On Mr Abraham Cowley, His Death, and Burial Amongst the Ancient Poets

Edmund Waller (1606–1687) · 1645–1668

iambic tetrameter · octosyllabic couplets · 100 lines · from Poetical Works

Old Chaucer, like the morning star,To us discovers day from far;His light those mists and clouds dissolved,Which our dark nation long involved:But he descending to the shades,Darkness again the age invades.Next (like Aurora) Spenser rose,Whose purple blush the day foreshows;The other three with his own firesPhoebus, the poet's god, inspires;By Shakespeare's, Jonson's, Fletcher's lines,Our stage's lustre Rome's outshines:These poets near our princes sleep,And in one grave their mansion keep.They lived to see so many days,Till time had blasted all their bays:But cursèd be the fatal hour,That pluck'd the fairest, sweetest flowerThat in the Muses' garden grew,And amongst wither'd laurels threw!Time, which made them their fame outlive,To Cowley scarce did ripeness give.Old mother Wit, and Nature, gaveShakespeare and Fletcher all they have;In Spenser, and in Jonson, ArtOf slower Nature got the start;But both in him so equal are,None knows which bears the happiest share;To him no author was unknown,Yet what he wrote was all his own;He melted not the ancient gold,Nor, with Ben Jonson, did make boldTo plunder all the Roman storesOf poets, and of orators:Horace's wit, and Virgil's state,He did not steal, but emulate!And when he would like them appear,Their garb, but not their clothes, did wear;He not from Rome alone, but Greece,Like Jason, brought the golden fleece;To him that language (though to noneOf th'others) as his own was known.On a stiff gale (as Flaccus sings)The Theban swan extends his wings,When through th'ethereal clouds he flies;To the same pitch our swan doth rise;Old Pindar's flights by him are reach'd,When on that gale his wings are stretch'd;His fancy and his judgment such,Each to the others seem'd too much,His severe judgment (giving law)His modest fancy kept in awe:As rigid husbands jealous are,When they believe their wives too fair.His English streams so pure did flowAs all that saw and tasted know;But for his Latin vein, so clear,Strong, full, and high it doth appear,That were immortal Virgil here,Him, for his judge, he would not fear;Of that great portraiture so trueA copy pencil never drew.My Muse her song had ended here,But both their Genii straight appear,Joy and amazement her did strike:Two twins she never saw so like.'Twas taught by wise Pythagoras,One soul might through more bodies pass.Seeing such transmigration there,She thought it not a fable here.Such a resemblance of all parts,Life, death, age, fortune, nature, arts;Then lights her torch at theirs, to tell,And show the world this parallel:Fix'd and contemplative their looks,Still turning over Nature's books;Their works chaste, moral and divine,Where profit and delight combine;They, gilding dirt, in noble verseRustic philosophy rehearse.When heroes, gods, or god-like kingsThey praise, on their exalted wingsTo the celestial orbs they climb,And with th'harmonious spheres keep time.Nor did their actions fall behindTheir words, but with like candour sinned;Each drew fair characters, yet noneOf these they feign'd, excels their own.Both by two gen'rous princes loved,Who knew, and judged what they approved;Yet having each the same desire,Both from the busy throng retire.Their bodies, to their minds resign'd,Cared not to propagate their kind:Yet though both fell before their hour,Time on their offspring hath no power,Nor fire nor fate their bays shall blast,Nor death's dark veil their day o'ercast.

'Flaccus Horace': his Pindarics.'Strong': his last works.

Words in this poem 17
aurora n.
The rising light of the morning; the dawn of day; the redness of the sky just before the sun rises. [L. aurora, for ausosa, akin to Gr. ushas, and E. east.]
phoebus n.
Apollo; the sun god.
lustre n.
A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
mansion n.
A dwelling place, -- whether a part or whole of a house or other shelter. [OF. mansion, F. maison, fr. L. mansio a staying, remaining, a dwelling, habitation, fr. manere, mansum, to stay, dwell; akin to Gr. Manse, Manor, Menagerie, Men]
blasted a.
Blighted; withered.
amongst prep.
Mixed or mingled; surrounded by. [OE. amongist, amonges, amonge, among, AS. onmang, ongemang, gemang, in a crowd or mixture. For the ending -st see Amidst. See Mingle.]
outlive v. t.
To live beyond, or longer than; to survive.
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
fletcher n.
One who fletches of feathers arrows; a manufacturer of bows and arrows. Mortimer. [OF. flechier.]
wrote v. i.
To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
garb n.
External appearance, as expressive of the feelings or character; looks; fashion or manner, as of speech. [OF. garbe looks, countenance, grace, ornament, fr. OHG. garawi, garwi, ornament, dress. akin to E. gear. See Gear, n.]
theban a.
Of or pertaining to Thebes. Theban year (Anc. Chron.), the Egyptian year of 365 days and 6 hours. J. Bryant. [L. Thebanus.]
portraiture n.
A portrait; a likeness; a painted resemblance; hence, that which is copied from some example or model. [F. portraiture.]
amazement n.
The condition of being amazed; bewilderment ; overwhelming wonder, as from surprise, sudden fear, horror, or admiration.
transmigration n.
The act of passing from one country to another; migration. [F. transmigration, L. transmigratio.]
candour n.
Whiteness; brightness; (as applied to moral conditions) usullied purity; innocence. [L. candor, fr. candëre; cf. F. candeur. See candid.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

On Mr Abraham Cowley, His Death, and Burial Amongst the Ancient Poets is in the public domain. This text is taken from Poetical Works of Edmund Waller and Sir John Denham, Project Gutenberg ebook #12322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Edmund Waller, On Mr Abraham Cowley, His Death, and Burial Amongst the Ancient Poets, in Poetical Works (1645–1668), text of Project Gutenberg ebook #12322, Laurel, https://laurelpoetry.com/poem/waller-denham/on-mr-abraham-cowley-his-death-and-burial-amongst-the-ancien.html, id L09154.

Form and metre

On Mr Abraham Cowley, His Death, and Burial Amongst the Ancient Poets is 100 lines in 2 verse paragraphs. It is in rhyming couplets, 74% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 8.2 syllables. 12 lines end on an unstressed syllable, a feminine ending. 14% of the lines run on without a stop at the line end.

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDD-EEFFGGHHIIJJKKLL--MMNN--OOPPQQ--RRSS--TT---UVVUUUUWWUUXX--YYZZaabbccddeeff--------gghhii starA · farA · dissolvedB · involvedB · shadesC · invadesC · roseD · foreshowsD · firesD · inspires · linesE · outshinesE · sleepF · keepF · daysG · baysG · hourH · flowerH · grewI · threwI · outliveJ · giveJ · gaveK · haveK · artL · startL · are · share · unknownM · ownM · goldN · boldN · stores · orators · stateO · emulateO · appearP · wearP · greeceQ · fleeceQ · none · known · singsR · wingsR · fliesS · riseS · reach'd · stretch'd · suchT · muchT · law · awe · are · fairU · flowV · knowV · clearU · appearU · hereU · fearU · trueW · drewW · hereU · appearU · strikeX · likeX · pythagoras · pass · thereY · hereY · partsZ · artsZ · tella · parallela · looksb · booksb · divinec · combinec · versed · rehearsed · kingse · wingse · climbf · timef · behind · sinned · none · own · loved · approved · desire · retire · resign'dg · kindg · hourh · powerh · blasti · o'ercasti
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Old Chaucer, like the morning star,8·/˘··/˘·
To us discovers day from far;8··˘/˘···
His light those mists and clouds dissolved,9······˘/˘
Which our dark nation long involved:10·/˘·/˘·˘/˘
But he descending to the shades,8··˘/˘···
Darkness again the age invades.8/˘˘/··˘/
Next (like Aurora) Spenser rose,8·····/˘·
Whose purple blush the day foreshows;9·/˘······
The other three with his own fires9·/˘····/˘
Phoebus, the poet's god, inspires;8/˘·/˘·˘/
By Shakespeare's, Jonson's, Fletcher's lines,8·/·/˘/˘·
Our stage's lustre Rome's outshines:9/˘/˘/˘·/·
These poets near our princes sleep,9·/˘·/˘/˘·
And in one grave their mansion keep.8·····/˘·
They lived to see so many days,9··˘···/˘·
Till time had blasted all their bays:8···/˘···
But cursèd be the fatal hour,8····/˘/˘
That pluck'd the fairest, sweetest flower9···/˘/˘/˘
That in the Muses' garden grew,8···/˘/˘·
And amongst wither'd laurels threw!8···/˘/˘·
Time, which made them their fame outlive,8·······/
To Cowley scarce did ripeness give.8·/˘··/˘·
Old mother Wit, and Nature, gave8·/˘··/˘·
Shakespeare and Fletcher all they have;8/··/˘···
In Spenser, and in Jonson, Art8·/˘··/˘·
Of slower Nature got the start;8·/˘/˘···
But both in him so equal are,8·····/˘·
None knows which bears the happiest share;9·····/˘˘·
To him no author was unknown,8···/˘·˘/
Yet what he wrote was all his own;8········
He melted not the ancient gold,8·/˘··/˘·
Nor, with Ben Jonson, did make bold8···/˘···
To plunder all the Roman stores8·/˘··/˘·
Of poets, and of orators:8·/˘··/˘˘
Horace's wit, and Virgil's state,8/˘˘··/˘·
He did not steal, but emulate!8·····/˘·
And when he would like them appear,8······˘/
Their garb, but not their clothes, did wear;8········
He not from Rome alone, but Greece,8····˘/··
Like Jason, brought the golden fleece;8·/˘··/˘·
To him that language (though to none8···/˘···
Of th'others) as his own was known.8········
On a stiff gale (as Flaccus sings)8········
The Theban swan extends his wings,8·/˘·˘/··
When through th'ethereal clouds he flies;8········
To the same pitch our swan doth rise;9····/˘···
Old Pindar's flights by him are reach'd,8········
When on that gale his wings are stretch'd;8········
His fancy and his judgment such,8·/˘··/˘·
Each to the others seem'd too much,8···/˘···
His severe judgment (giving law)8·˘//˘/˘·
His modest fancy kept in awe:8·/˘/˘···
As rigid husbands jealous are,8·/˘/˘/˘·
When they believe their wives too fair.8··˘/····
His English streams so pure did flow8·/˘·····
As all that saw and tasted know;8·····/˘·
But for his Latin vein, so clear,8···/˘···
Strong, full, and high it doth appear,8······˘/
That were immortal Virgil here,8··˘/˘/˘·
Him, for his judge, he would not fear;8········
Of that great portraiture so true8···/˘˘··
A copy pencil never drew.8·/˘/˘/˘·
My Muse her song had ended here,8·····/˘·
But both their Genii straight appear,8······˘/
Joy and amazement her did strike:8··˘/˘···
Two twins she never saw so like.8···/˘···
'Twas taught by wise Pythagoras,8········
One soul might through more bodies pass.8·····/˘·
Seeing such transmigration there,8/˘······
She thought it not a fable here.8·····/˘·
Such a resemblance of all parts,8··˘/˘···
Life, death, age, fortune, nature, arts;8···/˘/˘·
Then lights her torch at theirs, to tell,8········
And show the world this parallel:8·····/˘·
Fix'd and contemplative their looks,8··˘/˘˘··
Still turning over Nature's books;8·/˘··/˘·
Their works chaste, moral and divine,8···/˘·˘/
Where profit and delight combine;8·/˘·˘/˘/
They, gilding dirt, in noble verse8·/˘··/˘·
Rustic philosophy rehearse.8/˘˘/˘˘˘/
When heroes, gods, or god-like kings8·/˘·····
They praise, on their exalted wings8····˘/˘·
To the celestial orbs they climb,8··˘/˘···
And with th'harmonious spheres keep time.8········
Nor did their actions fall behind8···/˘···
Their words, but with like candour sinned;9·····/˘·˘
Each drew fair characters, yet none8···/˘˘··
Of these they feign'd, excels their own.8····˘/··
Both by two gen'rous princes loved,10·······/˘·
Who knew, and judged what they approved;10····˘··˘/˘
Yet having each the same desire,9·/˘···˘/˘
Both from the busy throng retire.8···/˘·˘/
Their bodies, to their minds resign'd,8·/˘···˘/
Cared not to propagate their kind:9·˘··/˘···
Yet though both fell before their hour,9·······/˘
Time on their offspring hath no power,9···/···/˘
Nor fire nor fate their bays shall blast,9·/˘······
Nor death's dark veil their day o'ercast.8········
'Flaccus Horace': his Pindarics.8··/˘·˘/˘
'Strong': his last works.4····
Notes from the edition 2

George Gilfillan's notes to the Poetical Works of Edmund Waller and Sir John Denham (1857; Project Gutenberg #12322).

  1. Stanza 1, line 43 'Flaccus Horace': his Pindarics.
  2. Stanza 1, line 58 'Strong': his last works.

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