To Monica Thought Dying

Francis Thompson (1859–1907) · 1893

iambic trimeter · 80 lines · from Poems (1893)

YOU, O the piteous you!Who all the long night throughAnticipatedlyDisclose yourself to meAlready in the waysBeyond our human comfortable days;How can you deem what DeathImpitiably saithTo me, who listening wakeFor your poor sake?When a grown woman diesYou know we think unceasinglyWhat things she said, how sweet, how wise;And these do make our misery.But you were (you to meThe dead anticipatedly!)You—eleven years, was’t not, or so?—Were just a child, you know;And so you never saidThings sweet immeditatably and wiseTo interdict from closure my wet eyes:But foolish things, my dead, my dead!Little and laughable,Your age that fitted well.And was it such things all unmemorable,Was it such things could makeMe sob all night for your implacable sake?

Yet, as you said to me,In pretty make-believe of revelry,So the night long said DeathWith his magniloquent breath;(And that remembered laughterWhich in our daily uses followed after,Was all untuned to pity and to awe):“A cup of chocolate,One farthing is the rate,You drink it through a straw.”

How could I know, how knowThose laughing words when drenched with sobbing so?Another voice than yours, than yours, he hath!My dear, was’t worth his breath,His mighty utterance?—yet he saith, and saith!This dreadful Death to his own dreadfulnessDoth dreadful wrong,This dreadful childish babble on his tongue!That iron tongue made to speak sentences,And wisdom insupportably complete,Why should it only say the long night through,In mimicry of you,—“A cup of chocolate,One farthing is the rate,You drink it through a straw, a straw, a straw!”Oh, of all sentences,Piercingly incomplete!Why did you teach that fatal mouth to draw,Child, impermissible awe,From your old trivialness?Why have you done me thisMost unsustainable wrong,And into Death’s controlBetrayed the secret places of my soul?Teaching him that his lips,Uttering their native earthquake and eclipse,Could never so availTo rend from hem to hem the ultimate veilOf this most desolateSpirit, and leave it stripped and desecrate,—Nay, never so have wrungFrom eyes and speech weakness unmanned, unmeet;As when his terrible dotage to repeatIts little lesson learneth at your feet;As when he sits amongHis sepulchres, to playWith broken toys your hand has cast away,With derelict trinkets of the darling young.Why have you taught—that he might so completeHis awful panoplyFrom your cast playthings—why,This dreadful childish babble to his tongue,Dreadful and sweet?

Words in this poem

deem v. t.
To decide; to judge; to sentence; to condemn. [OE. demen to judge, condemn, AS. d, fr. d doom; akin to OFries. d, OS. ad, D. doemen, OHG. tuommen, Icel. dæma, Sw. dömma, Dan. dömme, Goth. d. See Doom, n., an]
saith
3d pers. sing. pres. of Say.
magniloquent a.
Speaking pompously; using swelling discourse; bombastic; tumid in style; grandiloquent. [L. magnus great + loquens, -entis, p. pr. of loqui to speak. See Magnitude, Loquacious.]
sobbing n.
A series of short, convulsive inspirations, the glottis being suddenly closed so that little or no air enters into the lungs.
dreadful a.
Full of dread or terror; fearful.
dreadfulness n.
The quality of being dreadful.
impermissible a.
Not permissible.
trivialness n.
Quality or state of being trivial.
desecrate v. t.
To divest of a sacred character or office; to divert from a sacred purpose; to violate the sanctity of; to profane; to put to an unworthy use; -- the opposite of consecrate. [L. desecratus, p. p. of desecrare (also desacrare) to consecrate, dedicate; but taken in the sense if to divest of a sacred character; de- + sacrare to consecra]
unmanned a.
Etym: [Properly p. p. of unman.]
unmeet a.
Not meet or fit; not proper; unbecoming; unsuitable; -- usually followed by for.
dotage n.
Feebleness or imbecility of understanding or mind, particularly in old age; the childishness of old age; senility; as, a venerable man, now in his dotage. [From Dote, v. i.]
derelict a.
Given up or forsaken by the natural owner or guardian; left and abandoned; as, derelict lands. [L. derelictus, p. p. of derelinquere to forsake wholly, to abandon; de- + relinquere to leave. See Relinquish.]
panoply n.
Defensive armor in general; a full suit of defensive armor.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

To Monica Thought Dying is in the public domain. This text is taken from Poems, Project Gutenberg ebook #1469; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Francis Thompson, To Monica Thought Dying, in Poems (1893) (1893), text of Project Gutenberg ebook #1469, Laurel, https://laurelpoetry.com/poem/thompson-poems/to-monica-thought-dying.html, id L01716.

Form and metre

To Monica Thought Dying is 80 lines in 3 stanzas. The metre is iambic trimeter, measured from the stress the words themselves fix (confidence 84%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 7.6 syllables. 11 lines end on an unstressed syllable, a feminine ending. 35% of the lines run on without a stop at the line end.

See other poems in iambic trimeter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABCDDEEFFG-G-CBHHIGGIJJJFF youA · throughA · anticipatedlyB · meC · waysD · daysD · deathE · saithE · wakeF · sakeF · diesG · unceasingly · wiseG · misery · meC · anticipatedlyB · soH · knowH · saidI · wiseG · eyesG · deadI · laughableJ · wellJ · unmemorableJ · makeF · sakeF
  2. 2 --AABBCDDC me · revelry · deathA · breathA · laughterB · afterB · aweC · chocolateD · rateD · strawC
  3. 3 AABBB----CDDCCE-CE----FFGGHHIIJIIIJKKJL--JL knowA · soA · hathB · breathB · saithB · dreadfulness · wrong · tongue · sentences · completeC · throughD · youD · chocolateC · rateC · strawE · sentences · incompleteC · drawE · awe · trivialness · this · wrong · controlF · soulF · lipsG · eclipseG · availH · veilH · desolateI · desecrateI · wrungJ · unmeetI · repeatI · feetI · amongJ · playK · awayK · youngJ · completeL · panoply · why · tongueJ · sweetL
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.

LineSyl.Stress
YOU, O the piteous you!7···/˘˘·
Who all the long night through6······
Anticipatedly6······
Disclose yourself to me6˘/˘/··
Already in the ways6˘/˘···
Beyond our human comfortable days;10··//˘/˘˘˘·
How can you deem what Death6······
Impitiably saith5·····
To me, who listening wake7···/˘˘·
For your poor sake?4····
When a grown woman dies6···/˘·
You know we think unceasingly8········
What things she said, how sweet, how wise;8········
And these do make our misery.9····/˘/˘˘
But you were (you to me6······
The dead anticipatedly!)8········
You—eleven years, was’t not, or so?—9·˘/˘·····
Were just a child, you know;6······
And so you never said6···/˘·
Things sweet immeditatably and wise10··········
To interdict from closure my wet eyes:10·/˘··/˘···
But foolish things, my dead, my dead!8·/˘·····
Little and laughable,6/˘·/˘˘
Your age that fitted well.6···/˘·
And was it such things all unmemorable,11···········
Was it such things could make6······
Me sob all night for your implacable sake?10······˘/˘·
Yet, as you said to me,6······
In pretty make-believe of revelry,10·/˘·˘/·/˘˘
So the night long said Death6······
With his magniloquent breath;7··˘/˘˘·
(And that remembered laughter7··˘/˘/˘
Which in our daily uses followed after,11··//˘/˘/˘··
Was all untuned to pity and to awe):10·····/˘···
“A cup of chocolate,5···/˘
One farthing is the rate,6·/˘···
You drink it through a straw.”6······
How could I know, how know6······
Those laughing words when drenched with sobbing so?10·/˘····/˘·
Another voice than yours, than yours, he hath!10˘/˘·······
My dear, was’t worth his breath,6······
His mighty utterance?—yet he saith, and saith!10·/˘/˘·····
This dreadful Death to his own dreadfulness10·/˘····/˘˘
Doth dreadful wrong,4·/˘·
This dreadful childish babble on his tongue!10·/˘/˘/˘···
That iron tongue made to speak sentences,10·/˘····/˘˘
And wisdom insupportably complete,10·/˘·····˘/
Why should it only say the long night through,10···/˘·····
In mimicry of you,—6·/˘˘··
“A cup of chocolate,5···/˘
One farthing is the rate,6·/˘···
You drink it through a straw, a straw, a straw!”10··········
Oh, of all sentences,6···/˘˘
Piercingly incomplete!6···˘˘/
Why did you teach that fatal mouth to draw,10·····/˘···
Child, impermissible awe,7··˘/˘˘·
From your old trivialness?7···/˘˘˘
Why have you done me this6······
Most unsustainable wrong,7··˘/˘˘·
And into Death’s control6····˘/
Betrayed the secret places of my soul?10˘/·/˘/˘···
Teaching him that his lips,6/˘····
Uttering their native earthquake and eclipse,10/˘·/˘/··˘/
Could never so avail6·/˘·˘/
To rend from hem to hem the ultimate veil10·······/˘·
Of this most desolate6···/˘·
Spirit, and leave it stripped and desecrate,—10/˘·····˘˘/
Nay, never so have wrung6·/˘···
From eyes and speech weakness unmanned, unmeet;10····/˘˘/˘/
As when his terrible dotage to repeat10···/˘/˘·˘/
Its little lesson learneth at your feet;10·/˘/˘/˘···
As when he sits among6······
His sepulchres, to play5·····
With broken toys your hand has cast away,10·/˘·····˘/
With derelict trinkets of the darling young.11·/˘·/˘··/˘·
Why have you taught—that he might so complete10········˘/
His awful panoply6·/˘/˘˘
From your cast playthings—why,6···/··
This dreadful childish babble to his tongue,10·/˘/˘/˘···
Dreadful and sweet?4/˘··

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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