Ode to Memory

Alfred Tennyson (1809–1892) · 1830–1842

iambic tetrameter · 125 lines · from The Early Poems

Thou who stealest fire,From the fountains of the past,To glorify the present; oh, haste,Visit my low desire!Strengthen me, enlighten me!I faint in this obscurity,Thou dewy dawn of memory.

Come not as thou camest of late,Flinging the gloom of yesternightOn the white day; but robed in soften’d lightOf orient state.Whilome thou camest with the morning mist,Even as a maid, whose stately browThe dew-impearled winds of dawn have kiss’d,When she, as thou,Stays on her floating locks the lovely freightOf overflowing blooms, and earliest shootsOf orient green, giving safe pledge of fruits,Which in wintertide shall starThe black earth with brilliance rare.

Whilome thou camest with the morning mist.And with the evening cloud,Showering thy gleaned wealth into my open breast,(Those peerless flowers which in the rudest windNever grow sere,When rooted in the garden of the mind,Because they are the earliest of the year).Nor was the night thy shroud.In sweet dreams softer than unbroken restThou leddest by the hand thine infant Hope.The eddying of her garments caught from theeThe light of thy great presence; and the copeOf the half-attain’d futurity,Though deep not fathomless,Was cloven with the million stars which trembleO’er the deep mind of dauntless infancy.Small thought was there of life’s distress;For sure she deem’d no mist of earth could dullThose spirit-thrilling eyes so keen and beautiful:Sure she was nigher to heaven’s spheres,Listening the lordly music flowing fromThe illimitable years.O strengthen me, enlighten me!I faint in this obscurity,Thou dewy dawn of memory.

Come forth I charge thee, arise,Thou of the many tongues, the myriad eyes!Thou comest not with shows of flaunting vinesUnto mine inner eye,Divinest Memory!Thou wert not nursed by the waterfallWhich ever sounds and shinesA pillar of white light upon the wallOf purple cliffs, aloof descried:Come from the woods that belt the grey hill-side,The seven elms, the poplars fourThat stand beside my father’s door,And chiefly from the brook that lovesTo purl o’er matted cress and ribbed sand,Or dimple in the dark of rushy coves,Drawing into his narrow earthen urn,In every elbow and turn,The filter’d tribute of the rough woodland.O! hither lead thy feet!Pour round mine ears the livelong bleatOf the thick-fleeced sheep from wattled folds,Upon the ridged wolds,When the first matin-song hath waken’d loudOver the dark dewy earth forlorn,What time the amber mornForth gushes from beneath a low-hung cloud.

Large dowries doth the raptured eyeTo the young spirit presentWhen first she is wed;And like a bride of oldIn triumph led,With music and sweet showersOf festal flowers,Unto the dwelling she must sway.Well hast thou done, great artist Memory,In setting round thy first experimentWith royal frame-work of wrought gold;Needs must thou dearly love thy first essay,And foremost in thy various galleryPlace it, where sweetest sunlight fallsUpon the storied walls;For the discoveryAnd newness of thine art so pleased thee,That all which thou hast drawn of fairestOr boldest since, but lightly weighsWith thee unto the love thou bearestThe first-born of thy genius.Artist-like,Ever retiring thou dost gazeOn the prime labour of thine early days:No matter what the sketch might be;Whether the high field on the bushless Pike,Or even a sand-built ridgeOf heaped hills that mound the sea,Overblown with murmurs harsh,Or even a lowly cottage whence we seeStretch’d wide and wild the waste enormous marsh,Where from the frequent bridge,Like emblems of infinity,The trenched waters run from sky to sky;Or a garden bower’d closeWith plaited alleys of the trailing rose,Long alleys falling down to twilight grots,Or opening upon level plotsOf crowned lilies, standing nearPurple-spiked lavender:Whither in after life retiredFrom brawling storms,From weary wind,With youthful fancy reinspired,We may hold converse with all formsOf the many-sided mind,And those whom passion hath not blinded,Subtle-thoughted, myriad-minded.My friend, with you to live alone,Were how much better than to ownA crown, a sceptre, and a throne!O strengthen, enlighten me!I faint in this obscurity,Thou dewy dawn of memory.

Words in this poem 30
glorify v. t.
To make glorious by bestowing glory upon; to confer honor and distinction upon; to elevate to power or happiness, or to celestial glory. [F. glorifier, L. glorificare; gloria glory + - ficare (in comp.) to make. See -fy.]
yesternight n.
The last night; the night last past.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
wealth n.
Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
sere n.
Claw; talon. Chapman. [F. serre.]
futurity n.
State of being that is yet to come; future state.
fathomless a.
Incapable of being fathomed; immeasurable; that can not be sounded.
dauntless a.
Incapable of being daunted; undaunted; bold; fearless; intrepid.
deem v. t.
To decide; to judge; to sentence; to condemn. [OE. demen to judge, condemn, AS. d, fr. d doom; akin to OFries. d, OS. ad, D. doemen, OHG. tuommen, Icel. dæma, Sw. dömma, Dan. dömme, Goth. d. See Doom, n., an]
thrilling a.
Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
myriad n.
The number of ten thousand; ten thousand persons or things. [Gr. myriade.]
purl v. t.
To decorate with fringe or embroidery. [Contr. fr. purfile, purfle. See Purfle.]
dimple n.
A slight natural depression or indentation on the surface of some part of the body, esp. on the cheek or chin. [Prob. a nasalized dim. of dip. See Dip, and cf. Dimble.]
rushy a.
Abounding with rushes.
livelong a.
Whole; entire; long in passing; -- used of time, as day or night, in adverbial phrases, and usually with a sense of tediousness. [For lifelong. Cf. Lifelong.]
bleat v. i.
To make the noise of, or one like that of, a sheep; to cry like a sheep or calf. [OE. bleten, AS. bl; akin to D. blaten, bleeten, OHG. blazan, plazan; prob. of imitative origin.]
wattled a.
Furnished with wattles, or pendent fleshy processes at the chin or throat.
matin n.
A French mastiff. [F. matin.]
waken v. i.
To wake; to cease to sleep; to be awakened. [OE. waknen, AS. wæcnan; akin to Goth. gawaknan. See Wake, v. i.]
forlorn a.
Deserted abandoned; lost. [OE., p.p. of forlesen to lose utterly, AS. forleósan (p.p. forloren); pref. for- + leósan (in comp.) to lose; cf. D. verliezen to lose, G. verlieren, Sw. förlor]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
festal a.
Of or pertaining to a holiday or a feast; joyous; festive. [L. festum holiday, feast. See feast.]
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
artist n.
One who practices some mechanic art or craft; an artisan. [F. artiste, LL. artista, fr. L. ars. See Art, n., and cf. Artiste.]
needs adv.
Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
storied a.
Told in a story. [From Story.]
bushless a.
Free from bushes; bare.
whither adv.
To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
brawling a.
Quarreling; quarrelsome; noisy.
sceptre n.
A staff or baton borne by a sovereign, as a ceremonial badge or emblem of authority; a royal mace. [F. sceptre, L. sceptrum, from Gr. shaft. See Shaft, and cf. Scape a stem, shaft.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Ode to Memory is in the public domain. This text is taken from The Early Poems of Alfred Lord Tennyson, Project Gutenberg ebook #8601; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Alfred Tennyson, Ode to Memory, in The Early Poems (1830–1842), text of Project Gutenberg ebook #8601, Laurel, https://laurelpoetry.com/poem/tennyson-early-poems/ode-to-memory.html, id L16507.

Form and metre

Ode to Memory is 125 lines in 5 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 86%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 8.1 syllables. 30 lines end on an unstressed syllable, a feminine ending. 34% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 A--A--- fireA · past · haste · desireA · me · obscurity · memory
  2. 2 ABBACDCDAEE-- lateA · yesternightB · lightB · stateA · mistC · browD · kiss'dC · thouD · freightA · shootsE · fruitsE · star · rare
  3. 3 -ABCDCDABEFE-GH-GHHI-IF-- mist · cloudA · breastB · windC · sereD · mindC · yearD · shroudA · restB · hopeE · theeF · copeE · futurity · fathomlessG · trembleH · infancy · distressG · dullH · beautifulH · spheresI · from · yearsI · meF · obscurity · memory
  4. 4 AAB--CBCDDEE-F-GGFHHIIJKKJ ariseA · eyesA · vinesB · eye · memory · waterfallC · shinesB · wallC · descriedD · sideD · fourE · doorE · loves · sandF · coves · urnG · turnG · woodlandF · feetH · bleatH · foldsI · woldsI · loudJ · forlornK · mornK · cloudJ
  5. 5 --A-ABBC---C-DD--EFE-GFFHG-HIHI--H-JJJ---KL-KL--MMM--- eye · present · wedA · old · ledA · showersB · flowersB · swayC · memory · experiment · gold · essayC · gallery · fallsD · wallsD · discovery · thee · fairestE · weighsF · bearestE · genius · likeG · gazeF · daysF · beH · pikeG · ridge · seaH · harshI · seeH · marshI · bridge · infinity · skyH · close · roseJ · grotsJ · plotsJ · near · lavender · retired · stormsK · windL · reinspired · formsK · mindL · blinded · minded · aloneM · ownM · throneM · me · obscurity · memory
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Thou who stealest fire,6··/˘/˘
From the fountains of the past,7··/˘···
To glorify the present; oh, haste,9·/˘··/˘··
Visit my low desire!7/˘··˘/˘
Strengthen me, enlighten me!7/˘·˘/˘·
I faint in this obscurity,8····˘/˘˘
Thou dewy dawn of memory.8·/˘··/˘˘
Come not as thou camest of late,8········
Flinging the gloom of yesternight8/˘···/˘˘
On the white day; but robed in soften’d light10·······/˘·
Of orient state.5·/˘··
Whilome thou camest with the morning mist,10·······/˘·
Even as a maid, whose stately brow8/····/˘·
The dew-impearled winds of dawn have kiss’d,9·········
When she, as thou,4····
Stays on her floating locks the lovely freight10···/˘··/˘·
Of overflowing blooms, and earliest shoots10·/˘·˘··/˘·
Of orient green, giving safe pledge of fruits,11·/˘··/˘····
Which in wintertide shall star7··/˘˘··
The black earth with brilliance rare.7····/˘·
Whilome thou camest with the morning mist.10·······/˘·
And with the evening cloud,6···/˘·
Showering thy gleaned wealth into my open breast,11/˘······/˘·
(Those peerless flowers which in the rudest wind10·/˘/···/˘·
Never grow sere,4/˘··
When rooted in the garden of the mind,10·/˘··/˘···
Because they are the earliest of the year).10·····/˘···
Nor was the night thy shroud.6······
In sweet dreams softer than unbroken rest10···/˘·˘/˘·
Thou leddest by the hand thine infant Hope.10·/˘····/˘·
The eddying of her garments caught from thee10·/˘··/˘···
The light of thy great presence; and the cope10·····/˘···
Of the half-attain’d futurity,9···˘/˘/˘˘
Though deep not fathomless,6···/˘˘
Was cloven with the million stars which tremble11·/˘··/˘··/˘
O’er the deep mind of dauntless infancy.9·····/˘/˘
Small thought was there of life’s distress;8······˘/
For sure she deem’d no mist of earth could dull10··········
Those spirit-thrilling eyes so keen and beautiful:10·//˘····/˘
Sure she was nigher to heaven’s spheres,9······/˘·
Listening the lordly music flowing from9/˘·/˘/˘/·
The illimitable years.7·˘/˘˘˘·
O strengthen me, enlighten me!8·/˘·˘/˘·
I faint in this obscurity,8····˘/˘˘
Thou dewy dawn of memory.8·/˘··/˘˘
Come forth I charge thee, arise,7·····˘/
Thou of the many tongues, the myriad eyes!9···/··/˘·
Thou comest not with shows of flaunting vines10·······/˘·
Unto mine inner eye,6···/˘·
Divinest Memory!6˘/˘/˘˘
Thou wert not nursed by the waterfall9······/˘·
Which ever sounds and shines6·/˘···
A pillar of white light upon the wall10·/˘·······
Of purple cliffs, aloof descried:7·/˘·˘/·
Come from the woods that belt the grey hill-side,10··········
The seven elms, the poplars four8·/˘··/˘·
That stand beside my father’s door,8··˘/·/˘·
And chiefly from the brook that loves8·/˘·····
To purl o’er matted cress and ribbed sand,9···/˘····
Or dimple in the dark of rushy coves,10·/˘····/˘·
Drawing into his narrow earthen urn,10/˘···/˘/˘·
In every elbow and turn,8·/˘˘/···
The filter’d tribute of the rough woodland.10·/˘/˘···/·
O! hither lead thy feet!6·/˘···
Pour round mine ears the livelong bleat8·····/˘·
Of the thick-fleeced sheep from wattled folds,9······/˘·
Upon the ridged wolds,5·····
When the first matin-song hath waken’d loud10···/˘·····
Over the dark dewy earth forlorn,8···/˘·˘/
What time the amber morn6···/˘·
Forth gushes from beneath a low-hung cloud.10·/˘·······
Large dowries doth the raptured eye8·/˘··/˘·
To the young spirit present7···/˘/˘
When first she is wed;5·····
And like a bride of old6······
In triumph led,4·/˘·
With music and sweet showers7·/˘··/˘
Of festal flowers,5·/˘/˘
Unto the dwelling she must sway.8···/˘···
Well hast thou done, great artist Memory,9·····/˘/˘
In setting round thy first experiment9·/˘···˘/˘
With royal frame-work of wrought gold;8·/˘·····
Needs must thou dearly love thy first essay,10···/˘···˘/
And foremost in thy various gallery9·/···/˘/˘
Place it, where sweetest sunlight falls8···/˘/··
Upon the storied walls;6···/˘·
For the discovery6··˘/˘˘
And newness of thine art so pleased thee,9·/˘······
That all which thou hast drawn of fairest9·······/˘
Or boldest since, but lightly weighs8·/˘··/˘·
With thee unto the love thou bearest9·······/˘
The first-born of thy genius.7·····/˘
Artist-like,3/˘·
Ever retiring thou dost gaze8/˘˘/˘···
On the prime labour of thine early days:10···/···/˘·
No matter what the sketch might be;8·/˘·····
Whether the high field on the bushless Pike,10·······/˘·
Or even a sand-built ridge7·/˘····
Of heaped hills that mound the sea,8··˘·····
Overblown with murmurs harsh,7·˘/·/˘·
Or even a lowly cottage whence we see10·/·/˘/˘···
Stretch’d wide and wild the waste enormous marsh,10······˘/˘·
Where from the frequent bridge,6···/˘·
Like emblems of infinity,8·/˘·˘/˘˘
The trenched waters run from sky to sky;9··/˘·····
Or a garden bower’d close7··/˘···
With plaited alleys of the trailing rose,10·/˘/˘··/˘·
Long alleys falling down to twilight grots,10·/˘/˘··/··
Or opening upon level plots8·/˘··/˘·
Of crowned lilies, standing near8··˘/˘/˘·
Purple-spiked lavender:7/˘·˘/˘˘
Whither in after life retired8/˘····˘/
From brawling storms,4·/˘·
From weary wind,4·/˘·
With youthful fancy reinspired,8·/˘/˘··˘
We may hold converse with all forms8···/˘···
Of the many-sided mind,7··/˘/˘·
And those whom passion hath not blinded,9···/˘··/˘
Subtle-thoughted, myriad-minded.9/˘/˘/˘˘/˘
My friend, with you to live alone,8······˘/
Were how much better than to own8···/˘···
A crown, a sceptre, and a throne!8···/˘···
O strengthen, enlighten me!7·/˘˘/˘·
I faint in this obscurity,8····˘/˘˘
Thou dewy dawn of memory.8·/˘··/˘˘

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