The Author upon Himself
* * By an old ---- pursued,A crazy prelate, and a royal prude;By dull divines, who look with envious eyesOn ev'ry genius that attempts to rise;And pausing o'er a pipe, with doubtful nod,Give hints, that poets ne'er believe in God.So clowns on scholars as on wizards look,And take a folio for a conj'ring book.Swift had the sin of wit, no venial crime:Nay, 'twas affirm'd, he sometimes dealt in rhyme;Humour and mirth had place in all he writ;He reconcil'd divinity and wit:He moved and bow'd, and talk'd with too much grace;Nor show'd the parson in his gait or face;Despised luxurious wines and costly meat;Yet still was at the tables of the great;Frequented lords; saw those that saw the queen;At Child's or Truby's, never once had been;Where town and country vicars flock in tribes,Secured by numbers from the laymen's gibes;And deal in vices of the graver sort,Tobacco, censure, coffee, pride, and port.But, after sage monitions from his friends,His talents to employ for nobler ends;To better judgments willing to submit,He turns to politics his dang'rous wit.And now, the public Int'rest to support,By Harley Swift invited, comes to court;In favour grows with ministers of state;Admitted private, when superiors wait:And Harley, not ashamed his choice to own,Takes him to Windsor in his coach alone.At Windsor Swift no sooner can appear,But St. John comes, and whispers in his ear:The waiters stand in ranks: the yeomen cry,Make room, as if a duke were passing by.Now Finch alarms the lords: he hears for certainThis dang'rous priest is got behind the curtain.Finch, famed for tedious elocution, provesThat Swift oils many a spring which Harley moves.Walpole and Aislaby, to clear the doubt,Inform the Commons, that the secret's out:"A certain doctor is observed of lateTo haunt a certain minister of state:From whence with half an eye we may discoverThe peace is made, and Perkin must come over."York is from Lambeth sent, to show the queenA dang'rous treatise writ against the spleen;Which, by the style, the matter, and the drift,'Tis thought could be the work of none but Swift.Poor York! the harmless tool of others' hate;He sues for pardon, and repents too late.Now angry Somerset her vengeance vowsOn Swift's reproaches for her ******* spouse:From her red locks her mouth with venom fills,And thence into the royal ear instils.The queen incensed, his services forgot,Leaves him a victim to the vengeful Scot.Now through the realm a proclamation spread,To fix a price on his devoted head.While innocent, he scorns ignoble flight;His watchful friends preserve him by a sleight.By Harley's favour once again he shines;Is now caress'd by candidate divines,Who change opinions with the changing scene:Lord! how were they mistaken in the dean!Now Delawar again familiar grows;And in Swift's ear thrusts half his powder'd nose.The Scottish nation, whom he durst offend,Again apply that Swift would be their friend.By faction tired, with grief he waits awhile,His great contending friends to reconcile;Performs what friendship, justice, truth require:What could he more, but decently retire?
Words in this poem 18
- prude n.
- A woman of affected modesty, reserve, or coyness; one who is overscrupulous or sensitive; one who affects extraordinary prudence in conduct and speech. [F., prudish, originally, discreet, modest; shortened from OF. prudefeme, preudefeme, a discreet or excellent woman; OF. preu, prou, excellent, brave + de of + f]
- envious a.
- Malignant; mischievous; spiteful. [OF. envios, F. envieux, fr. L. invidiosus, fr. invidia envy. See Envy, and cf. Invidious.]
- humour n.
- Moisture, especially, the moisture or fluid of animal bodies, as the chyle, lymph, etc.; as, the humors of the eye, etc. [OE. humour, OF. humor, umor, F. humeur, L. humor, umor, moisture, fluid, fr. humere, umere, to be moist. See Humid.]
- graver n.
- One who graves; an engraver or a sculptor; one whose occupation is te cut letters or figures in stone or other hard material.
- favour n.
- Kind regard; propitious aspect; countenance; friendly disposition; kindness; good will. [Written also favour.]
- windsor n.
- A town in Berkshire, England. Windsor bean. (Bot.) See under Bean.
- duke n.
- A leader; a chief; a prince. [F. duc, fr. L. dux, ducis, leader, commander, fr. ducere to lead; akin to AS. teón to draw; cf. AS. heretoga (here army) an army leader, general, G. herzog duke]
- elocution n.
- Utterance by speech. [L. elocutio, fr. eloqui, elocutus, to speak out: cf. F. élocution. See Eloquent.]
- commons n.
- The mass of the people, as distinguished from the titled chasses or nobility; the commonalty; the common people. [Eng.]
- discover v. i.
- To discover or show one's self.
- perkin n.
- A kind of weak perry.
- angry a.
- Troublesome; vexatious; rigorous. [See Anger.]
- somerset n.
- A leap in which a person turns his heels over his head and lights upon his feet; a turning end over end. [Written also summersault, sommerset, summerset, etc.] [F. soubresaut a jump, leap, OF. soubresault, It. soprassalto an overleap, fr. L. supra over + saltus a leap, fr. salire to leap; or the French may be from Sp. s]
- spouse v. t.
- To wed; to espouse. [See Espouse, and Spouse, n.]
- incensed a.
- Angered; enraged.
- vengeful a.
- Vindictive; retributive; revengeful.
- sleight n.
- Cunning; craft; artful practice. [OE. sleighte, sleihte, sleithe, Icel. sl (for sl) slyness, cunning, fr. sl (for sl) sly, cunning. See Sly.]
- awhile adv.
- For a while; for some time; for a short time. [Adj. a + while time, interval.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Author upon Himself is in the public domain. This text is taken from The Poems of Jonathan Swift, D.D., Volume 2, Project Gutenberg ebook #13621; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Jonathan Swift, The Author upon Himself, in Cadenus and Vanessa, and Other Poems (1710–1745), text of Project Gutenberg ebook #13621, Laurel, https://laurelpoetry.com/poem/swift-poems/the-author-upon-himself.html, id L09308.
Form and metre
The Author upon Himself is 74 lines in a single stanza. It is in rhyming couplets, 86% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 92%). 97% of its stressed syllables fall where the metre puts the beat. The lines average 9.8 syllables. 3 lines end on an unstressed syllable, a feminine ending. 10% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGG----HHIIJJKKLLMMNNOOPPQQRRSSTT--UUVVWW--XXYYZZaabbccddeeff-- pursuedA · prudeA · eyesB · riseB · nodC · godC · lookD · bookD · crimeE · rhymeE · writF · witF · graceG · faceG · meat · great · queen · been · tribesH · gibesH · sortI · portI · friendsJ · endsJ · submitK · witK · supportL · courtL · stateM · waitM · ownN · aloneN · appearO · earO · cryP · byP · certainQ · curtainQ · provesR · movesR · doubtS · outS · lateT · stateT · discover · over · queenU · spleenU · driftV · swiftV · hateW · lateW · vows · spouse · fillsX · instilsX · forgotY · scotY · spreadZ · headZ · flighta · sleighta · shinesb · divinesb · scenec · deanc · growsd · nosed · offende · friende · awhilef · reconcilef · require · retire
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| * * By an old ---- pursued, | 5 | ···˘/ |
| A crazy prelate, and a royal prude; | 10 | ·/˘/˘··/˘· |
| By dull divines, who look with envious eyes | 10 | ··˘/···/˘· |
| On ev'ry genius that attempts to rise; | 10 | ···/˘·˘/·· |
| And pausing o'er a pipe, with doubtful nod, | 10 | ·/˘····/˘· |
| Give hints, that poets ne'er believe in God. | 10 | ···/˘·˘/·· |
| So clowns on scholars as on wizards look, | 10 | ···/˘··/˘· |
| And take a folio for a conj'ring book. | 10 | ···/˘····· |
| Swift had the sin of wit, no venial crime: | 11 | ·······/˘˘· |
| Nay, 'twas affirm'd, he sometimes dealt in rhyme; | 10 | ··˘/·/···· |
| Humour and mirth had place in all he writ; | 10 | /˘········ |
| He reconcil'd divinity and wit: | 10 | ·/˘·˘/˘˘·· |
| He moved and bow'd, and talk'd with too much grace; | 10 | ·········· |
| Nor show'd the parson in his gait or face; | 10 | ···/˘····· |
| Despised luxurious wines and costly meat; | 10 | ˘/˘/˘··/˘· |
| Yet still was at the tables of the great; | 10 | ·····/˘··· |
| Frequented lords; saw those that saw the queen; | 10 | /˘˘······· |
| At Child's or Truby's, never once had been; | 10 | ···/˘/˘··· |
| Where town and country vicars flock in tribes, | 10 | ···/˘/˘··· |
| Secured by numbers from the laymen's gibes; | 10 | ˘/·/˘··/˘· |
| And deal in vices of the graver sort, | 10 | ···/˘··/˘· |
| Tobacco, censure, coffee, pride, and port. | 10 | ˘/·/˘/˘··· |
| But, after sage monitions from his friends, | 10 | ·········· |
| His talents to employ for nobler ends; | 10 | ·/˘·˘/·/˘· |
| To better judgments willing to submit, | 10 | ·/˘/˘/˘·˘/ |
| He turns to politics his dang'rous wit. | 10 | ···/˘····· |
| And now, the public Int'rest to support, | 10 | ···/˘···˘/ |
| By Harley Swift invited, comes to court; | 10 | ·/˘·˘/˘··· |
| In favour grows with ministers of state; | 10 | ·/˘··/˘˘·· |
| Admitted private, when superiors wait: | 10 | ˘/˘/˘·˘/˘· |
| And Harley, not ashamed his choice to own, | 10 | ·/˘·˘/···· |
| Takes him to Windsor in his coach alone. | 10 | ···/˘···˘/ |
| At Windsor Swift no sooner can appear, | 10 | ·/˘··/˘·˘/ |
| But St. John comes, and whispers in his ear: | 10 | ·····/˘··· |
| The waiters stand in ranks: the yeomen cry, | 10 | ·/˘······· |
| Make room, as if a duke were passing by. | 10 | ·······/˘· |
| Now Finch alarms the lords: he hears for certain | 11 | ··˘/·····/˘ |
| This dang'rous priest is got behind the curtain. | 11 | ·········/˘ |
| Finch, famed for tedious elocution, proves | 10 | ···/˘·˘/˘· |
| That Swift oils many a spring which Harley moves. | 10 | ···/···/˘· |
| Walpole and Aislaby, to clear the doubt, | 10 | /········· |
| Inform the Commons, that the secret's out: | 10 | ˘/·/˘··/˘· |
| "A certain doctor is observed of late | 10 | ·/˘/˘·˘/·· |
| To haunt a certain minister of state: | 10 | ···/˘/˘˘·· |
| From whence with half an eye we may discover | 11 | ········˘/˘ |
| The peace is made, and Perkin must come over." | 10 | ·····/˘··· |
| York is from Lambeth sent, to show the queen | 10 | ···/˘····· |
| A dang'rous treatise writ against the spleen; | 10 | ···/˘····· |
| Which, by the style, the matter, and the drift, | 10 | ·····/˘··· |
| 'Tis thought could be the work of none but Swift. | 10 | ·········· |
| Poor York! the harmless tool of others' hate; | 10 | ···/˘··/˘· |
| He sues for pardon, and repents too late. | 10 | ···/˘·˘/·· |
| Now angry Somerset her vengeance vows | 10 | ·/˘/˘··/˘· |
| On Swift's reproaches for her ******* spouse: | 8 | ··˘/˘··· |
| From her red locks her mouth with venom fills, | 10 | ·······/˘· |
| And thence into the royal ear instils. | 10 | ·····/˘··· |
| The queen incensed, his services forgot, | 10 | ··/··/˘˘˘/ |
| Leaves him a victim to the vengeful Scot. | 10 | ···/˘··/˘· |
| Now through the realm a proclamation spread, | 10 | ······˘/˘· |
| To fix a price on his devoted head. | 10 | ······˘/˘· |
| While innocent, he scorns ignoble flight; | 10 | ·/˘˘··˘/˘· |
| His watchful friends preserve him by a sleight. | 10 | ·/˘·˘/···· |
| By Harley's favour once again he shines; | 10 | ·/˘/˘·˘/·· |
| Is now caress'd by candidate divines, | 10 | ··˘/·/˘˘˘/ |
| Who change opinions with the changing scene: | 10 | ··˘/˘··/˘· |
| Lord! how were they mistaken in the dean! | 10 | ····˘/˘··· |
| Now Delawar again familiar grows; | 10 | ····˘/˘/˘· |
| And in Swift's ear thrusts half his powder'd nose. | 10 | ·······/˘· |
| The Scottish nation, whom he durst offend, | 10 | ·/˘/˘···˘/ |
| Again apply that Swift would be their friend. | 10 | ˘/˘/······ |
| By faction tired, with grief he waits awhile, | 10 | ·/˘/····˘/ |
| His great contending friends to reconcile; | 10 | ··˘/˘··/˘· |
| Performs what friendship, justice, truth require: | 11 | ˘/·/˘/˘··/˘ |
| What could he more, but decently retire? | 10 | ·····/˘˘˘/ |
Notes from the edition 12
The notes to the Poems of Jonathan Swift, Volume II (Project Gutenberg #13621).
- Line 2 Dr. John Sharpe, who, for some unbecoming reflections in his sermons, had been suspended, May 14, 1686, was raised from the Deanery of Canterbury, to the Archbishopric of York, July 5, 1691; and died February 2, 1712-13. According to Dr. Swift's account, the archbishop had represented him to the queen as a person that was not a Christian; the great lady [the Duchess of Somerset] had supported the aspersion; and the queen, upon such assurances, had given away the bishopric contrary to her majesty's first intentions [which were in favour of Swift]. See Orrery's "Remarks on the Life of Swift," p. 48.--W. E. B.
- Line 2 Queen Anne.
- Line 18 Coffeehouses frequented by the clergy. In the preceding poem, Swift gives the same trait of his own character: "A clergyman of special note For shunning those of his own coat." His feeling towards his order was exactly the reverse of his celebrated misanthropical expression of hating mankind, but loving individuals. On the contrary, he loved the church, but disliked associating with individual clergymen.--Scott. See his letter to Pope, Sept. 29, 1725, in Pope's Works, edit. Elwin and Courthope, vii, 53, and the unjust remarks of the commentators.--W. E. B.
- Line 37 Daniel Finch, Earl of Nottingham, who made a speech in the House of Lords against the author.
- Line 41 John Aislaby, then M.P. for Ripon. They both spoke against him in the House of Commons.--Scott.
- Line 48 The Tale of a Tub.
- Line 52 He sent a message to the author to desire his pardon, and that he was very sorry for what he had said and done.
- Line 54 Insert murder'd. The duchess's first husband, Thomas Thynne, Esq., was assassinated in Pall Mall by banditti, the emissaries of Count Königsmark. As the motive of this crime was the count's love to the lady, with whom Thynne had never cohabited, Swift seems to throw upon her the imputation of being privy to the crime. See the "Windsor Prophecy," ante, p. 150.--W. E. B.
- Line 58 The Duke of Argyle.
- Line 60 For writing "The Public Spirit of the Whigs."
- Line 67 Then lord-treasurer of the household, who cautiously avoided Swift while the proclamation was impending.
- Line 70 He was visited by the Scots lords more than ever.
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