In a Letter to a Person of Quality. 1728

Jonathan Swift (1667–1745) · 1727

iambic tetrameter · octosyllabic couplets · 293 lines · from On Poetry: A Rhapsody, and Other Poems

SIR, 'twas a most unfriendly partIn you, who ought to know my heart,Are well acquainted with my zealFor all the female commonweal--How could it come into your mindTo pitch on me, of all mankind,Against the sex to write a satire,And brand me for a woman-hater?On me, who think them all so fair,They rival Venus to a hair;Their virtues never ceased to sing,Since first I learn'd to tune a string?Methinks I hear the ladies cry,Will he his character belie?Must never our misfortunes end?And have we lost our only friend?Ah, lovely nymphs! remove your fears,No more let fall those precious tears.Sooner shall, etc.

The hound be hunted by the hare,Than I turn rebel to the fair.'Twas you engaged me first to write,Then gave the subject out of spite:The journal of a modern dame,Is, by my promise, what you claim.My word is past, I must submit;And yet perhaps you may be bit.I but transcribe; for not a lineOf all the satire shall be mine.Compell'd by you to tag in rhymesThe common slanders of the times,Of modern times, the guilt is yours,And me my innocence secures.Unwilling Muse, begin thy lay,The annals of a female day.By nature turn'd to play the rake well,(As we shall show you in the sequel,)The modern dame is waked by noon,(Some authors say not quite so soon,)Because, though sore against her will,She sat all night up at quadrille.She stretches, gapes, unglues her eyes,And asks if it be time to rise;Of headache and the spleen complains;And then, to cool her heated brains,Her night-gown and her slippers brought her,Takes a large dram of citron water.Then to her glass; and, "Betty, pray,Don't I look frightfully to-day?But was it not confounded hard?Well, if I ever touch a card!Four matadores, and lose codille!Depend upon't, I never will.But run to Tom, and bid him fixThe ladies here to-night by six.""Madam, the goldsmith waits below;He says, his business is to knowIf you'll redeem the silver cupHe keeps in pawn?"--"Why, show him up.""Your dressing-plate he'll be contentTo take, for interest cent. per cent.And, madam, there's my Lady SpadeHas sent this letter by her maid.""Well, I remember what she won;And has she sent so soon to dun?Here, carry down these ten pistolesMy husband left to pay for coals:I thank my stars they all are light,And I may have revenge to-night."Now, loitering o'er her tea and cream,She enters on her usual theme;Her last night's ill success repeats,Calls Lady Spade a hundred cheats:"She slipt spadillo in her breast,Then thought to turn it to a jest:There's Mrs. Cut and she combine,And to each other give the sign."Through every game pursues her tale,Like hunters o'er their evening ale.Now to another scene give place:Enter the folks with silks and lace:Fresh matter for a world of chat,Right Indian this, right Mechlin that:"Observe this pattern--there's a stuff;I can have customers enough.Dear madam, you are grown so hard--This lace is worth twelve pounds a-yard:Madam, if there be truth in man,I never sold so cheap a fan."This business of importance o'er,And madam almost dress'd by four;The footman, in his usual phrase,Comes up with, "Madam, dinner stays."She answers, in her usual style,"The cook must keep it back a while;I never can have time to dress,No woman breathing takes up less;I'm hurried so, it makes me sick;I wish the dinner at Old Nick."At table now she acts her part,Has all the dinner cant by heart:"I thought we were to dine alone,My dear; for sure, if I had knownThis company would come to-day--But really 'tis my spouse's way!He's so unkind, he never sendsTo tell when he invites his friends:I wish ye may but have enough!"And while with all this paltry stuffShe sits tormenting every guest,Nor gives her tongue one moment's rest,In phrases batter'd, stale, and trite,Which modern ladies call polite;You see the booby husband sitIn admiration at her wit!But let me now a while surveyOur madam o'er her evening tea;Surrounded with her noisy clansOf prudes, coquettes, and harridans,When, frighted at the clamorous crew,Away the God of Silence flew,And fair Discretion left the place,And modesty with blushing face;Now enters overweening Pride,And Scandal, ever gaping wide,Hypocrisy with frown severe,Scurrility with gibing air;Rude laughter seeming like to burst,And Malice always judging worst;And Vanity with pocket glass,And Impudence with front of brass;And studied Affectation came,Each limb and feature out of frame;While Ignorance, with brain of lead,Flew hovering o'er each female head.Why should I ask of thee, my Muse,A hundred tongues, as poets use,When, to give every dame her due,A hundred thousand were too few?Or how should I, alas! relateThe sum of all their senseless prate,Their innuendoes, hints, and slanders,Their meanings lewd, and double entendres?Now comes the general scandal charge;What some invent, the rest enlarge;And, "Madam, if it be a lie,You have the tale as cheap as I;I must conceal my author's name:But now 'tis known to common fame."Say, foolish females, bold and blind,Say, by what fatal turn of mind,Are you on vices most severe,Wherein yourselves have greatest share?Thus every fool herself deludes;The prude condemns the absent prudes:Mopsa, who stinks her spouse to death,Accuses Chloe's tainted breath;Hircina, rank with sweat, presumesTo censure Phyllis for perfumes;While crooked Cynthia, sneering, says,That Florimel wears iron stays;Chloe, of every coxcomb jealous,Admires how girls can talk with fellows;And, full of indignation, frets,That women should be such coquettes:Iris, for scandal most notorious,Cries, "Lord, the world is so censorious!"And Rufa, with her combs of lead,Whispers that Sappho's hair is red:Aura, whose tongue you hear a mile hence,Talks half a day in praise of silence;And Sylvia, full of inward guilt,Calls Amoret an arrant jilt.Now voices over voices rise,While each to be the loudest vies:They contradict, affirm, dispute,No single tongue one moment mute;All mad to speak, and none to hearken,They set the very lap-dog barking;Their chattering makes a louder dinThan fishwives o'er a cup of gin;Not schoolboys at a barring outRaised ever such incessant rout;The jumbling particles of matterIn chaos made not such a clatter;Far less the rabble roar and rail,When drunk with sour election ale.Nor do they trust their tongues alone,But speak a language of their own;Can read a nod, a shrug, a look,Far better than a printed book;Convey a libel in a frown,And wink a reputation down;Or by the tossing of the fan,Describe the lady and the man.But see, the female club disbands,Each twenty visits on her hands.Now all alone poor madam sitsIn vapours and hysteric fits;"And was not Tom this morning sent?I'd lay my life he never went;Past six, and not a living soul!I might by this have won a vole."A dreadful interval of spleen!How shall we pass the time between?"Here, Betty, let me take my drops;And feel my pulse, I know it stops;This head of mine, lord, how it swims!And such a pain in all my limbs!""Dear madam, try to take a nap"--But now they hear a footman's rap:"Go, run, and light the ladies up:It must be one before we sup."The table, cards, and counters, set,And all the gamester ladies met,Her spleen and fits recover'd quite,Our madam can sit up all night;"Whoever comes, I'm not within."Quadrille's the word, and so begin.How can the Muse her aid impart,Unskill'd in all the terms of art?Or in harmonious numbers putThe deal, the shuffle, and the cut?The superstitious whims relate,That fill a female gamester's pate?What agony of soul she feelsTo see a knave's inverted heels!She draws up card by card, to findGood fortune peeping from behind;With panting heart, and earnest eyes,In hope to see spadillo rise;In vain, alas! her hope is fed;She draws an ace, and sees it red;In ready counters never pays,But pawns her snuff-box, rings, and keys;Ever with some new fancy struck,Tries twenty charms to mend her luck."This morning, when the parson came,I said I should not win a game.This odious chair, how came I stuck in't?I think I never had good luck in't.I'm so uneasy in my stays:Your fan, a moment, if you please.Stand farther, girl, or get you gone;I always lose when you look on.""Lord! madam, you have lost codille:I never saw you play so ill.""Nay, madam, give me leave to say,'Twas you that threw the game away:When Lady Tricksey play'd a four,You took it with a matadore;I saw you touch your wedding ringBefore my lady call'd a king;You spoke a word began with H,And I know whom you meant to teach,Because you held the king of hearts;Fie, madam, leave these little arts.""That's not so bad as one that rubsHer chair to call the king of clubs;And makes her partner understandA matadore is in her hand.""Madam, you have no cause to flounce,I swear I saw you thrice renounce.""And truly, madam, I know whenInstead of five you scored me ten.Spadillo here has got a mark;A child may know it in the dark:I guess'd the hand: it seldom fails:I wish some folks would pare their nails."While thus they rail, and scold, and storm,It passes but for common form:But, conscious that they all speak true,And give each other but their due,It never interrupts the game,Or makes them sensible of shame.The time too precious now to waste,The supper gobbled up in haste;Again afresh to cards they run,As if they had but just begun.But I shall not again repeat,How oft they squabble, snarl, and cheat.At last they hear the watchman knock,"A frosty morn--past four o'clock."The chairmen are not to be found,"Come, let us play the other round."Now all in haste they huddle onTheir hoods, their cloaks, and get them gone;But, first, the winner must inviteThe company to-morrow night.Unlucky madam, left in tears,(Who now again quadrille forswears,)With empty purse, and aching head,Steals to her sleeping spouse to bed.

Words in this poem 54
ought p. p.
Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]
methinks v.
It seems to me; I think. See Me. [AS. þyncan to seem, me þynceedh, me þuhte, OE. me thinketh, me thoughte; akin to G. dünken to seem, denken to think, and E. think. See Me, and Think.]
belie v. t.
To show to be false; to convict of, or charge with, falsehood. [OE. bilien, bili, AS. beleógan; pref. be- + leógan to lie. See Lie, n.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
rebel a.
Pertaining to rebels or rebellion; acting in revolt; rebellious; as, rebel troops. [F. rebelle, fr. L. rebellis. See Rebel, v. t.]
dame n.
A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]
transcribe v. t.
To write over again, or in the same words; to copy; as, to transcribe Livy or Tacitus; to transcribe a letter. [L. transcribere, transcriptum; trans across, over + scribere to write. See Scribe.]
annals n.
A relation of events in chronological order, each event being recorded under the year in which it happened. [L. annalis (sc. liber), and more frequently in the pl. annales (sc. libri), chronicles, fr. annus year. Cf. Annual.]
sequel n.
That which follows; a succeeding part; continuation; as, the sequel of a man's advantures or history. [L. sequela, fr. sequit to follow: cf. F. séquelle a following. See Sue to follow.]
quadrille n.
A dance having five figures, in common time, four couples of dancers being in each set. [F. quadrille, n. fem., fr. Sp. cuadrilla meeting of four or more persons or It. quadriglia a band of soldiers, a sort of dance; dim. fr. L. quadra a square, fr.]
betty n.
Etym: [Supposed to be a cant word, from Betty, for Elizabeth, as such an instrument is also called Bess (i. e., Elizabeth) in the Canting Dictionary of 1725, and Jenny (i. e., Jane).]
frightfully adv.
In a frightful manner; to a frightful dagree.
codille n.
A term at omber, signifying that the game is won. [F. codile.]
thank n.
A expression of gratitude; an acknowledgment expressive of a sense of favor or kindness received; obligation, claim, or desert, or gratitude; -- now generally used in the plural. [AS. Þanc, Þonc, thanks, favor, thought; akin to OS. thank favor, pleasure, thanks, D. & G. dank thanks, Icel. Þ\'94kk, Dan. tak, Sw. tack, Goth. Þagks thanks; -]
jest n.
A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
folks n.
In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
mechlin n.
A kind of lace made at, or originating in, Mechlin, in Belgium.
nick n.
A notch cut into something; as: (a) A score for keeping an account; a reckoning. [Akin to Nock.]
dine v. i.
To eat the principal regular meal of the day; to take dinner. [F. dîner, OF. disner, LL. disnare, contr. fr. an assumed disjunare; dis- + an assumed junare (OF. juner) to fast, for L. jejunare, fr. jejunus fasting. See Jeju]
unkind a.
Having no race or kindred; childless. [See Kin kindred.]
polite a.
Smooth; polished. [L. politus, p. p. of polire to polish: cf. F. poli. See Polish, v.]
booby n.
A dunce; a stupid fellow. [Sp. bobe dunce, idiot; cf. L. balbus stammering, E. barbarous.]
admiration n.
Wonder; astonishment. [F., fr. L. admiratio. See Admire.]
discretion n.
Disjunction; separation. Mede. [F. discrétion, L. discretio separation, difference, discernment, fr. discernere, discretum. See Discreet, Discern.]
scandal n.
Offense caused or experienced; reproach or reprobation called forth by what is regarded as wrong, criminal, heinous, or flagrant: opprobrium or disgrace. [F. scandale, fr. L. scandalum, Gr. scandle, OF. escandle. See Slander.]
scurrility n.
The quality or state of being scurrile or scurrilous; mean, vile, or obscene jocularity. [L. scurrilitas: cf. F.scurrilité.]
lewd a.
Not clerical; laic; laical; hence, unlearned; simple. [OE.lewed, lewd, lay, ignorant, vile, AS. l laical, belonging to the laity.]
invent v. t.
To come or light upon; to meet; to find. [L. inventus, p. p. of invenire to come upon, to find, invent; pref. in- in + venire to come, akin to E. come: cf. F. inventer. See Come.]
prude n.
A woman of affected modesty, reserve, or coyness; one who is overscrupulous or sensitive; one who affects extraordinary prudence in conduct and speech. [F., prudish, originally, discreet, modest; shortened from OF. prudefeme, preudefeme, a discreet or excellent woman; OF. preu, prou, excellent, brave + de of + f]
spouse v. t.
To wed; to espouse. [See Espouse, and Spouse, n.]
aura n.
Any subtile, invisible emanation, effluvium, or exhalation from a substance, as the aroma of flowers, the odor of the blood, a supposed fertilizing emanation from the pollen of flowers, etc.
amoret n.
An amorous girl or woman; a wanton. J. Warton. [OF. amorette, F. amourette, dim. of amour.]
arrant a.
Notoriously or preëminently bad; thorough or downright, in a bad sense; shameless; unmitigated; as, an arrant rogue or coward. [OE. erraunt, errant, errand, equiv. to E. errant wandering, which was first applied to vagabonds, as an errant rogue, an errant thief, and hence passed graduall]
jilt n.
A woman who capriciously deceives her lover; a coquette; a flirt. Otway. [Contr. fr. Scot. jillet a giddy girl, a jill-flirt, dim. of jill a jill.]
chattering n.
The act or habit of talking idly or rapidly, or of making inarticulate sounds; the sounds so made; noise made by the collision of the teeth; chatter.
chaos n.
An empty, immeasurable space; a yawning chasm. [L. chaos chaos (in senses 1 & 2), Gr. Chasm.]
clatter v. i.
To make a rattling sound by striking hard bodies together; to make a succession of abrupt, rattling sounds. [AS. cla a rattle, akin to D. klateren to rattle. Cf. Clack.]
shrug v. t.
To draw up or contract (the shoulders), especially by way of expressing dislike, dread, doubt, or the like. [Probably akin to shrink, p. p. shrunk; cf. Dan. skrugge, skrukke, to stoop, dial. Sw. skrukka, skruga, to crouch.]
hysteric a.
Of or pertaining to hysteria; affected, or troubled, with hysterics; convulsive, fitful. [L. hystericus, Gr. utter, out.]
went n.
Course; way; path; journey; direction.
vole n.
A deal at cards that draws all the tricks. [F.]
dreadful a.
Full of dread or terror; fearful.
gamester n.
A merry, frolicsome person. [Game + -ster.]
whoever pron.
Whatever person; any person who; be or she who; any one who; as, he shall be punished, whoever he may be.
pate n.
A pie. See Patty. [F. pâté.]
matadore n.
The killer; the man appointed to kill the bull in bullfights. [Sp. matador, prop., a killer, fr. matar to kill, L. mactare to sacrifice, kill.]
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
afresh adv.
Anew; again; once more; newly. [Pref. a- + fresh.]
squabble v. i.
To contend for superiority in an unseemly maner; to scuffle; to struggle; to wrangle; to quarrel. [Cf. dial. Sw. skvabbel a dispute, skvappa to chide.]
watchman n.
One set to watch; a person who keeps guard; a guard; a sentinel.
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
huddle v. i.
To press together promiscuously, from confusion, apprehension, or the like; to crowd together confusedly; to press or hurry in disorder; to crowd. [Cf. OE. hoderen, hodren, to cover, keep, warm; perh. akin to OE. huden, hiden, to hide, E. hide, and orig. meaning, to get together for protection in a safe pla]
winner n.
One who wins, or gains by success in competition, contest, or gaming.
aching a.
That aches; continuously painful. See Ache.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

In a Letter to a Person of Quality. 1728 is in the public domain. This text is taken from The Poems of Jonathan Swift, D.D., Volume 1, Project Gutenberg ebook #14353; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Jonathan Swift, In a Letter to a Person of Quality. 1728, in On Poetry: A Rhapsody, and Other Poems (1727), text of Project Gutenberg ebook #14353, Laurel, https://laurelpoetry.com/poem/swift-poems-vol1/in-a-letter-to-a-person-of-quality-1728.html, id L24539.

Form and metre

In a Letter to a Person of Quality. 1728 is 293 lines in 2 verse paragraphs. It is in rhyming couplets, 89% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 92%).

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCC--DDEEFFGGHH- partA · heartA · zealB · commonwealB · mindC · mankindC · satire · hater · fairD · hairD · singE · stringE · cryF · belieF · endG · friendG · fearsH · tearsH · etc
  2. 2 AABBCCDDEEFFGGHHIIJJIIKKLL--MMNNOOPPQQRRSSTTUUVVWWXXYYZZaabbccddeeffgg--hhiijjkkllmmnnooppqqrrss--ttuuvvwwxxyyzzAABB--CCDD--EEFFGGHHIIJJKKLLMM-MNNOOPPQQRRSSTT--UUVVWWXXYYZZaabbccddeeffgghhiijjkkllmmnnoo--ppqqrrsstt--uuvv------wwxx--yy--zzAABBCCDDEEFFGGHHIIJJKKLLMMNN--OOPPQQ hareA · fairA · writeB · spiteB · dameC · claimC · submitD · bitD · lineE · mineE · rhymesF · timesF · yoursG · securesG · layH · dayH · wellI · sequelI · noonJ · soonJ · willI · quadrilleI · eyesK · riseK · complainsL · brainsL · her · water · prayM · dayM · hardN · cardN · codilleO · willO · fixP · sixP · belowQ · knowQ · cupR · upR · contentS · centS · spadeT · maidT · wonU · dunU · pistolesV · coalsV · lightW · nightW · creamX · themeX · repeatsY · cheatsY · breastZ · jestZ · combinea · signa · taleb · aleb · placec · lacec · chatd · thatd · stuffe · enoughe · hardf · yardf · mang · fang · o'er · four · phraseh · staysh · stylei · whilei · dressj · lessj · sickk · nickk · partl · heartl · alonem · knownm · dayn · wayn · sendso · friendso · enoughp · stuffp · guestq · restq · triter · politer · sits · wits · survey · tea · clanst · harridanst · crewu · flewu · placev · facev · pridew · widew · severex · airx · bursty · worsty · glassz · brassz · cameA · frameA · leadB · headB · muse · use · dueC · fewC · relateD · prateD · slanders · entendres · chargeE · enlargeE · lieF · iF · nameG · fameG · blindH · mindH · severeI · shareI · deludesJ · prudesJ · deathK · breathK · presumesL · perfumesL · saysM · staysM · jealous · fellowsM · fretsN · coquettesN · notoriousO · censoriousO · leadP · redP · henceQ · silenceQ · guiltR · jiltR · riseS · viesS · disputeT · muteT · hearken · barking · dinU · ginU · outV · routV · matterW · clatterW · railX · aleX · aloneY · ownY · lookZ · bookZ · frowna · downa · fanb · manb · disbandsc · handsc · sitsd · fitsd · sente · wente · soulf · volef · spleeng · betweeng · dropsh · stopsh · swimsi · limbsi · napj · rapj · upk · supk · setl · metl · quitem · nightm · withinn · beginn · imparto · arto · put · cut · relatep · patep · feelsq · heelsq · findr · behindr · eyess · rises · fedt · redt · pays · keys · strucku · lucku · camev · gamev · in't · in't · stays · please · gone · on · codillew · illw · sayx · awayx · four · matadore · ringy · kingy · h · teach · heartsz · artsz · rubsA · clubsA · understandB · handB · flounceC · renounceC · whenD · tenD · markE · darkE · failsF · nailsF · stormG · formG · trueH · dueH · gameI · shameI · wasteJ · hasteJ · runK · begunK · repeatL · cheatL · knockM · o'clockM · foundN · roundN · on · gone · inviteO · nightO · tearsP · forswearsP · headQ · bedQ
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
SIR, 'twas a most unfriendly part8····˘/˘·
In you, who ought to know my heart,8········
Are well acquainted with my zeal8··˘/˘···
For all the female commonweal--8···/·/˘˘
How could it come into your mind8········
To pitch on me, of all mankind,8······//
Against the sex to write a satire,9·······/˘
And brand me for a woman-hater?9·····/˘/˘
On me, who think them all so fair,8········
They rival Venus to a hair;8·/˘/˘···
Their virtues never ceased to sing,8·/˘/˘···
Since first I learn'd to tune a string?8········
Methinks I hear the ladies cry,8˘/···/˘·
Will he his character belie?8···/˘˘˘/
Must never our misfortunes end?8·//˘˘/˘·
And have we lost our only friend?8····//˘·
Ah, lovely nymphs! remove your fears,8·/˘·˘/··
No more let fall those precious tears.8·····/˘·
Sooner shall, etc.7/˘··/˘˘
The hound be hunted by the hare,8···/˘···
Than I turn rebel to the fair.8···/˘···
'Twas you engaged me first to write,8··˘/····
Then gave the subject out of spite:8···˘/···
The journal of a modern dame,8·/˘··/˘·
Is, by my promise, what you claim.8···/˘···
My word is past, I must submit;8······˘/
And yet perhaps you may be bit.8··˘/····
I but transcribe; for not a line8··˘/····
Of all the satire shall be mine.8···/˘···
Compell'd by you to tag in rhymes8˘/······
The common slanders of the times,8·/˘/˘···
Of modern times, the guilt is yours,8·/˘·····
And me my innocence secures.8···/˘˘˘/
Unwilling Muse, begin thy lay,8˘/˘·˘/··
The annals of a female day.8·/˘··/··
By nature turn'd to play the rake well,9·/˘······
(As we shall show you in the sequel,)9·······/˘
The modern dame is waked by noon,8·/˘·····
(Some authors say not quite so soon,)8·/˘·····
Because, though sore against her will,8········
She sat all night up at quadrille.8······˘/
She stretches, gapes, unglues her eyes,8·/˘·˘/··
And asks if it be time to rise;8········
Of headache and the spleen complains;8·/····˘/
And then, to cool her heated brains,8·····/˘·
Her night-gown and her slippers brought her,9·····/˘··
Takes a large dram of citron water.9·····/˘/˘
Then to her glass; and, "Betty, pray,8·····/˘·
Don't I look frightfully to-day?8···/˘˘··
But was it not confounded hard?8····˘/˘·
Well, if I ever touch a card!8···/˘···
Four matadores, and lose codille!8·/˘···˘/
Depend upon't, I never will.8˘/···/˘·
But run to Tom, and bid him fix8········
The ladies here to-night by six."8·/˘·····
"Madam, the goldsmith waits below;8/˘·/····
He says, his business is to know8···/˘···
If you'll redeem the silver cup8··˘/·/˘·
He keeps in pawn?"--"Why, show him up."8········
"Your dressing-plate he'll be content8·/˘···˘/
To take, for interest cent. per cent.8···/˘···
And, madam, there's my Lady Spade8·/˘··/˘·
Has sent this letter by her maid."8···/˘···
"Well, I remember what she won;8··˘/˘···
And has she sent so soon to dun?8········
Here, carry down these ten pistoles8·/˘···/˘
My husband left to pay for coals:8·/˘·····
I thank my stars they all are light,8········
And I may have revenge to-night."8····˘/··
Now, loitering o'er her tea and cream,8·/˘·····
She enters on her usual theme;8·/˘··/˘·
Her last night's ill success repeats,8····˘/˘/
Calls Lady Spade a hundred cheats:8·/˘··/˘·
"She slipt spadillo in her breast,8········
Then thought to turn it to a jest:8········
There's Mrs. Cut and she combine,8·/˘···˘/
And to each other give the sign."8···/˘···
Through every game pursues her tale,8·/˘·˘/··
Like hunters o'er their evening ale.8·/˘··/˘·
Now to another scene give place:8··˘/˘···
Enter the folks with silks and lace:8/˘······
Fresh matter for a world of chat,8·/˘·····
Right Indian this, right Mechlin that:8·/˘··/˘·
"Observe this pattern--there's a stuff;8˘/·/˘···
I can have customers enough.8···/˘˘˘/
Dear madam, you are grown so hard--8·/˘·····
This lace is worth twelve pounds a-yard:8········
Madam, if there be truth in man,8/˘······
I never sold so cheap a fan."8·/˘·····
This business of importance o'er,8·/˘·˘/˘·
And madam almost dress'd by four;8·/˘/····
The footman, in his usual phrase,8·/˘··/˘·
Comes up with, "Madam, dinner stays."8···/˘/˘·
She answers, in her usual style,8·/˘··/˘·
"The cook must keep it back a while;8········
I never can have time to dress,8·/˘·····
No woman breathing takes up less;8·/˘/˘···
I'm hurried so, it makes me sick;8·/˘·····
I wish the dinner at Old Nick."8···/˘···
At table now she acts her part,8·/˘·····
Has all the dinner cant by heart:8···/˘···
"I thought we were to dine alone,8······˘/
My dear; for sure, if I had known8········
This company would come to-day--8·/˘˘····
But really 'tis my spouse's way!8·/˘··/˘·
He's so unkind, he never sends8··˘/·/˘·
To tell when he invites his friends:8····˘/··
I wish ye may but have enough!"8······˘/
And while with all this paltry stuff8·····/˘·
She sits tormenting every guest,8··/·˘/˘·
Nor gives her tongue one moment's rest,8·····/˘·
In phrases batter'd, stale, and trite,8·/˘/˘···
Which modern ladies call polite;8·/˘/˘·˘/
You see the booby husband sit8···/˘/˘·
In admiration at her wit!8··˘/˘···
But let me now a while survey8······˘/
Our madam o'er her evening tea;8//˘··/˘·
Surrounded with her noisy clans8˘/˘··/˘·
Of prudes, coquettes, and harridans,8········
When, frighted at the clamorous crew,9·/˘··/˘˘·
Away the God of Silence flew,8˘/···/˘·
And fair Discretion left the place,8··˘/˘···
And modesty with blushing face;8·/˘˘·/˘·
Now enters overweening Pride,8·/˘·····
And Scandal, ever gaping wide,8·/˘/˘/˘·
Hypocrisy with frown severe,8˘/˘˘··˘/
Scurrility with gibing air;8˘/˘˘····
Rude laughter seeming like to burst,8·/˘/˘···
And Malice always judging worst;8·/˘/·/˘·
And Vanity with pocket glass,8·/˘˘·/˘·
And Impudence with front of brass;8·/˘˘····
And studied Affectation came,8·/˘·˘/˘·
Each limb and feature out of frame;8···/˘···
While Ignorance, with brain of lead,8·/˘˘····
Flew hovering o'er each female head.8·/˘··/··
Why should I ask of thee, my Muse,8········
A hundred tongues, as poets use,8·/˘··/˘·
When, to give every dame her due,8···/˘···
A hundred thousand were too few?8·/˘/˘···
Or how should I, alas! relate8····˘/˘/
The sum of all their senseless prate,8·····/˘·
Their innuendoes, hints, and slanders,9·˘˘/˘··/˘
Their meanings lewd, and double entendres?10·/˘··/˘˘/˘
Now comes the general scandal charge;8···/˘/˘·
What some invent, the rest enlarge;8··˘/··˘/
And, "Madam, if it be a lie,8·/˘·····
You have the tale as cheap as I;8········
I must conceal my author's name:8··˘/·/˘·
But now 'tis known to common fame."8·····/˘·
Say, foolish females, bold and blind,8·/˘/····
Say, by what fatal turn of mind,8···/˘···
Are you on vices most severe,8···/˘·˘/
Wherein yourselves have greatest share?8··˘/·/˘·
Thus every fool herself deludes;8·/˘·˘/˘/
The prude condemns the absent prudes:8··˘/·/˘·
Mopsa, who stinks her spouse to death,8········
Accuses Chloe's tainted breath;8˘/˘/˘/˘·
Hircina, rank with sweat, presumes8······˘/
To censure Phyllis for perfumes;8·/˘/˘·˘/
While crooked Cynthia, sneering, says,8·/˘/˘/˘·
That Florimel wears iron stays;8·····/˘·
Chloe, of every coxcomb jealous,9/˘·/˘/˘/˘
Admires how girls can talk with fellows;9˘/·····/˘
And, full of indignation, frets,8····˘/˘·
That women should be such coquettes:8·/˘·····
Iris, for scandal most notorious,9/˘·/˘·˘/˘
Cries, "Lord, the world is so censorious!"10······˘/˘˘
And Rufa, with her combs of lead,8········
Whispers that Sappho's hair is red:8/˘······
Aura, whose tongue you hear a mile hence,9/˘·······
Talks half a day in praise of silence;9·······/˘
And Sylvia, full of inward guilt,8·/˘··/˘·
Calls Amoret an arrant jilt.8·/˘˘·/˘·
Now voices over voices rise,8·/˘··/˘·
While each to be the loudest vies:8·····/˘·
They contradict, affirm, dispute,8··˘/˘/˘/
No single tongue one moment mute;8·/˘··/˘·
All mad to speak, and none to hearken,9·······/˘
They set the very lap-dog barking;9···/˘··/˘
Their chattering makes a louder din8·/˘˘··/·
Than fishwives o'er a cup of gin;8········
Not schoolboys at a barring out8·/···/˘·
Raised ever such incessant rout;8·/˘·˘/˘·
The jumbling particles of matter9·/˘/˘˘·/˘
In chaos made not such a clatter;9·/˘····/˘
Far less the rabble roar and rail,8···/˘···
When drunk with sour election ale.8···/˘/˘·
Nor do they trust their tongues alone,8······˘/
But speak a language of their own;8···/˘···
Can read a nod, a shrug, a look,8········
Far better than a printed book;8·/˘··/˘·
Convey a libel in a frown,8˘/·/˘···
And wink a reputation down;8····˘/˘·
Or by the tossing of the fan,8···/˘···
Describe the lady and the man.8˘/·/˘···
But see, the female club disbands,8···/··˘/
Each twenty visits on her hands.8·/˘/˘···
Now all alone poor madam sits8··˘/·/˘·
In vapours and hysteric fits;8·/˘··/˘·
"And was not Tom this morning sent?8·····/˘·
I'd lay my life he never went;8·····/˘·
Past six, and not a living soul!8·····/˘·
I might by this have won a vole."9·········
A dreadful interval of spleen!8·/˘/˘˘··
How shall we pass the time between?8········
"Here, Betty, let me take my drops;8·/˘·····
And feel my pulse, I know it stops;8········
This head of mine, lord, how it swims!8········
And such a pain in all my limbs!"8········
"Dear madam, try to take a nap"--8·/˘·····
But now they hear a footman's rap:8·····/˘·
"Go, run, and light the ladies up:8·····/˘·
It must be one before we sup."8········
The table, cards, and counters, set,8·/˘··/˘·
And all the gamester ladies met,8···/˘/˘·
Her spleen and fits recover'd quite,8····˘/˘·
Our madam can sit up all night;8//˘·····
"Whoever comes, I'm not within."8˘/˘·····
Quadrille's the word, and so begin.8······˘/
How can the Muse her aid impart,8······˘/
Unskill'd in all the terms of art?8˘/······
Or in harmonious numbers put8··˘/˘/˘·
The deal, the shuffle, and the cut?8···/˘···
The superstitious whims relate,8··˘/˘·˘/
That fill a female gamester's pate?9···/·····
What agony of soul she feels8·/˘˘····
To see a knave's inverted heels!8····˘/˘·
She draws up card by card, to find8········
Good fortune peeping from behind;8·/˘/˘···
With panting heart, and earnest eyes,8·/˘··/˘·
In hope to see spadillo rise;8········
In vain, alas! her hope is fed;8··˘/····
She draws an ace, and sees it red;8········
In ready counters never pays,8·/˘/˘/˘·
But pawns her snuff-box, rings, and keys;8········
Ever with some new fancy struck,8/˘···/˘·
Tries twenty charms to mend her luck.8·/˘·····
"This morning, when the parson came,8·/˘··/˘·
I said I should not win a game.8········
This odious chair, how came I stuck in't?9·/˘······
I think I never had good luck in't.8···/····
I'm so uneasy in my stays:8··˘/˘···
Your fan, a moment, if you please.8···/˘···
Stand farther, girl, or get you gone;8·/˘·····
I always lose when you look on."8·/······
"Lord! madam, you have lost codille:8·/˘···˘/
I never saw you play so ill."8·/˘·····
"Nay, madam, give me leave to say,8·/˘·····
'Twas you that threw the game away:8······˘/
When Lady Tricksey play'd a four,8·/˘·····
You took it with a matadore;8········
I saw you touch your wedding ring8·····/˘·
Before my lady call'd a king;8···/˘···
You spoke a word began with H,8····˘/··
And I know whom you meant to teach,8········
Because you held the king of hearts;8········
Fie, madam, leave these little arts."8·/˘··/˘·
"That's not so bad as one that rubs8········
Her chair to call the king of clubs;8········
And makes her partner understand8···/˘·˘/
A matadore is in her hand."8········
"Madam, you have no cause to flounce,8/˘······
I swear I saw you thrice renounce."8······˘/
"And truly, madam, I know when8·/˘/˘···
Instead of five you scored me ten.8˘/······
Spadillo here has got a mark;8········
A child may know it in the dark:8········
I guess'd the hand: it seldom fails:8·····/˘·
I wish some folks would pare their nails."8········
While thus they rail, and scold, and storm,8········
It passes but for common form:8·/˘··/˘·
But, conscious that they all speak true,8·/˘·····
And give each other but their due,8···/˘···
It never interrupts the game,8·/˘·˘/··
Or makes them sensible of shame.8···/˘˘··
The time too precious now to waste,8···/˘···
The supper gobbled up in haste;8·/˘/˘···
Again afresh to cards they run,8˘/˘/····
As if they had but just begun.8······˘/
But I shall not again repeat,8····˘/˘/
How oft they squabble, snarl, and cheat.8···/˘···
At last they hear the watchman knock,8·····/˘·
"A frosty morn--past four o'clock."8·/˘···˘/
The chairmen are not to be found,8·/˘·····
"Come, let us play the other round."8·····/˘·
Now all in haste they huddle on8·····/˘·
Their hoods, their cloaks, and get them gone;8········
But, first, the winner must invite8···/˘·˘/
The company to-morrow night.8·/˘˘·/˘·
Unlucky madam, left in tears,8˘/˘/˘···
(Who now again quadrille forswears,)8··˘/˘/˘/
With empty purse, and aching head,8·/˘··/˘·
Steals to her sleeping spouse to bed.8···/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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