A Poem Occasioned by the Hangings in the Castle of Dublin, in Which the Story of Phaethon Is Expressed

Jonathan Swift (1667–1745) · 1710–1745

iambic tetrameter · ABAB · 52 lines · from Cadenus and Vanessa, and Other Poems

Not asking or expecting aught,One day I went to view the court,Unbent and free from care or thought,Though thither fears and hopes resort.

A piece of tapestry took my eye,The faded colours spoke it old;But wrought with curious imagery,The figures lively seem'd and bold.

Here you might see the youth prevail,(In vain are eloquence and wit,)The boy persists, Apollo's frail;Wisdom to nature does submit.

There mounts the eager charioteer;Soon from his seat he's downward hurl'd;Here Jove in anger doth appear,There all, beneath, the flaming world.

What does this idle fiction mean?Is truth at court in such disgrace,It may not on the walls be seen,Nor e'en in picture show its face?

No, no, 'tis not a senseless tale,By sweet-tongued Ovid dress'd so fine;It does important truths conceal,And here was placed by wise design.

A lesson deep with learning fraught,Worthy the cabinet of kings;Fit subject of their constant thought,In matchless verse the poet sings.

Well should he weigh, who does aspireTo empire, whether truly great,His head, his heart, his hand, conspireTo make him equal to that seat.

If only fond desire of sway,By avarice or ambition fed,Make him affect to guide the day,Alas! what strange confusion's bred!

If, either void of princely care,Remiss he holds the slacken'd rein;If rising heats or mad career,Unskill'd, he knows not to restrain:

Or if, perhaps, he gives a loose,In wanton pride to show his skill,How easily he can reduceAnd curb the people's rage at will;

In wild uproar they hurry on;--The great, the good, the just, the wise,(Law and religion overthrown,)Are first mark'd out for sacrifice.

When, to a height their fury grown,Finding, too late, he can't retire,He proves the real Phaethon,And truly sets the world on fire.

Words in this poem

aught n.
Property; possession. [AS. , fr. agan to own, p. p. ahte.]
went n.
Course; way; path; journey; direction.
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
curious a.
Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
imagery n.
The work of one who makes images or visible representation of objects; imitation work; images in general, or in mass. [OE. imagerie, F. imagerie.]
charioteer n.
One who drives a chariot.
jove n.
The chief divinity of the ancient Romans; Jupiter. [L. Jupiter, gen. Jovis, OL. Jovis, nom. & gen. for Djovis; akin to E. Tuesday. See Tuesday, and cf. Jupiter.]
fraught n.
A freight; a cargo. [OE.fraight, fraght; akin to Dan. fragt, Sw. frakt, D. vracht, G. fracht, cf. OHG. fr merit, reward; perh. from corresponding to E. for + The root of E. own. Cf.]
aspire v. t.
To aspire to; to long for; to try to reach; to mount to.
avarice n.
An excessive or inordinate desire of gain; greediness after wealth; covetousness; cupidity. [F. avaritia, fr. avarus avaricious, prob. fr. av to covert, fr. a root av to satiate one's self: cf. Gr. av to satiate one's self, rejoice, protect.]
remiss n.
The act of being remiss; inefficiency; failure.
career n.
A race course: the ground run over. [F. carrière race course, high road, street, fr. L. carrus wagon. See Car.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

A Poem Occasioned by the Hangings in the Castle of Dublin, in Which the Story of Phaethon Is Expressed is in the public domain. This text is taken from The Poems of Jonathan Swift, D.D., Volume 2, Project Gutenberg ebook #13621; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Jonathan Swift, A Poem Occasioned by the Hangings in the Castle of Dublin, in Which the Story of Phaethon Is Expressed, in Cadenus and Vanessa, and Other Poems (1710–1745), text of Project Gutenberg ebook #13621, Laurel, https://laurelpoetry.com/poem/swift-poems/a-poem-occasioned-by-the-hangings-in-the-castle-of-dublin-in-which-the-story-of-phaethon-is-expressed.html, id L25689.

Form and metre

A Poem Occasioned by the Hangings in the Castle of Dublin, in Which the Story of Phaethon Is Expressed is 52 lines in 13 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 10 of its 13 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 92%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB aughtA · courtB · thoughtA · resortB
  2. 2 -A-A eye · oldA · imagery · boldA
  3. 3 ABAB prevailA · witB · frailA · submitB
  4. 4 ABAB charioteerA · hurl'dB · appearA · worldB
  5. 5 ABAB meanA · disgraceB · seenA · faceB
  6. 6 ABAB taleA · fineB · concealA · designB
  7. 7 ABAB fraughtA · kingsB · thoughtA · singsB
  8. 9 ABAB swayA · fedB · dayA · bredB
  9. 10 ABAB careA · reinB · careerA · restrainB
  10. 11 ABAB looseA · skillB · reduceA · willB
  11. 13 ABAB grownA · retireB · phaethonA · fireB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Not asking or expecting aught,8·/˘·˘/˘·
One day I went to view the court,8········
Unbent and free from care or thought,8········
Though thither fears and hopes resort.8·/˘···˘/
A piece of tapestry took my eye,8···/˘···
The faded colours spoke it old;8·/˘/˘···
But wrought with curious imagery,9···/˘˘/˘˘
The figures lively seem'd and bold.8·/˘/˘···
Here you might see the youth prevail,8······˘/
(In vain are eloquence and wit,)8···/˘˘··
The boy persists, Apollo's frail;8··˘/˘/˘·
Wisdom to nature does submit.8/˘·/˘·˘/
There mounts the eager charioteer;8···/˘···
Soon from his seat he's downward hurl'd;8·····/˘·
Here Jove in anger doth appear,8···/˘·˘/
There all, beneath, the flaming world.8·····/˘·
What does this idle fiction mean?8···/˘/˘·
Is truth at court in such disgrace,8······˘/
It may not on the walls be seen,8········
Nor e'en in picture show its face?8···/˘···
No, no, 'tis not a senseless tale,8·····/˘·
By sweet-tongued Ovid dress'd so fine;8········
It does important truths conceal,8··˘/˘·˘/
And here was placed by wise design.8······˘/
A lesson deep with learning fraught,8·/˘··/˘·
Worthy the cabinet of kings;8/˘·/˘˘··
Fit subject of their constant thought,8·/˘··/˘·
In matchless verse the poet sings.8·/˘··/˘·
Well should he weigh, who does aspire8······˘/
To empire, whether truly great,8·/˘··/˘·
His head, his heart, his hand, conspire9······˘/˘
To make him equal to that seat.8···/˘···
If only fond desire of sway,8·/˘·˘/··
By avarice or ambition fed,8·/˘·˘/˘·
Make him affect to guide the day,8··˘/····
Alas! what strange confusion's bred!8˘/··˘/˘·
If, either void of princely care,8·/˘··/˘·
Remiss he holds the slacken'd rein;8˘/···/˘·
If rising heats or mad career,8·/˘···˘/
Unskill'd, he knows not to restrain:8˘/····˘/
Or if, perhaps, he gives a loose,8··˘/····
In wanton pride to show his skill,8·/˘·····
How easily he can reduce8·/˘˘··˘/
And curb the people's rage at will;8···/˘···
In wild uproar they hurry on;--8··/··/˘·
The great, the good, the just, the wise,8········
(Law and religion overthrown,)8··˘/˘·˘/
Are first mark'd out for sacrifice.8·····/˘·
When, to a height their fury grown,8·····/˘·
Finding, too late, he can't retire,8/˘····˘/
He proves the real Phaethon,6······
And truly sets the world on fire.9·/˘····/˘
Notes from the edition 1

The notes to the Poems of Jonathan Swift, Volume II (Project Gutenberg #13621).

  1. Stanza 6, line 2 "Metamorphoseon," lib. ii.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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