The Kitten and Falling Leaves

William Wordsworth (1770–1850) · 1802–1815

trochaic tetrameter · rhyming couplets · 127 lines · from The Prelude, and Other Poems

That way look, my Infant, lo!What a pretty baby-show!See the Kitten on the wall,Sporting with the leaves that fall,Withered leaves--one--two--and three--5From the lofty elder-tree!Through the calm and frosty airOf this morning bright and fair,Eddying round and round they sinkSoftly, slowly: one might think,From the motions that are made,Every little leaf conveyedSylph or Faery hither tending,--To this lower world descending,Each invisible and mute,In his wavering parachute.----But the Kitten, how she starts,Crouches, stretches, paws, and darts!First at one, and then its fellowJust as light and just as yellow;There are many now--now one--Now they stop and there are none:What intenseness of desireIn her upward eye of fire!With a tiger-leap half-wayNow she meets the coming prey,Lets it go as fast, and thenHas it in her power again:Now she works with three or four,Like an Indian conjurer;Quick as he in feats of art,Far beyond in joy of heart.Were her antics played in the eyeOf a thousand standers-by,Clapping hands with shout and stare,What would little Tabby careFor the plaudits of the crowd?Over happy to be proud,Over wealthy in the treasureOf her own exceeding pleasure!

'Tis a pretty baby-treat;Nor, I deem, for me unmeet;Here, for neither Babe nor me,Other play-mate can I see.Of the countless living things,That with stir of feet and wings(In the sun or under shade,Upon bough or grassy blade)And with busy revellings,Chirp and song, and murmurings,Made this orchard's narrow space,And this vale so blithe a place;Multitudes are swept awayNever more to breathe the day:Some are sleeping; some in bandsTravelled into distant lands;Others slunk to moor and wood,Far from human neighbourhood;And, among the Kinds that keepWith us closer fellowship,With us openly abide,All have laid their mirth aside.

Where is he that giddy Sprite,Blue-cap, with his colours bright,Who was blest as bird could be,Feeding in the apple-tree;Made such wanton spoil and rout,Turning blossoms inside out;Hung--head pointing towards the ground--Fluttered, perched, into a roundBound himself, and then unbound;Lithest, gaudiest Harlequin!Prettiest tumbler ever seen!Light of heart and light of limb;What is now become of Him?Lambs, that through the mountains wentFrisking, bleating merriment,When the year was in its prime,They are sobered by this time.If you look to vale or hill,If you listen, all is still,Save a little neighbouring rill,That from out the rocky groundStrikes a solitary sound.Vainly glitter hill and plain,And the air is calm in vain;Vainly Morning spreads the lureOf a sky serene and pure;Creature none can she decoyInto open sign of joy:Is it that they have a fearOf the dreary season near?Or that other pleasures beSweeter even than gaiety?

Yet, whate'er enjoyments dwellIn the impenetrable cellOf the silent heart which NatureFurnishes to every creature;Whatsoe'er we feel and knowToo sedate for outward show,Such a light of gladness breaks,Pretty Kitten! from thy freaks,--Spreads with such a living graceO'er my little Dora's face;Yes, the sight so stirs and charmsThat almost I could repineThat your transports are not mine,That I do not wholly fareEven as ye do, thoughtless pair!And I will have my careless seasonSpite of melancholy reason,Will walk through life in such a wayThat, when time brings on decay,Now and then I may possessHours of perfect gladsomeness.--Pleased by any random toy;By a kitten's busy joy,Or an infant's laughing eyeSharing in the ecstasy;I would fare like that or this,Find my wisdom in my bliss;Keep the sprightly soul awake,And have faculties to take,Even from things by sorrow wrought,Matter for a jocund thought,Spite of care, and spite of grief,To gambol with Life's falling Leaf.

Words in this poem 20
sylph n.
An imaginary being inhabiting the air; a fairy.
parachute n.
A contrivance somewhat in the form of an umbrella, by means of which a descent may be made from a balloon, or any eminence. [F., fr. paper to ward off, guard + chute a fall. See Parry, and Chute, Chance.]
intenseness n.
The state or quality of being intense; intensity; as, the intenseness of heat or cold; the intenseness of study or thought.
deem v. t.
To decide; to judge; to sentence; to condemn. [OE. demen to judge, condemn, AS. d, fr. d doom; akin to OFries. d, OS. ad, D. doemen, OHG. tuommen, Icel. dæma, Sw. dömma, Dan. dömme, Goth. d. See Doom, n., an]
unmeet a.
Not meet or fit; not proper; unbecoming; unsuitable; -- usually followed by for.
babe n.
An infant; a young child of either sex; a baby. [Cf. Ir. bab, baban, W. baban, maban.]
countless a.
Incapable of being counted; not ascertainable; innumerable.
vale n.
A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
blithe a.
Gay; merry; sprightly; joyous; glad; cheerful; as, a blithe spirit. [AS. bli blithe, kind; akin to Goth. blei kind, Icel. bli mild, gentle, Dan. & Sw. blid gentle, D. blijd blithe, OHG. blidi kind, blithe.]
closer n.
One who, or that which, closes; specifically, a boot closer. See under Boot.
sprite n.
A spirit; a soul; a shade; also, an apparition. See Spright. [OE. sprit, F. esprit, fr. L. spiritus. See Spirit, and cf. Sprightly.]
went n.
Course; way; path; journey; direction.
bleating a.
Crying as a sheep does.
neighbouring a.
Living or being near; adjacent; as, the neighboring nations or countries.
rill n.
A very small brook; a streamlet. [Cf. LG. rille a small channel or brook, a furrow, a chamfer, OE. rigol a small brook, F. rigole a trench or furrow for water, W. rhill a row, rhigol a little di]
dreary a.
Sorrowful; distressful. [OE. dreori, dreri, AS. dreórig, sad; akin to G. traurig, and prob. to AS. dreósan to fall, Goth. driusan. Cf. Dross, Drear, Drizzle, Drowse.]
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
repine v. i.
To fail; to wane. [Pref. re- + pine to languish.]
jocund
Merry; cheerful; gay; airy; lively; sportive. [L. jocundus, jucundus, orig., helpful, fr. juvare to help. See Aid.]
gambol n.
A skipping or leaping about in frolic; a hop; a sportive prank. [OE. gambolde, gambaulde, F. gambade, gambol, fr. It. gambata kick, fr. L. gamba leg, akin to F. jambe, OF. also, gambe, fr. L. gamba, hoof or perh. joint: cf. G]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Kitten and Falling Leaves is in the public domain. This text is taken from The Poetical Works of William Wordsworth — Volume 3 (of 8), Project Gutenberg ebook #12383; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Wordsworth, The Kitten and Falling Leaves, in The Prelude, and Other Poems (1802–1815), text of Project Gutenberg ebook #12383, Laurel, https://laurelpoetry.com/poem/wordsworth-vol3/the-kitten-and-falling-leaves.html, id L25595.

Form and metre

The Kitten and Falling Leaves is 127 lines in 4 verse paragraphs. It is in rhyming couplets, 74% of the lines. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 90%).

See other poems in rhyming couplets, other poems in trochaic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABB--CCDDEEFFGGHHIIJJKKLLMM--NNOOPPQQRR loA · showA · wallB · fallB · — · tree · airC · fairC · sinkD · thinkD · madeE · conveyedE · tendingF · descendingF · muteG · parachuteG · startsH · dartsH · fellowI · yellowI · oneJ · noneJ · desireK · fireK · wayL · preyL · thenM · againM · four · conjurer · artN · heartN · eyeO · byO · stareP · careP · crowdQ · proudQ · treasureR · pleasureR
  2. 2 AABBCCDDCCEEFFGGHH--II treatA · unmeetA · meB · seeB · thingsC · wingsC · shadeD · bladeD · revellingsC · murmuringsC · spaceE · placeE · awayF · dayF · bandsG · landsG · woodH · neighbourhoodH · keep · fellowship · abideI · asideI
  3. 3 AABBCCDDDEEFFGGHHIIIJJKKLLMMNN-- spriteA · brightA · beB · treeB · routC · outC · groundD · roundD · unboundD · harlequinE · seenE · limbF · himF · wentG · merrimentG · primeH · timeH · hillI · stillI · rillI · groundJ · soundJ · plainK · vainK · lureL · pureL · decoyM · joyM · fearN · nearN · be · gaiety
  4. 4 AA--BB--CC--DEEDDFFGGHH--IIJJKKLL dwellA · cellA · nature · creature · knowB · showB · breaks · freaks · graceC · faceC · charms · repine · mineD · fareE · pairE · seasonD · reasonD · wayF · decayF · possessG · gladsomenessG · toyH · joyH · eye · ecstasy · thisI · blissI · awakeJ · takeJ · wroughtK · thoughtK · griefL · leafL
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.

LineSyl.Stress
That way look, my Infant, lo!7····/˘·
What a pretty baby-show!7··/˘/˘·
See the Kitten on the wall,7··/˘···
Sporting with the leaves that fall,7/˘·····
Withered leaves--one--two--and three--57/˘·····
From the lofty elder-tree!7··/˘/˘·
Through the calm and frosty air7····/˘·
Of this morning bright and fair,7··/˘···
Eddying round and round they sink7/˘·····
Softly, slowly: one might think,7/˘/˘···
From the motions that are made,7··/˘···
Every little leaf conveyed7/˘/˘·˘/
Sylph or Faery hither tending,--8····/˘/˘
To this lower world descending,8··/˘·˘/˘
Each invisible and mute,7·˘/˘˘··
In his wavering parachute.7··/˘/˘·
----But the Kitten, how she starts,7··/˘···
Crouches, stretches, paws, and darts!7/˘/˘···
First at one, and then its fellow8······/˘
Just as light and just as yellow;8······/˘
There are many now--now one--7··/˘···
Now they stop and there are none:7·······
What intenseness of desire8·˘/˘·˘/˘
In her upward eye of fire!8··/˘··/˘
With a tiger-leap half-way7··/˘···
Now she meets the coming prey,7····/˘·
Lets it go as fast, and then7·······
Has it in her power again:7····/˘/
Now she works with three or four,7·······
Like an Indian conjurer;8··/˘˘˘/˘
Quick as he in feats of art,7·······
Far beyond in joy of heart.7·······
Were her antics played in the eye8··/˘····
Of a thousand standers-by,7··/˘/˘·
Clapping hands with shout and stare,7/˘·····
What would little Tabby care7··/˘/˘·
For the plaudits of the crowd?7··/˘···
Over happy to be proud,7··/˘···
Over wealthy in the treasure8··/˘··/˘
Of her own exceeding pleasure!8···˘/˘/˘
'Tis a pretty baby-treat;7··/˘/˘·
Nor, I deem, for me unmeet;7·····˘/
Here, for neither Babe nor me,7··/˘···
Other play-mate can I see.7/˘·····
Of the countless living things,7··/˘/˘·
That with stir of feet and wings7·······
(In the sun or under shade,7·······
Upon bough or grassy blade)7····/˘·
And with busy revellings,7··/˘···
Chirp and song, and murmurings,7····/˘˘
Made this orchard's narrow space,7··/˘/˘·
And this vale so blithe a place;7·······
Multitudes are swept away7/˘···˘/
Never more to breathe the day:7/˘·····
Some are sleeping; some in bands7··/˘···
Travelled into distant lands;7/˘··/˘·
Others slunk to moor and wood,7/˘·····
Far from human neighbourhood;7··/˘···
And, among the Kinds that keep7·······
With us closer fellowship,7··/˘/˘·
With us openly abide,7··/˘˘˘/
All have laid their mirth aside.7·····˘/
Where is he that giddy Sprite,7····/˘·
Blue-cap, with his colours bright,7····/˘·
Who was blest as bird could be,7·······
Feeding in the apple-tree;7/˘··/˘·
Made such wanton spoil and rout,7··/˘···
Turning blossoms inside out;7/˘/˘/··
Hung--head pointing towards the ground--7··/˘···
Fluttered, perched, into a round7/˘·····
Bound himself, and then unbound;7·˘/··˘/
Lithest, gaudiest Harlequin!7/˘··/˘˘
Prettiest tumbler ever seen!7/˘˘/˘/·
Light of heart and light of limb;7·······
What is now become of Him?7···˘/··
Lambs, that through the mountains went7····/˘·
Frisking, bleating merriment,7/˘/˘/˘˘
When the year was in its prime,7·······
They are sobered by this time.7··/˘···
If you look to vale or hill,7·······
If you listen, all is still,7··/˘···
Save a little neighbouring rill,7··/˘/˘·
That from out the rocky ground7····/˘·
Strikes a solitary sound.7··/˘·˘·
Vainly glitter hill and plain,7/˘/˘···
And the air is calm in vain;7·······
Vainly Morning spreads the lure7/˘/˘···
Of a sky serene and pure;7···˘/··
Creature none can she decoy7/˘···˘/
Into open sign of joy:7··/˘···
Is it that they have a fear7·······
Of the dreary season near?7··/˘/˘·
Or that other pleasures be7··/˘/˘·
Sweeter even than gaiety?8/˘/˘·/˘˘
Yet, whate'er enjoyments dwell8·˘˘/˘/˘·
In the impenetrable cell7··˘/˘˘·
Of the silent heart which Nature8··/˘··/˘
Furnishes to every creature;8/˘˘·/˘/˘
Whatsoe'er we feel and know7·······
Too sedate for outward show,7·˘/·/˘·
Such a light of gladness breaks,7····/˘·
Pretty Kitten! from thy freaks,--7/˘/˘···
Spreads with such a living grace7····/˘·
O'er my little Dora's face;7··/˘/˘·
Yes, the sight so stirs and charms7·······
That almost I could repine7·/···˘/
That your transports are not mine,7··˘/···
That I do not wholly fare7····/˘·
Even as ye do, thoughtless pair!7/···/˘·
And I will have my careless season9·····/˘/˘
Spite of melancholy reason,8··/˘·˘/˘
Will walk through life in such a way8········
That, when time brings on decay,7·····˘/
Now and then I may possess7·····˘/
Hours of perfect gladsomeness.8/·/·····
--Pleased by any random toy;7··/˘/˘·
By a kitten's busy joy,7··/˘/˘·
Or an infant's laughing eye7··/˘/˘·
Sharing in the ecstasy;7/˘··/˘˘
I would fare like that or this,7·······
Find my wisdom in my bliss;7··/˘···
Keep the sprightly soul awake,7··/˘·˘/
And have faculties to take,7··/˘˘··
Even from things by sorrow wrought,7/···/˘·
Matter for a jocund thought,7/˘··/˘·
Spite of care, and spite of grief,7·······
To gambol with Life's falling Leaf.8·/˘··/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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