Canto II

Edmund Waller (1606–1687) · 1645–1668

iambic pentameter · heroic couplets · 76 lines · from Poetical Works

He that did first this way of writing grace,Conversed with the Almighty face to face;Wonders he did in sacred verse unfold,When he had more than eighty winters told.The writer feels no dire effect of age,Nor verse, that flows from so divine a rage.Eldest of Poets, he beheld the light,When first it triumph'd o'er eternal night;Chaos he saw, and could distinctly tellHow that confusion into order fell.As if consulted with, he has express'dThe work of the Creator, and His rest;How the flood drown'd the first offending race,Which might the figure of our globe deface.For new-made earth, so even and so fair,Less equal now, uncertain makes the air;Surprised with heat, and unexpected cold,Early distempers make our youth look old;Our days so evil, and so few, may tellThat on the ruins of that world we dwell.Strong as the oaks that nourish'd them, and high,That long-lived race did on their force rely,Neglecting Heaven; but we, of shorter date!Should be more mindful of impendent fate.To worms, that crawl upon this rubbish here,This span of life may yet too long appear;Enough to humble, and to make us great,If it prepare us for a nobler seat.

Which well observing, he, in numerous lines,Taught wretched man how fast his life declines;In whom he dwelt before the world was made,And may again retire when that shall fade.The lasting Iliads have not lived so longAs his and Deborah's triumphant song.Delphos unknown, no Muse could them inspire,But that which governs the celestial choir.Heaven to the pious did this art reveal,And from their store succeeding poets steal.Homer's Scamander for the Trojans fought,And swell'd so high, by her old Kishon taught.His river scarce could fierce Achilles stay;Hers, more successful, swept her foes away.The host of heaven, his Phoebus and his Mars,He arms, instructed by her fighting stars.She led them all against the common foe;But he (misled by what he saw below!)The powers above, like wretched men, divides,And breaks their union into different sides.The noblest parts which in his heroes shine,May be but copies of that heroine.Homer himself, and Agamemnon, sheThe writer could, and the commander, be.Truth she relates in a sublimer strain,Than all the tales the boldest Greeks could feign;For what she sung that Spirit did indite,Which gave her courage and success in fight.A double garland crowns the matchless dame;From heaven her poem and her conquest came.

Though of the Jews she merit most esteem,Yet here the Christian has the greater theme;Her martial song describes how Sis'ra fell;This sings our triumph over death and hell.The rising light employ'd the sacred breathOf the blest Virgin and Elizabeth.In songs of joy the angels sung His birth;Here how He treated was upon the earthTrembling we read! th'affliction and the scorn,Which for our guilt so patiently was borne!Conception, birth, and suff'ring, all belong(Though various parts) to one celestial song;And she, well using so divine an art,Has in this concert sung the tragic part.

As Hannah's seed was vow'd to sacred use,So here this lady consecrates her Muse.With like reward may Heaven her bed adorn,With fruit as fair as by her Muse is born!

Words in this poem

dire a.
Ill-boding; portentous; as, dire omens. [L. dirus; of uncertain origin.]
chaos n.
An empty, immeasurable space; a yawning chasm. [L. chaos chaos (in senses 1 & 2), Gr. Chasm.]
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
mindful a.
Bearing in mind; regardful; attentive; heedful; observant.
impendent a.
Impending; threatening. [L. impendens, p. pr. of impendere.]
crawl v. i.
To move slowly by drawing the body along the ground, as a worm; to move slowly on hands and kness; to creep. [Dan. kravle, or Icel. krafla, to paw, scrabble with the hands; akin to Sw. kr to crawl; cf. LG. krabbeln, D. krabbelen to scratch.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
phoebus n.
Apollo; the sun god.
heroine n.
A woman of an heroic spirit. [F. héroïne, L. heroina, Gr. Hero.]
indite v. t.
To compose; to write; to be author of; to dictate; to prompt. [OE. enditen to indite, indict, OF. enditer to indicate, show, dictate, write, inform, and endicter to accuse; both fr. LL. indictare to show, to accuse, fr. L. ]
dame n.
A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]
patiently adv.
In a patient manner.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Canto II is in the public domain. This text is taken from Poetical Works of Edmund Waller and Sir John Denham, Project Gutenberg ebook #12322; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Edmund Waller, Canto II, in Poetical Works (1645–1668), text of Project Gutenberg ebook #12322, Laurel, https://laurelpoetry.com/poem/waller-denham/canto-ii-4.html, id L09143.

Form and metre

Canto II is 76 lines in 4 verse paragraphs. It is in rhyming couplets, 95% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 3 lines end on an unstressed syllable, a feminine ending. 10% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFFAAGGBBEEHHIIJJI- graceA · faceA · unfoldB · toldB · ageC · rageC · lightD · nightD · tellE · fellE · express'dF · restF · raceA · defaceA · fairG · airG · coldB · oldB · tellE · dwellE · highH · relyH · dateI · fateI · hereJ · appearJ · greatI · seat
  2. 2 AABBCC--DDEEFFGGHHIIJJKKLLMMNN linesA · declinesA · madeB · fadeB · longC · songC · inspire · choir · revealD · stealD · foughtE · taughtE · stayF · awayF · marsG · starsG · foeH · belowH · dividesI · sidesI · shineJ · heroineJ · sheK · beK · strainL · feignL · inditeM · fightM · dameN · cameN
  3. 3 AABBCCDDEEFFGG esteemA · themeA · fellB · hellB · breathC · elizabethC · birthD · earthD · scornE · borneE · belongF · songF · artG · partG
  4. 4 AABB useA · museA · adornB · bornB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
He that did first this way of writing grace,10·······/˘·
Conversed with the Almighty face to face;10˘/··˘/˘···
Wonders he did in sacred verse unfold,10/˘···/˘·˘/
When he had more than eighty winters told.10·····/˘/˘·
The writer feels no dire effect of age,10·/˘···˘/··
Nor verse, that flows from so divine a rage.10······˘/··
Eldest of Poets, he beheld the light,10/˘·/˘·˘/··
When first it triumph'd o'er eternal night;10···/˘·˘/˘·
Chaos he saw, and could distinctly tell10/˘····˘/˘·
How that confusion into order fell.10··˘/˘··/˘·
As if consulted with, he has express'd10··˘/˘···˘/
The work of the Creator, and His rest;10····˘/˘···
How the flood drown'd the first offending race,10······˘/˘·
Which might the figure of our globe deface.10···/˘·/·˘/
For new-made earth, so even and so fair,10·····/˘···
Less equal now, uncertain makes the air;10·/˘·˘/˘···
Surprised with heat, and unexpected cold,10˘/····˘/˘·
Early distempers make our youth look old;10/˘˘/˘·/···
Our days so evil, and so few, may tell10/··/˘·····
That on the ruins of that world we dwell.10···/˘·····
Strong as the oaks that nourish'd them, and high,10·····/˘···
That long-lived race did on their force rely,10········˘/
Neglecting Heaven; but we, of shorter date!10˘/˘/···/˘·
Should be more mindful of impendent fate.10···/˘·˘/˘·
To worms, that crawl upon this rubbish here,10·······/˘·
This span of life may yet too long appear;10········˘/
Enough to humble, and to make us great,10˘/·/˘·····
If it prepare us for a nobler seat.10··˘/···/˘·
Which well observing, he, in numerous lines,10··˘/˘··/˘·
Taught wretched man how fast his life declines;10·/˘·····˘/
In whom he dwelt before the world was made,10··········
And may again retire when that shall fade.10··˘/˘/····
The lasting Iliads have not lived so long10·/˘/˘·····
As his and Deborah's triumphant song.10···/˘˘˘/˘·
Delphos unknown, no Muse could them inspire,10··˘/····˘/
But that which governs the celestial choir.11···/˘·˘/˘/˘
Heaven to the pious did this art reveal,10/··/˘···˘/
And from their store succeeding poets steal.10····˘/˘/˘·
Homer's Scamander for the Trojans fought,10/˘·····/˘·
And swell'd so high, by her old Kishon taught.10··········
His river scarce could fierce Achilles stay;10·/˘···˘/˘·
Hers, more successful, swept her foes away.10··˘/˘···˘/
The host of heaven, his Phoebus and his Mars,10···/·/˘···
He arms, instructed by her fighting stars.10··˘/˘··/˘·
She led them all against the common foe;10·······/˘·
But he (misled by what he saw below!)10··˘/······
The powers above, like wretched men, divides,10·/···/˘·˘/
And breaks their union into different sides.10···/˘··/˘·
The noblest parts which in his heroes shine,10·/˘····/˘·
May be but copies of that heroine.10···/˘··/˘˘
Homer himself, and Agamemnon, she10/˘˘/··˘/··
The writer could, and the commander, be.10·/˘···˘/˘·
Truth she relates in a sublimer strain,10··˘/······
Than all the tales the boldest Greeks could feign;10·····/˘···
For what she sung that Spirit did indite,10·····/˘·˘/
Which gave her courage and success in fight.10···/˘·˘/··
A double garland crowns the matchless dame;10·/˘/˘··/˘·
From heaven her poem and her conquest came.10·/·/˘··/˘·
Though of the Jews she merit most esteem,10·····/˘·˘/
Yet here the Christian has the greater theme;10···/˘··/˘·
Her martial song describes how Sis'ra fell;10·/˘·˘/····
This sings our triumph over death and hell.10··//˘·····
The rising light employ'd the sacred breath10·/˘·˘/·/˘·
Of the blest Virgin and Elizabeth.10···/˘·˘/˘˘
In songs of joy the angels sung His birth;10·····/˘···
Here how He treated was upon the earth10···/˘·····
Trembling we read! th'affliction and the scorn,10/˘········
Which for our guilt so patiently was borne!10··/··/˘˘··
Conception, birth, and suff'ring, all belong10˘/˘·····˘/
(Though various parts) to one celestial song;10·/˘···˘/˘·
And she, well using so divine an art,10···/˘·˘/··
Has in this concert sung the tragic part.10···/˘··/˘·
As Hannah's seed was vow'd to sacred use,10·/˘····/˘·
So here this lady consecrates her Muse.10···/˘/˘···
With like reward may Heaven her bed adorn,10··˘/·/··˘/
With fruit as fair as by her Muse is born!10··········
Notes from the edition 1

George Gilfillan's notes to the Poetical Works of Edmund Waller and Sir John Denham (1857; Project Gutenberg #12322).

  1. Stanza 1, line 1 'Writing grace': Moses.

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