Presentiment

Charlotte, Emily and Anne Brontë (1816–1855) · 1846

iambic tetrameter · 73 lines · from Poems by Currer, Ellis, and Acton Bell

"Sister, you've sat there all the day,Come to the hearth awhile;The wind so wildly sweeps away,The clouds so darkly pile.That open book has lain, unread,For hours upon your knee;You've never smiled nor turned your head;What can you, sister, see?"

"Come hither, Jane, look down the field;How dense a mist creeps on!The path, the hedge, are both concealed,Ev'n the white gate is goneNo landscape through the fog I trace,No hill with pastures green;All featureless is Nature's face.All masked in clouds her mien.

"Scarce is the rustle of a leafHeard in our garden now;The year grows old, its days wax brief,The tresses leave its brow.The rain drives fast before the wind,The sky is blank and grey;O Jane, what sadness fills the mindOn such a dreary day!"

"You think too much, my sister dear;You sit too long alone;What though November days be drear?Full soon will they be gone.I've swept the hearth, and placed your chair.Our own fireside is never drear,Though late and wintry wane the year,Though rough the night may be."

"The peaceful glow of our firesideImparts no peace to me:My thoughts would rather wander wideThan rest, dear Jane, with thee.I'm on a distant journey bound,And if, about my heart,Too closely kindred ties were bound,'Twould break when forced to part.

"'Soon will November days be o'er:'Well have you spoken, Jane:My own forebodings tell me more--For me, I know by presage sure,They'll ne'er return again.Ere long, nor sun nor storm to meWill bring or joy or gloom;They reach not that EternityWhich soon will be my home."

Eight months are gone, the summer sunSets in a glorious sky;A quiet field, all green and lone,Receives its rosy dye.Jane sits upon a shaded stile,Alone she sits there now;Her head rests on her hand the while,And thought o'ercasts her brow.

She's thinking of one winter's day,A few short months ago,Then Emma's bier was borne awayO'er wastes of frozen snow.She's thinking how that drifted snowDissolved in spring's first gleam,And how her sister's memory nowFades, even as fades a dream.

The snow will whiten earth again,But Emma comes no more;She left, 'mid winter's sleet and rain,This world for Heaven's far shore.On Beulah's hills she wanders now,On Eden's tranquil plain;To her shall Jane hereafter go,She ne'er shall come to Jane!

Words in this poem 18
awhile adv.
For a while; for some time; for a short time. [Adj. a + while time, interval.]
unread a.
Not read or perused; as, an unread book. Hooker.
jane n.
A coin of Genoa; any small coin. [LL. Janua Genoa; L. Genua, also OE. Jean.]
featureless a.
Having no distinct or distinctive features.
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
rustle v. i.
To make a quick succession of small sounds, like the rubbing or moving of silk cloth or dry leaves. [AS. hristlan to rustle; or cf. Sw. rusta to stir, make a riot, or E. rush, v.]
sadness n.
Heaviness; firmness.
dreary a.
Sorrowful; distressful. [OE. dreori, dreri, AS. dreórig, sad; akin to G. traurig, and prob. to AS. dreósan to fall, Goth. driusan. Cf. Dross, Drear, Drizzle, Drowse.]
drear n.
Sadness; dismalness.
fireside n.
A place near the fire or hearth; home; domestic life or retirement.
wintry a.
Suitable to winter; resembling winter, or what belongs to winter; brumal; hyemal; cold; stormy; wintery. [AS. wintrig.]
glorious a.
Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
lone n.
A lane. See Loanin.
stile n.
A pin set on the face of a dial, to cast a shadow; a style. See Style. Moxon. [See Style.]
bier n.
A handbarrow or portable frame on which a corpse is placed or borne to the grave. [OE. bæe, beere, AS. b, b; akin to D. baar, OHG. bara, G. bahre, Icel barar, Dbaare, L. feretrum, Gr. , from the same bear to produce. See 1st Bear, and cf. Barr]
sleet n.
The part of a mortar extending from the chamber to the trunnions.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
hereafter adv.
In time to come; in some future time or state. [AS. hræfter.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Presentiment is in the public domain. This text is taken from Poems by Currer, Ellis, and Acton Bell, Project Gutenberg ebook #1019; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Charlotte, Emily and Anne Brontë, Presentiment, in Poems by Currer, Ellis, and Acton Bell (1846), text of Project Gutenberg ebook #1019, Laurel, https://laurelpoetry.com/poem/bronte-poems/presentiment.html, id L13221.

Form and metre

Presentiment is 73 lines in 9 stanzas. The commonest rhyme scheme is ABABCDCD, in 4 of the 9 stanzas; the rest vary or could not be confirmed. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 93%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 7.2 syllables. 1 line ends on an unstressed syllable, a feminine ending. 15% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCDCD dayA · awhileB · awayA · pileB · unreadC · kneeD · headC · seeD
  2. 2 ABABCDCD fieldA · onB · concealedA · goneB · traceC · greenD · faceC · mienD
  3. 3 ABABCDCD leafA · nowB · briefA · browB · windC · greyD · mindC · dayD
  4. 4 A-A-AAA- dearA · alone · drearA · gone · chairA · drearA · yearA · be
  5. 5 ABABCDCD firesideA · meB · wideA · theeB · boundC · heartD · boundC · partD
  6. 6 -A--A---- o'er · janeA · more · sure · againA · me · gloom · eternity · home
  7. 7 -A-ABCBC sun · skyA · lone · dyeA · stileB · nowC · whileB · browC
  8. 8 ABABBC-C dayA · agoB · awayA · snowB · snowB · gleamC · now · dreamC
  9. 9 ABAB-A-A againA · moreB · rainA · shoreB · now · plainA · go · janeA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
"Sister, you've sat there all the day,8/˘······
Come to the hearth awhile;6····˘/
The wind so wildly sweeps away,8···/˘·˘/
The clouds so darkly pile.6···/˘·
That open book has lain, unread,8·/˘···˘/
For hours upon your knee;7·/˘····
You've never smiled nor turned your head;8·/˘·····
What can you, sister, see?"6···/˘·
"Come hither, Jane, look down the field;8·/˘·····
How dense a mist creeps on!6······
The path, the hedge, are both concealed,8······˘/
Ev'n the white gate is gone6······
No landscape through the fog I trace,8·/······
No hill with pastures green;6···/˘·
All featureless is Nature's face.8·/˘˘·/˘·
All masked in clouds her mien.7··˘····
"Scarce is the rustle of a leaf8···/˘···
Heard in our garden now;7··/˘/˘·
The year grows old, its days wax brief,8········
The tresses leave its brow.6·/˘···
The rain drives fast before the wind,8········
The sky is blank and grey;6······
O Jane, what sadness fills the mind8···/˘···
On such a dreary day!"6···/˘·
"You think too much, my sister dear;8·····/˘·
You sit too long alone;6····˘/
What though November days be drear?8··˘/˘···
Full soon will they be gone.6······
I've swept the hearth, and placed your chair.8········
Our own fireside is never drear,8/·/˘··/·
Though late and wintry wane the year,8···/˘···
Though rough the night may be."6······
"The peaceful glow of our fireside9·/˘··//˘·
Imparts no peace to me:6˘/····
My thoughts would rather wander wide8···/˘/˘·
Than rest, dear Jane, with thee.6······
I'm on a distant journey bound,8···/˘/˘·
And if, about my heart,6······
Too closely kindred ties were bound,8·/˘/˘···
'Twould break when forced to part.7····˘··
"'Soon will November days be o'er:'8··˘/˘···
Well have you spoken, Jane:6···/˘·
My own forebodings tell me more--8··˘/˘···
For me, I know by presage sure,8·····/˘·
They'll ne'er return again.6··˘/˘/
Ere long, nor sun nor storm to me8········
Will bring or joy or gloom;6······
They reach not that Eternity8····˘/˘˘
Which soon will be my home."6······
Eight months are gone, the summer sun8·····/˘·
Sets in a glorious sky;7···/˘˘·
A quiet field, all green and lone,8·/˘·····
Receives its rosy dye.6˘/·/˘·
Jane sits upon a shaded stile,8·····/˘·
Alone she sits there now;6˘/····
Her head rests on her hand the while,8········
And thought o'ercasts her brow.6······
She's thinking of one winter's day,8·/˘··/˘·
A few short months ago,6····˘/
Then Emma's bier was borne away8·/˘···˘/
O'er wastes of frozen snow.6···/˘·
She's thinking how that drifted snow8·/˘··/˘·
Dissolved in spring's first gleam,7˘/˘····
And how her sister's memory now8···/˘/˘·
Fades, even as fades a dream.7·/˘····
The snow will whiten earth again,8···/˘·˘/
But Emma comes no more;6·/˘···
She left, 'mid winter's sleet and rain,8···/˘···
This world for Heaven's far shore.7···/˘··
On Beulah's hills she wanders now,8·/˘··/˘·
On Eden's tranquil plain;6·/˘/˘·
To her shall Jane hereafter go,8····˘/˘·
She ne'er shall come to Jane!6······

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Charlotte, Emily and Anne Brontë