The Poppy. to Monica
SUMMER set lip to earth’s bosom bare.And left the flushed print in a poppy there:Like a yawn of fire from the grass it came,And the fanning wind puffed it to flapping flame.
With burnt mouth red like a lion’s it drankThe blood of the sun as he slaughtered sank,And dipped its cup in the purpurate shineWhen the eastern conduits ran with wine.
Till it grew lethargied with fierce bliss,And hot as a swinked gipsy is,And drowsed in sleepy savageries,With mouth wide a-pout for a sultry kiss.
A child and man paced side by side,Treading the skirts of eventide;But between the clasp of his hand and hersLay, felt not, twenty withered years.
She turned, with the rout of her dusk South hair,And saw the sleeping gipsy there;And snatched and snapped it in swift child’s whim,With—“Keep it, long as you live!”—to him.
And his smile, as nymphs from their laving meres,Trembled up from a bath of tears;And joy, like a mew sea-rocked apart,Tossed on the wave of his troubled heart.
For he saw what she did not see,That—as kindled by its own fervency—The verge shrivelled inward smoulderingly:
And suddenly ’twixt his hand and hersHe knew the twenty withered years—No flower, but twenty shrivelled years.
“Was never such thing until this hour,”Low to his heart he said; “the flowerOf sleep brings wakening to me,And of oblivion memory.”
“Was never this thing to me,” he said,“Though with bruisèd poppies my feet are red!”And again to his own heart very low:“O child! I love, for I love and know;
“But you, who love nor know at allThe diverse chambers in Love’s guest-hall,Where some rise early, few sit long:In how differing accents hear the throngHis great Pentecostal tongue;
“Who know not love from amity,Nor my reported self from me;A fair fit gift is this, meseems,You give—this withering flower of dreams.
“O frankly fickle, and fickly true,Do you know what the days will do to you?To your Love and you what the days will do,O frankly fickle, and fickly true?
“You have loved me, Fair, three lives—or days:’Twill pass with the passing of my face.But where I go, your face goes too,To watch lest I play false to you.
“I am but, my sweet, your foster-lover,Knowing well when certain years are overYou vanish from me to another;Yet I know, and love, like the foster-mother.
“So, frankly fickle, and fickly true!For my brief life—while I take from youThis token, fair and fit, meseems,For me—this withering flower of dreams.”
The sleep-flower sways in the wheat its head,Heavy with dreams, as that with bread:The goodly grain and the sun-flushed sleeperThe reaper reaps, and Time the reaper.
I hang ’mid men my needless head,And my fruit is dreams, as theirs is bread:The goodly men and the sun-hazed sleeperTime shall reap, but after the reaperThe world shall glean of me, me the sleeper!
Love! love! your flower of withered dreamIn leavèd rhyme lies safe, I deem,Sheltered and shut in a nook of rhyme,From the reaper man, and his reaper Time.
Love! I fall into the claws of Time:But lasts within a leavèd rhymeAll that the world of me esteems—My withered dreams, my withered dreams.
Words in this poem 21
- drank n.
- Wild oats, or darnel grass. See Drake a plant. [Cf. 3d Drake.]
- purpurate a.
- Of or pertaining to purpura.
- eventide n.
- The time of evening; evening. [AS. æfentid. See Tide.]
- fervency n.
- The state of being fervent or warm; ardor; warmth of feeling or devotion; eagerness. [Cf. OF. fervence. See Fervent.]
- wakening n.
- The act of one who wakens; esp., the act of ceasing to sleep; an awakening.
- oblivion n.
- The act of forgetting, or the state of being forgotten; cessation of remembrance; forgetfulness. [L. oblivio, akin to oblivisci to forget: cf. OF. oblivion.]
- pentecostal a.
- Of or pertaining to Pentecost or to Whitsuntide.
- amity n.
- Friendship, in a general sense, between individuals, societies, or nations; friendly relations; good understanding; as, a treaty of amity and commerce; the amity of the Whigs and Tories. [F. amitié, OF. amistié, amisté, fr. an assumed LL. amisitas, fr. L. amicus friendly, from amare to love. See Amiable.]
- meseems v.
- It seems to me.
- withering a.
- Tending to wither; causing to shrink or fade.
- frankly adv.
- In a frank manner; freely.
- fickly adv.
- In a fickle manner. Pepys.
- twill v. i.
- To weave, as cloth, so as to produce the appearance of diagonal lines or ribs on the surface. [Scotch tweel; probably from LG. twillen to make double, from twi- two; akin to AS. twi-, E. twi- in twilight. See Twice, and cf. Tweed, Tweel.]
- goodly a.
- Pleasant; agreeable; desirable. [OE. godlich, AS. g. See Good, and Like.]
- sleeper n.
- One who sleeps; a slumberer; hence, a drone, or lazy person.
- needless a.
- Having no need.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- reap n.
- A bundle of grain; a handful of grain laid down by the reaper as it is cut. Wright. [Cf. AS. rip harvest. See Reap, v.]
- glean n.
- Cleaning; afterbirth. Holland.
- deem v. t.
- To decide; to judge; to sentence; to condemn. [OE. demen to judge, condemn, AS. d, fr. d doom; akin to OFries. d, OS. ad, D. doemen, OHG. tuommen, Icel. dæma, Sw. dömma, Dan. dömme, Goth. d. See Doom, n., an]
- nook n.
- A narrow place formed by an angle in bodies or between bodies; a corner; a recess; a secluded retreat. [OE. nok; cf. Gael. & Ir. niuc.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Poppy. to Monica is in the public domain. This text is taken from Poems, Project Gutenberg ebook #1469; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Francis Thompson, The Poppy. to Monica, in Poems (1893) (1893), text of Project Gutenberg ebook #1469, Laurel, https://laurelpoetry.com/poem/thompson-poems/the-poppy-to-monica.html, id L01715.
Form and metre
The Poppy. to Monica is 80 lines in 20 stanzas. The rhyme scheme is AABB, complete in 10 of its 20 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 79%). 86% of its stressed syllables fall where the metre puts the beat. The lines average 9.2 syllables. 15 lines end on an unstressed syllable, a feminine ending. 18% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABB bareA · thereA · cameB · flameB
- 2 AABB drankA · sankA · shineB · wineB
- 3 ABBA blissA · isB · savageriesB · kissA
- 4 AABB sideA · eventideA · hersB · yearsB
- 5 AABB hairA · thereA · whimB · himB
- 6 AABB meresA · tearsA · apartB · heartB
- 8 AAA hersA · yearsA · yearsA
- 9 AA-- hourA · flowerA · me · memory
- 10 AABB saidA · redA · lowB · knowB
- 11 AABB- allA · hallA · longB · throngB · tongue
- 12 --AA amity · me · meseemsA · dreamsA
- 13 AAAA trueA · youA · doA · trueA
- 14 --AA days · face · tooA · youA
- 15 --AA lover · over · anotherA · motherA
- 16 AABB trueA · youA · meseemsB · dreamsB
- 17 AABB headA · breadA · sleeperB · reaperB
- 18 AABBB headA · breadA · sleeperB · reaperB · sleeperB
- 19 AABB dreamA · deemA · rhymeB · timeB
- 20 AABB timeA · rhymeA · esteemsB · dreamsB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| SUMMER set lip to earth’s bosom bare. | 9 | /˘····/˘· |
| And left the flushed print in a poppy there: | 10 | ·······/˘· |
| Like a yawn of fire from the grass it came, | 10 | ····/····· |
| And the fanning wind puffed it to flapping flame. | 11 | ··/˘····/˘· |
| With burnt mouth red like a lion’s it drank | 10 | ······/˘·· |
| The blood of the sun as he slaughtered sank, | 10 | ·······/˘· |
| And dipped its cup in the purpurate shine | 10 | ······/˘˘· |
| When the eastern conduits ran with wine. | 10 | ··/˘/˘˘··· |
| Till it grew lethargied with fierce bliss, | 8 | ········ |
| And hot as a swinked gipsy is, | 9 | ·····˘/˘· |
| And drowsed in sleepy savageries, | 10 | ··˘·/˘/˘·˘ |
| With mouth wide a-pout for a sultry kiss. | 10 | ·······/˘· |
| A child and man paced side by side, | 9 | ·····˘··· |
| Treading the skirts of eventide; | 8 | /˘···/˘˘ |
| But between the clasp of his hand and hers | 10 | ·········· |
| Lay, felt not, twenty withered years. | 9 | ···/˘/˘˘· |
| She turned, with the rout of her dusk South hair, | 10 | ·········· |
| And saw the sleeping gipsy there; | 8 | ···/˘/˘· |
| And snatched and snapped it in swift child’s whim, | 10 | ··˘······· |
| With—“Keep it, long as you live!”—to him. | 9 | ········· |
| And his smile, as nymphs from their laving meres, | 10 | ·········· |
| Trembled up from a bath of tears; | 9 | /˘˘······ |
| And joy, like a mew sea-rocked apart, | 10 | ·······˘˘/ |
| Tossed on the wave of his troubled heart. | 10 | ·˘·····/˘· |
| For he saw what she did not see, | 8 | ········ |
| That—as kindled by its own fervency— | 10 | ··/˘···/˘˘ |
| The verge shrivelled inward smoulderingly: | 10 | ··/˘/˘···· |
| And suddenly ’twixt his hand and hers | 9 | ·/˘˘····· |
| He knew the twenty withered years— | 9 | ···/˘/˘˘· |
| No flower, but twenty shrivelled years. | 10 | ·/˘·/˘/˘˘· |
| “Was never such thing until this hour,” | 10 | ·/˘·····/˘ |
| Low to his heart he said; “the flower | 9 | ·······/˘ |
| Of sleep brings wakening to me, | 8 | ···/˘˘·· |
| And of oblivion memory.” | 9 | ··˘/˘˘/˘˘ |
| “Was never this thing to me,” he said, | 9 | ·/˘······ |
| “Though with bruisèd poppies my feet are red!” | 9 | ···/˘···· |
| And again to his own heart very low: | 10 | ·˘/····/˘· |
| “O child! I love, for I love and know; | 9 | ········· |
| “But you, who love nor know at all | 8 | ········ |
| The diverse chambers in Love’s guest-hall, | 9 | ·˘//˘···· |
| Where some rise early, few sit long: | 8 | ···/˘··· |
| In how differing accents hear the throng | 10 | ··/˘˘/˘··· |
| His great Pentecostal tongue; | 7 | ···˘/˘· |
| “Who know not love from amity, | 8 | ·····/˘˘ |
| Nor my reported self from me; | 8 | ···/˘··· |
| A fair fit gift is this, meseems, | 8 | ······˘/ |
| You give—this withering flower of dreams. | 10 | ···/˘˘/˘·· |
| “O frankly fickle, and fickly true, | 9 | ·/˘/˘·/˘· |
| Do you know what the days will do to you? | 10 | ·········· |
| To your Love and you what the days will do, | 10 | ·········· |
| O frankly fickle, and fickly true? | 9 | ·/˘/˘·/˘· |
| “You have loved me, Fair, three lives—or days: | 10 | ···˘······ |
| ’Twill pass with the passing of my face. | 9 | ····/˘··· |
| But where I go, your face goes too, | 8 | ········ |
| To watch lest I play false to you. | 8 | ········ |
| “I am but, my sweet, your foster-lover, | 10 | ······/˘/˘ |
| Knowing well when certain years are over | 10 | /˘··/˘···· |
| You vanish from me to another; | 9 | ·/˘···˘/˘ |
| Yet I know, and love, like the foster-mother. | 11 | ·······/˘/˘ |
| “So, frankly fickle, and fickly true! | 9 | ·/˘/˘·/˘· |
| For my brief life—while I take from you | 9 | ········· |
| This token, fair and fit, meseems, | 8 | ·/˘···˘/ |
| For me—this withering flower of dreams.” | 10 | ···/˘˘/˘·· |
| The sleep-flower sways in the wheat its head, | 10 | ··/˘······ |
| Heavy with dreams, as that with bread: | 8 | /˘······ |
| The goodly grain and the sun-flushed sleeper | 10 | ·/˘·····/˘ |
| The reaper reaps, and Time the reaper. | 9 | ·/˘····/˘ |
| I hang ’mid men my needless head, | 8 | ·····/˘· |
| And my fruit is dreams, as theirs is bread: | 9 | ········· |
| The goodly men and the sun-hazed sleeper | 10 | ·/˘·····/˘ |
| Time shall reap, but after the reaper | 9 | ·······/˘ |
| The world shall glean of me, me the sleeper! | 10 | ········/˘ |
| Love! love! your flower of withered dream | 10 | ···/˘·/˘˘· |
| In leavèd rhyme lies safe, I deem, | 7 | ······· |
| Sheltered and shut in a nook of rhyme, | 10 | /˘˘······· |
| From the reaper man, and his reaper Time. | 10 | ··/˘···/˘· |
| Love! I fall into the claws of Time: | 9 | ········· |
| But lasts within a leavèd rhyme | 7 | ······· |
| All that the world of me esteems— | 8 | ······˘/ |
| My withered dreams, my withered dreams. | 10 | ·/˘˘··/˘˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.