Canto I
Poets we prize, when in their verse we findSome great employment of a worthy mind.Angels have been inquisitive to knowThe secret which this oracle does show.What was to come, Isaiah did declare,Which she describes as if she had been there;Had seen the wounds, which, to the reader's view,She draws so lively that they bleed anew.As ivy thrives which on the oak takes hold,So, with the prophet's, may her lines grow old!If they should die, who can the world forgive,(Such pious lines!) when wanton Sappho's live?Who with His breath His image did inspire,Expects it should foment a nobler fire;Not love which brutes as well as men may know,But love like His, to whom that breath we owe.Verse so design'd, on that high subject wrote,Is the perfection of an ardent thought;The smoke which we from burning incense raise,When we complete the sacrifice of praise.In boundless verse the fancy soars too highFor any object but the Deity.What mortal can with Heaven pretend to shareIn the superlatives of wise and fair?A meaner subject when with these we grace,A giant's habit on a dwarf we place.Sacred should be the product of our Muse,Like that sweet oil, above all private use,On pain of death forbidden to be made,But when it should be on the altar laid.Verse shows a rich inestimable veinWhen, dropp'd from heaven, 'tis thither sent again.
Of bounty 'tis that He admits our praise,Which does not Him, but us that yield it, raise;For as that angel up to heaven did rise,Borne on the flame of Manoah's sacrifice,So, wing'd with praise, we penetrate the sky;Teach clouds and stars to praise Him as we fly;The whole creation, (by our fall made groan!)His praise to echo, and suspend their moan.For that He reigns, all creatures should rejoice,And we with songs supply their want of voice.The church triumphant, and the church below,In songs of praise their present union show;Their joys are full; our expectation long;In life we differ, but we join in song.Angels and we, assisted by this art,May sing together, though we dwell apart.Thus we reach heaven, while vainer poems mustNo higher rise than winds may lift the dust.From that they spring; this from His breath that gave,To the first dust, th'immortal soul we have;His praise well sung (our great endeavour here),Shakes off the dust, and makes that breath appear.
Words in this poem
- oracle v. i.
- To utter oracles.
- foment v. t.
- To apply a warm lotion to; to bathe with a cloth or sponge wet with warm water or medicated liquid. [F. fomenter, fr. L. fomentare, fr. fomentum (for fovimentum) a warm application or lotion, fr. fovere to warm or keep warm; perh. akin to Gr. bake.]
- wrote v. i.
- To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
- bounty n.
- Goodness, kindness; virtue; worth. [OE. bounte goodness, kindness, F. bonté, fr. L. bonitas, fr. bonus good, for older duonus; cf. Skr. duvas honor, respect.]
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- endeavour v. t.
- To exert physical or intellectual strength for the attainment of; to use efforts to effect; to strive to achieve or reach; to try; to attempt. [OE. endevor; pref. en- + dever, devoir, duty, F. devoir: cf. F. se mettre en devoir de faire quelque chose to try to do a thing, to go about it. See Devoir, Deb]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Canto I is in the public domain. This text is taken from Poetical Works of Edmund Waller and Sir John Denham, Project Gutenberg ebook #12322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Edmund Waller, Canto I, in Poetical Works (1645–1668), text of Project Gutenberg ebook #12322, Laurel, https://laurelpoetry.com/poem/waller-denham/canto-i-4.html, id L09142.
Form and metre
Canto I is 54 lines in 2 verse paragraphs. It is in rhyming couplets, 74% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 2 lines end on an unstressed syllable, a feminine ending. 11% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEE----FF--GG--HHII--JJ-- findA · mindA · knowB · showB · declareC · thereC · viewD · anewD · holdE · oldE · forgive · live · inspire · fire · knowF · oweF · wrote · thought · raiseG · praiseG · high · deity · shareH · fairH · graceI · placeI · muse · use · madeJ · laidJ · vein · again
- 2 AA--BBCCDDEEFFGGHHIIJJ praiseA · raiseA · rise · sacrifice · skyB · flyB · groanC · moanC · rejoiceD · voiceD · belowE · showE · longF · songF · artG · apartG · mustH · dustH · gaveI · haveI · hereJ · appearJ
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Poets we prize, when in their verse we find | 10 | /˘········ |
| Some great employment of a worthy mind. | 10 | ··˘/˘··/˘· |
| Angels have been inquisitive to know | 10 | /˘··˘/˘˘·· |
| The secret which this oracle does show. | 10 | ·/˘··/˘˘·· |
| What was to come, Isaiah did declare, | 10 | ·····/˘·˘/ |
| Which she describes as if she had been there; | 10 | ··˘/······ |
| Had seen the wounds, which, to the reader's view, | 10 | ·······/˘· |
| She draws so lively that they bleed anew. | 10 | ···/˘···˘/ |
| As ivy thrives which on the oak takes hold, | 10 | ·/˘······· |
| So, with the prophet's, may her lines grow old! | 10 | ···/˘····· |
| If they should die, who can the world forgive, | 10 | ········˘/ |
| (Such pious lines!) when wanton Sappho's live? | 10 | ·/˘··/˘··· |
| Who with His breath His image did inspire, | 10 | ·····/˘·˘/ |
| Expects it should foment a nobler fire; | 11 | ˘/··/˘·/˘/˘ |
| Not love which brutes as well as men may know, | 10 | ·········· |
| But love like His, to whom that breath we owe. | 10 | ·········· |
| Verse so design'd, on that high subject wrote, | 10 | ··˘/···/˘· |
| Is the perfection of an ardent thought; | 10 | ··˘/˘··/˘· |
| The smoke which we from burning incense raise, | 10 | ·····/˘/·· |
| When we complete the sacrifice of praise. | 10 | ··˘/·/˘··· |
| In boundless verse the fancy soars too high | 10 | ·/˘··/˘··· |
| For any object but the Deity. | 10 | ·/˘/˘··/˘˘ |
| What mortal can with Heaven pretend to share | 10 | ·/˘··/˘/·· |
| In the superlatives of wise and fair? | 10 | ··˘/˘˘···· |
| A meaner subject when with these we grace, | 10 | ·/˘/˘····· |
| A giant's habit on a dwarf we place. | 10 | ·/˘/˘····· |
| Sacred should be the product of our Muse, | 10 | /˘···/˘·/· |
| Like that sweet oil, above all private use, | 10 | ·······/˘· |
| On pain of death forbidden to be made, | 10 | ····˘/˘··· |
| But when it should be on the altar laid. | 10 | ·······/˘· |
| Verse shows a rich inestimable vein | 10 | ····˘/˘˘˘· |
| When, dropp'd from heaven, 'tis thither sent again. | 10 | ···/·/˘·˘/ |
| Of bounty 'tis that He admits our praise, | 10 | ·/˘···˘//· |
| Which does not Him, but us that yield it, raise; | 10 | ·········· |
| For as that angel up to heaven did rise, | 10 | ···/˘··/·· |
| Borne on the flame of Manoah's sacrifice, | 10 | ·······/˘· |
| So, wing'd with praise, we penetrate the sky; | 10 | ·····/˘··· |
| Teach clouds and stars to praise Him as we fly; | 10 | ·········· |
| The whole creation, (by our fall made groan!) | 10 | ··˘/˘·/··· |
| His praise to echo, and suspend their moan. | 10 | ···/˘·˘/·· |
| For that He reigns, all creatures should rejoice, | 10 | ·····/˘·˘/ |
| And we with songs supply their want of voice. | 10 | ····˘/···· |
| The church triumphant, and the church below, | 10 | ··˘/˘····· |
| In songs of praise their present union show; | 10 | ·····/˘/˘· |
| Their joys are full; our expectation long; | 10 | ····/·˘/˘· |
| In life we differ, but we join in song. | 10 | ···/˘····· |
| Angels and we, assisted by this art, | 10 | /˘··˘/˘··· |
| May sing together, though we dwell apart. | 10 | ··˘/˘···˘/ |
| Thus we reach heaven, while vainer poems must | 10 | ···/···/˘· |
| No higher rise than winds may lift the dust. | 10 | ·/˘······· |
| From that they spring; this from His breath that gave, | 10 | ·········· |
| To the first dust, th'immortal soul we have; | 10 | ·········· |
| His praise well sung (our great endeavour here), | 10 | ····/·˘/˘· |
| Shakes off the dust, and makes that breath appear. | 10 | ········˘/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.