘ |
| To join them,--halfway | 5 | ···// |
| On the voyage, she looked at Ulysses-- | 10 | ··/˘···˘/˘ |
| No farther to-day, | 5 | ·/˘·· |
| Tho' the small one, just launched in the wave, | 9 | ········· |
| Watches breast-high and steady | 7 | /˘···/˘ |
| From under the rock, her bold sister | 9 | ·······/˘ |
| Swum halfway already. | 6 | ·//˘/˘ |
| Fortu, shall we sail there together | 9 | ······˘/˘ |
| And see from the sides | 5 | ····· |
| Quite new rocks show their faces, new haunts | 9 | ·····/˘·· |
| Where the siren abides? | 6 | ··/˘˘/ |
| Shall we sail round and round them, close over | 9 | ········· |
| The rocks, tho' unseen, | 5 | ···˘/ |
| That ruffle the grey glassy water | 9 | ·/˘··/˘/˘ |
| To glorious green? | 5 | ·/˘˘· |
| Then scramble from splinter to splinter, | 9 | ·/˘·/˘·/˘ |
| Reach land and explore, | 5 | ···˘/ |
| On the largest, the strange square black turret | 10 | ··/˘····/˘ |
| With never a door, | 5 | ·/˘·· |
| Just a loop to admit the quick lizards; | 10 | ····˘/··/˘ |
| Then, stand there and hear | 5 | ····· |
| The birds' quiet singing, that tells us | 8 | ··//˘··· |
| What life is, so clear? | 5 | ····· |
| --The secret they sang to Ulysses | 9 | ·/˘···˘/˘ |
| When, ages ago, | 5 | ·/˘˘/ |
| He heard and he knew this life's secret | 9 | ·······/˘ |
| I hear and I know. | 5 | ····· |
| Ah, see! The sun breaks o'er Calvano; | 9 | ······˘/˘ |
| He strikes the great gloom | 5 | ····· |
| And flutters it o'er the mount's summit | 9 | ·/˘····/˘ |
| In airy gold fume. | 5 | ·/˘·· |
| All is over. Look out, see the gipsy, | 9 | ·······/˘ |
| Our tinker and smith, | 6 | /˘/˘·· |
| Has arrived, set up bellows and forge, | 9 | ·˘/··/˘·· |
| And down-squatted forthwith | 6 | ··/˘// |
| To his hammering, under the wall there; | 9 | ··/˘····· |
| One eye keeps aloof | 5 | ···˘/ |
| The urchins that itch to be putting | 9 | ·/˘····/˘ |
| His jews'-harps to proof, | 5 | ····· |
| While the other, thro' locks of curled wire, | 9 | ··/˘····/ |
| Is watching how sleek | 5 | ·/˘·· |
| Shines the hog, come to share in the windfall | 10 | ········/· |
| --Chew, abbot's own cheek! | 5 | ·/˘·· |
| All is over. Wake up and come out now, | 9 | ········· |
| And down let us go, | 5 | ····· |
| And see the fine things got in order | 9 | ·······/˘ |
| At church for the show | 5 | ····· |
| Of the Sacrament, set forth this evening. | 9 | ··/˘···/˘ |
| To-morrow's the Feast | 5 | ·/˘·· |
| Of the Rosary's Virgin, by no means | 9 | ··/˘/˘··· |
| Of Virgins the least, | 5 | ·/˘·· |
| As you'll hear in the off-hand discourse | 9 | ·······/˘ |
| Which (all nature, no art) | 6 | ··/˘·· |
| The Dominican brother, these three weeks, | 9 | ·˘/˘/˘··· |
| Was getting by heart. | 5 | ·/˘·· |
| Not a pillar nor post but is dizened | 10 | ··/˘······ |
| With red and blue papers; | 6 | ····/˘ |
| All the roof waves with ribbons, each altar | 10 | ·····/˘·/˘ |
| A-blaze with long tapers; | 6 | ····/˘ |
| But the great masterpiece is the scaffold | 10 | ···/˘···/˘ |
| Rigged glorious to hold | 6 | ·/˘˘·· |
| All the fiddlers and fifers and drummers | 9 | ··/˘·/·/˘ |
| And trumpeters bold, | 5 | ·/˘˘· |
| Not afraid of Bellini nor Auber, | 10 | ·˘/·˘/˘·/˘ |
| Who, when the priest's hoarse, | 5 | ····· |
| Will strike us up something that's brisk | 8 | ····/˘·· |
| For the feast's second course. | 6 | ···/˘· |
| And then will the flaxen-wigged Image | 9 | ····/˘·/˘ |
| Be carried in pomp | 5 | ·/˘·· |
| Thro' the plain, while in gallant procession | 10 | ·····/˘˘/˘ |
| The priests mean to stomp. | 5 | ····· |
| All round the glad church lie old bottles | 9 | ·······/˘ |
| With gunpowder stopped, | 5 | ·/·˘· |
| Which will be, when the Image re-enters, | 10 | ·····/˘·/˘ |
| Religiously popped; | 5 | ˘/˘˘· |
| And at night from the crest of Calvano | 10 | ·······˘/˘ |
| Great bonfires will hang, | 6 | ·/·˘·· |
| On the plain will the trumpets join chorus, | 10 | ·····/˘·/˘ |
| And more poppers bang. | 5 | ··/˘· |
| At all events, come-to the garden | 9 | ··˘/···/˘ |
| As far as the wall; | 5 | ····· |
| See me tap with a hoe on the plaster | 10 | ········/˘ |
| Till out there shall fall | 5 | ····· |
| A scorpion with wide angry nippers! | 9 | ·/˘··/˘/˘ |
| --"Such trifles!" you say? | 5 | ·/˘·· |
| Fortu, in my England at home, | 8 | ····/˘·· |
| Men meet gravely to-day | 6 | ··/˘·· |
| And debate, if abolishing Corn-laws | 9 | ·˘/·˘/˘·· |
| Be righteous and wise | 5 | ·/˘·· |
| --If 'twere proper, Scirocco should vanish | 10 | ··/˘····/˘ |
| In black from the skies! | 5 | ····· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.