Holger Drachmann
Spring's herald, hail! You've rent the forest's quiet?Your hair is wet, and you are leaf-strewn, dusty ...With your powers lustyHave you raised a riot?What noise about you of the flood set free,That follows at your heels,--turn back and see:It spurts upon you! --Was it that you fought for?You were in there where stumps and trunks are rottingWhere long the winter-graybeards have been plottingTo prison safe that which a lock they wrought for.But power gave you Pan, the ancient god!They cried aloud and cursed your future lot?Your gallant feat they held a robber's fraud?--Each spring it happens; but is soon forgot.
You cast you down beside the salt sea's wave.It too is free; dances with joy to find you.You know the music well; for Pan resigned youHis art one evening by a viking's grave.
But while on nature's loving lap you lie,The tramp of battle on the land you hear,You see the steamers as they northward steerWith freedom's flag;--of your name comes a cry.
And so is torn between the two your breast:--Freedom's bold fighters, who now proudly rally,In nature's life and legend dreamy rest;The former chide, the latter lures to dally.
Your songs sound, some as were a war-horn braying,Some softly purl like streams on reedy strand.Half nature-sprite and half as man you stand,The two not yet one law of life obeying.
But as you seem and as yourself you are(The faun's love that the viking's longing tinges),We welcome you, no lock is left nor bar,--You bring along the door and both the hinges.
Just this it is that we are needing now:The spring, the spring! These stifling fumes we bearOf royal incense and of monkish snuff,Of corpses in romantic cloak and ruff,Are bad for morals and for lungs: Fresh air!
Rather a draught of Songs Venetian, cheerful,With southern wantonness and color-wonders,--Rather "Two Shots" (although they make us fearful)Against our shallow breeding and its blunders.
Spring's herald, hail! come from the forest's choir,From ocean's roar, from armèd hosts and grim!Though sometimes carelessly you struck the lyre,--Where rich growth is, one can the rank shoots trim.The small trolls jeer the gestures of a giant,I love you so,--unique and self-reliant.
Words in this poem
- aloud adv.
- With a loud voice, or great noise; loudly; audibly. [Pref. a- + loud.]
- cursed a.
- Deserving a curse; execrable; hateful; detestable; abominable.
- resigned a.
- Submissive; yielding; not disposed to resist or murmur.
- northward a.
- Toward the north; nearer to the north than to the east or west point. [AS. noredhweard.]
- rally v. t.
- To collect, and reduce to order, as troops dispersed or thrown into confusion; to gather again; to reunite. [OF. ralier, F. rallier, fr. L. pref. re- + ad + ligare to bind. See Ra-, and 1st Ally.]
- dreamy a.
- Abounding in dreams or given to dreaming; appropriate to, or like, dreams; visionary.
- dally v. i.
- To waste time in effeminate or voluptuous pleasures, or in idleness; to fool away time; to delay unnecessarily; to tarry; to trifle. [OE. , dailien; cf. Icel. pylja to talk, G. dallen, dalen, dahlen, to trifle, talk nonsense, OSw. tule a droll or funny man; or AS. dol foolish, E. dull.]
- braying a.
- Making a harsh noise; blaring.
- purl v. t.
- To decorate with fringe or embroidery. [Contr. fr. purfile, purfle. See Purfle.]
- sprite n.
- A spirit; a soul; a shade; also, an apparition. See Spright. [OE. sprit, F. esprit, fr. L. spiritus. See Spirit, and cf. Sprightly.]
- monkish a.
- Like a monk, or pertaining to monks; monastic; as, monkish manners; monkish dress; monkish solitude.
- shots n.
- The refuse of cattle taken from a drove.
- unique a.
- Being without a like or equal; unmatched; unequaled; unparalleled; single in kind or excellence; sole. [F. unique; cf. It. unico; from L. unicus, from unus one. See One.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Holger Drachmann is in the public domain. This text is taken from Poems and Songs, Project Gutenberg ebook #6619, the Arthur Hubbell Palmer translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Bjørnstjerne Bjørnson, Holger Drachmann, in Poems and Songs (1915), text of Project Gutenberg ebook #6619, Laurel, https://laurelpoetry.com/poem/bjornson-poems-and-songs/holger-drachmann.html, id L29342.
Form and metre
Holger Drachmann is 49 lines in 9 stanzas. The commonest rhyme scheme is ABBA, in 3 of the 9 stanzas; the rest vary or could not be confirmed. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABBACCDEED-F-F quietA · dustyB · lustyB · riotA · freeC · seeC · forD · rottingE · plottingE · forD · god · lotF · fraud · forgotF
- 2 ABBA waveA · youB · youB · graveA
- 3 ABBA lieA · hearB · steerB · cryA
- 4 ABAB breastA · rallyB · restA · dallyB
- 5 ABBA brayingA · strandB · standB · obeyingA
- 6 A-A- areA · tinges · barA · hinges
- 7 -ABBA now · bearA · snuffB · ruffB · airA
- 8 ABAB cheerfulA · wondersB · fearfulA · blundersB
- 9 -A-ABB choir · grimA · lyre · trimA · giantB · reliantB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Spring's herald, hail! You've rent the forest's quiet? | 11 | ·/˘····/˘/˘ |
| Your hair is wet, and you are leaf-strewn, dusty ... | 11 | ·········/˘ |
| With your powers lusty | 6 | ··/˘/˘ |
| Have you raised a riot? | 6 | ····/˘ |
| What noise about you of the flood set free, | 10 | ·········· |
| That follows at your heels,--turn back and see: | 10 | ·/˘······· |
| It spurts upon you! --Was it that you fought for? | 11 | ··········· |
| You were in there where stumps and trunks are rotting | 11 | ·········/˘ |
| Where long the winter-graybeards have been plotting | 11 | ···/˘/˘··/˘ |
| To prison safe that which a lock they wrought for. | 11 | ·/˘········ |
| But power gave you Pan, the ancient god! | 10 | ·/˘····/˘· |
| They cried aloud and cursed your future lot? | 10 | ··˘/···/˘· |
| Your gallant feat they held a robber's fraud? | 10 | ·/˘····/˘· |
| --Each spring it happens; but is soon forgot. | 10 | ···/˘···˘/ |
| You cast you down beside the salt sea's wave. | 10 | ····˘/···· |
| It too is free; dances with joy to find you. | 11 | ····/˘····· |
| You know the music well; for Pan resigned you | 11 | ···/˘···˘/· |
| His art one evening by a viking's grave. | 10 | ···/˘··/˘· |
| But while on nature's loving lap you lie, | 10 | ···/˘/˘··· |
| The tramp of battle on the land you hear, | 10 | ···/˘····· |
| You see the steamers as they northward steer | 10 | ···/˘··/˘· |
| With freedom's flag;--of your name comes a cry. | 10 | ·/˘······· |
| And so is torn between the two your breast:-- | 10 | ·········· |
| Freedom's bold fighters, who now proudly rally, | 11 | /˘·/˘··/˘/˘ |
| In nature's life and legend dreamy rest; | 10 | ·/˘··/˘/˘· |
| The former chide, the latter lures to dally. | 11 | ·/˘··/˘··/˘ |
| Your songs sound, some as were a war-horn braying, | 11 | ·········/˘ |
| Some softly purl like streams on reedy strand. | 10 | ·/˘····/˘· |
| Half nature-sprite and half as man you stand, | 10 | ·/˘······· |
| The two not yet one law of life obeying. | 11 | ········˘/˘ |
| But as you seem and as yourself you are | 10 | ······˘/·· |
| (The faun's love that the viking's longing tinges), | 10 | ·····/˘/˘· |
| We welcome you, no lock is left nor bar,-- | 10 | ·/˘······· |
| You bring along the door and both the hinges. | 11 | ··˘/·····/˘ |
| Just this it is that we are needing now: | 10 | ·······/˘· |
| The spring, the spring! These stifling fumes we bear | 10 | ·····/˘··· |
| Of royal incense and of monkish snuff, | 10 | ·/˘/···/˘· |
| Of corpses in romantic cloak and ruff, | 10 | ·/˘·˘/˘··· |
| Are bad for morals and for lungs: Fresh air! | 10 | ···/˘····· |
| Rather a draught of Songs Venetian, cheerful, | 11 | /˘····˘/˘/˘ |
| With southern wantonness and color-wonders,-- | 11 | ·/˘/˘˘·/˘/˘ |
| Rather "Two Shots" (although they make us fearful) | 11 | /˘·······/˘ |
| Against our shallow breeding and its blunders. | 11 | ··//˘/˘··/˘ |
| Spring's herald, hail! come from the forest's choir, | 11 | ·/˘····/˘/˘ |
| From ocean's roar, from armèd hosts and grim! | 9 | ·/˘······ |
| Though sometimes carelessly you struck the lyre,-- | 10 | ·/·/˘˘···· |
| Where rich growth is, one can the rank shoots trim. | 10 | ·········· |
| The small trolls jeer the gestures of a giant, | 11 | ·····/˘··/˘ |
| I love you so,--unique and self-reliant. | 11 | ····˘/··˘/˘ |
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