Canto VI
Though the creation (so divinely taught!)Prints such a lively image on our thought,That the first spark of new-created light,From Chaos struck, affects our present sight:Yet the first Christians did esteem more bless'dThe day of rising, than the day of rest,That every week might new occasion give,To make His triumph in their mem'ry live.Then let our Muse compose a sacred charm,To keep His blood among us ever warm,And singing as the blessed do above,With our last breath dilate this flame of love.But on so vast a subject who can findWords that may reach th'idea of his mind?Our language fails; or, if it could supply,What mortal thought can raise itself so high?Despairing here, we might abandon art,And only hope to have it in our heart.But though we find this sacred task too hard,Yet the design, th'endeavour, brings reward.The contemplation does suspend our woe,And makes a truce with all the ills we know.As Saul's afflicted spirit from the soundOf David's harp, a present solace found;So, on this theme while we our Muse engage,No wounds are felt, of fortune or of age.On divine love to meditate is peace,And makes all care of meaner things to cease.
Amazed at once, and comforted, to findA boundless power so infinitely kind,The soul contending to that light to fleeFrom her dark cell, we practise how to die;Employing thus the poet's winged art,To reach this love, and grave it in our heart.Joy so complete, so solid, and severe,Would leave no place for meaner pleasures there;Pale they would look, as stars that must be gone,When from the East the rising sun comes on.
Words in this poem
- chaos n.
- An empty, immeasurable space; a yawning chasm. [L. chaos chaos (in senses 1 & 2), Gr. Chasm.]
- despairing a.
- Feeling or expressing despair; hopeless.
- solace n.
- Comfort in grief; alleviation of grief or anxiety; also, that which relieves in distress; that which cheers or consoles; relief. [OF. solas, ssoulaz, L. solacium, solatium, fr. solari to comfort, console. Cf. Console, v. t.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Canto VI is in the public domain. This text is taken from Poetical Works of Edmund Waller and Sir John Denham, Project Gutenberg ebook #12322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Edmund Waller, Canto VI, in Poetical Works (1645–1668), text of Project Gutenberg ebook #12322, Laurel, https://laurelpoetry.com/poem/waller-denham/canto-vi.html, id L09139.
Form and metre
Canto VI is 38 lines in 2 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 92%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 13% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDD--EEFFGGHH--IIJJKKLL taughtA · thoughtA · lightB · sightB · bless'dC · restC · giveD · liveD · charm · warm · aboveE · loveE · findF · mindF · supplyG · highG · artH · heartH · hard · reward · woeI · knowI · soundJ · foundJ · engageK · ageK · peaceL · ceaseL
- 2 AABBCCDDEE findA · kindA · fleeB · dieB · artC · heartC · severeD · thereD · goneE · onE
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Though the creation (so divinely taught!) | 10 | ··˘/˘·˘/˘· |
| Prints such a lively image on our thought, | 10 | ···/˘/˘·/· |
| That the first spark of new-created light, | 10 | ······˘/˘· |
| From Chaos struck, affects our present sight: | 10 | ·/˘·˘///˘· |
| Yet the first Christians did esteem more bless'd | 10 | ···/˘·˘/·· |
| The day of rising, than the day of rest, | 10 | ···/˘····· |
| That every week might new occasion give, | 10 | ·/˘···˘/˘· |
| To make His triumph in their mem'ry live. | 10 | ···/˘····· |
| Then let our Muse compose a sacred charm, | 10 | ··/·˘/·/˘· |
| To keep His blood among us ever warm, | 10 | ·······/˘· |
| And singing as the blessed do above, | 10 | ·/˘···˘··· |
| With our last breath dilate this flame of love. | 10 | ·/··˘/···· |
| But on so vast a subject who can find | 10 | ·····˘/··· |
| Words that may reach th'idea of his mind? | 9 | ········· |
| Our language fails; or, if it could supply, | 10 | //˘·····˘/ |
| What mortal thought can raise itself so high? | 10 | ·/˘···˘/·· |
| Despairing here, we might abandon art, | 10 | ˘/˘···˘/˘· |
| And only hope to have it in our heart. | 10 | ·/˘·····/· |
| But though we find this sacred task too hard, | 10 | ·····/˘··· |
| Yet the design, th'endeavour, brings reward. | 10 | ··˘/····˘/ |
| The contemplation does suspend our woe, | 10 | ··˘/˘·˘//· |
| And makes a truce with all the ills we know. | 10 | ·········· |
| As Saul's afflicted spirit from the sound | 10 | ··˘/˘/˘··· |
| Of David's harp, a present solace found; | 10 | ·/˘··/˘/˘· |
| So, on this theme while we our Muse engage, | 10 | ······/·˘/ |
| No wounds are felt, of fortune or of age. | 10 | ·····/˘··· |
| On divine love to meditate is peace, | 10 | ·˘/··/˘··· |
| And makes all care of meaner things to cease. | 10 | ·····/˘··· |
| Amazed at once, and comforted, to find | 10 | ˘/···/˘˘·· |
| A boundless power so infinitely kind, | 10 | ·/˘/·/˘˘˘· |
| The soul contending to that light to flee | 10 | ··˘/˘····· |
| From her dark cell, we practise how to die; | 10 | ·····/˘··· |
| Employing thus the poet's winged art, | 10 | ˘/˘··/˘·˘· |
| To reach this love, and grave it in our heart. | 10 | ········/· |
| Joy so complete, so solid, and severe, | 10 | ··˘/·/˘·˘/ |
| Would leave no place for meaner pleasures there; | 10 | ·····/˘/˘· |
| Pale they would look, as stars that must be gone, | 10 | ·········· |
| When from the East the rising sun comes on. | 10 | ·····/˘··· |
Notes from the edition 1
George Gilfillan's notes to the Poetical Works of Edmund Waller and Sir John Denham (1857; Project Gutenberg #12322).
- Stanza 1, line 24 'Solace found': 1 Sam. xvi. 23.
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